Absolutely the best I've ever heard in this aria! The grupettos of 5 notes before the high arpeggios are perfect every time - often they are smudged. The same with the chain of triplets - most give up towards the end of them. And love her nasty rolled 'r' on the last 'schwur!'
@@DaveCalungsod Not necessarily; it depends very much on each singer and technique whether or not singing high notes softly is hard. However, she did great.
Sabine ya es una estrella de la ópera, intuyo que puede serlo en muchos más ámbitos, me la imagino en teatro y cine...no siempre cantando y siendo siempre perfecta. Gracias por tu talento y ofrecerlo a los demás, es una suerte para nosotros. Que el arte nos acompañe siempre así.
And he did that for his sister-in-law. I wonder if wanted to give her an opportunity to show her skills or he wanted to let her make a fool of herself LOL
@@oskarm646 I heard it was both - his soprano sister in law was a braggart, so Mozart wrote this "impossible" aria hoping she would make a fool of herself, but her operatic skill was even as great as she made it out to be, and she pulled it off brilliantly, which pissed Mozart off even more 🤣
Quédate con Edda Moser, que expresa más fuerza, más rabia y más maldad con una sola nota que todas estas chicas (me refiero a Dessay, Serra, Damrau o ahora Devieilhe) con todos sus gestitos histéricos y sus vocecillas etéreas y angelicales.
@@robert111k that's you arrogant opinion, Damrau Rules this aria, she is Der Hölle Rache. Devieilhe is Suberb in all other operas, Moser next to her, is an apprentice.
Comme d'habitude, depuis quelques années ils craquent vraiment sur les mises en scène et costumes (enfin au moins ils ne sont pas nus comme dans d'autres mises en scène, ni en costume futuriste ^^), mais sinon très agréable chanteuse ! (Je lui préfère Diana Damrau ou Cristina Deutekom dans un autre style, mais S. Devieilhe a un talent indéniable, qui ne fera sans doute que mûrir avec le temps !). Je l'aime bien chantant Rameau aussi...
I like this ..even her voice is small and tiny but she did every small notes before staccato that few sopranos do.I remind to Sumi Jo( surely small voice but great technics) , Joan Sutherland...also did but her F may be not expert.All of qualifications in this role,I adore Edda Moser.
The early music movement has pressed this faster and faster and faster, it's unreal how fast it's taken now. Too much! Everything before 1800 taken like 3x the speed. Euro houses mostly. It's exciting but it's uncomfortably fast. She's great but she has that Damrau edge to her voice that makes me worried cuz she is pushing so much and I hope it doesn't go the way Damrau did, where the vibrato slows down and she blows out her voice.
Really exceptional, I'm quite floored. I don't agree much on this fashion of putting phrasing and sudden piano into the staccato, though. It's like trying to make human something that HAS to be as much inhuman as possible. It's too much, it's very unnecessary, distracting. I mean, she's phenomenal, but that phrasing, in THAT place, is totally needless. Apart of this, everything in this rendition is just unbelievable.
Oh heavens I hate the"Mgic flute" But of course it's the diving board of hordes of young sopranos that thankfully dissapear in oblivion after a year or 5 on the operatic stage.
Well, another user that doesn't remember that when you have nothing nice to say, you say nothing. Anyway, thanks for sharing, boo-boo, and I'm delighted to know I won't be seeing you next time I'll be seeing her 😘
Quizas la interpretacion sea correcta, aun le falta bastante (tiene que tomar mucha sopa) para llegar a la altura de Gruberova, Peters, Donat, Mesple, Lipp, Streich etc, y tantas otras reinas que descollaron en la interpretacion de este dificil rol.
@@pelleas9, de acuerdo, y para los tiempos que corren ya es bastante. Pero habiendo oído a gente como Moser o Deutekom, una soprano ligera, cualquiera, incluida Devieilhe, no puede darle a la Reina de la Noche el peso, la fuerza, que el papel requiere.
Pues lamento decirte que sí puede y lo hace. Sabine destacará sobre la mayoría de cantantes líricas anteriores, se abre una nueva escena, es fácil verlo, lo extraño es que no lo veas.
Absolutely the best I've ever heard in this aria! The grupettos of 5 notes before the high arpeggios are perfect every time - often they are smudged. The same with the chain of triplets - most give up towards the end of them. And love her nasty rolled 'r' on the last 'schwur!'
2:23 wow, that's a nice twist to sing it once forte and once piano. Nice!
It has been her trademark!
That was awesome
Na jaki fortepian ? to było pianniscimo i faktycznie było super
I think it increases the difficulty aswell, it's hard to sing high and soft❤❤
@@DaveCalungsod Not necessarily; it depends very much on each singer and technique whether or not singing high notes softly is hard. However, she did great.
Absolutely wonderful. Very frightening, full of passion and brilliantly paced delivery. And perfect diction!
That was INCREDIBLE!
Sabine is amazing! Would love to have seen that entire production.
She didn’t skip any notes before the staccatos!!!!
She’s a badass
But she cheats in a way: she does very quick staccato instead of legato, don't she?
@@aWinterBlood I am pretty sure it was written to be quick sharp staccato, to contrast with the B section which is in fact more legato! :)
❤❤❤❤❤❤❤🎉🎉🎉🎉🎉🎉😊🎉❤❤❤❤❤❤🎉🎉🎉🎉🎉🎉🎉🎉🎉🎉❤❤❤❤❤❤❤🎉🎉🎉🎉😅😅😅😅😅😅
HER CONTROL IS SO OUT OF THIS WORLD!!! ( 2:25 )
That's her specialty. She has solid technique that allows her to control her volume on high notes. Her doll song aria is amazing on those high notes
It’s true listen olso Luciana Serra in this role and in Olympia (doll song) and Tell me what you think about...
she is amazing!! yes yes yes the new face opera queens are comeing!!XD
Absolutely BRILLIANT! Her last Bb was powerful and brilliant....dead on pitch.
That ECHO EFFECT, though! 🤯🔥❤ Being pissed off never sounded so FABULOUS. Saaaaang, Sabine!
Délicieux et très convaincante ! Magnifique Sabine Devielhe
Paul Hilfiger
Je vous recommande de l'entendre dans Rameau "tristes apprêts" où elle donne encore une autre facette de ses talents
Sabine ya es una estrella de la ópera, intuyo que puede serlo en muchos más ámbitos, me la imagino en teatro y cine...no siempre cantando y siendo siempre perfecta. Gracias por tu talento y ofrecerlo a los demás, es una suerte para nosotros. Que el arte nos acompañe siempre así.
Is this even real? How can I describe my feelings now? Very unreal and jawdropping. God-given gift.
감히 가장 완벽한 밤의여왕이라 말하고 싶네요. 정말 감탄사 밖에 나오지 않습니다. 환상적인 목소리에요.
Sensationelle Atemtechnik, seit der jungen Gruberova nicht mehr so eine grossartige Darbietung gesehen.
I think it's my favourite now -- furious and soft at the same time
Wow, fantastic! Thanks for posting!
Wonderful singing.
Fantastic! Thanks
Rosa Angela I
Superb dramatism, impeccable coloraturas, divine staccatos, and the costume well just leave to the French to make a statement! BRAVA!
Esplêndido!! Divino !!!!!!
absolutely fantastic !
Devieilhe is Magnificent, her PP are priceless, Bravooooooooooooo, 🌹🌹🌹
No! Bravaaaaaaaaaaaa!
Kannst du pp singen,kannst du alles...
Beautiful as always.
Amazing
I'm korean I love sumi jo version of this song But you are the best. perfection I'll be your huge fan.From now on
연기며 노래며.. 가장 완벽한 밤의여왕이라고 생각된다. BRAVA!
Mozart was 100% batshit crazy when he wrote this.
True, crazy but genius! 😂👌
An artistic mason 🤣
And he did that for his sister-in-law. I wonder if wanted to give her an opportunity to show her skills or he wanted to let her make a fool of herself LOL
😂😂😂😂😂😂😂‼
@@oskarm646 I heard it was both - his soprano sister in law was a braggart, so Mozart wrote this "impossible" aria hoping she would make a fool of herself, but her operatic skill was even as great as she made it out to be, and she pulled it off brilliantly, which pissed Mozart off even more 🤣
Te amo Sabine!!
She is fantastic
Perfect!!!
no se si quedarme con la velocidad y high notes de Sabine o el drama y actuación de Diana
Ambas
Damrau Rules this aria 😑
Quédate con Edda Moser, que expresa más fuerza, más rabia y más maldad con una sola nota que todas estas chicas (me refiero a Dessay, Serra, Damrau o ahora Devieilhe) con todos sus gestitos histéricos y sus vocecillas etéreas y angelicales.
@@robert111k that's you arrogant opinion, Damrau Rules this aria, she is Der Hölle Rache. Devieilhe is Suberb in all other operas, Moser next to her, is an apprentice.
@@elsaesteves, of course it is. Because I have eyes and ears, things that seem to be infrequent this days...
MARAVILLOSA, GRANDE ...!!!!!
Everything was really fast 🤔😂 but i like it
impecable
Je t'adore Sabine devielhe t'es trop belle
Do you understand anything about singing? That's the point.
L'effet de nuance sur les piqués!!!
Muito bom. Apresentação impecável.
ok i am in love with the crown design, its somehow creepy and funny at the same time. reminds me of an onion or similar
Linda interpretación de ese acto
Yesss...
woow great and beautiful vibratoo!
merci pour les lyrics text francais
Bravo !
la mise en scène laisse à désirer mais par contre quelle voix !
queen in leggings
Wonderful singing. But again, music is too fast.
+Daniel Ramírez de Gaston Could you sing that then?
+Carey Coleman Indeed, but with a proper timing.
+Daniel Ramírez de Gastón it is a little to fast
It usually is
it's easier to sing when it's faster
Wow ❤️
WOW!!!!!!!!
Comme d'habitude, depuis quelques années ils craquent vraiment sur les mises en scène et costumes (enfin au moins ils ne sont pas nus comme dans d'autres mises en scène, ni en costume futuriste ^^), mais sinon très agréable chanteuse ! (Je lui préfère Diana Damrau ou Cristina Deutekom dans un autre style, mais S. Devieilhe a un talent indéniable, qui ne fera sans doute que mûrir avec le temps !). Je l'aime bien chantant Rameau aussi...
Bravo !!!
Wow!
I like this ..even her voice is small and tiny but she did every small notes before staccato that few sopranos do.I remind to Sumi Jo( surely small voice but great technics) , Joan Sutherland...also did but her F may be not expert.All of qualifications in this role,I adore Edda Moser.
The German is pronunciation is unreal~
minaly22 Your English grammar is unreal too. Haha.
Concur, but i had it memorised...
개쩜
Joli couvre-chef la Reine de la nuit :)
BIEN TENGA SU LIKE
Belle interprétation mais pas fan de la mise en scène, dommage :((
Her costume looks like a teletubby but otherwise it's great
Prodigieux
Prodigieux, absolument proodigieux, rien qu'avec ma voix ! ;)
😳😳😳😳😳😳😳 🎶🎶 💎 👏👏👏👏
👏👏👏👏
The early music movement has pressed this faster and faster and faster, it's unreal how fast it's taken now. Too much! Everything before 1800 taken like 3x the speed. Euro houses mostly. It's exciting but it's uncomfortably fast. She's great but she has that Damrau edge to her voice that makes me worried cuz she is pushing so much and I hope it doesn't go the way Damrau did, where the vibrato slows down and she blows out her voice.
nice
Elle a appris a parler allemand !
Ouah!!
母后不要再逼我了😢
diana damrau does it for me....sorry
파미나 : 어머니! 제발! 좀..
밤의 여왕 : 닥쳐라!
C'est beau mais j'aime les voix plus rondes !
모노스타토스 : 일단 살고서 보자!
Sabine delbiehe
Menyala abangkuh 1:43
Io la trovo bravissima
E molto cattiva nell'interpretazione
Diana Damrau was still the best.
밤의 여왕 : 신을 섬기는 의?
luciana serra is real regin
밤의 여왕 : 무례하다!
Sabine Devieilhe
A bit fast - ?
edda moser
Really exceptional, I'm quite floored.
I don't agree much on this fashion of putting phrasing and sudden piano into the staccato, though. It's like trying to make human something that HAS to be as much inhuman as possible. It's too much, it's very unnecessary, distracting. I mean, she's phenomenal, but that phrasing, in THAT place, is totally needless.
Apart of this, everything in this rendition is just unbelievable.
Who are the 18 who do not like this? Don't comment if you are tone deaf!
Natalie!!! Why can't you sing this part always!!! Why do we have to put up with THIS?
Oh heavens I hate the"Mgic flute" But of course it's the diving board of hordes of young sopranos that thankfully dissapear in oblivion after a year or 5 on the operatic stage.
Well, another user that doesn't remember that when you have nothing nice to say, you say nothing. Anyway, thanks for sharing, boo-boo, and I'm delighted to know I won't be seeing you next time I'll be seeing her 😘
Una vocetta inconsistente.
qeen of the night? More like ms three
der mutter schwurrrrrrrrreerrr
Better than Damrau
Not hard to do. Damrau is far from the best.
Mon Dieu, quelle horreur...Edita Gruberova est la meilleure.
Tarte, prétentieux, mauvais... Costumes et mise en scène de Karl Lagerfeld ?
Mozart in leggings .... the singing is great but sorry, queens don't wear leggings
Quizas la interpretacion sea correcta, aun le falta bastante (tiene que tomar mucha sopa) para llegar a la altura de Gruberova, Peters, Donat, Mesple, Lipp, Streich etc, y tantas otras reinas que descollaron en la interpretacion de este dificil rol.
Molto meglio e sopratutto più precisa di tutte queste altre cantanti. Sabine Devieilhe canta TUTTE le note scritte, con sfumature mai sentite.
@@pelleas9, de acuerdo, y para los tiempos que corren ya es bastante. Pero habiendo oído a gente como Moser o Deutekom, una soprano ligera, cualquiera, incluida Devieilhe, no puede darle a la Reina de la Noche el peso, la fuerza, que el papel requiere.
Pues lamento decirte que sí puede y lo hace. Sabine destacará sobre la mayoría de cantantes líricas anteriores, se abre una nueva escena, es fácil verlo, lo extraño es que no lo veas.