Fantastic, great opening by the corents, I have heard a few very good bands trip over the opening, but not in this case. I enjoyed this very much. What a privilege to have it played by two spectacular bands. I was blessed. Thank you.
Tämä upea esitys kertoo aiheista: "Aamun koitossa, kun kokoontupi joukko luvuton"; - Herralta, kun kutsu soipi, Herralta, kun kutsu soipi, Herralta, kun kutsu soipi". - "Silloin minäkin myös, vaikka kuolon, vain mä ansaitsen, kutsun Jeesukselta kuulla saan" Tämä on Pelastusarmeijan klassikkosovitus, joka ei unohdu koskaan.
Interesting comment. The score is marked crotchet 92 - this is almost dead on it. Les Condon (I was privileged to know him well) once told me that he wished conductors would stick to his tempo markings as they often took the beginning too slowly. Food for thought. This is a superb performance. Geoffrey Nobes
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One of my favorite works. I haven't heard this for many years.
BEAUTIFUL
Fantastic, great opening by the corents, I have heard a few very good bands trip over the opening, but not in this case. I enjoyed this very much. What a privilege to have it played by two spectacular bands. I was blessed. Thank you.
Brings back fantastic memories of playing this. Thank you for sharing.
Hello Sharon, how are you doing and what is the weather like? God bless you.
So fine😍😍... And nice
From mizoram❤
Tämä upea esitys kertoo aiheista: "Aamun koitossa, kun kokoontupi joukko luvuton"; - Herralta, kun kutsu soipi, Herralta, kun kutsu soipi, Herralta, kun kutsu soipi". - "Silloin minäkin myös, vaikka kuolon, vain mä ansaitsen, kutsun Jeesukselta kuulla saan" Tämä on Pelastusarmeijan klassikkosovitus, joka ei unohdu koskaan.
Leslie was a very caring person and wrote some good music. David Kidd
Just a fraction too fast at the opening. A slightly slower pace emphasises the triumphal majesty. The performance by Enfield band is just about right
Interesting comment. The score is marked crotchet 92 - this is almost dead on it. Les Condon (I was privileged to know him well) once told me that he wished conductors would stick to his tempo markings as they often took the beginning too slowly. Food for thought. This is a superb performance. Geoffrey Nobes