Alice Sara Ott - Liszt Paganini Etude No.1
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- Опубликовано: 12 сен 2024
- Franz Liszt: Étude No.1 in G minor from "Grandes études de Paganini" S.141
Recorded on May 19, 2015 at Tokyo Opera City Concert Hall
www.alicesaraott.com
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アリスオットさんは大変すばらしいピアニストであることがこの演奏からも伺えます。楽譜の意味をよく理解しているし、すばらしい演奏です。
細い腕からは想像できないようなドラマチックで力強い繊細で、
命を吹き込むように演奏されていて旋律が訴えかけてくるようです。
What precision and clarity! Your mind must be beautiful...
Your mind and ability are one! So beautiful!! Thanks for introducing me to some complicated pieces I have never understood. You are a love! 🌹❤️
Bravo! Alice. It was like watching the divine unfold. Thank you.
I like your music ☺️. I'm from South Korea near Japan
Pure joy, thank you so very much xxx
Gracias Alice eres una de mis pianistas preferidas con Horowitz i Brendel estoy estudiando estos estudios y eres mi referencia
場違いなところで、お願い事をして申し訳ありません。
アリスさんの演奏で、ラフマニノフのコンチェルト２番、メンデルスゾーンのコンチェルト１番を是非、聴いてみたい。とても、素晴らしいのだろうなと思い巡らしています。
Taku classical-music ラフマニノフの2楽章特に聴いてみたい
Thanks alice
beautiful playing... in every way...
You understand it!
why I …
why me ...
paradise palms slide down in the summer breeze
when the sun goes down
everything will be clear
I run to a mess of empty sounds
the guys move their junks
It's not mine ...
The captain rummages at his tattered sails
he smiles at me
Oh yeah …
ocean breeze
no …
I do not know …
Captain! ...
your brig smells like sinking
is smiling …
your place is a coastal stone of sorrow
she snorts with an unstoppable laugh
you are swimming with me ...
his fair hair is playing on the traverse of the moon
Yes …
so I'm swimming! ...
in an absurd translation ... memories of the Captain and the Orchid
dlaczego ja …
dlaczego mi …
rajskie palmy osuwają w letnią bryzę
gdy śłońce zajdzie
będzie już wszystko jasne
biegnę do rozgardiaszu pustych dźwięków
chłopaki przesuwają swoje dżonki
to nie mój ...
Kapitan grzebie w zszarganych żaglach
uśmiecha się do mnie
o tak …
bryza podmuchem oceanu
nie …
nie wiem …
Kapitanie !…
twój bryg pachnie zatonięciem
uśmiecha się …
twoje miejsce nabrzeżnym kamieniem smutku
parska niepowstrzymanym śmiecham
płyniesz ze mną …
jego jasne włosy grają na trawersie księżyca
tak …
tak płynę !...
Pianistin mit Weltniveau !!!
Höchstwahrscheinlich.Dazu eine Masterclass ,Inspiration für angehende Pianist*innen🎉😊
Bravissimo
Awesome
🕊
What I simply cannot figure out is how people get this piece up to speed. This recording is around 35 seconds slower than Hamelin's (the fastest I know of), but still sounds fine. yet whenever I try to get under six minutes, the whole piece starts sounding frantic and unpleasant, It seems I need to get though the first half a lot faster as that is where the time is being lost, but I seem to be reaching a wall, I guess I just need to spend more time on that first half.
It probably does not help that I am only using my left hand for the majority of the first half. but for me that is how the piece seems to be asking to be played.
J Smith --- Its really just a matter of preference. If you want the easy way out and to enjoy the music, use your right. If your intention is to improve the technique of your off-hand, then do so.
Play the beat and rest, repeat until the measure is clear and speed up. Play two beats, rest etc. This works with any elaborate or dense finger passages.
when you practice, you can play bursts of notes as fast and clear as you can without strain one beat at a time, stop, then play the next beat as such. you'll see that it gets better overtime.
🎹🎈
Alice Sara Ott yes Casatorio Civil 28 Sept. 2019 Berlín Alemania -------- Alice Sara Ott good night wonderful Thank you lovely yes l Love you Kisses Berlinale Germany yes New York City .U.S.A. yes Columbia
Alice Sara Ott yes Casatorio Civil Arthur Giorgio yes 28 Sept. 2019 Berlín Alemania - Alice Sara Ott good morning wonderful Thank you lovely yes l Love you Kisses Berlinale Germany yes New York City .U. S .a.
nice but FAZIL SAY best of the world
That's like saying McDonalds is the highest quality food one can purchase.