I purchased C100 mk1 for €250, C100 mk2 for €500 and C300 mk1 for €300. Thank God none from 2011-2013 won't know about it when they paid 8000, 6500 and 14000
A simple camera, for a more simple time. Before the camera wars........really great review mate. REALLY curious what you end up getting mate! So nice seeing the surrounding area as well, PUPPY shots included!
That's a great idea, using the C300 as a B cam when 4k is needed for the meat and potatoes. Broadcast TV is still largely shot in 1080p anyway, so I know the C300 mk1 has many years of use left. Thanks for your feedback and for watching!
@@rodrrico Yeah, the c300 Mark I, 422 8-bit 50mbps, is very relevant. I don't even have plans to sell it. It's standard HDTV to a large degree. I own a c300 Mark III, but I always keeps that mark I in the kit. For one, everyone can't afford the 4K work, and, for two, all projects don't justify that kind of power.
@@ShankShizank1 C300mk3! Nice, I'm yet to get my hands on one as I can't justify renting one to properly test it out while work is very slim. But as you say, 4k can be overkill... I can't see a real world workflow that would call for Blackmagic's 12k ursa either. Networks would hate the massively bloated file size. But I digress. C300, totally still relevant. A masterclass in camera design for sure.
Great video dude. Love to see what you're going to be replacing this workhorse with. Funny I was having a conversation last night about how the Mark 1 C range are still great cameras today. Our C100 even is still a beautiful tool and gets used almost every day for commercial work.
Indeed, the first line of Canon's EOS Cine cameras were all thoroughly excellent. They absolutely still hold up today and can take a beating - although I'd never beat a camera I owned. Amazingly the BP-975 and 955 batteries still run for hours on end even though I usually run a D-Tap V-Mount setup. I'm excited to share what will be taking the C300's place as my go-to camera moving forward into 2021, but alas there will be a little wait before I announce that! Thank you so much for watching guys, it really means a great deal to me, especially when it's like-minded folk such as yourselves. I hope you're well and busy!
Still shooting with the C300 till this day, I’ve got 2 of them. They have so much soul, you just feel at one with it… I’ve had, used and sold on 2 of my C200s. Same for my EOS R5, R and RP all sold off. I’ve recovered from the camera war, hype and that madness oh how times have changed. Older and wiser
this is my first camera as an introduction to the canon cinema series along with a 1dc (a far better duo upgrade from a single 7d used for 3 years.) i really enjoyed the points you made, i think the c300 mki embodies the spirit of the philosophy of “we need new stories, not new cameras” i think young filmmakers like myself can appreciate cinema and basic principles even more with an “older” camera. as much as id like the next best thing, cameras like the c300 mki really support your own personal growth in making beautiful art
Exactly! When I do my roundup video to crown the best camera of 2020, I'll throw in a few curveballs relating to story 😉 thanks for watching and for your feedback.
Thanks for making this video mate. I'm rocking the GH5 and EVA1 but due to the unpopularity of the EVA1 it's always been a tough sell for productions even though I personally think the image out of it is really nice. But it's producers, directors etc who always prefer working with the FS7 or C300 mk2. I believe you it's a beautiful camera the C300 but I'm in the same boat I hope to get the C300 MK3 if budget allows.
Yeah exactly, the landscape in Australia shifted to the Sony workflow a couple of years ago and since then I've mostly been hiring FS7M2 as required for broadcast gigs (mostly). I did get one last hurrah before the events of 2020 locked up TV (still mostly locked up by the way) shooting some GVs with the C300 for National Geographic which was nice, but I knew then, even without the events of 2020 that the programs I work on just don't want the C300. I hope it will live on for feature documentaries and for long-form youtube. Thank you so much for your feedback, that's why I make these videos. I love talking with other like-minded people so we can all share our experiences together. The C300mk3 is an option, but it depends where I end up professionally after the worst of the lockdown lifts - professionally speaking. There sure are some excellent cameras out there to choose from.
Great points - I haven't shot with the C300 M1 personally but I work with someone who did and does and he's very loyal to the camera even though he's now shooting mostly Sony FS7 4k. I've seen a lot of footage from it and it is a remarkable camera with a beautiful image even in 2022! I own a C100 M2 and love it, but the lack of 4k detail and 4.2.0 8 bit codec is really starting to bug me. If the C70 had come with a EVF or even optional EVF I'd be shooting with one now. Canon had rumored a C200 M2 with 4.2.2 10 bit, but it hasn't materialized and I doubt it will. So many choices these days - one really has to do a ton of research and soul-searching on needs vs wants!
Totally agree. The world is our oyster these days. We are largely spoiled for choice of camera codecs and functionality options. I boil it down to this: 1. What kind of 'image' does the client want? 2. What cameras support a codec that can give me that image. Then I go from there. These days I still get a tonne of work with the Sony FX series, but I'm using a C300mk III in my current gig. So it's good to be adaptable. Excellent comment, and thank you for watching :)
Just like me, I have a Canon C100 Mki for almost 3 years, I definitely use all the documentation using the Canon C100, it's easy and very easy to use, I sell it, and use other brands of cameras, but ... honestly I regret having sold Canon C100 cameras My beloved, I hope I can buy it back, Thank you, Always Success
It was hard selling my C300 as it had seen so much of the world with me. It was like family in a way. Ultimately I always try and see cameras for what they are which is tools of the trade which should always serve a purpose. Unfortunately my C300 no longer served that purpose for the productions I was working on, but I knew that selling it to a young and up and coming film maker was the right choice. Now it will live on and continue to tell amazing stories, just through someone else's eyes.
@@rodrrico Im hoping someone will have a camera that i can get my hands on for a good price as a up and coming filmmaker, prices are really insane i dont have like 3,000-6000$ just sitting somewhere for cameras.
just deinterlace 60i footage in premiere pro and youll have great slow mo.....i have a c100 mark 1 and do it all the time...also use with ninja blade.....footage look's great...most clients thinks its 4k and wont know unless i tell them.
Was all that footage shot in clog and graded? It looked really nice and not overdone like a lot of footage i see. Also its great to see someone who doesn't feel the need to put black bars top and bottom to mimic a wider aspect ratio.
It was all shot in Clog. I might have put a slight colour grade on it (I can't remember now). While I see the value in simulating wider aspect ratios, I totally agree that it's often overdone, particularly by some big youtubers ;). Thanks for your lovely comment and for watching!
Great video! I'm looking for a camera for live streaming surfing events - would the C300 MK1 work for that application do you think? My requirements is a clean HDMI out, ability to film for over the 30 minutes that my 70D is restricted to, and be able to auto focus on motion (surfing). I'd be using my Canon 100-400 EF L lens. What's your thoughts? Thanks :-)
Yes it would. You can run the HDMI out to a camlink device to a computer and use OBS to livestream. I've done this before on location via a satlink (which can be pricey) but it certainly worked.
Hi guys! Sorry newbie here. I have just bought myself a Canon C300 mark i and I am loving it! I'm planning to use it for simple live streams and it has come in super handy! The only thing I have noticed about it is that every time I switch the camera off, it does some kind of factory reset meaning all my custom menu settings are gone and it keeps prompting me to set the date and time. Is there a workaround to this? Not a big issue though as I can set it up again, it's just a slight hassle. On a side note, the autofocus has been pretty amazing and it works really well with my ATEM Extreme ISO!
Hi Vanessa, the problem you have is with the internal battery. It has died and that's why you're settings won't save. Unfortunately the only way to fix this is to get your camera to a Canon approved repairer who can replace the internal battery as opening it yourself voids all repairs (silly I know). This was a known issue with the original C300 and fortunately this was changed with the Mark II to allow the user to easily change the battery themselves. Other than replacing the internal battery, you should save all your settings to an SD card so you can quickly restore your settings when it drops out like this in the future. Unfortunately, you'll need to keep setting the time and date though until the internal battery is replaced. I hope that helps! Happy shooting, and thank you for your great question :)
@rodrrico Hi Rodrrico! Thank you so so much for the awesome reply, I couldn't seem to find any answers anywhere! I really appreciate all the knowledge you have, just goes to show what an expert you are! ❤ I'll probably have to bring the cam down to my local service centre to see if they can get it fixed, however setting the dates and time is just a hassle and doesnt affect my shoot thankfully. 😂 Once again, thank you so much!
@@Vtvanessatan You're welcome :) Be sure to tell your local repairer that the internal battery is dead. They should be able to get it replaced for you.
Hello! thank you for your video it was very useful, i found one at a great price (250 €) ... it would be my first cine camera ... do you think it is a good deal ?, also i would like to ask you, is it possible to record externally through a monitor recorder in 4k? Thanks in advance!
That's very cheap. I'd want to inspect the camera in person before buying. That could be a scam. The C300 is worth at least $1200-1500 Euros used in good condition. You can record externally 4k into an Atomos Shogun or equivalent. Though you will need to use an SDI cable for the best results. You won't be able to shoot slow motion though. Thank you for watching!
Nice video!! Do you know if any canon dslr produces similar image and can be used as a film camera like c300? I have been thinking about c300 but afraid that it is too bulky and heavy for me.
I ended up with a few cameras (for different jobs). Fx9, A1 and C300mk3. The C300 has the best offspeed and easiest to colour. The Fx9 has got me the most work and the A1 is just a weapon in a tiny package!
@@rodrricoI purchased C300 mk1 with faulty display socket, but everything other is still working, also Dualpixel Autofocus addon included - for €300. I hope I will fux the connection to a monitor but even if it won't be possible, I can always use an external. For such a price it looks like present
You can plug in a basic rode mic with 3.5mm but you'll need an adapter plug to XLR as it only uses XLR inputs. As for the Autofocus, that is pretty bad by modern standards. I've never really used the AF on it though.
Hi. Great video. You said there are lots of 3rd party configurations for the C300 Mk1. Would you mind sharing some links please bc I can’t find anything specifically for this camera. I guess I must be looking in the wrong place!
Hi Girish, indeed there are almost limitless additions for the C300, such as different monitors, audio connections, shoulder mounts, EVFs, top handles, side grips and so on. I can provide you with links to products if you can be more specific of what you are after. Most of the accessories you won't find on Ebay or Amazon but rather from the companies who make aftermarket additions themselves. Companies like Tilta, Bright Tangerine, Zacuto, SmallHD, SmallRig and many others. That's the beauty of cinema grade cameras. By their very design, the are quite modular to allow the operator to configure the camera just how they'd like it.
rodrrico thank you! Small rig would be ideal but I have spoken to them and they say they don’t have anything for what I would like to do. I need a plate for the top of the C300 in order to attach a small rig cheese style top handle and which would also allow space for the factory monitor and a top light. I also need space to mount two radio mic body packs - or if there isn’t room on the top of the camera I’d need a baseplate system with bars to attach the mics.
@@GirishJ I had a Zacuto cheese plate and top handle that did the trick for me. As far as a lav, I would velcro that to my V-Mount plate that was connected by some SmallRig carbon rails out the back of my Zacuto VCT Pro baseplate. I just had a quick check and indeed that specific setup is no longer made by Zacuto, however the 'C300 Mark II EVF Recoil Pro with Dual Trigger Grips" is very very similar to what I had. The only difference was the V-mount bracket was mounted vertically. Check it out as it could be backwards compatible. Alternatively, you could try the used market for some mounting options. I see stuff like that come up every now and then on Ebay and Facebook Marketplace camera groups that I'm in.
I think it is reasonable considering it's age. I would crank the ISO from it's native 850 to around 1250 or 1600 around dusk though. A little bit of noise can appear, but is easily cleaned up with NeatVide (I've reviewed that software too btw).
i wonder how come no one got into the sstem and changed a couple of things.. cos i believe, it was passible!! i was given one to learn how to film.. and i´m still using it... as soon as i can get my hands into an affordable m43 or s35/apsc
What do you mean by the system? The settings / firmware? It's still a great camera but there sure have been some amazing cameras coming out in 2020-21. Thanks for watching by the way!
do 256gb sandisks (ex fat) fix the clip splitting issue? I've had the same issue with my 5dm4 until I upgraded cards, but its only 4k filming the issue exists with. (compact flash)
Yes and Yes. You can record externally via HDMI or SDI to any recorder that has either of those ports. You can also use a different monitor or EVF. I connected a Zacuto Gratical Eye for most jobs. Good questions and thank you for watching :)
Brilliant review. Did you end up selling it? I'm dabbling in cinema cameras and so the mark 1 is where it's at for me. However the audio XLR/LCD attachment is faulty. I'm thinking of just running a 5" LCD and a separate audio ballet box. Bit of a bugger but like you said that attachment is just not reliable
I was lucky with my extension unit as I never had issues with my cables, but unfortunately they were easily damaged for others. Canon did fix this with interchangable Audio and Video cables for the top monitor from the C300mk2 onward. I did end up selling it and upgraded to a C300mk3, Fx9 and A1. All of those have their advantages and disadvantages. If you're just starting out, the original C300mk1 is still an excellent camera for film makers. Thank you for watching and for your feedback :)
Personally I usually shoot on Primes for interviews, but occasionally I'd use a zoom lens that is f2.8 or lower. About F3.2 is the sweet spot for most f2.8 lenses, and when framed to MCU it's in the goldilocks zone. If you're looking at canon lenses, then a 24-70mm f2.8 L series is a great option. You can often find those lenses in good condition for sale on facebook groups, ebay etc for half price.
Hmm, not sure from memory. I must ask, why would you want to record internally at 720p? Wouldn't it be better to compress / shrink the resolution in post production?
Is it me or are all YT videos of this style starting to look the same? Same small room with LED lighting, one either side of the room / colour grading, lens choice, mic in shot, gear in background to flex. It's like all RUclipsrs go to the same tutorial on how to make a successful YT business.
Original C100 and C300 are still my go-to cameras 2022-23. Incredible footage.
I purchased C100 mk1 for €250, C100 mk2 for €500 and C300 mk1 for €300. Thank God none from 2011-2013 won't know about it when they paid 8000, 6500 and 14000
Great video! I found this because I had JUST purchased a c300 mark i. Glad I saw this video JUST in time to cancel my order!!
Why did you cancel?
A simple camera, for a more simple time. Before the camera wars........really great review mate. REALLY curious what you end up getting mate! So nice seeing the surrounding area as well, PUPPY shots included!
Oh I think you might know what the camera might be based on very recent announcements ;) Thanks for stopping by - Sydney has it's moments for sure.
Yes, it is. I still keep my c300 Mark 1 on deck. Any video that isn't 4K, it gets used as a B cam and as an A cam in some situations.
That's a great idea, using the C300 as a B cam when 4k is needed for the meat and potatoes. Broadcast TV is still largely shot in 1080p anyway, so I know the C300 mk1 has many years of use left. Thanks for your feedback and for watching!
@@rodrrico Yeah, the c300 Mark I, 422 8-bit 50mbps, is very relevant. I don't even have plans to sell it. It's standard HDTV to a large degree. I own a c300 Mark III, but I always keeps that mark I in the kit. For one, everyone can't afford the 4K work, and, for two, all projects don't justify that kind of power.
@@ShankShizank1 C300mk3! Nice, I'm yet to get my hands on one as I can't justify renting one to properly test it out while work is very slim. But as you say, 4k can be overkill... I can't see a real world workflow that would call for Blackmagic's 12k ursa either. Networks would hate the massively bloated file size. But I digress. C300, totally still relevant. A masterclass in camera design for sure.
Great video dude. Love to see what you're going to be replacing this workhorse with. Funny I was having a conversation last night about how the Mark 1 C range are still great cameras today. Our C100 even is still a beautiful tool and gets used almost every day for commercial work.
Indeed, the first line of Canon's EOS Cine cameras were all thoroughly excellent. They absolutely still hold up today and can take a beating - although I'd never beat a camera I owned. Amazingly the BP-975 and 955 batteries still run for hours on end even though I usually run a D-Tap V-Mount setup.
I'm excited to share what will be taking the C300's place as my go-to camera moving forward into 2021, but alas there will be a little wait before I announce that!
Thank you so much for watching guys, it really means a great deal to me, especially when it's like-minded folk such as yourselves. I hope you're well and busy!
Still shooting with the C300 till this day, I’ve got 2 of them. They have so much soul, you just feel at one with it… I’ve had, used and sold on 2 of my C200s. Same for my EOS R5, R and RP all sold off. I’ve recovered from the camera war, hype and that madness oh how times have changed. Older and wiser
how do you feel about the c200 image vs the c300.
this is my first camera as an introduction to the canon cinema series along with a 1dc (a far better duo upgrade from a single 7d used for 3 years.)
i really enjoyed the points you made, i think the c300 mki embodies the spirit of the philosophy of “we need new stories, not new cameras” i think young filmmakers like myself can appreciate cinema and basic principles even more with an “older” camera. as much as id like the next best thing, cameras like the c300 mki really support your own personal growth in making beautiful art
Exactly! When I do my roundup video to crown the best camera of 2020, I'll throw in a few curveballs relating to story 😉 thanks for watching and for your feedback.
OG C300 is a boss !!!!!
Thanks for making this video mate. I'm rocking the GH5 and EVA1 but due to the unpopularity of the EVA1 it's always been a tough sell for productions even though I personally think the image out of it is really nice. But it's producers, directors etc who always prefer working with the FS7 or C300 mk2. I believe you it's a beautiful camera the C300 but I'm in the same boat I hope to get the C300 MK3 if budget allows.
Yeah exactly, the landscape in Australia shifted to the Sony workflow a couple of years ago and since then I've mostly been hiring FS7M2 as required for broadcast gigs (mostly). I did get one last hurrah before the events of 2020 locked up TV (still mostly locked up by the way) shooting some GVs with the C300 for National Geographic which was nice, but I knew then, even without the events of 2020 that the programs I work on just don't want the C300. I hope it will live on for feature documentaries and for long-form youtube.
Thank you so much for your feedback, that's why I make these videos. I love talking with other like-minded people so we can all share our experiences together. The C300mk3 is an option, but it depends where I end up professionally after the worst of the lockdown lifts - professionally speaking. There sure are some excellent cameras out there to choose from.
Great points - I haven't shot with the C300 M1 personally but I work with someone who did and does and he's very loyal to the camera even though he's now shooting mostly Sony FS7 4k. I've seen a lot of footage from it and it is a remarkable camera with a beautiful image even in 2022! I own a C100 M2 and love it, but the lack of 4k detail and 4.2.0 8 bit codec is really starting to bug me. If the C70 had come with a EVF or even optional EVF I'd be shooting with one now. Canon had rumored a C200 M2 with 4.2.2 10 bit, but it hasn't materialized and I doubt it will. So many choices these days - one really has to do a ton of research and soul-searching on needs vs wants!
Totally agree. The world is our oyster these days. We are largely spoiled for choice of camera codecs and functionality options. I boil it down to this:
1. What kind of 'image' does the client want?
2. What cameras support a codec that can give me that image.
Then I go from there. These days I still get a tonne of work with the Sony FX series, but I'm using a C300mk III in my current gig. So it's good to be adaptable.
Excellent comment, and thank you for watching :)
Just like me, I have a Canon C100 Mki for almost 3 years, I definitely use all the documentation using the Canon C100, it's easy and very easy to use, I sell it, and use other brands of cameras, but ... honestly I regret having sold Canon C100 cameras My beloved, I hope I can buy it back, Thank you, Always Success
It was hard selling my C300 as it had seen so much of the world with me. It was like family in a way. Ultimately I always try and see cameras for what they are which is tools of the trade which should always serve a purpose. Unfortunately my C300 no longer served that purpose for the productions I was working on, but I knew that selling it to a young and up and coming film maker was the right choice. Now it will live on and continue to tell amazing stories, just through someone else's eyes.
@@rodrrico Im hoping someone will have a camera that i can get my hands on for a good price as a up and coming filmmaker, prices are really insane i dont have like 3,000-6000$ just sitting somewhere for cameras.
@@pilsplease7561 You should join some camera sale groups on Facebook or even check Facebook marketplace. There often can be great deals around there.
My unemployed adventures with my dog, how is this not a TV show yet, lol
Let's be honest, we'd all watch that haha!
just deinterlace 60i footage in premiere pro and youll have great slow mo.....i have a c100 mark 1 and do it all the time...also use with ninja blade.....footage look's great...most clients thinks its 4k and wont know unless i tell them.
How do you deinterlace 60i clips? I’m genuinely interested in this!!! Thanks in advance and cheers from Montreal!
Figured it out, cheers
Do you lose a picture quality after deinterlacing?
@@ShlomoNizin no there’s no loss I’m quality
It’s a solid workhorse. There’s a reason why it has a solid reputation :)
100% true my friend. Canon build great cine cameras!
Great video thanks for sharing can't wait to find out your next purchase. *SUBSCRIBED*
All will be revealed very soon... ;)
@Christin Bela maybe, maybe not ;)
Was all that footage shot in clog and graded? It looked really nice and not overdone like a lot of footage i see. Also its great to see someone who doesn't feel the need to put black bars top and bottom to mimic a wider aspect ratio.
It was all shot in Clog. I might have put a slight colour grade on it (I can't remember now). While I see the value in simulating wider aspect ratios, I totally agree that it's often overdone, particularly by some big youtubers ;).
Thanks for your lovely comment and for watching!
Great video! I'm looking for a camera for live streaming surfing events - would the C300 MK1 work for that application do you think? My requirements is a clean HDMI out, ability to film for over the 30 minutes that my 70D is restricted to, and be able to auto focus on motion (surfing). I'd be using my Canon 100-400 EF L lens. What's your thoughts? Thanks :-)
Yes it would. You can run the HDMI out to a camlink device to a computer and use OBS to livestream. I've done this before on location via a satlink (which can be pricey) but it certainly worked.
Hi guys! Sorry newbie here. I have just bought myself a Canon C300 mark i and I am loving it! I'm planning to use it for simple live streams and it has come in super handy! The only thing I have noticed about it is that every time I switch the camera off, it does some kind of factory reset meaning all my custom menu settings are gone and it keeps prompting me to set the date and time. Is there a workaround to this? Not a big issue though as I can set it up again, it's just a slight hassle.
On a side note, the autofocus has been pretty amazing and it works really well with my ATEM Extreme ISO!
Hi Vanessa, the problem you have is with the internal battery. It has died and that's why you're settings won't save. Unfortunately the only way to fix this is to get your camera to a Canon approved repairer who can replace the internal battery as opening it yourself voids all repairs (silly I know). This was a known issue with the original C300 and fortunately this was changed with the Mark II to allow the user to easily change the battery themselves.
Other than replacing the internal battery, you should save all your settings to an SD card so you can quickly restore your settings when it drops out like this in the future. Unfortunately, you'll need to keep setting the time and date though until the internal battery is replaced.
I hope that helps! Happy shooting, and thank you for your great question :)
@rodrrico Hi Rodrrico! Thank you so so much for the awesome reply, I couldn't seem to find any answers anywhere! I really appreciate all the knowledge you have, just goes to show what an expert you are! ❤ I'll probably have to bring the cam down to my local service centre to see if they can get it fixed, however setting the dates and time is just a hassle and doesnt affect my shoot thankfully. 😂 Once again, thank you so much!
@@Vtvanessatan You're welcome :) Be sure to tell your local repairer that the internal battery is dead. They should be able to get it replaced for you.
Hello! thank you for your video it was very useful, i found one at a great price (250 €) ... it would be my first cine camera ... do you think it is a good deal ?, also i would like to ask you, is it possible to record externally through a monitor recorder in 4k? Thanks in advance!
That's very cheap. I'd want to inspect the camera in person before buying. That could be a scam. The C300 is worth at least $1200-1500 Euros used in good condition.
You can record externally 4k into an Atomos Shogun or equivalent. Though you will need to use an SDI cable for the best results. You won't be able to shoot slow motion though.
Thank you for watching!
Nice video!! Do you know if any canon dslr produces similar image and can be used as a film camera like c300? I have been thinking about c300 but afraid that it is too bulky and heavy for me.
I’m still on c100mk1, in fact I just bought another for the meantime. What did you upgrade to?
I ended up with a few cameras (for different jobs). Fx9, A1 and C300mk3. The C300 has the best offspeed and easiest to colour. The Fx9 has got me the most work and the A1 is just a weapon in a tiny package!
@@rodrrico I wouldn’t mind a c300mk3 but budget will prob be closer to c70
I found one of those at 3K canadian with a full pro shoulder rig...!
Nice one. That's a great price for this amazing camera. Thanks for watching!
@@rodrricoI purchased C300 mk1 with faulty display socket, but everything other is still working, also Dualpixel Autofocus addon included - for €300.
I hope I will fux the connection to a monitor but even if it won't be possible, I can always use an external. For such a price it looks like present
Will it accommodate a basic Rode shotgun mic? What's the autofocus like? Is it continuous? Can it be adapted to continuous?
You can plug in a basic rode mic with 3.5mm but you'll need an adapter plug to XLR as it only uses XLR inputs.
As for the Autofocus, that is pretty bad by modern standards. I've never really used the AF on it though.
Hi. Great video. You said there are lots of 3rd party configurations for the C300 Mk1. Would you mind sharing some links please bc I can’t find anything specifically for this camera. I guess I must be looking in the wrong place!
Hi Girish, indeed there are almost limitless additions for the C300, such as different monitors, audio connections, shoulder mounts, EVFs, top handles, side grips and so on. I can provide you with links to products if you can be more specific of what you are after.
Most of the accessories you won't find on Ebay or Amazon but rather from the companies who make aftermarket additions themselves. Companies like Tilta, Bright Tangerine, Zacuto, SmallHD, SmallRig and many others.
That's the beauty of cinema grade cameras. By their very design, the are quite modular to allow the operator to configure the camera just how they'd like it.
rodrrico thank you! Small rig would be ideal but I have spoken to them and they say they don’t have anything for what I would like to do. I need a plate for the top of the C300 in order to attach a small rig cheese style top handle and which would also allow space for the factory monitor and a top light. I also need space to mount two radio mic body packs - or if there isn’t room on the top of the camera I’d need a baseplate system with bars to attach the mics.
@@GirishJ I had a Zacuto cheese plate and top handle that did the trick for me. As far as a lav, I would velcro that to my V-Mount plate that was connected by some SmallRig carbon rails out the back of my Zacuto VCT Pro baseplate.
I just had a quick check and indeed that specific setup is no longer made by Zacuto, however the 'C300 Mark II EVF Recoil Pro with Dual Trigger Grips" is very very similar to what I had. The only difference was the V-mount bracket was mounted vertically. Check it out as it could be backwards compatible.
Alternatively, you could try the used market for some mounting options. I see stuff like that come up every now and then on Ebay and Facebook Marketplace camera groups that I'm in.
@@rodrrico Thanks. I will look on the second hand market for 'zacuto cheese plate C300'
@@rodrrico FOUND IT! Thanks man ruclips.net/video/LW4gyzlxz3c/видео.html
How does the low light performance stack up compared to say, the current BMPCC 4K or 6k?
I think it is reasonable considering it's age. I would crank the ISO from it's native 850 to around 1250 or 1600 around dusk though. A little bit of noise can appear, but is easily cleaned up with NeatVide (I've reviewed that software too btw).
i wonder how come no one got into the sstem and changed a couple of things.. cos i believe, it was passible!!
i was given one to learn how to film.. and i´m still using it... as soon as i can get my hands into an affordable m43 or s35/apsc
What do you mean by the system? The settings / firmware? It's still a great camera but there sure have been some amazing cameras coming out in 2020-21. Thanks for watching by the way!
do 256gb sandisks (ex fat) fix the clip splitting issue? I've had the same issue with my 5dm4 until I upgraded cards, but its only 4k filming the issue exists with. (compact flash)
The short answer is no. The clip splitting was built into the architecture / firmware of the C300.
@@rodrrico :( thanks for the speedy answer!
@@JCRXX You're welcome. Thank you for watching and for a great question :)
Beautiful
Thank you. Really appreciate your feedback!
Can you use an external recorder via hdmi cable and not use the small lcd at all?
Yes and Yes. You can record externally via HDMI or SDI to any recorder that has either of those ports. You can also use a different monitor or EVF. I connected a Zacuto Gratical Eye for most jobs. Good questions and thank you for watching :)
@@rodrrico You are welcome. Thanks for the info
Brilliant review. Did you end up selling it? I'm dabbling in cinema cameras and so the mark 1 is where it's at for me. However the audio XLR/LCD attachment is faulty. I'm thinking of just running a 5" LCD and a separate audio ballet box. Bit of a bugger but like you said that attachment is just not reliable
I was lucky with my extension unit as I never had issues with my cables, but unfortunately they were easily damaged for others. Canon did fix this with interchangable Audio and Video cables for the top monitor from the C300mk2 onward.
I did end up selling it and upgraded to a C300mk3, Fx9 and A1. All of those have their advantages and disadvantages. If you're just starting out, the original C300mk1 is still an excellent camera for film makers. Thank you for watching and for your feedback :)
Did you sell the lens? I do a lot of interviews. What lens do you recommend that are not too expensive but still have a nic shallow depth of field?
Personally I usually shoot on Primes for interviews, but occasionally I'd use a zoom lens that is f2.8 or lower. About F3.2 is the sweet spot for most f2.8 lenses, and when framed to MCU it's in the goldilocks zone. If you're looking at canon lenses, then a 24-70mm f2.8 L series is a great option. You can often find those lenses in good condition for sale on facebook groups, ebay etc for half price.
Seems like sd-hdi out is capped at 1080. If it was a 4K output I’d jump on it.
That's because 4k was very near when this camera first hit the market in 2012.
Was any SHARPENING USED IN ANY OF YOUR FOOTAGE. YOU HAVE HERE'
I made this a couple of years ago so my mind is a little fuzzy. I don't think so though.
The c300 mark 1 have a internal microphone?
No, or rather, not a usable one. The monitor / audio extension unit is the only way. There are 2 XLR audio inputs in that unit.
rodrrico There is also a 3.5 mm jack microphone input on the body itself
@@loconte1111 can it record all 3 audio inputs at the same time on 3 tracks?
What's that mic you mounted on the C300?
A pokey little Sony ECM mic. Good for scratch, that's about it.
New video coming this week!
Your dog is cute.
Thank you! Chloe is the best.
I know this camera has a 4k sensor that downscales to 1080 p does it do the same for 720 ?
Hmm, not sure from memory. I must ask, why would you want to record internally at 720p? Wouldn't it be better to compress / shrink the resolution in post production?
@@rodrrico shooting 60P
Is it me or are all YT videos of this style starting to look the same? Same small room with LED lighting, one either side of the room / colour grading, lens choice, mic in shot, gear in background to flex. It's like all RUclipsrs go to the same tutorial on how to make a successful YT business.
This 4k footage doesn't seem to look any more high resolution than the C100 Mark 1 1080 footage.
That's youtube compression for you. It's notably higher in reality having used the C100 m1 and mk 2.
@@rodrrico Oh ok
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