How To Create a Redundant Vocal Processing Rig (Gear Breakdown)

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  • Опубликовано: 4 фев 2025

Комментарии • 12

  • @schubertavakian
    @schubertavakian Месяц назад

    Thank you so much! So does this mean that the newer UA interfaces like Solo will do the same or only this particular Arrow model is needed?

  • @TSTBand
    @TSTBand Год назад +2

    Hello!. thanks for the vídeo sir! i would like to ask you wich audio interface do you recommend for live vocal processing for 4 singers, because the arrow have limited outputs and one would need like 8 arrows (counting the backups) to have a redundant system with 4 singers in mono, would the apollo twin x4 would be that solution? Thanks!

    • @fromstudiotostage
      @fromstudiotostage  Год назад +3

      any of the higher input UA interfaces would work. Then x2 and into an SW-8. Check out the redundant Vox course for a full walkthrough of what to do with more inputs!

    • @TSTBand
      @TSTBand Год назад +1

      @@fromstudiotostage thank you so much! i will check it out

  • @LanceShipp
    @LanceShipp Год назад

    Could you use the control out from the play audio 12 into the backtracks jr 2 input to automatically switch vocals and playback to the b rig using life sine in case of a failure?

    • @jxanflorida
      @jxanflorida 4 месяца назад

      I got the same issue, you achive to do that?

  • @raktelis5403
    @raktelis5403 Год назад

    So with this rig it is possible to run playbacks on ableton and use realtime autotune in live concert situation?

  • @GarrettSchwenk
    @GarrettSchwenk Год назад

    Hey Will! Thank you for taking the time to share this information. What do you think about using the iConnectivity Audio4c as the interface with the play audio 12 for redundant vocals? I totally agree that UA is better for near zero latency and freeing up the CPU load to focus on tracks but i’m curious if the 4c would work on a budget for redundant vocals?

  • @jorgeduplex
    @jorgeduplex 7 месяцев назад

    When I do redundancy, I usually have Mac 1 autotune, totally separate from Mac 2 and Mac 3 synced for the stems.
    You can have two Macs that share the UAD INTERFACE autotune and at the same time sync and play stems with playAUDIO12. WHAT WOULD THE MONITORING OF autotune and stem monitoring be like?
    Is it used like this or is it recommended everything separately, that is, autotune separately mac 1 mac 2
    and stems mac 3 mac 4 synchronized