@Trevor if we call some humain articaft from 3 000 BC ancient, even though that is roughly the last 1% of the time humains have existed, why couldnt we say ancient synthesia if piano was invented in the 1700s so by that this so called players piano would be after 60% of the time piano has existed and synthesia was invented in the 2000s?
Stage -1 Due to the advancements of technology, memories can be recorded onto implants within your own mind. There is no chance of decay, and all memory will be recalled with full accuracy. Those golden years will never be forgotten again. Dementia has, at long last, been cured.
Stage - 2 Facebook buys patent for implants, so they don't get implemented for the next 40 years, until bootleg nanobot surgery advances enough to make open source analogs Stage - 3 Implants exist, but you have to buy premium subscription to memorize copyrighted music. Also it requires constant internet access and send user data to Facebook servers. Devices without constant internet access are legally considered spy tools and are banned. Also, authors of royalty free music have to pay FB to let users remember their songs
@@edwon4295 I meant Al Bowlly's version, though I originally learned of the song from the Caretaker's It's just a burning memory. Either way, I feel like the statement applies. A song about 'heartaches' maybe shouldn't be so jovial, but I enjoy the way it's played in this video.
Oh, "After his ascension to heaven, where he had dementia, he held a delightful tea party there with his old friends." This song showed me such a delightful scene. Thank you for the wonderful melody.
Heart aches Heart aches My loving you meant only heart aches Your kiss was such a sacred thing to me I can’t believe it’s just a burning memory Heart aches Heart aches What does it matter how my heart breaks I should be happy with someone new but my heart aches for you You said you love me just as I love you And I believed it all I never dreamt your words would prove untrue I was a fool to fall You brought me Heart aches Heart aches My loving you meant only heart aches Your kiss was such a sacred thing to me I can’t believe it’s just a burning memory Heart aches Heart aches What does it matter how my heart breaks I should be happy with someone new but my heart aches for you
Yes this is what is called a “word roll” which were originally pioneered by the Vocalstyle Co of Cincinnati in about 1909. Hence their company name. Their rolls (at least before the 1920s) often also had breath marks (apostrophes) and other singing or breathing marks printed on them, to help aid the singer in singing the song. These sophisticated features were dropped from late rolls. Around 1915 the Imperial Player Roll Co of Chicago licensed the word roll technology from Vocalstyle and became the first “major” huge city roll company to offer word rolls, especially hand played word rolls. Soon QRS and others followed via licensing, until the patents ran out.
Lol I knew about this song from the Rock afire Explosion, then I looked up the original version that they covered, only to discover that the original song was released like 80 years ago or so. Then I saw the comments on the original song, with references to this “caretaker” guy and a bunch of dementia jokes. Through looking up the caretaker, I found out about everywhere at the end of time. Now I’m here lmao
I really like how it's played here, it sounds really happy and a joyful song. When you set this as the background music for a really sad scene, it would be perfect. It would suit the melancholy
The way I hear it, it does have a sprightly dance rhythm with all those fleet triplets and little fills, BUT because he respects the composer’s original melody and chords, in which the melancholy sound is “built in” (in my opinion); it is still there, but you can dance to it 😀 Sort of “smiling through tears” as it were. Also, he could have destroyed the character of this song with tasteless or inappropriate fills; BUT instead his musical choices are the epitome of taste IMO. A very lovely and sympathetic dance arrangement.
These are the original lyrics written by John Klenner and published in the original piano-vocal sheet music. No doubt other singers sing many of them in their recordings. The reason Al Bowlly doesn’t sing them in his recording is probably due to reasons of length and space on the old records, which usually has about 3 minutes’ worth of playing time. (4 in a 12” 78 or an Edison Diamond Disc). So the band arrangements were doctored specially for these recording sessions, so different artists could each make brief statements on the side. This is why many 20s Jazz horn solos are only 4 bars to maybe a half chorus rather than a full chorus apiece. Otherwise there was not enough playing time for everyone to solo. So various musicians in the dance band get to solo and then. Bowlly takes a vocal chorus. In live performances most of these bands would play a tune longer to allow for more dancing time for couples and for the musicians to stretch out. They could play a tune for 5 or 10 minutes in a dance hall.
Also Al Bowlly was not the bandleader on that side, but a sideman/singer with the orchestra. In contrast, Seger Ellis was the bandleader as well as singer on his side (plus a damn fine barrelhouse blues pianist, surprisingly), so naturally he got more singing time as bandleader.
Heart aches Heart aches My loving you meant only heart aches Your kiss was such a sacred thing to me I can’t believe it’s just a burning memory Heart aches Heart aches What does it matter how my heart breaks I should be happy with someone new but my heart aches for you You said you love me just as I love you And I believed it all I never dreamt your words would prove untrue I was a fool to fall Heart aches Heart aches My loving you meant only heart aches Your kiss was such a sacred thing to me I can’t believe it’s just a burning memory Heart aches Heart aches What does it matter how my heart breaks I should be happy with someone new but my heart aches for you Here you guys go, I wrote them
Heartaches Heartaches My loving you meant only heartaches Your kiss was such a great thing to me I can't believe it's just a burning memory Heartaches Heartaches What does it matter how my heart breaks? I should be happy with someone knew But my heart aches for you
This is a very nice and tasteful roll version of this song, but wait ‘till you hear Rudy Erlebach’s version on the Paramount roll label. It’s so groovy it will knock your socks off.
*It’s not on RUclips yet. A friend owns it and I will see if I can record it at his house on a future visit. And/or I could post it from one of the multiple volume Cracker Barrel records “Original Player Piano Roll Gems” LPs, but also risk a copyright strike 😬
Yes, almost. Some notes could not be held for their correct value (particularly the tenor line), but you could at least play all the notes and it would sound effective.
Some of the piano roll pop arrangements have notes added and various doublings, usually octave doublings of important lines like the melody line and/or a prominent counter-melody line. This was especially done in pop rolls in the 1917-1922 or so era when the early “jazz craze” hit and 4-hand arrangements with lots of tremolo (including double tremolo) were popular. However, editorials in music trade journals like the “Music Trade Review” complained about these “noisy” rolls (disclaimer: this same editor didn’t like jazz music either) and so, probably partly due to this but more to the style getting stale, the various roll arrangers for various companies transitioned to a “cleaner” roll style with less (or no) tremolo, and subtler doublings etc much like what J Lawrence Cook used in his familiar style. Milne is following this trend in his 30s or 40s arrangement here. Some rolls have no doublings or added notes at all and are totally playable by a single pianist. This might be one of them. I am sure someone like Peter Mintun could play all of it 😉
You can use the middle sostenuto pedal found on most grand pianos and a few very rare very fine uprights (like some Mason & Hamlin and some Julius Bauer uprights) to selectively sustain the tenor line to keep it going in between switching hands. It takes a lot of dexterity and the piano has to be in good regulation, but some pianists do this as a matter of course.
This exact rendition (a different recording of the same roll) is to be the end credit music to one of my TV projects. It also utilizes 1957's "One Of Those Songs" for a nostalgic feel.
Hehe that’s a good one. Ragtime had just debuted to the (white) general public as a new fad in 1896 (of course Black people knew about it for years, but it hadn’t gained the name “ragtime” until shortly before the craze), and the first commercially successful pneumatic player pianos and push up piano players were marketed by the Wilcox & White Co of Meriden CT under the “Angelus” brand (in 1895) although it would be a few years before it took off. In 1896 the Goolman Brothers in Los Angeles had invented the “Autono” piano playing system and moved to New York to market it. Two years later Roth & Engelhardt would buy the rights to the system and make it themselves in upstate NY as the “Harmonist” and “Peerless”. So these two player brands were brand new then and played respectively 65- and 66-note rolls. The Aeolian “Pianola” which would become a world best seller was one year away (1897) from commercial introduction (still in the prototype stage, although their player reed organs were selling well in the meantime), and the first 88-note player piano, to play all the notes automatically, the Melville Clark Apollo Concert Grand system, wouldn’t debut until 1902. The 88-note Aeolian format used by the Lauter Humana piano in this video wouldn’t come out until 1907-1908 and then be agreed on as a universal industry standard in 1908 at the Buffalo convention. Finally, the musical style of this piece has all these tangy (“crunchy”) dissonances and lush chords with 6ths, 9ths or 13ths “built in”. This lush style of pop music debuted in the late 20s and became commonplace in the 1930s-1950s, basically the Swing Era. Many so called Great American Songbook songs and classic Broadway shows debuted this time and so are in this sort of style with this sort of harmonic language. This was 10+ years after ragtime was supplanted by jazz and was then considered old fashioned. So the original artists would not have thought of this as ragtime; the ragtime revival was still many years away.
A relatively few cutting edge pop, jazz and salon musicians were using these kinds of lush harmonies and voicings 10+ years before they were generally popular. Many of these artists were classically trained and were borrowing from later developments in classical piano and orchestra music and using it to influence their pop music. Some examples include mid period Broadway show composers like Jerome Kern, Louis Hirsch, Raymond Hubbell, and George Gershwin; advanced popular and salon pianists like McNair Ilgenfritz, Felix Arndt, Victor Arden, and probably Frank Milne here; and then some more advanced jazz musicians like of course Duke Ellington plus Bix Beiderbecke, Red Nichols, Arthur Schutt, et al. By the late 20s the hipper Black bands who were usually a bit ahead of the curve like besides Ellington, the Mills Blue Rhythm Band; etc started putting in 6ths or 9ths in the chord voicings (necessitating adding an extra horn to each section, which is how big bands gained a 4th sax, a 4th trumpet etc), which created that “streamlined” sound we hear here in this 30s or 40s roll arrangement.
I’m not gonna lie, as much as I’ve come to love the Walten Files, the series has made this song something…really frightening and almost traumatizing to me. However, this cover sounds so upbeat…it really changes the whole mood of the tune. This might be just what I needed to come to love this song again (which I really want to ofc, it’s a beautiful song)!
![GUILTY GEAR -STRIVE- Season Pass 4 Playable Character #1 [Queen Dizzy] Trailer](http://i.ytimg.com/vi/nXDsAgYXXv4/mqdefault.jpg)
At least that piano will never forget this song
:)
good joke
Actually it will
bruh
Until the roll wears out.
What song?
I remember this song as a girl. So sweet. Great melody. D
Ah yes, the ancient synthesia.
Ancient?
Art Deco city Architecture Yeah, ancient. These things are over 100 years old. By piano standards, they ARE ancient.
no not you
@Trevor well thats like half of its existance so yeah
@Trevor if we call some humain articaft from 3 000 BC ancient, even though that is roughly the last 1% of the time humains have existed, why couldnt we say ancient synthesia if piano was invented in the 1700s so by that this so called players piano would be after 60% of the time piano has existed and synthesia was invented in the 2000s?
Stage -1
Due to the advancements of technology, memories can be recorded onto implants within your own mind. There is no chance of decay, and all memory will be recalled with full accuracy. Those golden years will never be forgotten again. Dementia has, at long last, been cured.
i wishhh
what's stage -2 then?
@@Egorold the human body evolves to be immune to dementia
Stage - 2
Facebook buys patent for implants, so they don't get implemented for the next 40 years, until bootleg nanobot surgery advances enough to make open source analogs
Stage - 3
Implants exist, but you have to buy premium subscription to memorize copyrighted music. Also it requires constant internet access and send user data to Facebook servers. Devices without constant internet access are legally considered spy tools and are banned. Also, authors of royalty free music have to pay FB to let users remember their songs
@@__-yu8vi what about Stage -4
“I have a midi keyboard!”
“Cool let’s see it!”
The midi keyboard:
Ye olde synthesia
I find it fascinating how different the tone of this feels to the 'original'. It's a lot more jovial in my opinion.
homestuck
Dos cringos found!
Do you mean heartaches by Al Bowlly? Or the burning memory one?
@@edwon4295 I meant Al Bowlly's version, though I originally learned of the song from the Caretaker's It's just a burning memory. Either way, I feel like the statement applies. A song about 'heartaches' maybe shouldn't be so jovial, but I enjoy the way it's played in this video.
@@fieryredranden1845 that's because it's in ragtime!
Oh, "After his ascension to heaven, where he had dementia, he held a delightful tea party there with his old friends." This song showed me such a delightful scene.
Thank you for the wonderful melody.
That’s so pretty! It makes me want to write a small piece based off this
Heart aches
Heart aches
My loving you meant only heart aches
Your kiss was such a sacred thing to me
I can’t believe it’s just a burning memory
Heart aches
Heart aches
What does it matter how my heart breaks
I should be happy with someone new
but my heart aches for you
You said you love me just as I love you
And I believed it all
I never dreamt your words would prove untrue
I was a fool to fall
You brought me
Heart aches
Heart aches
My loving you meant only heart aches
Your kiss was such a sacred thing to me
I can’t believe it’s just a burning memory
Heart aches
Heart aches
What does it matter how my heart breaks
I should be happy with someone new
but my heart aches for you
What an amazing compositional variant of this already amazing song
This is as close to a piano tutorial as I can find.
Edit: nevermind I found one, but still awesome!
can you send the link
link pleAse
@@waynet8729 ruclips.net/video/D6N4oUGm_S4/видео.html
thank you
@@waynet8729 no problem
That’s so cool how the lyrics are on the side
I didn't even realize that until you pointed it out
@not picked yet it’s on the right side. They are faint so you might need to use high quality
I legit thought it was just some notes😐
Ancient karaoke
Yes this is what is called a “word roll” which were originally pioneered by the Vocalstyle Co of Cincinnati in about 1909. Hence their company name. Their rolls (at least before the 1920s) often also had breath marks (apostrophes) and other singing or breathing marks printed on them, to help aid the singer in singing the song. These sophisticated features were dropped from late rolls. Around 1915 the Imperial Player Roll Co of Chicago licensed the word roll technology from Vocalstyle and became the first “major” huge city roll company to offer word rolls, especially hand played word rolls. Soon QRS and others followed via licensing, until the patents ran out.
This is the first time hearing this song and I love it!
Imagine the piano sheet starts to forget how to play this
Paper does wear out.
Lol I knew about this song from the Rock afire Explosion, then I looked up the original version that they covered, only to discover that the original song was released like 80 years ago or so. Then I saw the comments on the original song, with references to this “caretaker” guy and a bunch of dementia jokes. Through looking up the caretaker, I found out about everywhere at the end of time. Now I’m here lmao
Sounds like saloon music
LENNY!!! LENNY!!! Wait who’s Lenny?
The Loud House Reference
@King Bishop Never thought I'd see those two in the same sentence.
When your memory is sharp as a tack and you don’t show any signs of dementia
Stage 1, in medical terms
@@condor2279 nah stage 0
@@condor2279 bro where did you learn that? I'm an lpn and we call that "alert and oriented" lmao
I really like how it's played here, it sounds really happy and a joyful song. When you set this as the background music for a really sad scene, it would be perfect. It would suit the melancholy
The way I hear it, it does have a sprightly dance rhythm with all those fleet triplets and little fills, BUT because he respects the composer’s original melody and chords, in which the melancholy sound is “built in” (in my opinion); it is still there, but you can dance to it 😀 Sort of “smiling through tears” as it were.
Also, he could have destroyed the character of this song with tasteless or inappropriate fills; BUT instead his musical choices are the epitome of taste IMO.
A very lovely and sympathetic dance arrangement.
I like it, nice and chill swing music
its crazy in 60- to 70 years this will be a burning memory for all.
The description is very accurate
is there sheet music for this?
There may have originally been: ask Artis Wodehouse if it’s in the group of Frank Milne’s manuscripts owned by his family members.
Old videos are always gold.
Heh...
It's just a burning memory
YOURE EVERYWHERE TF
Heartaches, Heartaches
Best version I've heard yet
Another masterfully arranged roll by Frank Milne! I'm going to try and snag a scan of this somewhere hahahaha
Awesome!
I'd be surprised if any one of us weren't here because of The Caretaker
originally here for a research project in london bombing actually but i do love the caretaker
i’m not here from it lmao
reverse for me, found the song first & then I found the caretaker.
@Jamie Lipper oh
@@savvystudios7950 Great to see all the people listening to the video I posted of my Piano playing this Classic tune !!
The description is possibly referencing "Stage 6 is without description", but this came out months before stage 1...
Marvelous ❤
Frank really got more soul into this song
where did these other lyrics come from?
Seger ellis' version of heartaches from C3
@@MarigoldIsMelancholy also E2.
These are the original lyrics written by John Klenner and published in the original piano-vocal sheet music. No doubt other singers sing many of them in their recordings. The reason Al Bowlly doesn’t sing them in his recording is probably due to reasons of length and space on the old records, which usually has about 3 minutes’ worth of playing time. (4 in a 12” 78 or an Edison Diamond Disc). So the band arrangements were doctored specially for these recording sessions, so different artists could each make brief statements on the side. This is why many 20s Jazz horn solos are only 4 bars to maybe a half chorus rather than a full chorus apiece. Otherwise there was not enough playing time for everyone to solo. So various musicians in the dance band get to solo and then. Bowlly takes a vocal chorus. In live performances most of these bands would play a tune longer to allow for more dancing time for couples and for the musicians to stretch out. They could play a tune for 5 or 10 minutes in a dance hall.
Also Al Bowlly was not the bandleader on that side, but a sideman/singer with the orchestra. In contrast, Seger Ellis was the bandleader as well as singer on his side (plus a damn fine barrelhouse blues pianist, surprisingly), so naturally he got more singing time as bandleader.
Heart aches
Heart aches
My loving you meant only heart aches
Your kiss was such a sacred thing to me
I can’t believe it’s just a burning memory
Heart aches
Heart aches
What does it matter how my heart breaks
I should be happy with someone new
but my heart aches for you
You said you love me just as I love you
And I believed it all
I never dreamt your words would prove untrue
I was a fool to fall
Heart aches
Heart aches
My loving you meant only heart aches
Your kiss was such a sacred thing to me
I can’t believe it’s just a burning memory
Heart aches
Heart aches
What does it matter how my heart breaks
I should be happy with someone new
but my heart aches for you
Here you guys go, I wrote them
UMIX IS BACK WOOOOOOOO
Watch at 0.75 speed for its just a burning memory (0.8x if you have an extension)
Wonderful rendition........
I wish I could get this exact arrangement so I could learn it
the words on the side make it so cute
Its just a burning memory
Amazing!
The way it was meant to be played.
This is The Good Ending.
Everywhere At the end of time: heartaches Melody
Yes we get it, now get flost.
back there Frank Milne
Heartaches
Heartaches
My loving you meant only heartaches
Your kiss was such a great thing to me
I can't believe it's just a burning memory
Heartaches
Heartaches
What does it matter how my heart breaks?
I should be happy with someone knew
But my heart aches for you
Where’s the redt
love the ragtime adaptation
Just love that song!
GRANDIOSA MÚSICA GRANDIOSOS INSTRUMENTOS, GRANDIOSO GOOGLE, GRACIAS X TODO
This is a very nice and tasteful roll version of this song, but wait ‘till you hear Rudy Erlebach’s version on the Paramount roll label. It’s so groovy it will knock your socks off.
*It’s not on RUclips yet. A friend owns it and I will see if I can record it at his house on a future visit. And/or I could post it from one of the multiple volume Cracker Barrel records “Original Player Piano Roll Gems” LPs, but also risk a copyright strike 😬
Wait, what's this "piano" you guys are talking about? I've heard about it before, but I can't remember anything else...
0:41
Everywhere at the end of time stage 0: at this stage no signs of dementia are present
🤓 Actually that's stage 1
The album got it wrong
wow, my brain Sings
Al bowly and "Seger" Ellis..
memory.
Don't *forget* about Guy Lombardo's
When you’re a regular patron of the saloon but one day you come in and the bartender doesn’t remember who you are
Would it be possible for just one person to play this piece exactly as is here? Awesome btw
Nigh-impossible. it'd be very doable to play something that sounds like it, but you'd have to leave some levels out.
Yes, almost. Some notes could not be held for their correct value (particularly the tenor line), but you could at least play all the notes and it would sound effective.
Some of the piano roll pop arrangements have notes added and various doublings, usually octave doublings of important lines like the melody line and/or a prominent counter-melody line. This was especially done in pop rolls in the 1917-1922 or so era when the early “jazz craze” hit and 4-hand arrangements with lots of tremolo (including double tremolo) were popular. However, editorials in music trade journals like the “Music Trade Review” complained about these “noisy” rolls (disclaimer: this same editor didn’t like jazz music either) and so, probably partly due to this but more to the style getting stale, the various roll arrangers for various companies transitioned to a “cleaner” roll style with less (or no) tremolo, and subtler doublings etc much like what J Lawrence Cook used in his familiar style. Milne is following this trend in his 30s or 40s arrangement here. Some rolls have no doublings or added notes at all and are totally playable by a single pianist. This might be one of them. I am sure someone like Peter Mintun could play all of it 😉
You can use the middle sostenuto pedal found on most grand pianos and a few very rare very fine uprights (like some Mason & Hamlin and some Julius Bauer uprights) to selectively sustain the tenor line to keep it going in between switching hands. It takes a lot of dexterity and the piano has to be in good regulation, but some pianists do this as a matter of course.
Here’s a useful video demonstration of how to do this:
ruclips.net/video/s1cVBPqQpgg/видео.html
POV: you need to do a cartoonist video ending show make kids happy and lots of kids hope you did it..
This exact rendition (a different recording of the same roll) is to be the end credit music to one of my TV projects. It also utilizes 1957's "One Of Those Songs" for a nostalgic feel.
A1 it's just a burning memory.
Everywhere at The End of time but granny don't have dementia
This one's made for 4 hands isn't it?
3 would be enough
The song is to good
Everywhere at the end of time...
Is the the lyric in the right?
Yes
I rember 😁
how do I learn how to play this? is there a tutorial, synthesia, a sheet or anything at all?
If Pitor Barcz gets ahold of a MIDI made from a scan of someone’s copy of this roll, I feel like he’ll put up a synesthesia for sure.
Playing this version made Mr. Incredible become canny rather than uncanny.
No.
@@hahaalexasendthistorodrick Yes.
@@GavinLepley out of the ordinary, I mean.
I can't remember, but boy am I snazzy.
The beginning of The Caretaker's EATEOT be like:
try to turn video on 1,25 speed
Good synthesia
This will be a challenge to learn and follow looking at the gaps in that paper
It's just a burning memory
Or is it ?
Weird how I can still hear the voices
Wild west retirement home be like
This would have Been a hit back in 1896
It was a hit... In 1931
@@thoseoldphonos5722 And in 2020... And 2021... And 2022...
Hehe that’s a good one. Ragtime had just debuted to the (white) general public as a new fad in 1896 (of course Black people knew about it for years, but it hadn’t gained the name “ragtime” until shortly before the craze), and the first commercially successful pneumatic player pianos and push up piano players were marketed by the Wilcox & White Co of Meriden CT under the “Angelus” brand (in 1895) although it would be a few years before it took off. In 1896 the Goolman Brothers in Los Angeles had invented the “Autono” piano playing system and moved to New York to market it. Two years later Roth & Engelhardt would buy the rights to the system and make it themselves in upstate NY as the “Harmonist” and “Peerless”. So these two player brands were brand new then and played respectively 65- and 66-note rolls. The Aeolian “Pianola” which would become a world best seller was one year away (1897) from commercial introduction (still in the prototype stage, although their player reed organs were selling well in the meantime), and the first 88-note player piano, to play all the notes automatically, the Melville Clark Apollo Concert Grand system, wouldn’t debut until 1902. The 88-note Aeolian format used by the Lauter Humana piano in this video wouldn’t come out until 1907-1908 and then be agreed on as a universal industry standard in 1908 at the Buffalo convention. Finally, the musical style of this piece has all these tangy (“crunchy”) dissonances and lush chords with 6ths, 9ths or 13ths “built in”. This lush style of pop music debuted in the late 20s and became commonplace in the 1930s-1950s, basically the Swing Era. Many so called Great American Songbook songs and classic Broadway shows debuted this time and so are in this sort of style with this sort of harmonic language. This was 10+ years after ragtime was supplanted by jazz and was then considered old fashioned. So the original artists would not have thought of this as ragtime; the ragtime revival was still many years away.
A relatively few cutting edge pop, jazz and salon musicians were using these kinds of lush harmonies and voicings 10+ years before they were generally popular. Many of these artists were classically trained and were borrowing from later developments in classical piano and orchestra music and using it to influence their pop music. Some examples include mid period Broadway show composers like Jerome Kern, Louis Hirsch, Raymond Hubbell, and George Gershwin; advanced popular and salon pianists like McNair Ilgenfritz, Felix Arndt, Victor Arden, and probably Frank Milne here; and then some more advanced jazz musicians like of course Duke Ellington plus Bix Beiderbecke, Red Nichols, Arthur Schutt, et al. By the late 20s the hipper Black bands who were usually a bit ahead of the curve like besides Ellington, the Mills Blue Rhythm Band; etc started putting in 6ths or 9ths in the chord voicings (necessitating adding an extra horn to each section, which is how big bands gained a 4th sax, a 4th trumpet etc), which created that “streamlined” sound we hear here in this 30s or 40s roll arrangement.
Anyone else hear ‘it’s just a burning memory’ in this?
Dear me…
Play this at 1.25x speed
Hey! If you want a faster version you should try this ruclips.net/video/oZz52dfeqfw/видео.html
dementia but somehow it's gone
my face when i forget i have diementia
Stage 0:
Pseudo-dementia
The test came back negative, yay
No Alzheimer’s! Well…
At least not yet…
now play this at 1.25x speed
It sounds lil weird
Hey! If you want a faster version you should try this ruclips.net/video/oZz52dfeqfw/видео.html
❤😂❤
[dementia joke]
the original sheet music boss:
appearently the caretaker is the secondary account of scott joplin
Everywhere at the End of Time OST: End Credits
An ancient piano tutorial 😂
Anyone who sings along this? I did.
Oh yeah
sheets?
Stage 0 is with Description
Description: Description
stage zero is with description
Pre-Awareness stage 0 is description
Probably a reference to EATEOT
Lyrics plss
Just search them up
EATEOT but in the 1800s
POV: you cannot forget anything even you try
Me when brain remember
I’m not gonna lie, as much as I’ve come to love the Walten Files, the series has made this song something…really frightening and almost traumatizing to me. However, this cover sounds so upbeat…it really changes the whole mood of the tune. This might be just what I needed to come to love this song again (which I really want to ofc, it’s a beautiful song)!
I’d love to learn this arrangement, but I can tell from the roll that it’s too many notes for just two hands.
dementia
ragtime dementia
"I forgor"💀"chain
I forgor 💀
This reminds me of, well, hmmmmmm
When you forgot to play the piano....
i like it! wait.... WAIT WAIT is that burning memory i hear? 0:21
Bro... burning memory is just this song's opening on repeat that loops just before the lyrics.
Bruh……… Why did you say this
I forgor