My Last Duchess by Robert Browning| dramatic monologue| in hindi and English| line by line analysis|

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  • Опубликовано: 29 июн 2024
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    Caesura: • Caesura | meaning | ty...
    Meter : • Meter in Poetry | Iamb...
    Archaic words : • Archaic words |THOU | ...
    SONNET & ITS TYPES: • SONNET (SHAKESPEAREAN ...
    ALLITERATION & CONSONANCE : • Alliteration and conso...
    METAPHOR : • SIMILE & METAPHOR | SI...
    ENJAMBMENT : • Enjambment with notes ...
    PERSONIFICATION: • PERSONIFICATION | THE ...
    Subject- verb agreement : • Subject- verb agreemen...
    The poem opens with the Duke of Ferrara pointing to a woman’s portrait
    on the wall. This woman he introduces as his previous Duchess. He also
    remarks on the lifelike quality of the portrait. He then goes on to appreciate
    it as a wonderful piece of art and commends the artistry of Fra Pandolf, who
    worked for one full day before the portrait assumed its present perfection. He
    then requests the envoy to sit down and admire the portrait. You must have
    noticed how adeptly Browning is dramatizing the situation by making quick
    digressions in the narrative. He continues that he had mentioned the name
    of Fra Pandolf on purpose. His experience so far had been that whoever saw
    the portrait always questioned him, if they dared, about how that particular
    expression came to the Duchess’ face. The Duke, in yet another aside, says
    that no one else but him is allowed to draw the curtain that conceals the
    portrait. He assures the envoy that he was not the first to question him about
    it.
    In a slightly ironical tone, the Duke tells the envoy that his Duchess’ face
    did not flush with pleasure in his presence alone. He says that the painter
    had probably made some routine remark about the position of the lady’s
    mantle. Or it is possible that he had complimented her on her beauty saying
    that it would not be possible to capture the fading blush on her throat,
    on canvas. The Duchess was easily impressed with such courtesies and
    beamed with pleasure. The Duke, a suave conversationalist pauses for a
    moment to choose the correct word to describe the lady’s nature. He puts it
    most delicately saying that ‘she had a heart ... too easily impressed’. This
    is sarcastically meant, for he had no sympathy with or understanding of the
    young Duchess’ innocence. He complains that she liked all that she saw.
    He is shocked at her lack of discrimination. Whether she was wearing the
    ornaments presented by her husband, or whether she was looking at the
    setting sun, or whether she received a branch of cherries broken for her from the orchard by someone eager to please, or whether she rode the white
    mule round the terrace, the Duchess would blush or express her pleasure to
    one and all equally. He could not get over the fact that since she thanked
    all equally she probably held his ancient family name in equal esteem with
    them. It was below the dignity of the Duke to put a stop to such frivolous
    behaviour.
    He then tries to enlist the envoy’s sympathy by asking him how he could
    have handled such a situation without compromising his dignity. He simply
    says that he did not know how to express his desires to her. He could not tell
    her how her behaviour disgusted him or how she fell short of or exceeded
    the limits of decorum. He was not sure whether the Duchess would allow
    herself to be corrected without defiance, it would still amount to having
    ‘stooped’. And this is something the Duke would not permit himself to
    do on any account. He hastens to assure the envoy that she was fond of
    him for she smiled at him whenever he passed. But because of his extreme
    consciousness of his exclusive name he could not tolerate the fact that she
    smiled at others as well. As this increased, he gave the necessary commands
    so that her smiles may be stopped forever.
    After having narrated the fate of his unfortunate erstwhile wife, the Duke
    once more turns to the portrait with the eye of a connoisseur. He then
    requests his guest to rise so that they may rejoin the company assembled
    downstairs. But before they join the others, the Duke shrewdly mentions the
    point he wishes to make. He hopes that the envoy’s generous master will
    be able to meet his demands for the dowry he hopes to receive on marrying
    his daughter. But ever one for propriety and decorum the Duke states that
    it is not for dowry that he is contemplating marriage but because he is fully
    impressed with the merits of the Count’s daughter. At this point the envoy
    probably falls a step behind to allow the Duke to descend first. The Duke
    graciously insists on their going down side by side. As they walk down, the
    Duke draws the envoy’s attention to a rare bronze statue of Neptune, taming
    a seahorse that had been cast by the famous sculptor Claus of Innsbruck.

Комментарии • 4

  • @bhaiookabhai
    @bhaiookabhai 14 дней назад +1

    Ma'am good to see you again!
    but can see your views are not as same as before!
    wishing you all the best!
    may you get what you deserve!

    • @Swarnshikha
      @Swarnshikha  14 дней назад +1

      Thank you 😊

    • @Krishnaa...
      @Krishnaa... 12 дней назад

      ​@@Swarnshikhamam what will be the answer of this question Q-a person holding a scholarship at a university (1)scholar or (2)bursar

  • @islamiczone554
    @islamiczone554 3 дня назад

    Ulysses please mam