*[TIMECODE]* 0:58 - Product Introduction 2:05 - Light Output Tests 3:13 - Battery Life Test 4:06 - 660 vs Portable Shadow Test 4:51 - The Bottom Line *[AFFILIATE LINKS]* Neewer 660 2.4g (Has remote and LCD screen) *US:* amzn.to/2u0ctNl *UK:* amzn.to/2zDn9UU CAN: amzn.to/2UNj33U Neewer 660 Softbox (Square): US: amzn.to/2uPWzFF UK: amzn.to/37xuEZT CAN: amzn.to/2N4awVK Neewer 660 Softbox (Round): amzn.to/2SsZf51 Neewer 660 Softbox kit: amzn.to/2piBgKh (No wireless remote, not LCD screen on the back) Kastar NPF with USB amzn.to/2ShXLLC [] ebay.to/2MHgQS6 *[PROJECT E.1337: ALPHA]* Amazon USA: amzn.to/2LRXFIo Amazon UK: amzn.to/2Bbne26 The links above help support this channel where I get a small commission from Amazon if you use them. It costs nothing extra to you *[FREQUENTLY ASKED QUESTIONS]* Q: How come the softbox kit does not have the LCD Screen or Wireless Remote? - A: I unfortunately do not know the answer as to why there are multiple different versions of the 660 out on amazon all with the same name. Grr. That being said I still stand by the notion that picking up the softbox kit is the better deal in the end. While the wireless remote function is useful, I've only ever used my wireless remote on my GVM520s two times in two years normal and independent feature film sets. To me, the softbox kit will provide the most value for money as I feel the wireless feature is only useful in certain situations that are not as common. Q: How do you change the wireless channels? A: press and hold the M button on the remote and the channel on the panel will start blinking. Now use the brightness knob on the panel to change the channel. Press M again to leave that mode and you're good to go! (Thank you @Rob Cameron )
hey hey @@patrick5301! Thank you so much for checking out this video and commenting! I just updated the FAQ in this pinned comment now that its been brought to my attention that there are multiple different versions of the 660 out there all with the same name. *Frustrating* I'm not entirely sure why Neewer has branded it this way and if I have the most updated model or if Neewer never updated their photos from stores because of the same naming. I almost wonder now if even though the pictures are off that people will receive this version or the other versions? Ugh I wish I had a definitive answer, hopefully I can reach someone and get some answers. Thanks again for stopping by and i’ll see you in the next one!
Gooday day ! Appreciate for your quality videos while i'm doing research for purchasing budget LED light. Would like to ask between the 660 Bi-Color & 660 RGB, when operate with only the white/yellow LED with full power (100%), will both produce the same intensity of light or different due to the less White/Yellow LED on the 660 RGB version? Does the amount of LEDs (White & Yellow) on both light will determine the differences on the light intensity they will produce? Thanks!
Hi, thanks for this and actually all of the videos that i have watched so far. i realized, that the timecode 0:00 is missing in your description and therefore the chapters don't work. If you add that - they will :) Cheers
Hey hey Dennis! Thank you so much for checking out this video and the kind words! I'm so happy you enjoy this format and sticking around beyond the TLDR portion! I will continue to do my best! Thanks again for stopping by and I’ll see you in the next one!
I've found my perfect channel. Answer at the beginning. No annoying 45 second title roll to sit through. Explanation for the rest of the video with measurable rationales. Plus coverage of all the gear I'm into at higher end prosumer level. Finally.
Hey hey Pete! Thank you so much for checking out this video and commenting! I'm so glad to hear you enjoy the format of this channel! I will continue to do my best with my review and content. More coming real soon! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Stephen! Thank you so much for checking out this video and commenting! So glad to hear you enjoy this format for the channel! I will continue to do my best with my reviews and content! Thanks again for stopping by and I’ll see you in the next one!
Can't think of any other channel that I've sub'd to within the first 30 seconds of watching one of their videos for the first time. I'm glad the rest of the video held up!
Hey hey Callum! Thank you so much for checking out this video and commenting! I'm so glad you enjoy the format of this channel! I will continue to do my best with my review and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Matt Foreman! Thank you so much for checking out this video and commenting! You're most welcome! I'm glad you enjoy the format of this channel! I will continue to do my best! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Just stopping in to say that because of your reviews I ended up buying these panels, the full colour ones, they have been amazing so far, would recommend em to all of the beginners out there, these will future proof your work and save you some money while you learn the basics
Hey hey N.E.U.R.O.OFFICIAL! Thank you so much for checking out this video and commenting! So glad that this video was helpful and that these panels are exactly what you needed to get you goin' on your video journey! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Liz! Thank you so much for checking out this video and commenting! You're most welcome! Definitely if you need more power, the 960... and I think there is a 1096? Will fit the bill. Not entirely sure if its the same generation as the 660 series, but hopefully they used similar LED chips. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
TLDR Filmmaker you’re awesome… Thanks for the extra bit of info! I couldn’t find any on the 960. I subbed to you earlier because I like your video format style, it’s very unique! Keep up the good work!
Glad you like these lights, I got my 660 lights a few years ago without the LED readout screen. I think it was before the softbox but I clip white linen in front and it works well, I have found it softens the subject making a much nicer look. Just to say they have served me well! Thanks for your helpful information.
Hey hey Brad! Thank you so much for checking out this video and commenting! Glad you enjoyed this video! The 660's have definitely become a very popular beginners light for sure. Great little bedroom studio lights on a budget and auxiliary lights for narrative films. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey DesertCookie! Thank you so much for checking out this video and commenting! I'm so glad you like the format of this channel! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi, first off - great review. What softbox are you talking about on 5:10 ? Also, if you plan to use a softbox, would it be better with a light without bi color? You would get more light output, and does bi-color show up much out of a softbox? thanks for any advice. Looking at the neewer and the Fovitec.
Hey hey Lampofilm! Thank you so much for checking out this video and asking a question! Here are the softbox's I am talking about and how they performed: ruclips.net/video/7JIVzSPy5Kk/видео.html Having a non-bi color setup would definitely be the better bet, but those types of LED panels on the budget end are harder and harder to find. For the most part if you are in a controlled lighting situation, these 660 LED panels are not that bad and you are able to get the exposure you need. But if you are looking for more umph, then you may want to look into COB led setups like the one I reviewed here (so far, more styles of COB reviews are coming when I get them in for review): ruclips.net/video/PtbV_rtWwjg/видео.html Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Hi, so most of the time I will film in my basement, garage, or classroom. Daylight bulbs are good for me, as with my drawing or product show, I try to light things bright. Don't you feel I should be ok with a non-Bi-Color LED with a softbox? That should throw out a lot of light. I really like the Fovitec LED, very simular to Neewer, but a wider panel. I think I will get the 600. Like you said, it is hard to find them in Neewer 660 in non-bi-color. Another question, the round soft box you listed, that should fit the Fovitec, right? thanks for your wisdom, your show is awesome.
Yes the Fovitec being Daylight only would be better as you said earlier, so that you get the most amount of light from a single panel. In terms of if the softboxes will fit, this is a little hard for me to determine for the square softbox as the opening in the back is only about 12" x 12". The Fovitec states it's 15" x 15", but I do now know where they are measuring from. Since the softbox as the moment is sold you, the fovitec does have barndoors where you can clip some sheer curtain cloth or even wax paper away from it so soften the light like a softbox. They in itself could be enough for your needs if you don't need anything fancy, no need to spend more money if the desired result can be achieved this way. Hope this helps!
Hey hey Glen! Thank you so much for checking out this video and commenting! I'm so glad you enjoy the content and format of this channel! Haha I don't know, do I even sleep? I will continue to do my best with my reviews and relay as much meaningful information as I can for creatives! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Liam! Thank you so much for checking out this video and commenting! So glad you enjoyed this video and the format! Enjoy the panels when you get them and create some fun content with them! I have some more content coming regarding the 660 series so stay tuned for those! Thanks again for stopping by and I’ll see you in the next one!
Hey hey 180 Seminars! Thank you so much for checking out this video and commenting! I'm so glad this video was helpful and that you enjoy the format of this channel! I will continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker For the record I've watched a few more already. You need to teach this method to everyone. Thanks again. Stay safe and keep them coming please.
Thanks for watching more videos! I definitely felt there was a missing space for these types of reviews on youtube so I went for it. There are definitely some youtuber out there that do even more than I do! It's a bit hard to find them as they have grown their channels to reviewing more higher tier equipment, but sometimes they'll take a look at budget stuff. I will def keep them comin!
Hey hey Nathaniel! Thank you so much for checking out this video and commenting! I'm so happy this video was helpful and that it helped with your needs! Whether it did or not (Amazon) I'm more fixated on the community getting helpful info. But I do sincerely thank you for thinking of it and supporting :) Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Seneca! Thank you so much for checking out this video and commenting! So glad you enjoy the format of this channel! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey MOSHY! Thank you so much for checking out this video and commenting! So glad you found this video and channel helpful! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Anton! Thank you so much for checking out this video and commenting! You're most welcome! I'm glad you enjoyed this video and the format of the channel! I will continue to do my best! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Ben! Thank you so much for checking out this video and commenting! I'm so glad you enjoy the style of this channel! I will definitely continue to do my best! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
The link you have is for the lights without the LCD screen + remote controls. There's another pack for the ones you have but they don't come with a softbox which is strange.
Hey hey warever37! Thank you so much for checking out this video and bringing that to my attention! That is strange, I didn't realize the 660's were different, ugh thats a little frustrating because the wireless function is definitely useful, but to get the pack I have and shelling out another $56 for two softboxes... I think if it came down to it, I would still get the softbox pack and forgo the wireless functionality. It's useful when I need it, but I think i've only ever used the wireless function on my other lights 2 times in two years. But still, strange that there are two different versions of the 660 lights with no way to know unless you looked at the pictures. Thanks again for stopping by and letting me know, I'm going to add this discovering in the FAQ. See you in the next one!
@@TLDR_filmmaker The remote control is definitely a plus, but the main feature that caught my attention is the LCD display at the back. This small screen allows you to precisely set the desired light output you want which allows for consistency in exposure when shooting videos. For e.g. imagine you're a very active photographer and videographer who uses the lights a lot, if you don't have an LCD screen to know your numbers exactly, it'll be very difficult to set the lights to your default settings for your videos. Great review BTW.
I totally hear ya, I see a Third version now? Seems like theres one with no readout what-so-ever, then theres another where it has a dot matrix display that may give you two numbers to show either Kelvin or Brightness, and then you have the one I have thats more detailed. Boy I have no idea why they are all called 660's without a "version" number to differentiate.
@@TLDR_filmmaker I have the "original" ones with the dot matrix & wished it had the lcd display.Now they have lcd for the same price point & same name...oh well
Hey hey Big Shrimp Radio! Thank you so much for checking out this video and commenting! Awesome! I'm so glad this video was helpful! I will continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Quarantain! Thank you so much for checking out this video and commenting! I'm so glad you enjoyed this video and the format! I will continue to do my best with my reviews and content! Thanks again for stopping by and I’ll see you in the next one!
Hey hey Ruby! Thank you so much for checking out this video and commenting! So glad this video was helpful! I will continue to do my best with my content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey DC fan for life! Thank you so much for checking out this video and commenting! So glad you enjoyed this video and subscribed! I will continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
This is a great review! I'm making a short-film and can't borrow lighting equipment because of travel restrictions, about time I just bought some lights of my own!
Hey hey Jack! Thank you so much for checking out this video and commenting! Most definitely! Lights are definitely getting to a great price range for all types of independent films! What a time to be a filmmaker! Have fun with these and definitely let me know when you finish your short! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Arturo! Thank you so much for checking out this video, commenting, and subscribing! I'm so glad you enjoyed this video, I will continue to do my best with my content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey 渥太华晓冬! Thank you so much for checking out this video and commenting! Honestly you can use any NPF battery, the Brand "Wasabi" is pretty good. Just look at reviews and see which ones are rated well. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thank you for your quick reply. I am Susan and my channel XiaoDong started. If I purchase batteries for the lights, do I still need the wires which I really hate?
Hey hey Daniel! Thank you so much for checking out this video, subbing, and commenting! I definitely get "You look like Grant Imahara!" (RIP) a lot, but to say I sound like MKBHD?! That's quite the compliment! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I looked at a lot of videos before finding TLDR. EXCELLENT, helpful, clear band educational. Thank you as you have been a huge help. I don subscribe but to a few channels and yours is now one of them. I called NEEWER to ask about bi-color vs RGB Multi colors for my RUclips channel. I shoot indoors either myself or interview online. I first bought the NEEWER 480 led lights with no remote. I just upgraded and added the the multi color 660’s with remote for two reasons. 1st was the ability to adjust lighting without having to constantly get up. I can see the screen and adjust accordingly. 2nd was for a better light. 3rd to have the option for multiple colors. You recommended bi-color lights for main lights and rgb fir background. Can I use the multi color rgb as well as I can Bi-color or would you recommend getting bi-color lights?
Hey hy Reason For Truth! Thank you so much for checking out this video and commenting! So glad you enjoyed this video and that it was helpful! Yes you can still use the RGB version as your main lights, I would suggest using the Daylight 5600k as your main as they seem to be more color accurate than the tungsten 3200 LED. Of course always make sure you do a white balance to ensure your camera gets the best color setting as possible. If you have not already, I would also check out the softboxes I reviews for these lights not too long ago, you can see the review here: ruclips.net/video/7JIVzSPy5Kk/видео.html Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
Great series. Appreciate the recommendation for both. I have a cheap newer soft box kit that I have abused for the past three years. Looking to upgrade so I can run off batteries.
Hey hey again Camilo! You're most welcome! Definitely lots of nice options these days at all different price levels! Running off of batteries while having wireless control to adjust color and brightness is definitely a nice feature on the Neewer 660's, if they ever make a RGB version in this same size, that'll be fun!
Hey hey Keshav Thank you so much for checking out this video and commenting! So glad to hear you enjoyed the format of this channel! Steal away! I will continue to do my best with my content and review! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Following up on this - what kinda watch time and average view duration do your videos get like this - where you share conclusion first, and reasons second? As a fellow creator I'd love to know!
Superb! Great pace, super info, efficient and excellent! You are amazing! Quick Question: would this set-up also be effective as a portrait photography studio :)?
Hey hey Scott! Thank you so much for checking out this video and commenting! So glad you enjoy the format of this channel! I get this question a lot in regards to these budget panels. My personal take is that while, "yes", the panels are bright and will light up the person you want to take a photo of. Will the light look pleasing? Depends on the photographer you are. If you're looking to get some nice soft portraits, you're usually wanting something called "soft" or "diffused" light where the shadows don't look so harsh. Think a super large window in a living room with light pouring in. The light source is "large", its also bouncing light into the room. So the shadows on the person you're looking at is not harsh, its much more pleasing. With these LED panels you could potentially get there by shooting the light through a large diffusion cloth. But you loose light output which makes you need to jack up your camera settings which is not always desirable. So my general suggestion for anyone thats looking for photography as their primary need to forgo these budget video lights. You should be investing in strobes/flashes that can attach to softbox modifiers. This is not only cheaper, but gets you much close to what you're going for. The reason these budget video lights still work for videographers is because we do not require the high power that photographers need. We are filming at F1.8 - 2.8 at 1/50th shutter with low to mid ISO settings. These are not desirable for a photographers because they need sharp crisp images. So they need to shoot at either F2.8-5.6, low ISO, at 1/100th or higher. These budget lights are not powerful enough to give soft light while also hitting these camera settings. So what if you do both. In this case I would direct you to research into Cob LEDs that basically mimic a photography flash, except its a continuous light source. The most popular are the Godox SL60 and Godox SL150. These are the current budget types. Get a nice large bowens softbox, get it in close to the talent and get that nice soft portrait light. I know this is a ton of info, I should probably make a video about this to show what I mean. But TLDR. Yes it'll work, but you may get that "deer in the headlights" look on the person your taking a picture of. Your primary goal is to create a "large" light source like a large patio window as your main light, bounce the light back at the person soften the shadow side more. And thats your basic concept for a portrait look. You can add a hair light / accent light if you like. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Great video. Unfortunately I recently bought the Neewer 440 set and just had my first film shoot. They are great, but 1) could have used a bit more output - first timer, I thought they would be ok. 2) I had to have someone hold a diffuser in front of the light and for my teeny-crew, that meant more work for me elsewhere. 3) No barn doors to direct and sculpt the light. Your recommendation addresses all of these. Will have to upgrading. Thanks!!
Hey hey again Wayne! The extra 220 LED (110 per color) will definitely help, keep in mind the output of the desired diffused light will depend on how far away that diffusion was. All things I will be covering in my beginners lighting tutorial for narrative film videos in 2020!
Help! How do you change the channel on the light itself? Both of mine were in channel 2, and now one is in channel 0 and I have no idea how it got there. I thought for sure one of the control knobs clicked in to change the channel but apparently not.
Found it! For anyone else with the same issue: press and hold the M button on the remote and the channel on the panel will start blinking. Now use the brightness knob on the panel to change the channel. Press M again to leave that mode and your'e good to go!
Hey hey Rob! Thank you so much for checking out this video and commenting! I'm so sorry that I am only now able to get to your comment, but I am so glad you got it working and leaving this information for people to see! I will put it in the FAQ section. Thanks again for stopping by and I’ll see you in the next one!
Thank you so, so much for your review - you helped me greatly in choosing the right lights for me. Also since then I started binge-watching your channel ;-) amazing content and everything so helpful. Please keep up your amazing work! One question regarding the lights, in the TLDR in the beginning you mention the runtime on batteries. I saw that you plugged in only one battery to the SNL660 - am I right that you are using a NP-F970 with 8400mAh for the given runtime on battery power? Again, thank you a lot and keep it up! Best from Germany :-)
Guten Tag Jules! Thank you so much for checking out this video and commenting! You're most welcome! I'm so glad this video was helpful! The battery tests I did was actually with 2 batteries, and they are 3rd party NPF970 equivalents. Some marketers overestimate their numbers. All in all if you use two large 970 batteries you will see similar battery run times. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Good review. But the back panel that you show on the video is different from the one showing on the amazon link you listed above. When you check that link it shows a different version of that light. One that does not have an lcd screen, but some led lights indicators.
Hey hey Omar! Thank you so much for checking out this video and commenting! That was brought to my attention earlier, I had added a note about that in the links. While I know some people will want to get the LCD screen on the back with the wireless remote, unfortunately there is no value kit available that I could find. That being said the LED light indicators more or less still let people know what kelvin they are at. The wireless remote I actually can live without for the time being, in the 2 years where I've had some LED's that could be controlled by a remote, I've only maybe used it twice. That being said, I have update the links some more to reflect the different models and purchasing options depending on how filmmakers would like to acquire the kit :) Thanks again for stopping by and I’ll see you in the next one!
I want to permanently mount ceiling lights for my bedroom green screen painted wall. They need to be out of the way but fully light the green screen. What do you recommend?
Hey hey StickOnHair! Thank you so much for checking out this video and asking a question! You generally will want a larger softbox style of lighting to light the green screen than these 660s. Main reason is because you want a even amount of light hitting the screen. Shining bare lights at the green screen will create hot spots. While these 660s have their own softboxes, they are small 12x12. You want larger than that so that you get a larger better spread. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Phan! Thank you so much for checking out this video and commenting! I'm so glad this video was helpful! I will continue to do my best with my reviews and contenet! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
If you install softbox on the newer 660 led light, can it still be angled down 45 degrees use as a key light? I saw some reviews said once you have the softbox on, it can not adjust the angle use as a key light. Thanks.
Hey hey again Peng! To get the light to face down 45 degrees, you need to mount the LED on its "horizontal" slot. There are two slots on the light stand holder part of the yoke. its the one that goes sideways instead of the traditional vertical slot. When you have it mounted that way you'll have full articulation with the softbox on.
Hey hey TTFG! Thank you so much for checking out this video, commenting, and subscribing! I'm so glad to hear this video was helpful! I will continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey again Jones Media! Definitely solid! I have a feeling these units should last reasonable long so as I don't throw them on the ground or something like that lol. I wonder if they'll ever make a RGB version of these, that would really complete the budget kit!
Hey hey József! Thank you so much for checking out this video and asking a question! If you mean the entire panel burning out, neewer does have some sort of warranty but I do not know how easy it is to go through the process. That being said my panels are still up and running and have not had any problems with it yet. The LED bulbs most likely will last many many years while the computer board inside could burn out randomly. But because these are not high voltage systems, the chances of it burning out prematurely isn't too high. Manufacture defect could happen as with any products. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Deanna! Thank you so much for checking out this video and asking a question! If you are talking about my slider video from last week. The softbox I use is this one: ruclips.net/video/kK8lSclsp8A/видео.html Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thank you :) Hey, do you feel the 660 really puts out that much more than the 480? Is it really that noticeable? Worth the extra $60-$75 for a comparible kit?
Hey hey Bert! Thank you so much for checking out this video and asking a question! Unfortunately I will not be comparing the 440 vs the 660. Mainly because you are going to get lower output that is going to make it difficult for you to use the LED for video applications where you are standing away from the camera. If you are sitting at a desk for Zoom where the Light is right in front of your face in close quarters. Then the 480 is more viable in those situations (diffused or not). Long story short, if you are going to be standing up and these panels are going to be anywhere from 3-5 feet away from you, the 480 is not a good idea. There is definitely a whole other side of this story that requires you to have a good understand of what camera you are using and how it behaves in high ISO settings. If you are just starting out and you are still learning all of this, than the 660 is still your best bet. You always want to have more light than you need than to have less than you require. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker many thanks for your very quick response and the good insights! That’s all the info I needed to make a decision. Your channel is really helpful and I hope it will grow fast! Keep up the great and structured work! All the best!!
Great video.. How important do you think consider the softboxes you can purchase seperately from the lights (or bundled together in a package)? Do they make the Newer lights significantly better than if you don't have them?
Hey hey Talking Buffalo Podcast! Thank you so much for checking out this video and asking a question! It'll definitely help you get a softer light when you have the lights close up. I have the video here: ruclips.net/video/7JIVzSPy5Kk/видео.html But you can easily just set up a diffusion cloth up and shot the light through it and get more soft light depending on how you're setting things up. Essentially softbox's is aiming to make the light not look like dear in the headlights, but there are more things you think about in terms of how close you have the light to you vs having it far away. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Bpjames! Thank you so much for checking out this video and asking a question! My only opinion for the IVISii is that it looks like you have no way to remove the diffusion panel in front, which is not necessarily a bad thing depending on your needs. For me with narrative filmmaking, I'd like to have the options to use it with or without the panel depending on my needs. That being said they will probably behave somewhat similarly in terms of light output, can't say for sure about color accuracy based on the panel color adjustments. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thanks for your reply and I love the style of your videos btw. Good point about the diffusion, to be honest I didn't even consider that. For our needs at the moment these might just do the trick though, for You Tube and now virtual trade show type videos. Thanks again and take care!
Hey hey Awa Creatives! Thank you so much for checking out this video and commenting! Unfortunately no, you can't charge the batteries through the LED Panel. The only panel I'm aware of that can do this is the Aputure HR672 panels. I'm sure there are others. I wish this was a more common feature. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Tamás! Thank you so much for checking out this video and commenting! You're most welcome! So glad you enjoyed this video! I will continue to do my best with my content and reviews! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Pat Google! Thank you so much for checking out this video and commenting! Nope, that was not a typo. That light test chart was showing the difference between another Neewer bi-color softbox light that gives a flood beam that I reviewed previously. I prefaced that I was showing the difference between the two products with the 660 being a spot beam while the bi-color softbox was a flood beam. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
if I were to combine this as a fill with the amaran 100d, would it match or create weird color cast? if so, what light would you recommend as a fill that's inexpensive yet good quality. Thanks, love the channel!
Hey hey SuperUltraGiggaChigga! Thank you so much for checking out this video and asking a question! Based on my tests of many LED lights, including some newer Aputure ones. The "daylight" LED's from this Neewer is similar enough (in skin tones) to the aputures that it shouldn't look too weird. However depending on your future lighting ideas. I think the 100d right now is on sale still for $170 USD. So maybe think about future setups and see if you may need another high power LED and take advantage of the deal since it puts it near the same price as the Amaran 60d. But if you really need just a cheap fill, the neewer 660 will do just fine. However its not gonna be too powerful compared to the 100d if you have that up at full blast, and the further diffusion of the Neewer Fill will really kill off the output. So make sure you take these into consideration when you are determining the Neewer 660d or either the Amaran 60d or another 100d. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Ugo! Thank you so much for checking out this video and asking a question! It is not a fake, you have (I believe) the 2nd generation of the Neewer 660. The one with a LCD screen is the 3rd generation. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thanks for all the creative and informative video content! Question... I’m in need of lighting for a indoor space, the lights will be further away from me due to the video needing to capture my entire body (standing) as well as a good amount of space horizontally and vertically. (If it helps I’m a golf instructor, and I will be moving around as well as the club). Given my situation would you recommend the Neewer 660 2.4g or the Neewer LED Softbox? Or both but what first?
Hey hey Jeremy! Thank you so much for checking out this video, the kind words, and asking a question! Hmm... Without seeing the space and a lot of other specifics, I can only give my best guess for this recommendation. This will really depend on the room and your camera. If the room has windows where Sun is entering through, then these lights might not be enough. Because you are looking to give a pretty decent wide shot so the students can see your body and club movement, the lights will probably need to be placed anywhere from 10-20ft away from you depend on your camera lenses ability. That being said if I was to pick one of the two. I would pick the Neewer 660 and use it without the plastic cover in front, and use it at 4400k to get the most amount of output possible. Depending on the room size and if you have control of window light to blacken them out, you may need more than 2. However if these lesses are done during the day a room with multiple windows where the room feels like its glowing. You can pull some sheer curtains over it and more than adequate light for your camera. Make sure your camera is set in a way where it is looking away from the window and not at it, that was the window lights you up nicely. Again these are only my thoughts based on limited information. But the essential key is, if you're on a budget, test out the window with sheer curtains idea and see what your camera see's and determine if that is acceptable for you. If this is not possible and you do need to light up the entire room with artificial lighting. Then I probably start with 3 neewer 660s and use them as I stated above. Extend your light stand as high as it can go so that the LED's are facing down at you so that you don't get the "Deer in the headlights" look. Turn them to 4400k and see just how much light that blasts through. The reason you want a lot of light is because, my guess, you don't have a dedicated camera man that will be pulling focus as you walk around the frame. So you're going to want your F-stop (aperture) to be higher (probably f5.6) So you're going need more light to compensate for it so that you don't look like you're in a dark room. Sorry this is a lot of information, but I hope this gives you an idea as you start experimenting with your space before making an investment. I will be working on a video tutorial soon to give people an idea of what kind of lights to look at as most of my videos are based for Movie Filmmakers and not necessarily instructional videos. Hope this helps for the time being! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Really appreciate the detail response! I just ordered the 3 Neewer 660 w/ remote. I also have a Neewer 176 led. The room size is large with extremely high ceilings (16-20 feet). It does have one traditional window (est. 4ft 2.5ft) and the base of the window is est. 10-12 feet high off the base of the floor and maybe 15-20 feet from where I would be filming (window faces me). Obviously light only comes through that window at certain times a day. Not sure if those times are advantages for filming or not? I have two types of lighting in the room: traditional fluorescent ceiling light bulbs (makes the room light up like a surgeons office) and led dimmer lights (overhead as well). Questions: 1) Do you recommend having any of the lights on during filming? 2) How would you recommend I stage the neewer lights (3-660 and 1-176)? 3) What light stands or adjustable brackets do you recommend to have the lights higher off the ground and how high?
Gotcha, that sounds like an awesome room, I love high ceilings haha! Answer 1) It can't hurt to play around with the lights in the room to see if it gives you a desirable outcome. Because the panels are Bi-color you can determine which way you want to match the lights in the room or just have an overall mix and do a custom WB in your camera to match it. Just make sure your camera's shutter speed is set to 1/60th so that you don't get any weird banding lines going up the screen slowly. This is common with florescent bulbs Answer 2) Think of a traditional TV station, they have lights up about and circling the news desk. You will semi replicate this to a degree by having the lights on both sides of the camera at around a 45 degree angle, with the 3rd light being in the center or just slightly off in either direction. I myself am 6 feet tall, so I try to have the light around 7-8 feet up in the air pointing at my face to chest. If you find that 2 lights coming from the 45 degree angle is plenty and you now have a third one that can be used elsewhere. I would then place this light "behind you" out of camera frame, same height in the air as the others, and pointed at you. It probably won't need to be as bright. This gives you something called a "rim light" or "hair light". So when you are talking to the camera you will kind of have this faint outline and it further separates you from the wall behind you and gives a additional visual esthetic. If all your lights are "daylight" (blue in tone), you can make this hairlight more yellow at the "tungsten" side and that will give you even more separation. Definitely a lot of ways to play with lights, it's taking me awhile to get to these lighting tutorials, but hope some of this makes sense. The key thing is to play around with it and see what results it gives you until you reach something you like. The things I'm suggesting is where I would start to see what I get in the camera, if I don't like it I will change it up. Anything from putting the lights closer, further, higher, different angle, putting a piece of wax paper in front of it. The more you attempt different setups you'll quickly develop a sense of what to do to get what you want. Major tip for lighting with these panels, don't put them further away. Experiment with how close you can get them at full brightness, if it's too bright put the plastic cover on or clip some wax paper onto the metal barn doors to soften the light. When you put lights further away from you is when you get some harsh shadows. Hope this helps! Good luck and have fun!
Hey hey Ronnie! Here is the link for the softboxes only: amzn.to/36TJNCU (This is my amazon affiliate link, I get a small commision that directly helps support this channel at no additional cost to you) Thank you so much for stopping by and your kind words. I will continue to do my best! See you in the next one!
It seems there are two different versions of this light -- the NL660 and the SNL660 model, do you know what the differences are? Which model is more powerful and color accurate, etc.?
If I remember correctly, the "NL" is a model name key that is used for the European Market. From what I can tell. I think the NL is the Bi-color only panels, and the SNL are the RGB?
@@TLDR_filmmaker It's not RGB... It's a bi-color led light and it has mobile app that can control settings. www.amazon.com/Neewer-Photography-Lighting-Dimmable-3200K-5600K/dp/B08216G3NB?ref_=d6k_applink_bb_marketplace
What are your thoughts on only using 1 of these with the softbox for a keylight? Or would you recommend the RBG if only using 1 for more color options?
Hey hey Sadie! Thank you so much for checking out this video and asking a question! Honestly both will work just fine, the only reason I would go with the RGB is actually because of its LED chip being SMD. So its not as focused as the normal 660 that is "lensed". This makes it so that you can illuminate the dedicated softboxes more evenly. You will take a slight output hit going with the RGB version, however if you control the lighting in the room and keep that keylight nice and close just out of frame so that you don't have to jack up your camera settings. You should be good. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Happy New Year! Thanks so much for responding. I actually decided to go with the Neewer 256 (smaller) flex led softbox panel cover, and extra diffuser screen - thanks to your reviews. Could you do a lightning video for content creators in small studio space? For example, I’m working ina 8x10 room. And lightning is a challenge; especially keeping the fore and background lightning from spilling too much. And perhaps you could target “us” starting creators using their iPhones as cameras?
Once again! Thank you! Seems you're reviewing everything I'm looking at getting 😂 Do you think getting 4 of these... 2 either side of a panel discussion... Would make much of a difference over just 2, 1 either side? Also looking at the Neewer LED wands for hair lighting at the back... So ya! Lotsa lights 😂
Hey hey again Justin! Hahaha, I hope thats a good thing I'm reviewing all those things! Hmm... I guess it really depends on how many people are in the panel discussion, their seating orientation and how close can you get the light just to have more play with your dimming. Now, last I knew, the prices of these panels had gone up since my initial review. Assuming battery portability is not a major concern for your needs in that you'll always have access to power indoors, I'd think getting a 60w COB led might actually be cheaper and give you more power than these panels. Because these panels are bicolor, you're really only getting 30-40 watts of power depending on what colors you're using, where as the 60w cobs will give you 60w in daylight color. I have a comparison video here of some popular 60w COB LED's for you to look at compared to these panels: ruclips.net/video/3drVUZ5LWPI/видео.html From there you could then use the extra cash saved for your hair light or bowens light modifiers for your other film projects. These are just my thoughts for other options you may want to look into, hope it helps!
@@TLDR_filmmaker you're a legend... You've just covered my concerns with the brightness of these considering they're bi-color. I'm really hoping to achieve a very nice news type studio lighting setup on location. As you say, plug in power would be essential. Quick interviews, I use a smaller battery powered off cam led light which is perfect. In this "new normal" recording presentations and live streaming is gaining popularity over actual events with an audience now so the brightest but adjustable lights that can be moved from location to location without a bug fuss is essential. Thanks again for your time and for always going above and beyond. I really do appreciate it! Off to check out your other vid now!
I bought 2 of these and I am satisfied to a certain extent. For the price these are excellent but they lack power. The manufacturer claims 3360 LUX at 1 meter, but I calculate at most 1000 LUX at this distance with no diffusion at 4440 K. Of course, at 5600K the light output is about half. The good news is that it gives the same power with transformer or batteries. In conclusion, these are only good for relatively close shooting with one subject or use the lights for accents.
Hey hey Jacques! Thank you so much for checking out this video and commenting! The 1000 lux sound's about right (with no diffusion) at 1m. The only companies I trust their manufacturer numbers is probably Apurture and any companies operating in that price tier of LED's. 3rd parties are great deals, but I take all of their numbers with a spoon full of salt lol. Definitely, for the price and how these can be used. I feel these panels do the job for someone that just needs that extra light here or there in a scene. Budget friendly, decently good colors, and versatile power use! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey John! Thank you so much for checking out this video, the kind words, and commenting! There is no TLCI rating, just a generic 95+. However in a later video I compared it against an Aputure HR672c (a more known color accurate light) and the results were quite similar. If you haven't checked out those tests, the video is here: ruclips.net/video/qPxGAUHxWbQ/видео.html Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
Amazing reviews.. Its been a blessing.. I want to get this for my couple's portrait. I know you recommend the 2.4 over the rgb because it has better day light colors.. however i have an issue with the circular softbox not diffusing it perfectly. Do you recommend i use that way regardless for photography or do you recommend the rgb and circular softbox . Thank you
Hey hey iamblawz! Thank you so much for checking out this video and asking a question! In general for photography, while I'm not a photography, I would actually suggest getting flashes (speedlight?) or Strobes and purchase softboxes for those. The reason being is because these budget LED panels are not nearly as powerful compared to a flash. Videographers we only really need to be operating anywhere at 1/48 - 1/60th shutter speed. Photographers need to be at a much higher shutter speed to capture the instant moment of the people they a shooting (even if they are sitting still) Another reason I advise going the flash route is because you have a lot more options for your photography with that power. You have more freedom to move the lights closer or further as well as adjusting for deep depth of field. When you have an underpowered light source you will be confined in your options. I hope this makes sense why I advise going a different route for photographers that want to capture human subjects. If you were only doing product photography, then my recommendation would be different as your subject never moves. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Mathias! Thank you so much for checking out this video and commenting! The larger softbox is here: amzn.to/34ON7ym (affiliate link, the commission I get when you use this links helps directly support this channel) Sorry my reply is a few days late, if you already got the setup I hope it helps on your next upcoming projects! Thanks again for stopping by and i"ll see you in the next one! Happy Holidays!
Hey hey heyguyslol GAMING! (hey hey hey lol) Thank you so much for checking out this video and commenting! I'm so glad you enjoy these review videos! I will continue to do my best! Thanks again for stopping by and I’ll see you in the next one!
Hey hey Herman! Thank you so much for checking out this video and asking a question! I have links to the softbox in the description for the softboxes. If they don't show up on Amazon, it could be that your country (if you're not in the US) does not have them. I just checked and they are available in Amazon US and on eBay. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey, I brought these lights of your recommendation, and they have given me a dumb question to ask you. I know they have barn doors but is there a way to make them really directional like a beam or torch? In photography, we would use a snood but wondered if there is a similar effect to use with filming and these? Great content as usual.
Hey hey again Neil! With LED panels you generally cannot really modify them like a snoot would. I guess in theory you could but you'd have to create your own contraption to try and focus down that light. However their source point is not a small single point rather a bunch of LED's creating the source, so its harder to get a super sharper light like a COB would.
Hey hey Natallia! Thank you so much for checking out this video and asking a question! It sort of depends on a couple things, mainly if the casting director is asking just for a close up or a full body shot. Ideal to emulate casting agencies preferred lighting you will want to soften the light up so that you look as flattering as possible. Check out this video to see what diffusion does. In your case you will want something like the reflector so that you have a large diffused source for full body shots. The Umbrella won't be as good for full body shots. ruclips.net/video/ArI16TEKbo8/видео.html Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Joshua! Thank you so much for checking out this video and asking a question! It shouldn't matter as it's an aesthetic thing, but I would make sure the control panel looks like this one with the LCD screen (2.4ghz version) There seemed to be 2 different older versions that I'm not sure if the LED chips are similar or different. I feel they'd be similar as most LED chips are all hitting a similar budget standard in terms of color reproduction, but if its something that may bother you, try to find the 2.4ghz version that has the LCD screen on the control panel. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Truth Still Matters! Thank you so much for checking out this video and Asking a question! If I remember correctly, I think the Aputure three kit set was 2 daylights and 1 bicolor. These neewer 660's will match up to the bi-color version but the other two Aputure daylight only version will have more raw output. The Aputure also has a floor and spot version while these Neewer 660 are spot beam in nature. Ideally you'll want to have a more flood beam when lighting the green screen so that you don't get a hotspot. Rim lights can be either Flood or spot depending on your needs. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey CFW Studio! Thank you so much for checking out this video and asking a question! Unfortunately no, I have not reviewed a GVM product for awhile. Unfortunately their marking team makes is difficult for me to receive a review unit so it may be awhile until I review another GVM light :( Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker you too man. recently got the 1000d! Dope lights. However: Stands included are not as advertised. Returned it and they shipped another one. Same thing. Just stuck with it since the lights are cool af!
Hey hey Danielle! Thank you so much for checking out this video and asking a question! This is kind of a two part answer. In short, yes, two of these would light you up for a video placed at 6-10 feet away from you. On the technical side, if you are only using these two lights and not trying to use maybe some window light or existing light in the room (assuming they are also daylight balanced) the lighting would look a little harsh. Essentially the further away you put the lights, the harsher it may look. I'm not sure how you plan to use the lights, but these are some things to think about. Three lights would probably be the best bet so that you create a sort of "TV stage" lighting setup. One in the center, the remaining two on each side of center. Some general tip is to stay away from a back wall as far as you can, as this type of lighting will cast a shadow on the wall (if you're trying to negate that look). Essentially when you are trying to film the full body for a dance video, you're going to need more lights to try and balance the entire shot between you and the background so that the video doesn't look too harsh. This is a general idea for you to think about as the way you're going to be using these lights are different from a youtuber who is sitting or standing close to the camera. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I have an older version of the NL660 LEDs and while they are not perfect, I find them quite good for their price. My only gripe is the mount. They never sit tight on the light stands, that they come with. Also, the yoke - when mounted on the Neewer wall mount - seems to be too lose and feels like it is about to fall of anytime. My question is: Am I doing something wrong? Do I need to get a different adapter or metal thingy to get a tight fit? I would be very thankful for any advice!
Hey hey El Boyo Electronico! Thank you so much for checking out this video and asking a question! Hmm, it could just be the light stand spigot is not the right dimensions so there is too much wiggle room from the lights yoke mounting point. You could use some cloth or other materials around the light stand spigot to see if you can tighten things up. As for the yoke do you mean the part that helps the panel tilt? My versions are a little funky in that the barn doors makes it hard to tighting things up all the way cause the yoke knob is hitting it. So I usually have to close the doors a little so that I can tighten all the way. Not really a big deal with the barn door slightly closed as the LED panel spreads a spot beam rather than a flood beam. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Dave Mc Donagh! Thank you so much for checking out this video and asking a question! No, these panels do not charger your NPF batteries when plugged in to AC power. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey I am trying to decide between the Neewer 660 and the Aputure f7. I am going to use a task lamp or foamboard (reflection) as my fill light for my home youtube set up. Do you think the f7 has enough output or will I likely need something more powerful like the 660?
Hey hey Sean! Thank you so much for checking out this video and asking a question! This will depend on your desired camera settings, how far your keylight is away from you for your composition, and then from there how far away your fill light is to stay out of the shot. These are the factors that will determine if the F7 will be enough or not, unfortunately because I am not there seeing what the camera see's I can not give you a definitive answer. That being said I would always opt for the more powerful option in this case, because you just never know how much power you may need, better to have more than not enough. If the fill reflector board is only 2ft away from you, then an F7 may have enough punch to give you options, if its further than that I would opt for the 660. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi there.. thanks for the vid, helped a lot! Quick question if you dont mind. I was going to get this light but now i can get the 21" round flapjack from neewer on an amazon sale for almost the same price, would you rec that one over the 660? Thank You!
Hey hey TestieeKlees! Thank you so much for checking out this video and asking a question! If you are planning to use the 21" round flapjack style like as your key light for the face. I would personally go with that one because of its nature being a larger laminated surface area compared to the 660 panel. The flapjack light will be a more pleasing and softer looking light on your face where as you'd have to buy an additional diffusion box or material for the 660 to achieve the same thing. The 660 is meant to be more of an all-round and can be adapter to other scenarios. Where as if you wanted the round flapjack to have more output, you can't really get that as the diffusion is built in. Don't let the last thing I said deter you, I was speaking as a narrative filmmaker in which my scenario and settings change constantly. If you know that the soul purpose of the flapjack is to light your face. Then I would go for the flapjack over the 660. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thanks for the reply! Because this will be using these "mostly" for streaming purposes and then photography as an after thought (have strobes to use but want to reduce my footprint), I decided to go with the 660 as the key light and the 530RGB as the rim light and or used for some splash in the background. Still eyeing the 21" flapjack as i do enjoy the output of that light more so, just waiting for another sale, in the meantime these just arrived and will put them through some paces! Really enjoy your vids, keep at it! :)
I already have 2 of the Godox SL60s but I’ve been thinking of adding some budget friendly lights for greenscreen. That’s why I came to watch this but I’m still thinking 🤔 Do you suggest I go in for these or something else, please?
Hey hey again David! I would personally suggest you go with something else than these LED panels. With Green screen you want something that floods lights evening instead of having a hotspot. I generally recommend people just use a 4 socket softbox and populate it with 100w equiv LED bulbs you get at any department story. Get two or four of these softboxes so you can light the green screen as evenly as possible. While this setup is not as flashy looking, it does the job!
Hey hey Redj Moto Trips! Thank you so much for checking out this video and asking a question! The Godox SL 60w with a softbox is going to give the better overall look as well as more power than the Neewer 660 since half of its LED's have to go to Tungsten and the other half goes to daylight. Also these 660s will give more of a hotspot in the middle due to each LED diode having a lens in front of it. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi :) I watched this video again today as I am about to upgrade to the 660s. I am tryign to find the large LED softbox you mentioned in the video but can only seem to find ones with bowens mounts. Can you tell me the exact model you ae using please? thanks :)
Hey hey again Chris! I just got the softboxes in for review so I haven't officially tested them just yet, my recommendation in the video was based on i've tested the panel through similar diffusion materials. But here are the links to the ones I have for review: Square: amzn.to/3cEXiKT Round: amzn.to/2IttLGb **these are my amazon affiliate links, buy using these for your purchase I get a small commission that directly supports this channel at no additional cost to you. If you choose to use them, thank you so much for your support!** Hope this helps!
@@TLDR_filmmaker Thanks for your reply. I am looking for larger softboxes than the ones on those links. I am in the UK and finding it hard to find much. Its strange as I would think these would be very popular. I would like something about a 1m x 1m round or square that has enough depth to keep the LED panel about 30cm away from the front diffuser. Maybe I will end up making somehting if I can't find anything. Anyway thanks again for your reply and your videos, I really like how detailed you go with your reviews, its very helpful.
Hey hey Goo Munday! Thank you so much for checking out this video and asking a question! This can be potentially a very loaded question, but the quick version is. If its daytime, no, if its nightime, yes. Nighttime will be harsh light unless you diffuse it with a larger surface and your camera settings are set correctly for the exposure and composition you desire. I know this is a very vague answer, but hopefully it gives you an idea. The reason I can't say for sure is because I do not know your filming situations, setup, and style. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
TLDR Filmmaker sorry I should have been more specific lol. Ok so basically it is at night, walking on the street. I did some test lighting with torches the other night (plus light from the street lights) just to realise it was still extremely dark on my camera and the torches barely showed up. It’s basically trying to light up the environment I’m in. I ended up ordering this light after all as the functions are quite versatile and I love that it’s portable
Haha no worries! At night time these lights will work to help light up some areas. I checked your channel and saw some video outside in vast areas. Of course these won't light up a forrest but in terms of having them light on you and another unit throwing some light on surrounding structures. These should do alright for the videos you're making. Not sure what camera you have, generally speaking keep your shutter between on either 1/50 or 1/60 and your ISO should be ok up to 800 (generally these days) anything past that and you may get that grainy look depending on your camera. Hope this helps! Keep up the good work and music!
If we are talking about photography and especially food photography or portrait which of these 2 lights will you suggest? this one or the previous one (48W Dimmable 2-Color Temperature LED Light Head with Battery Compartment) you have reviewed?
Hey hey Panayiotis Kouyianos! Thank you so much for checking out this video and asking a question! For food photography, I would actually suggest these Neewer 660s, the reason I say this is because in my most recent video I did a series of color tests, and the Neewer 660 (2.4ghz version) LED color reproduction is very similar to known high CRI lights. Video here: ruclips.net/video/qPxGAUHxWbQ/видео.html (I do also compare the color accuracy between the 660 and the 48w bi-color softbox light) As for portrait, I do not know because of a photographers needs and ideal shutter speed. Food photography, not so much because you can use a tripod for the shot. But portrait, after diffusing the light so that it doesn't look harsh on your model, you would be trying to accomplish shots at low shutter speeds depending on how far you have the light away from the model and out of your picture frame. This is the only concern I have. Hope this helps! Thanks again for stopping by and i’ll see you in the next one!
Hey hey Malik! Thank you so much for checking out this video and asking a question! This is extreme dependent on what stage you're trying to light up. Without physically being there to see the space I cannot give any sort of recommendation on what lights will work. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Dang Le! Thank you so much for checking out this video and asking a question! Generally speaking, probably not as it will only really work for certain small reception venues. If you are in a large reception hall with a large dance floor, you will probably need to move these lights around to get enough exposure. This will also heavily depend on your camera setup as well. If you are using a camera that is able to perform at very high ISO and you have f1.4 lenses. You may be able to get away with these lights. For a working solo wedding filmmaker you never know what situation you are going to be put in. The reception hall may be candle lit, and the wedding party may not want you to have LED lights around. So I would recommend to have something thats going to be more powerful so that you can dim it down if you need to. The Sokani X60 I reviewed isn't too bad, the Aputure 120D or Godox would probably be more than enough. You'll want to make sure you use some sort of softbox so that you don't bother the guests. If you are a team of two and you are going around at the reception to get some interview shots. Then these Neewer would be pretty good. You can have your assistant hold the light. You may want to purchase the softbox attachment for these 660's so that you get something a little more flattering for the guests. Again this is very hard for me to determine because I do not know your specific filming situation and your style. This is just my best general recommendation knowing that a wedding filmmakers filming scenario is very very different from my cinema film sets where everything is controlled. Long story short, you don't want to cheap out too much, you need to be able to handle any sort of wedding scenario that comes your way, because nothing is worse than your equipment not being able to keep up and you end up with bad video footage for your client. I hope his helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I love how you review products. It's easy to understand and it's informative. Just wondering, Is there an updated version of this? Not necessarily neewer product but same portable and compact setup (so far I only saw godox ml60 but I think it's a little expensive compare to the LED neewer 660). I'm planning to do RUclips videos too but I only have a really small room. Would really your recommendation. Thanks
Hey hey Lifeofh Official! Thank you so much for checking out this video and asking a question! When it comes to these budget level panels that supply about 30w of lighting power they basically all perform the same in terms of light output, some just may have a couple bells and whistles here and there. I actually have a video for your needs that shows you not only a full tutorial on settings and setups, but I do talk briefly about different lights and show you an example of what each one does in terms of your overall look. I think the video will be helpful for you as your get started! ruclips.net/video/__dsOEMzrVA/видео.html Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker you're amazing man. Your channel is one of my go channels on lights. Thank you for responding and sending the video link. Just wondering, is there an option for me that is more compact (like ring lights)? I actually tried to borrow a neewer 660 yesterday. And They work great but my concern is that it's too space consuming. Especially the tripod. Would really appreciate your recommendation. Thanks
Hey hey truthunleashed5250! The flaps are for "cutting" or "blocking" the light from entering certain parts of your shot. Its not perfect because a panel is never really meant to have barn doors, but it does do something. Another thing people use them for is to clip on diffusion paper to soften the LED light so it does not look so harsh on a persons face.
Hey hey Classics Only Films! Thank you so much for checking out this video and asking a question! The yoke has two places for the light stand spigot to go through. No adapters needed on traditional light stands. If you C-stand didn't come with a spigot, you'll probably need to get one to attach to he grip head. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Good piece of kit for the money for sure but (there's always a but) you can't tilt the light down while the barn doors are fitted unless you devise a method to tilt the entire mechanism.
Hey hey David! Thank you so much for checking out this video and commenting! Actually you can! The place where you attached it to the light stand spigot, there is a "horizontal opening" if you attach the light stand spigot through this opening you will now have full tilt range with the barn doors. Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
@@TLDR_filmmaker Thanks for the reply but (maybe it's me) I can see no horizontal slot. Maybe I have a different model (#NL 660 without the led meter) Could you perhaps post a picture? I'll certainly appreciate your help.
Hey he DudeIstudio! Thank you so much for checking out this video and commenting! I unfortunately do not know in terms of the LED diodes themselves if they are the same or slightly different. Otherwise the back of the LED panel will be different in that the 2.4ghz version is an LCD screen with lots of info. The non 2.4ghz I believe just uses standard dot-matrix LED's to relay information. Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Super Man! Thank you so much for checking out this video and commenting! I'm so glad you enjoyed this review! I will continue to do my best with my reviews and content! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Kitacha! Thank you so much for checking out this video and asking a question! It depends on the photography you are doing, if you are doing product photography, they will work fine, just make sure you check out this video too about how to soften the 660 lights: ruclips.net/video/ArI16TEKbo8/видео.html If you are wanting to do people photography, you'll want to look into flashes instead. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Bekisu! Thank you so much for checking out this video and asking a question! Yes, the F-980 and F-970 are just different capacities, as long as its the NP-F style, all the different capacities will work. Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
Hey hey Mathiass! Thank you so much for checking out this video and asking a question! The battery life test is with two large generic sony NPF 970s batteries. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Andre! Thank you so much for checking out this video and asking a question! No attachment needed! Light panels have begun adoption a dual mount Yoke system with a opening for vertical setups and another opening to have it mounted at 90 degrees. So you're good! No need to buy anything extra with this panel! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thanks ever so...good information. Mucho props. I'lll take your advice and pull the trigger on these. Light years improvement over my old kit. Thanks again...
Hey hey Leon! Thank you so much for checking out this video and commenting! So glad this video was helpful! In my later follow up where I compared these against the Aputure HR672, the LED diodes were very close in color reproduction, not perfect, but close enough. Definitely a nice kit for the price! Thanks again for stopping by and I’ll see you in the next one!
Very informative, thanks! I'm starting out, would you recommend a set of cheap led panels or the aperture cob (softbox/dome) light for corporate interviews?
Hey hey Mark! Thank you so much for checking out this video and asking a question! This really depends on the area you're allowed to setup for these corporate interviews. Usually, when working with corporates, they usually just put you into a room and you may or may not get the ability to control the lighting in the room (Ceiling lights, curtains, etc). Cheap Panels you really need to have control of the room as its only pumping out 25-40watts of output, which is further cut down because you may want to diffuse it so that the executive is not staring at a "car light". A 120w LED class is a good all rounder where if you don't have control of indoor lighting, the LED is decently powerful enough to add light where you need so that you can play with windows as a edge light. I actually just reviewed the Godox UL150 thats similar to the Aputure COB but much cheaper and performs quite well. That review is here: ruclips.net/video/eA4UkvvSFMo/видео.html Hopefully this helps and gives you some ideas of where to go. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey Laika25! Thank you so much for checking out this video and commenting! I'm just going to answer everything on this comment instead of the others. I would suggest to always use two NPF batteries so that you are always delivering a nice solid voltage and current. But of course depending on what kind of shot and time you have, you can use one battery that will last you through a quick shot. You will still have full power even when using one battery. When you are using two batteries they are being drained at the same time. Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
Hey hey Keith! Thank you so much for checking out this video and commenting! Unfortunately it looks like prices have gone up since my review :( Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Aaron! Thank you so much for checking out this video and asking a question! No, unfortunately the light does not charge the NPF batteries when plugged in. That woulda been an awesome feature! The only panel I reviewed that has this function is the Aputure HR672. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey hey Konstantin! Thank you so much for checking out this video and asking a question! Unfortunately No, the NP-F Batteries do not charge when you plug this in. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
![BLACK BAG - Official Trailer [HD] - Only in Theaters March 14](http://i.ytimg.com/vi/Du0Xp8WX_7I/mqdefault.jpg)
*[TIMECODE]*
0:58 - Product Introduction
2:05 - Light Output Tests
3:13 - Battery Life Test
4:06 - 660 vs Portable Shadow Test
4:51 - The Bottom Line
*[AFFILIATE LINKS]*
Neewer 660 2.4g (Has remote and LCD screen)
*US:* amzn.to/2u0ctNl
*UK:* amzn.to/2zDn9UU
CAN: amzn.to/2UNj33U
Neewer 660 Softbox (Square):
US: amzn.to/2uPWzFF
UK: amzn.to/37xuEZT
CAN: amzn.to/2N4awVK
Neewer 660 Softbox (Round): amzn.to/2SsZf51
Neewer 660 Softbox kit:
amzn.to/2piBgKh
(No wireless remote, not LCD screen on the back)
Kastar NPF with USB
amzn.to/2ShXLLC [] ebay.to/2MHgQS6
*[PROJECT E.1337: ALPHA]*
Amazon USA: amzn.to/2LRXFIo
Amazon UK: amzn.to/2Bbne26
The links above help support this channel where I get a small commission from Amazon if you use them. It costs nothing extra to you
*[FREQUENTLY ASKED QUESTIONS]*
Q: How come the softbox kit does not have the LCD Screen or Wireless Remote? -
A: I unfortunately do not know the answer as to why there are multiple different versions of the 660 out on amazon all with the same name. Grr. That being said I still stand by the notion that picking up the softbox kit is the better deal in the end. While the wireless remote function is useful, I've only ever used my wireless remote on my GVM520s two times in two years normal and independent feature film sets. To me, the softbox kit will provide the most value for money as I feel the wireless feature is only useful in certain situations that are not as common.
Q: How do you change the wireless channels?
A: press and hold the M button on the remote and the channel on the panel will start blinking. Now use the brightness knob on the panel to change the channel. Press M again to leave that mode and you're good to go! (Thank you @Rob Cameron )
Why does your 660 have a screen on the back? All productphotos on Amazon don't have a screen. Do you have a special model?
hey hey @@patrick5301!
Thank you so much for checking out this video and commenting!
I just updated the FAQ in this pinned comment now that its been brought to my attention that there are multiple different versions of the 660 out there all with the same name. *Frustrating*
I'm not entirely sure why Neewer has branded it this way and if I have the most updated model or if Neewer never updated their photos from stores because of the same naming. I almost wonder now if even though the pictures are off that people will receive this version or the other versions? Ugh I wish I had a definitive answer, hopefully I can reach someone and get some answers.
Thanks again for stopping by and i’ll see you in the next one!
Gooday day !
Appreciate for your quality videos while i'm doing research for purchasing budget LED light.
Would like to ask between the 660 Bi-Color & 660 RGB, when operate with only the white/yellow LED with full power (100%), will both produce the same intensity of light or different due to the less White/Yellow LED on the 660 RGB version?
Does the amount of LEDs (White & Yellow) on both light will determine the differences on the light intensity they will produce?
Thanks!
Hi,
have you considered putting the timecodes into the video description for youtube to generate chapters?
Greets :)
Hi, thanks for this and actually all of the videos that i have watched so far.
i realized, that the timecode 0:00 is missing in your description and therefore the chapters don't work.
If you add that - they will :)
Cheers
I absolutely love the format of your videos! Straight to the point and it honestly makes me want to stick around and listen til the end. Good work!
Hey hey Dennis!
Thank you so much for checking out this video and the kind words!
I'm so happy you enjoy this format and sticking around beyond the TLDR portion! I will continue to do my best!
Thanks again for stopping by and I’ll see you in the next one!
I was just about to write the exact same thing! Love it too! :)
I've found my perfect channel. Answer at the beginning. No annoying 45 second title roll to sit through. Explanation for the rest of the video with measurable rationales. Plus coverage of all the gear I'm into at higher end prosumer level. Finally.
Hey hey Pete!
Thank you so much for checking out this video and commenting!
I'm so glad to hear you enjoy the format of this channel! I will continue to do my best with my review and content. More coming real soon!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
dude - you ma boy. answers first, reasons second. appreciate that.
Hey hey Stephen!
Thank you so much for checking out this video and commenting!
So glad to hear you enjoy this format for the channel! I will continue to do my best with my reviews and content!
Thanks again for stopping by and I’ll see you in the next one!
Dead ass lol
Can't think of any other channel that I've sub'd to within the first 30 seconds of watching one of their videos for the first time. I'm glad the rest of the video held up!
Hey hey Callum!
Thank you so much for checking out this video and commenting!
I'm so glad you enjoy the format of this channel! I will continue to do my best with my review and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I love that you get to the point first. It makes we want to keep listening. Thanks for this very informative review
Hey hey Matt Foreman!
Thank you so much for checking out this video and commenting!
You're most welcome! I'm glad you enjoy the format of this channel! I will continue to do my best!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Just stopping in to say that because of your reviews I ended up buying these panels, the full colour ones, they have been amazing so far, would recommend em to all of the beginners out there, these will future proof your work and save you some money while you learn the basics
Hey hey N.E.U.R.O.OFFICIAL!
Thank you so much for checking out this video and commenting!
So glad that this video was helpful and that these panels are exactly what you needed to get you goin' on your video journey! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Man I love you guys. I end up watching the rest of the video anyway, but holy crap do I love your format.
Hey hey again morningcoffee1111!
So glad to hear it! Thanks for still watching all of the video!!
Thank you! Currently looking at the 960 which is quite a bit wider.
Hey hey Liz!
Thank you so much for checking out this video and commenting!
You're most welcome! Definitely if you need more power, the 960... and I think there is a 1096? Will fit the bill. Not entirely sure if its the same generation as the 660 series, but hopefully they used similar LED chips.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
TLDR Filmmaker you’re awesome… Thanks for the extra bit of info! I couldn’t find any on the 960. I subbed to you earlier because I like your video format style, it’s very unique! Keep up the good work!
You're most welcome! I will continue to do my best for sure. I sincerely appreciate your sub and viewership!
Glad you like these lights, I got my 660 lights a few years ago without the LED readout screen. I think it was before the softbox but I clip white linen in front and it works well, I have found it softens the subject making a much nicer look. Just to say they have served me well! Thanks for your helpful information.
Hey hey Brad!
Thank you so much for checking out this video and commenting!
Glad you enjoyed this video! The 660's have definitely become a very popular beginners light for sure. Great little bedroom studio lights on a budget and auxiliary lights for narrative films.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I knew I could rely on you for something I’m looking for! Thanks for everything man!!! Will check those movies out on Amazon also!
Hey hey again Alpaco!
Glad you found this video when looking them up! I'll keep doing my best!
That intro was basically all I needed! Thank you.
Hey hey DesertCookie!
Thank you so much for checking out this video and commenting!
I'm so glad you like the format of this channel! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
You'll definetley see me in the next video. Please stay save too and have the greatest time possible during this pandemic.
Hi, first off - great review. What softbox are you talking about on 5:10 ? Also, if you plan to use a softbox, would it be better with a light without bi color? You would get more light output, and does bi-color show up much out of a softbox? thanks for any advice. Looking at the neewer and the Fovitec.
Hey hey Lampofilm!
Thank you so much for checking out this video and asking a question!
Here are the softbox's I am talking about and how they performed: ruclips.net/video/7JIVzSPy5Kk/видео.html
Having a non-bi color setup would definitely be the better bet, but those types of LED panels on the budget end are harder and harder to find. For the most part if you are in a controlled lighting situation, these 660 LED panels are not that bad and you are able to get the exposure you need. But if you are looking for more umph, then you may want to look into COB led setups like the one I reviewed here (so far, more styles of COB reviews are coming when I get them in for review): ruclips.net/video/PtbV_rtWwjg/видео.html
Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Hi, so most of the time I will film in my basement, garage, or classroom. Daylight bulbs are good for me, as with my drawing or product show, I try to light things bright. Don't you feel I should be ok with a non-Bi-Color LED with a softbox? That should throw out a lot of light. I really like the Fovitec LED, very simular to Neewer, but a wider panel. I think I will get the 600. Like you said, it is hard to find them in Neewer 660 in non-bi-color. Another question, the round soft box you listed, that should fit the Fovitec, right? thanks for your wisdom, your show is awesome.
Yes the Fovitec being Daylight only would be better as you said earlier, so that you get the most amount of light from a single panel. In terms of if the softboxes will fit, this is a little hard for me to determine for the square softbox as the opening in the back is only about 12" x 12". The Fovitec states it's 15" x 15", but I do now know where they are measuring from. Since the softbox as the moment is sold you, the fovitec does have barndoors where you can clip some sheer curtain cloth or even wax paper away from it so soften the light like a softbox. They in itself could be enough for your needs if you don't need anything fancy, no need to spend more money if the desired result can be achieved this way.
Hope this helps!
Your reviews are as good as they get quality,content and presentation. How do you find the time.... no sleep :)
Hey hey Glen!
Thank you so much for checking out this video and commenting!
I'm so glad you enjoy the content and format of this channel! Haha I don't know, do I even sleep? I will continue to do my best with my reviews and relay as much meaningful information as I can for creatives!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Just ordered these and thought I'd check out some reviews before they arrive. This video is great, good pace and format. Subd, good work.
Hey hey Liam!
Thank you so much for checking out this video and commenting!
So glad you enjoyed this video and the format! Enjoy the panels when you get them and create some fun content with them! I have some more content coming regarding the 660 series so stay tuned for those!
Thanks again for stopping by and I’ll see you in the next one!
Just found you and this video. Thank You. Just Love your format, style, content and suggestions. I'm now a fan.
Hey hey 180 Seminars!
Thank you so much for checking out this video and commenting!
I'm so glad this video was helpful and that you enjoy the format of this channel! I will continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker For the record I've watched a few more already. You need to teach this method to everyone. Thanks again. Stay safe and keep them coming please.
Thanks for watching more videos! I definitely felt there was a missing space for these types of reviews on youtube so I went for it. There are definitely some youtuber out there that do even more than I do! It's a bit hard to find them as they have grown their channels to reviewing more higher tier equipment, but sometimes they'll take a look at budget stuff. I will def keep them comin!
I made your suggested purchase based on this video and am very pleased with the result. I do hope you get something from Amazon.
Hey hey Nathaniel!
Thank you so much for checking out this video and commenting!
I'm so happy this video was helpful and that it helped with your needs! Whether it did or not (Amazon) I'm more fixated on the community getting helpful info. But I do sincerely thank you for thinking of it and supporting :)
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Bro I luv the fact u get right to the point
Hey hey Seneca!
Thank you so much for checking out this video and commenting!
So glad you enjoy the format of this channel! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
The go To channel for gear
Hey hey MOSHY!
Thank you so much for checking out this video and commenting!
So glad you found this video and channel helpful! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker of course ! Keep going your Timy's coming soon !
Just got my Neewer Softboxes with the black webbing, and I love them! For the moola, the best buy!
Hey hey again Michael!
Awesome to hear! Have fun with them and create some awesome pieces with it!
Straight to the point and didn't need to be 20 minutes. Thank you!
Hey hey Anton!
Thank you so much for checking out this video and commenting!
You're most welcome! I'm glad you enjoyed this video and the format of the channel! I will continue to do my best!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
love the TLDR approach my guy.. keep it up
Hey hey Ben!
Thank you so much for checking out this video and commenting!
I'm so glad you enjoy the style of this channel! I will definitely continue to do my best!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
The link you have is for the lights without the LCD screen + remote controls. There's another pack for the ones you have but they don't come with a softbox which is strange.
Hey hey warever37!
Thank you so much for checking out this video and bringing that to my attention! That is strange, I didn't realize the 660's were different, ugh thats a little frustrating because the wireless function is definitely useful, but to get the pack I have and shelling out another $56 for two softboxes... I think if it came down to it, I would still get the softbox pack and forgo the wireless functionality. It's useful when I need it, but I think i've only ever used the wireless function on my other lights 2 times in two years. But still, strange that there are two different versions of the 660 lights with no way to know unless you looked at the pictures.
Thanks again for stopping by and letting me know, I'm going to add this discovering in the FAQ. See you in the next one!
@@TLDR_filmmaker The remote control is definitely a plus, but the main feature that caught my attention is the LCD display at the back. This small screen allows you to precisely set the desired light output you want which allows for consistency in exposure when shooting videos. For e.g. imagine you're a very active photographer and videographer who uses the lights a lot, if you don't have an LCD screen to know your numbers exactly, it'll be very difficult to set the lights to your default settings for your videos.
Great review BTW.
I totally hear ya, I see a Third version now? Seems like theres one with no readout what-so-ever, then theres another where it has a dot matrix display that may give you two numbers to show either Kelvin or Brightness, and then you have the one I have thats more detailed. Boy I have no idea why they are all called 660's without a "version" number to differentiate.
@@TLDR_filmmaker I have the "original" ones with the dot matrix & wished it had the lcd display.Now they have lcd for the same price point & same name...oh well
This was so, so helpful!! Thank you so much! I’ve watched several videos, and have usually been left with questions. Not this time! Again, thank you!
Hey hey Big Shrimp Radio!
Thank you so much for checking out this video and commenting!
Awesome! I'm so glad this video was helpful! I will continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Absolutely, Keep Grinding!!
Excellent info. Truly appreciate the format: Conclusion, then Foundation
Hey hey Quarantain!
Thank you so much for checking out this video and commenting!
I'm so glad you enjoyed this video and the format! I will continue to do my best with my reviews and content!
Thanks again for stopping by and I’ll see you in the next one!
Very helpful breakdown of these light kits and battery options. Thanks for the video!
Hey hey Ruby!
Thank you so much for checking out this video and commenting!
So glad this video was helpful! I will continue to do my best with my content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
You my guy just earned another subscriber!!
Hey hey DC fan for life!
Thank you so much for checking out this video and commenting!
So glad you enjoyed this video and subscribed! I will continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
This is a great review! I'm making a short-film and can't borrow lighting equipment because of travel restrictions, about time I just bought some lights of my own!
Hey hey Jack!
Thank you so much for checking out this video and commenting!
Most definitely! Lights are definitely getting to a great price range for all types of independent films! What a time to be a filmmaker! Have fun with these and definitely let me know when you finish your short!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Never subscribed to a channel so fast.
Hey hey Arturo!
Thank you so much for checking out this video, commenting, and subscribing!
I'm so glad you enjoyed this video, I will continue to do my best with my content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I have bought the Neewer 660. I need the battery badly. Kastar NPF with USB is not available in Amazon. Could you recommend another brand? Thanks
Hey hey 渥太华晓冬!
Thank you so much for checking out this video and commenting!
Honestly you can use any NPF battery, the Brand "Wasabi" is pretty good. Just look at reviews and see which ones are rated well. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thank you for your quick reply. I am Susan and my channel XiaoDong started. If I purchase batteries for the lights, do I still need the wires which I really hate?
Looks like Grant Imahara, and sounds like MKBHD, two awesome people in 1 lol! Subbed!
Hey hey Daniel!
Thank you so much for checking out this video, subbing, and commenting!
I definitely get "You look like Grant Imahara!" (RIP) a lot, but to say I sound like MKBHD?! That's quite the compliment! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I looked at a lot of videos before finding TLDR. EXCELLENT, helpful, clear band educational. Thank you as you have been a huge help. I don subscribe but to a few channels and yours is now one of them. I called NEEWER to ask about bi-color vs RGB Multi colors for my RUclips channel. I shoot indoors either myself or interview online. I first bought the NEEWER 480 led lights with no remote. I just upgraded and added the the multi color 660’s with remote for two reasons. 1st was the ability to adjust lighting without having to constantly get up. I can see the screen and adjust accordingly. 2nd was for a better light. 3rd to have the option for multiple colors. You recommended bi-color lights for main lights and rgb fir background. Can I use the multi color rgb as well as I can Bi-color or would you recommend getting bi-color lights?
Hey hy Reason For Truth!
Thank you so much for checking out this video and commenting!
So glad you enjoyed this video and that it was helpful! Yes you can still use the RGB version as your main lights, I would suggest using the Daylight 5600k as your main as they seem to be more color accurate than the tungsten 3200 LED. Of course always make sure you do a white balance to ensure your camera gets the best color setting as possible. If you have not already, I would also check out the softboxes I reviews for these lights not too long ago, you can see the review here: ruclips.net/video/7JIVzSPy5Kk/видео.html
Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
Great series. Appreciate the recommendation for both. I have a cheap newer soft box kit that I have abused for the past three years. Looking to upgrade so I can run off batteries.
Hey hey again Camilo!
You're most welcome! Definitely lots of nice options these days at all different price levels! Running off of batteries while having wireless control to adjust color and brightness is definitely a nice feature on the Neewer 660's, if they ever make a RGB version in this same size, that'll be fun!
Omg love the intro!! Going to steal that: conclusion first, reasons second. Thanks man! Great review!
Hey hey Keshav
Thank you so much for checking out this video and commenting!
So glad to hear you enjoyed the format of this channel! Steal away! I will continue to do my best with my content and review!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Following up on this - what kinda watch time and average view duration do your videos get like this - where you share conclusion first, and reasons second? As a fellow creator I'd love to know!
Superb! Great pace, super info, efficient and excellent! You are amazing! Quick Question: would this set-up also be effective as a portrait photography studio :)?
Hey hey Scott!
Thank you so much for checking out this video and commenting!
So glad you enjoy the format of this channel! I get this question a lot in regards to these budget panels. My personal take is that while, "yes", the panels are bright and will light up the person you want to take a photo of. Will the light look pleasing? Depends on the photographer you are. If you're looking to get some nice soft portraits, you're usually wanting something called "soft" or "diffused" light where the shadows don't look so harsh. Think a super large window in a living room with light pouring in. The light source is "large", its also bouncing light into the room. So the shadows on the person you're looking at is not harsh, its much more pleasing.
With these LED panels you could potentially get there by shooting the light through a large diffusion cloth. But you loose light output which makes you need to jack up your camera settings which is not always desirable.
So my general suggestion for anyone thats looking for photography as their primary need to forgo these budget video lights. You should be investing in strobes/flashes that can attach to softbox modifiers. This is not only cheaper, but gets you much close to what you're going for.
The reason these budget video lights still work for videographers is because we do not require the high power that photographers need. We are filming at F1.8 - 2.8 at 1/50th shutter with low to mid ISO settings. These are not desirable for a photographers because they need sharp crisp images. So they need to shoot at either F2.8-5.6, low ISO, at 1/100th or higher. These budget lights are not powerful enough to give soft light while also hitting these camera settings.
So what if you do both. In this case I would direct you to research into Cob LEDs that basically mimic a photography flash, except its a continuous light source. The most popular are the Godox SL60 and Godox SL150. These are the current budget types. Get a nice large bowens softbox, get it in close to the talent and get that nice soft portrait light.
I know this is a ton of info, I should probably make a video about this to show what I mean. But TLDR. Yes it'll work, but you may get that "deer in the headlights" look on the person your taking a picture of. Your primary goal is to create a "large" light source like a large patio window as your main light, bounce the light back at the person soften the shadow side more. And thats your basic concept for a portrait look. You can add a hair light / accent light if you like.
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Great video. Unfortunately I recently bought the Neewer 440 set and just had my first film shoot. They are great, but 1) could have used a bit more output - first timer, I thought they would be ok. 2) I had to have someone hold a diffuser in front of the light and for my teeny-crew, that meant more work for me elsewhere. 3) No barn doors to direct and sculpt the light. Your recommendation addresses all of these. Will have to upgrading. Thanks!!
Hey hey again Wayne!
The extra 220 LED (110 per color) will definitely help, keep in mind the output of the desired diffused light will depend on how far away that diffusion was. All things I will be covering in my beginners lighting tutorial for narrative film videos in 2020!
Help! How do you change the channel on the light itself? Both of mine were in channel 2, and now one is in channel 0 and I have no idea how it got there. I thought for sure one of the control knobs clicked in to change the channel but apparently not.
Found it! For anyone else with the same issue: press and hold the M button on the remote and the channel on the panel will start blinking. Now use the brightness knob on the panel to change the channel. Press M again to leave that mode and your'e good to go!
Hey hey Rob!
Thank you so much for checking out this video and commenting!
I'm so sorry that I am only now able to get to your comment, but I am so glad you got it working and leaving this information for people to see! I will put it in the FAQ section.
Thanks again for stopping by and I’ll see you in the next one!
Thank you so, so much for your review - you helped me greatly in choosing the right lights for me. Also since then I started binge-watching your channel ;-) amazing content and everything so helpful. Please keep up your amazing work!
One question regarding the lights, in the TLDR in the beginning you mention the runtime on batteries. I saw that you plugged in only one battery to the SNL660 - am I right that you are using a NP-F970 with 8400mAh for the given runtime on battery power?
Again, thank you a lot and keep it up! Best from Germany :-)
Guten Tag Jules!
Thank you so much for checking out this video and commenting!
You're most welcome! I'm so glad this video was helpful! The battery tests I did was actually with 2 batteries, and they are 3rd party NPF970 equivalents. Some marketers overestimate their numbers. All in all if you use two large 970 batteries you will see similar battery run times. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Hah! Guten Tag :-)
Thank you very much for your quick response, you helped me so much. Keep it up and stay safe :-)
You're most welcome!
Good review. But the back panel that you show on the video is different from the one showing on the amazon link you listed above. When you check that link it shows a different version of that light. One that does not have an lcd screen, but some led lights indicators.
Hey hey Omar!
Thank you so much for checking out this video and commenting!
That was brought to my attention earlier, I had added a note about that in the links. While I know some people will want to get the LCD screen on the back with the wireless remote, unfortunately there is no value kit available that I could find. That being said the LED light indicators more or less still let people know what kelvin they are at. The wireless remote I actually can live without for the time being, in the 2 years where I've had some LED's that could be controlled by a remote, I've only maybe used it twice. That being said, I have update the links some more to reflect the different models and purchasing options depending on how filmmakers would like to acquire the kit :)
Thanks again for stopping by and I’ll see you in the next one!
I want to permanently mount ceiling lights for my bedroom green screen painted wall. They need to be out of the way but fully light the green screen. What do you recommend?
Hey hey StickOnHair!
Thank you so much for checking out this video and asking a question!
You generally will want a larger softbox style of lighting to light the green screen than these 660s. Main reason is because you want a even amount of light hitting the screen. Shining bare lights at the green screen will create hot spots. While these 660s have their own softboxes, they are small 12x12. You want larger than that so that you get a larger better spread.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Great review. I'm very glad to see the comparison too!
Hey hey Phan!
Thank you so much for checking out this video and commenting!
I'm so glad this video was helpful! I will continue to do my best with my reviews and contenet!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
If you install softbox on the newer 660 led light, can it still be angled down 45 degrees use as a key light? I saw some reviews said once you have the softbox on, it can not adjust the angle use as a key light.
Thanks.
Hey hey again Peng!
To get the light to face down 45 degrees, you need to mount the LED on its "horizontal" slot. There are two slots on the light stand holder part of the yoke. its the one that goes sideways instead of the traditional vertical slot. When you have it mounted that way you'll have full articulation with the softbox on.
Hey buddy - just came across your page and its so informative, especially for my lighting needs! Just subscribed keep it up!
Hey hey TTFG!
Thank you so much for checking out this video, commenting, and subscribing!
I'm so glad to hear this video was helpful! I will continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Pretty impressive units ! They really do look well built 👍🏽
Hey hey again Jones Media!
Definitely solid! I have a feeling these units should last reasonable long so as I don't throw them on the ground or something like that lol. I wonder if they'll ever make a RGB version of these, that would really complete the budget kit!
Hi :)
Thank you for this video! It's great!
I have a question: Can the led panel burn out? If so, is there an option to replace it?
Hey hey József!
Thank you so much for checking out this video and asking a question!
If you mean the entire panel burning out, neewer does have some sort of warranty but I do not know how easy it is to go through the process. That being said my panels are still up and running and have not had any problems with it yet. The LED bulbs most likely will last many many years while the computer board inside could burn out randomly. But because these are not high voltage systems, the chances of it burning out prematurely isn't too high. Manufacture defect could happen as with any products.
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
What is last weeks soft box? thanks
Hey hey Deanna!
Thank you so much for checking out this video and asking a question!
If you are talking about my slider video from last week. The softbox I use is this one: ruclips.net/video/kK8lSclsp8A/видео.html
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thank you :) Hey, do you feel the 660 really puts out that much more than the 480? Is it really that noticeable? Worth the extra $60-$75 for a comparible kit?
@@DeannaRashell Unfortunately I cannot say for sure as I do not have a 480 to measure its light output.
Nice video! Could you please compare the newer 440 vs the 660? Thanks!
Hey hey Bert!
Thank you so much for checking out this video and asking a question!
Unfortunately I will not be comparing the 440 vs the 660. Mainly because you are going to get lower output that is going to make it difficult for you to use the LED for video applications where you are standing away from the camera. If you are sitting at a desk for Zoom where the Light is right in front of your face in close quarters. Then the 480 is more viable in those situations (diffused or not).
Long story short, if you are going to be standing up and these panels are going to be anywhere from 3-5 feet away from you, the 480 is not a good idea.
There is definitely a whole other side of this story that requires you to have a good understand of what camera you are using and how it behaves in high ISO settings. If you are just starting out and you are still learning all of this, than the 660 is still your best bet. You always want to have more light than you need than to have less than you require.
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker many thanks for your very quick response and the good insights!
That’s all the info I needed to make a decision.
Your channel is really helpful and I hope it will grow fast!
Keep up the great and structured work!
All the best!!
Great video.. How important do you think consider the softboxes you can purchase seperately from the lights (or bundled together in a package)? Do they make the Newer lights significantly better than if you don't have them?
Hey hey Talking Buffalo Podcast!
Thank you so much for checking out this video and asking a question!
It'll definitely help you get a softer light when you have the lights close up. I have the video here: ruclips.net/video/7JIVzSPy5Kk/видео.html
But you can easily just set up a diffusion cloth up and shot the light through it and get more soft light depending on how you're setting things up.
Essentially softbox's is aiming to make the light not look like dear in the headlights, but there are more things you think about in terms of how close you have the light to you vs having it far away.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Do you have an opinion on the IVISii led panel? As far as I can tell, it's only available on Amazon.
Hey hey Bpjames!
Thank you so much for checking out this video and asking a question!
My only opinion for the IVISii is that it looks like you have no way to remove the diffusion panel in front, which is not necessarily a bad thing depending on your needs. For me with narrative filmmaking, I'd like to have the options to use it with or without the panel depending on my needs. That being said they will probably behave somewhat similarly in terms of light output, can't say for sure about color accuracy based on the panel color adjustments. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thanks for your reply and I love the style of your videos btw. Good point about the diffusion, to be honest I didn't even consider that. For our needs at the moment these might just do the trick though, for You Tube and now virtual trade show type videos. Thanks again and take care!
Is it possible to charge batteries while they are giving power to the LED panel? Good video!!
Hey hey Awa Creatives!
Thank you so much for checking out this video and commenting!
Unfortunately no, you can't charge the batteries through the LED Panel. The only panel I'm aware of that can do this is the Aputure HR672 panels. I'm sure there are others. I wish this was a more common feature.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thank you for the brilliant comparison.
Hey hey Tamás!
Thank you so much for checking out this video and commenting!
You're most welcome! So glad you enjoyed this video! I will continue to do my best with my content and reviews!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Funny that with the diffuser mounted the softbox would increase the area light intensity from 276 to 405 Lux... 🤔 typo switch ?
Hey hey Pat Google!
Thank you so much for checking out this video and commenting!
Nope, that was not a typo. That light test chart was showing the difference between another Neewer bi-color softbox light that gives a flood beam that I reviewed previously. I prefaced that I was showing the difference between the two products with the 660 being a spot beam while the bi-color softbox was a flood beam.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
if I were to combine this as a fill with the amaran 100d, would it match or create weird color cast? if so, what light would you recommend as a fill that's inexpensive yet good quality.
Thanks, love the channel!
Hey hey SuperUltraGiggaChigga!
Thank you so much for checking out this video and asking a question!
Based on my tests of many LED lights, including some newer Aputure ones. The "daylight" LED's from this Neewer is similar enough (in skin tones) to the aputures that it shouldn't look too weird. However depending on your future lighting ideas. I think the 100d right now is on sale still for $170 USD. So maybe think about future setups and see if you may need another high power LED and take advantage of the deal since it puts it near the same price as the Amaran 60d. But if you really need just a cheap fill, the neewer 660 will do just fine. However its not gonna be too powerful compared to the 100d if you have that up at full blast, and the further diffusion of the Neewer Fill will really kill off the output. So make sure you take these into consideration when you are determining the Neewer 660d or either the Amaran 60d or another 100d.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker thank you so much! this really helped my decision. looking forward to your next video!
The one I got doesn't have the little LCD display at the back, I just hope it's not fake
Hey hey Ugo!
Thank you so much for checking out this video and asking a question!
It is not a fake, you have (I believe) the 2nd generation of the Neewer 660. The one with a LCD screen is the 3rd generation.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thanks for all the creative and informative video content! Question... I’m in need of lighting for a indoor space, the lights will be further away from me due to the video needing to capture my entire body (standing) as well as a good amount of space horizontally and vertically. (If it helps I’m a golf instructor, and I will be moving around as well as the club). Given my situation would you recommend the Neewer 660 2.4g or the Neewer LED Softbox? Or both but what first?
Hey hey Jeremy!
Thank you so much for checking out this video, the kind words, and asking a question!
Hmm... Without seeing the space and a lot of other specifics, I can only give my best guess for this recommendation.
This will really depend on the room and your camera. If the room has windows where Sun is entering through, then these lights might not be enough. Because you are looking to give a pretty decent wide shot so the students can see your body and club movement, the lights will probably need to be placed anywhere from 10-20ft away from you depend on your camera lenses ability.
That being said if I was to pick one of the two. I would pick the Neewer 660 and use it without the plastic cover in front, and use it at 4400k to get the most amount of output possible. Depending on the room size and if you have control of window light to blacken them out, you may need more than 2.
However if these lesses are done during the day a room with multiple windows where the room feels like its glowing. You can pull some sheer curtains over it and more than adequate light for your camera. Make sure your camera is set in a way where it is looking away from the window and not at it, that was the window lights you up nicely.
Again these are only my thoughts based on limited information. But the essential key is, if you're on a budget, test out the window with sheer curtains idea and see what your camera see's and determine if that is acceptable for you. If this is not possible and you do need to light up the entire room with artificial lighting. Then I probably start with 3 neewer 660s and use them as I stated above. Extend your light stand as high as it can go so that the LED's are facing down at you so that you don't get the "Deer in the headlights" look. Turn them to 4400k and see just how much light that blasts through.
The reason you want a lot of light is because, my guess, you don't have a dedicated camera man that will be pulling focus as you walk around the frame. So you're going to want your F-stop (aperture) to be higher (probably f5.6) So you're going need more light to compensate for it so that you don't look like you're in a dark room.
Sorry this is a lot of information, but I hope this gives you an idea as you start experimenting with your space before making an investment. I will be working on a video tutorial soon to give people an idea of what kind of lights to look at as most of my videos are based for Movie Filmmakers and not necessarily instructional videos.
Hope this helps for the time being! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Really appreciate the detail response! I just ordered the 3 Neewer 660 w/ remote. I also have a Neewer 176 led.
The room size is large with extremely high ceilings (16-20 feet). It does have one traditional window (est. 4ft 2.5ft) and the base of the window is est. 10-12 feet high off the base of the floor and maybe 15-20 feet from where I would be filming (window faces me). Obviously light only comes through that window at certain times a day. Not sure if those times are advantages for filming or not? I have two types of lighting in the room: traditional fluorescent ceiling light bulbs (makes the room light up like a surgeons office) and led dimmer lights (overhead as well).
Questions: 1) Do you recommend having any of the lights on during filming? 2) How would you recommend I stage the neewer lights (3-660 and 1-176)? 3) What light stands or adjustable brackets do you recommend to have the lights higher off the ground and how high?
Gotcha, that sounds like an awesome room, I love high ceilings haha!
Answer 1) It can't hurt to play around with the lights in the room to see if it gives you a desirable outcome. Because the panels are Bi-color you can determine which way you want to match the lights in the room or just have an overall mix and do a custom WB in your camera to match it. Just make sure your camera's shutter speed is set to 1/60th so that you don't get any weird banding lines going up the screen slowly. This is common with florescent bulbs
Answer 2) Think of a traditional TV station, they have lights up about and circling the news desk. You will semi replicate this to a degree by having the lights on both sides of the camera at around a 45 degree angle, with the 3rd light being in the center or just slightly off in either direction.
I myself am 6 feet tall, so I try to have the light around 7-8 feet up in the air pointing at my face to chest.
If you find that 2 lights coming from the 45 degree angle is plenty and you now have a third one that can be used elsewhere. I would then place this light "behind you" out of camera frame, same height in the air as the others, and pointed at you. It probably won't need to be as bright. This gives you something called a "rim light" or "hair light". So when you are talking to the camera you will kind of have this faint outline and it further separates you from the wall behind you and gives a additional visual esthetic. If all your lights are "daylight" (blue in tone), you can make this hairlight more yellow at the "tungsten" side and that will give you even more separation.
Definitely a lot of ways to play with lights, it's taking me awhile to get to these lighting tutorials, but hope some of this makes sense. The key thing is to play around with it and see what results it gives you until you reach something you like. The things I'm suggesting is where I would start to see what I get in the camera, if I don't like it I will change it up. Anything from putting the lights closer, further, higher, different angle, putting a piece of wax paper in front of it. The more you attempt different setups you'll quickly develop a sense of what to do to get what you want.
Major tip for lighting with these panels, don't put them further away. Experiment with how close you can get them at full brightness, if it's too bright put the plastic cover on or clip some wax paper onto the metal barn doors to soften the light. When you put lights further away from you is when you get some harsh shadows.
Hope this helps! Good luck and have fun!
Hello. Please can this light be used overseas? Does it have a 100-240V voltage rating?
Hey hey again Shot By Chuka!
Yes, it has 100-240v. I think most electronics these days from film companies do.
@@TLDR_filmmaker Thanks for the swift response TLDR Filmmaker
@@ShotByChuka You're most welcome!
Great video! Do you mind posting the link to the portable soft box?
Hey hey Ronnie!
Here is the link for the softboxes only: amzn.to/36TJNCU (This is my amazon affiliate link, I get a small commision that directly helps support this channel at no additional cost to you)
Thank you so much for stopping by and your kind words. I will continue to do my best! See you in the next one!
It seems there are two different versions of this light -- the NL660 and the SNL660 model, do you know what the differences are? Which model is more powerful and color accurate, etc.?
If I remember correctly, the "NL" is a model name key that is used for the European Market. From what I can tell. I think the NL is the Bi-color only panels, and the SNL are the RGB?
@@TLDR_filmmaker It's not RGB... It's a bi-color led light and it has mobile app that can control settings. www.amazon.com/Neewer-Photography-Lighting-Dimmable-3200K-5600K/dp/B08216G3NB?ref_=d6k_applink_bb_marketplace
I'm curious if this SNL660 model is newer and ANY good compared to the NL660?
What are your thoughts on only using 1 of these with the softbox for a keylight? Or would you recommend the RBG if only using 1 for more color options?
Hey hey Sadie!
Thank you so much for checking out this video and asking a question!
Honestly both will work just fine, the only reason I would go with the RGB is actually because of its LED chip being SMD. So its not as focused as the normal 660 that is "lensed". This makes it so that you can illuminate the dedicated softboxes more evenly. You will take a slight output hit going with the RGB version, however if you control the lighting in the room and keep that keylight nice and close just out of frame so that you don't have to jack up your camera settings. You should be good. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Happy New Year! Thanks so much for responding. I actually decided to go with the Neewer 256 (smaller) flex led softbox panel cover, and extra diffuser screen - thanks to your reviews. Could you do a lightning video for content creators in small studio space? For example, I’m working ina 8x10 room. And lightning is a challenge; especially keeping the fore and background lightning from spilling too much. And perhaps you could target “us” starting creators using their iPhones as cameras?
Once again! Thank you! Seems you're reviewing everything I'm looking at getting 😂 Do you think getting 4 of these... 2 either side of a panel discussion... Would make much of a difference over just 2, 1 either side? Also looking at the Neewer LED wands for hair lighting at the back... So ya! Lotsa lights 😂
Hey hey again Justin!
Hahaha, I hope thats a good thing I'm reviewing all those things!
Hmm... I guess it really depends on how many people are in the panel discussion, their seating orientation and how close can you get the light just to have more play with your dimming.
Now, last I knew, the prices of these panels had gone up since my initial review. Assuming battery portability is not a major concern for your needs in that you'll always have access to power indoors, I'd think getting a 60w COB led might actually be cheaper and give you more power than these panels. Because these panels are bicolor, you're really only getting 30-40 watts of power depending on what colors you're using, where as the 60w cobs will give you 60w in daylight color. I have a comparison video here of some popular 60w COB LED's for you to look at compared to these panels: ruclips.net/video/3drVUZ5LWPI/видео.html
From there you could then use the extra cash saved for your hair light or bowens light modifiers for your other film projects. These are just my thoughts for other options you may want to look into, hope it helps!
@@TLDR_filmmaker you're a legend... You've just covered my concerns with the brightness of these considering they're bi-color. I'm really hoping to achieve a very nice news type studio lighting setup on location. As you say, plug in power would be essential.
Quick interviews, I use a smaller battery powered off cam led light which is perfect.
In this "new normal" recording presentations and live streaming is gaining popularity over actual events with an audience now so the brightest but adjustable lights that can be moved from location to location without a bug fuss is essential.
Thanks again for your time and for always going above and beyond. I really do appreciate it!
Off to check out your other vid now!
I bought 2 of these and I am satisfied to a certain extent. For the price these are excellent but they lack power. The manufacturer claims 3360 LUX at 1 meter, but I calculate at most 1000 LUX at this distance with no diffusion at 4440 K. Of course, at 5600K the light output is about half. The good news is that it gives the same power with transformer or batteries. In conclusion, these are only good for relatively close shooting with one subject or use the lights for accents.
Hey hey Jacques!
Thank you so much for checking out this video and commenting!
The 1000 lux sound's about right (with no diffusion) at 1m. The only companies I trust their manufacturer numbers is probably Apurture and any companies operating in that price tier of LED's. 3rd parties are great deals, but I take all of their numbers with a spoon full of salt lol.
Definitely, for the price and how these can be used. I feel these panels do the job for someone that just needs that extra light here or there in a scene. Budget friendly, decently good colors, and versatile power use!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thanks for the video mate. Is there info on CRI / TLCI of these panels?
Hey hey John!
Thank you so much for checking out this video, the kind words, and commenting! There is no TLCI rating, just a generic 95+. However in a later video I compared it against an Aputure HR672c (a more known color accurate light) and the results were quite similar. If you haven't checked out those tests, the video is here: ruclips.net/video/qPxGAUHxWbQ/видео.html
Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
@@TLDR_filmmaker Thanks mate! I actually saw that video after I asked the question. Well done!
Amazing reviews.. Its been a blessing.. I want to get this for my couple's portrait. I know you recommend the 2.4 over the rgb because it has better day light colors.. however i have an issue with the circular softbox not diffusing it perfectly. Do you recommend i use that way regardless for photography or do you recommend the rgb and circular softbox . Thank you
Hey hey iamblawz!
Thank you so much for checking out this video and asking a question!
In general for photography, while I'm not a photography, I would actually suggest getting flashes (speedlight?) or Strobes and purchase softboxes for those. The reason being is because these budget LED panels are not nearly as powerful compared to a flash. Videographers we only really need to be operating anywhere at 1/48 - 1/60th shutter speed. Photographers need to be at a much higher shutter speed to capture the instant moment of the people they a shooting (even if they are sitting still)
Another reason I advise going the flash route is because you have a lot more options for your photography with that power. You have more freedom to move the lights closer or further as well as adjusting for deep depth of field. When you have an underpowered light source you will be confined in your options.
I hope this makes sense why I advise going a different route for photographers that want to capture human subjects. If you were only doing product photography, then my recommendation would be different as your subject never moves.
Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Can you send the link of the bigger softbox?
Hey hey Mathias!
Thank you so much for checking out this video and commenting!
The larger softbox is here: amzn.to/34ON7ym (affiliate link, the commission I get when you use this links helps directly support this channel)
Sorry my reply is a few days late, if you already got the setup I hope it helps on your next upcoming projects!
Thanks again for stopping by and i"ll see you in the next one! Happy Holidays!
Your vids are very informative and helpful. Keep up the great work.
Hey hey heyguyslol GAMING! (hey hey hey lol)
Thank you so much for checking out this video and commenting! I'm so glad you enjoy these review videos! I will continue to do my best!
Thanks again for stopping by and I’ll see you in the next one!
I'm looking around for those softboxes and cannot find them
Hey hey Herman!
Thank you so much for checking out this video and asking a question!
I have links to the softbox in the description for the softboxes. If they don't show up on Amazon, it could be that your country (if you're not in the US) does not have them. I just checked and they are available in Amazon US and on eBay.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey, I brought these lights of your recommendation, and they have given me a dumb question to ask you. I know they have barn doors but is there a way to make them really directional like a beam or torch? In photography, we would use a snood but wondered if there is a similar effect to use with filming and these? Great content as usual.
Hey hey again Neil!
With LED panels you generally cannot really modify them like a snoot would. I guess in theory you could but you'd have to create your own contraption to try and focus down that light. However their source point is not a small single point rather a bunch of LED's creating the source, so its harder to get a super sharper light like a COB would.
Would you recommend these lights for selftapes for an actor?:)
Hey hey Natallia!
Thank you so much for checking out this video and asking a question!
It sort of depends on a couple things, mainly if the casting director is asking just for a close up or a full body shot. Ideal to emulate casting agencies preferred lighting you will want to soften the light up so that you look as flattering as possible. Check out this video to see what diffusion does. In your case you will want something like the reflector so that you have a large diffused source for full body shots. The Umbrella won't be as good for full body shots. ruclips.net/video/ArI16TEKbo8/видео.html
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
The color matter of the panel on the back matter? For example i saw they have the 660 on different colors like blue or red on different prices.
Hey hey Joshua!
Thank you so much for checking out this video and asking a question!
It shouldn't matter as it's an aesthetic thing, but I would make sure the control panel looks like this one with the LCD screen (2.4ghz version) There seemed to be 2 different older versions that I'm not sure if the LED chips are similar or different. I feel they'd be similar as most LED chips are all hitting a similar budget standard in terms of color reproduction, but if its something that may bother you, try to find the 2.4ghz version that has the LCD screen on the control panel.
Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
How does this compare to the Aputure HR 672 three set kit? I’m looking to light a green screen and use one as a rim light.
Hey hey Truth Still Matters!
Thank you so much for checking out this video and Asking a question!
If I remember correctly, I think the Aputure three kit set was 2 daylights and 1 bicolor. These neewer 660's will match up to the bi-color version but the other two Aputure daylight only version will have more raw output. The Aputure also has a floor and spot version while these Neewer 660 are spot beam in nature. Ideally you'll want to have a more flood beam when lighting the green screen so that you don't get a hotspot. Rim lights can be either Flood or spot depending on your needs.
Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
you have a video on GVM 1000d compared to yhis?
Hey hey CFW Studio!
Thank you so much for checking out this video and asking a question!
Unfortunately no, I have not reviewed a GVM product for awhile. Unfortunately their marking team makes is difficult for me to receive a review unit so it may be awhile until I review another GVM light :(
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker you too man. recently got the 1000d! Dope lights. However: Stands included are not as advertised. Returned it and they shipped another one. Same thing. Just stuck with it since the lights are cool af!
Just wondering if 2 of these wld be enough for recording in some distance like a dance video. What do you think?
Hey hey Danielle!
Thank you so much for checking out this video and asking a question!
This is kind of a two part answer. In short, yes, two of these would light you up for a video placed at 6-10 feet away from you. On the technical side, if you are only using these two lights and not trying to use maybe some window light or existing light in the room (assuming they are also daylight balanced) the lighting would look a little harsh. Essentially the further away you put the lights, the harsher it may look. I'm not sure how you plan to use the lights, but these are some things to think about. Three lights would probably be the best bet so that you create a sort of "TV stage" lighting setup. One in the center, the remaining two on each side of center.
Some general tip is to stay away from a back wall as far as you can, as this type of lighting will cast a shadow on the wall (if you're trying to negate that look). Essentially when you are trying to film the full body for a dance video, you're going to need more lights to try and balance the entire shot between you and the background so that the video doesn't look too harsh.
This is a general idea for you to think about as the way you're going to be using these lights are different from a youtuber who is sitting or standing close to the camera. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I have an older version of the NL660 LEDs and while they are not perfect, I find them quite good for their price. My only gripe is the mount. They never sit tight on the light stands, that they come with. Also, the yoke - when mounted on the Neewer wall mount - seems to be too lose and feels like it is about to fall of anytime.
My question is: Am I doing something wrong? Do I need to get a different adapter or metal thingy to get a tight fit? I would be very thankful for any advice!
Hey hey El Boyo Electronico!
Thank you so much for checking out this video and asking a question!
Hmm, it could just be the light stand spigot is not the right dimensions so there is too much wiggle room from the lights yoke mounting point. You could use some cloth or other materials around the light stand spigot to see if you can tighten things up. As for the yoke do you mean the part that helps the panel tilt?
My versions are a little funky in that the barn doors makes it hard to tighting things up all the way cause the yoke knob is hitting it. So I usually have to close the doors a little so that I can tighten all the way. Not really a big deal with the barn door slightly closed as the LED panel spreads a spot beam rather than a flood beam. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thank you for taking the time!
If you don't have a charger can you charge the battery in the unit?
Hey hey Dave Mc Donagh!
Thank you so much for checking out this video and asking a question!
No, these panels do not charger your NPF batteries when plugged in to AC power.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey I am trying to decide between the Neewer 660 and the Aputure f7. I am going to use a task lamp or foamboard (reflection) as my fill light for my home youtube set up. Do you think the f7 has enough output or will I likely need something more powerful like the 660?
Hey hey Sean!
Thank you so much for checking out this video and asking a question!
This will depend on your desired camera settings, how far your keylight is away from you for your composition, and then from there how far away your fill light is to stay out of the shot. These are the factors that will determine if the F7 will be enough or not, unfortunately because I am not there seeing what the camera see's I can not give you a definitive answer.
That being said I would always opt for the more powerful option in this case, because you just never know how much power you may need, better to have more than not enough. If the fill reflector board is only 2ft away from you, then an F7 may have enough punch to give you options, if its further than that I would opt for the 660.
Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hi there.. thanks for the vid, helped a lot! Quick question if you dont mind. I was going to get this light but now i can get the 21" round flapjack from neewer on an amazon sale for almost the same price, would you rec that one over the 660? Thank You!
Hey hey TestieeKlees!
Thank you so much for checking out this video and asking a question!
If you are planning to use the 21" round flapjack style like as your key light for the face. I would personally go with that one because of its nature being a larger laminated surface area compared to the 660 panel. The flapjack light will be a more pleasing and softer looking light on your face where as you'd have to buy an additional diffusion box or material for the 660 to achieve the same thing. The 660 is meant to be more of an all-round and can be adapter to other scenarios. Where as if you wanted the round flapjack to have more output, you can't really get that as the diffusion is built in.
Don't let the last thing I said deter you, I was speaking as a narrative filmmaker in which my scenario and settings change constantly. If you know that the soul purpose of the flapjack is to light your face. Then I would go for the flapjack over the 660. Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thanks for the reply! Because this will be using these "mostly" for streaming purposes and then photography as an after thought (have strobes to use but want to reduce my footprint), I decided to go with the 660 as the key light and the 530RGB as the rim light and or used for some splash in the background. Still eyeing the 21" flapjack as i do enjoy the output of that light more so, just waiting for another sale, in the meantime these just arrived and will put them through some paces! Really enjoy your vids, keep at it! :)
You're most welcome! Ah gotcha! Thank you for the kind words, I will definitely continue to do my best with my reviews and content! Enjoy the Panels!
I already have 2 of the Godox SL60s but I’ve been thinking of adding some budget friendly lights for greenscreen. That’s why I came to watch this but I’m still thinking 🤔 Do you suggest I go in for these or something else, please?
Hey hey again David!
I would personally suggest you go with something else than these LED panels. With Green screen you want something that floods lights evening instead of having a hotspot. I generally recommend people just use a 4 socket softbox and populate it with 100w equiv LED bulbs you get at any department story. Get two or four of these softboxes so you can light the green screen as evenly as possible. While this setup is not as flashy looking, it does the job!
hi, how is this one with the round soft box compare to the godox sl 60w with a soft box? thx
Hey hey Redj Moto Trips!
Thank you so much for checking out this video and asking a question!
The Godox SL 60w with a softbox is going to give the better overall look as well as more power than the Neewer 660 since half of its LED's have to go to Tungsten and the other half goes to daylight. Also these 660s will give more of a hotspot in the middle due to each LED diode having a lens in front of it.
Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker perfect, thx for your feed back, it will surely help ;)
You're most welcome!
Hi :) I watched this video again today as I am about to upgrade to the 660s. I am tryign to find the large LED softbox you mentioned in the video but can only seem to find ones with bowens mounts. Can you tell me the exact model you ae using please? thanks :)
Hey hey again Chris!
I just got the softboxes in for review so I haven't officially tested them just yet, my recommendation in the video was based on i've tested the panel through similar diffusion materials. But here are the links to the ones I have for review:
Square: amzn.to/3cEXiKT
Round: amzn.to/2IttLGb
**these are my amazon affiliate links, buy using these for your purchase I get a small commission that directly supports this channel at no additional cost to you. If you choose to use them, thank you so much for your support!**
Hope this helps!
@@TLDR_filmmaker Thanks for your reply. I am looking for larger softboxes than the ones on those links. I am in the UK and finding it hard to find much. Its strange as I would think these would be very popular. I would like something about a 1m x 1m round or square that has enough depth to keep the LED panel about 30cm away from the front diffuser. Maybe I will end up making somehting if I can't find anything. Anyway thanks again for your reply and your videos, I really like how detailed you go with your reviews, its very helpful.
What do you think of using this lighting outside?
Hey hey Goo Munday!
Thank you so much for checking out this video and asking a question!
This can be potentially a very loaded question, but the quick version is. If its daytime, no, if its nightime, yes. Nighttime will be harsh light unless you diffuse it with a larger surface and your camera settings are set correctly for the exposure and composition you desire.
I know this is a very vague answer, but hopefully it gives you an idea. The reason I can't say for sure is because I do not know your filming situations, setup, and style.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
TLDR Filmmaker sorry I should have been more specific lol. Ok so basically it is at night, walking on the street. I did some test lighting with torches the other night (plus light from the street lights) just to realise it was still extremely dark on my camera and the torches barely showed up. It’s basically trying to light up the environment I’m in. I ended up ordering this light after all as the functions are quite versatile and I love that it’s portable
Haha no worries! At night time these lights will work to help light up some areas. I checked your channel and saw some video outside in vast areas. Of course these won't light up a forrest but in terms of having them light on you and another unit throwing some light on surrounding structures. These should do alright for the videos you're making.
Not sure what camera you have, generally speaking keep your shutter between on either 1/50 or 1/60 and your ISO should be ok up to 800 (generally these days) anything past that and you may get that grainy look depending on your camera.
Hope this helps! Keep up the good work and music!
What's the difference between using only one batt, or two at once? Is it longer operation or more light power.
If we are talking about photography and especially food photography or portrait which of these 2 lights will you suggest? this one or the previous one (48W Dimmable 2-Color Temperature LED Light Head with Battery Compartment) you have reviewed?
Hey hey Panayiotis Kouyianos!
Thank you so much for checking out this video and asking a question! For food photography, I would actually suggest these Neewer 660s, the reason I say this is because in my most recent video I did a series of color tests, and the Neewer 660 (2.4ghz version) LED color reproduction is very similar to known high CRI lights. Video here: ruclips.net/video/qPxGAUHxWbQ/видео.html
(I do also compare the color accuracy between the 660 and the 48w bi-color softbox light)
As for portrait, I do not know because of a photographers needs and ideal shutter speed. Food photography, not so much because you can use a tripod for the shot. But portrait, after diffusing the light so that it doesn't look harsh on your model, you would be trying to accomplish shots at low shutter speeds depending on how far you have the light away from the model and out of your picture frame. This is the only concern I have.
Hope this helps! Thanks again for stopping by and i’ll see you in the next one!
Would you recommend this light for churches?
Hey hey Malik!
Thank you so much for checking out this video and asking a question!
This is extreme dependent on what stage you're trying to light up. Without physically being there to see the space I cannot give any sort of recommendation on what lights will work.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
do you recommend this light for wedding filmmaker ?
Hey hey Dang Le!
Thank you so much for checking out this video and asking a question!
Generally speaking, probably not as it will only really work for certain small reception venues. If you are in a large reception hall with a large dance floor, you will probably need to move these lights around to get enough exposure. This will also heavily depend on your camera setup as well. If you are using a camera that is able to perform at very high ISO and you have f1.4 lenses. You may be able to get away with these lights. For a working solo wedding filmmaker you never know what situation you are going to be put in. The reception hall may be candle lit, and the wedding party may not want you to have LED lights around.
So I would recommend to have something thats going to be more powerful so that you can dim it down if you need to. The Sokani X60 I reviewed isn't too bad, the Aputure 120D or Godox would probably be more than enough. You'll want to make sure you use some sort of softbox so that you don't bother the guests.
If you are a team of two and you are going around at the reception to get some interview shots. Then these Neewer would be pretty good. You can have your assistant hold the light. You may want to purchase the softbox attachment for these 660's so that you get something a little more flattering for the guests.
Again this is very hard for me to determine because I do not know your specific filming situation and your style. This is just my best general recommendation knowing that a wedding filmmakers filming scenario is very very different from my cinema film sets where everything is controlled. Long story short, you don't want to cheap out too much, you need to be able to handle any sort of wedding scenario that comes your way, because nothing is worse than your equipment not being able to keep up and you end up with bad video footage for your client.
I hope his helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
I love how you review products. It's easy to understand and it's informative. Just wondering, Is there an updated version of this? Not necessarily neewer product but same portable and compact setup (so far I only saw godox ml60 but I think it's a little expensive compare to the LED neewer 660). I'm planning to do RUclips videos too but I only have a really small room. Would really your recommendation. Thanks
Hey hey Lifeofh Official!
Thank you so much for checking out this video and asking a question!
When it comes to these budget level panels that supply about 30w of lighting power they basically all perform the same in terms of light output, some just may have a couple bells and whistles here and there. I actually have a video for your needs that shows you not only a full tutorial on settings and setups, but I do talk briefly about different lights and show you an example of what each one does in terms of your overall look. I think the video will be helpful for you as your get started! ruclips.net/video/__dsOEMzrVA/видео.html
Hope this helps!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker you're amazing man. Your channel is one of my go channels on lights. Thank you for responding and sending the video link. Just wondering, is there an option for me that is more compact (like ring lights)? I actually tried to borrow a neewer 660 yesterday. And They work great but my concern is that it's too space consuming. Especially the tripod. Would really appreciate your recommendation. Thanks
What are the flaps on the neewer used for?
Hey hey truthunleashed5250!
The flaps are for "cutting" or "blocking" the light from entering certain parts of your shot. Its not perfect because a panel is never really meant to have barn doors, but it does do something. Another thing people use them for is to clip on diffusion paper to soften the LED light so it does not look so harsh on a persons face.
@@TLDR_filmmaker thank you so much.
Appreciate your time. Cheers
how do you attached the light to a light stand? shouldn't it have some kind of adapter?
Hey hey Classics Only Films!
Thank you so much for checking out this video and asking a question!
The yoke has two places for the light stand spigot to go through. No adapters needed on traditional light stands. If you C-stand didn't come with a spigot, you'll probably need to get one to attach to he grip head.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Good piece of kit for the money for sure but (there's always a but) you can't tilt the light down while the barn doors are fitted unless you devise a method to tilt the entire mechanism.
Hey hey David!
Thank you so much for checking out this video and commenting!
Actually you can! The place where you attached it to the light stand spigot, there is a "horizontal opening" if you attach the light stand spigot through this opening you will now have full tilt range with the barn doors.
Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
@@TLDR_filmmaker Thanks for the reply but (maybe it's me) I can see no horizontal slot. Maybe I have a different model (#NL 660 without the led meter) Could you perhaps post a picture? I'll certainly appreciate your help.
Is there any quality difference between the 2.4ghz and the non 24ghz version ? Great informative videos btw.
Hey he DudeIstudio!
Thank you so much for checking out this video and commenting!
I unfortunately do not know in terms of the LED diodes themselves if they are the same or slightly different. Otherwise the back of the LED panel will be different in that the 2.4ghz version is an LCD screen with lots of info. The non 2.4ghz I believe just uses standard dot-matrix LED's to relay information.
Hope this helps! Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Good review brother
Hey hey Super Man!
Thank you so much for checking out this video and commenting!
I'm so glad you enjoyed this review! I will continue to do my best with my reviews and content!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Which is best for beginner photography?
Hey hey Kitacha!
Thank you so much for checking out this video and asking a question!
It depends on the photography you are doing, if you are doing product photography, they will work fine, just make sure you check out this video too about how to soften the 660 lights: ruclips.net/video/ArI16TEKbo8/видео.html
If you are wanting to do people photography, you'll want to look into flashes instead.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
The battery in the link is F-980, but the Neewer lights state that they use F-970. Is it interchangeable?
Hey hey Bekisu!
Thank you so much for checking out this video and asking a question!
Yes, the F-980 and F-970 are just different capacities, as long as its the NP-F style, all the different capacities will work.
Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
@@TLDR_filmmaker thanks for clarifying.
that battery life is with one or two of the batterys?
Hey hey Mathiass!
Thank you so much for checking out this video and asking a question!
The battery life test is with two large generic sony NPF 970s batteries.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey, very good review ! One question. Whats the attachment you have to make it go 90 degrees you are using in the video ?
Hey hey Andre!
Thank you so much for checking out this video and asking a question!
No attachment needed! Light panels have begun adoption a dual mount Yoke system with a opening for vertical setups and another opening to have it mounted at 90 degrees. So you're good! No need to buy anything extra with this panel!
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Thanks ever so...good information. Mucho props. I'lll take your advice and pull the trigger on these. Light years improvement over my old kit. Thanks again...
Hey hey Leon!
Thank you so much for checking out this video and commenting! So glad this video was helpful! In my later follow up where I compared these against the Aputure HR672, the LED diodes were very close in color reproduction, not perfect, but close enough. Definitely a nice kit for the price!
Thanks again for stopping by and I’ll see you in the next one!
Very informative, thanks! I'm starting out, would you recommend a set of cheap led panels or the aperture cob (softbox/dome) light for corporate interviews?
Hey hey Mark!
Thank you so much for checking out this video and asking a question!
This really depends on the area you're allowed to setup for these corporate interviews. Usually, when working with corporates, they usually just put you into a room and you may or may not get the ability to control the lighting in the room (Ceiling lights, curtains, etc). Cheap Panels you really need to have control of the room as its only pumping out 25-40watts of output, which is further cut down because you may want to diffuse it so that the executive is not staring at a "car light".
A 120w LED class is a good all rounder where if you don't have control of indoor lighting, the LED is decently powerful enough to add light where you need so that you can play with windows as a edge light. I actually just reviewed the Godox UL150 thats similar to the Aputure COB but much cheaper and performs quite well. That review is here: ruclips.net/video/eA4UkvvSFMo/видео.html
Hopefully this helps and gives you some ideas of where to go. Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
That's a good point you made ... I'll definitely look at the Godox LED and maybe add one or two panels. Thanks again!
You're most welcome!
Do you recommend using two batts, or one and then replacing it with a freshly charged one?
Hey Laika25!
Thank you so much for checking out this video and commenting!
I'm just going to answer everything on this comment instead of the others.
I would suggest to always use two NPF batteries so that you are always delivering a nice solid voltage and current. But of course depending on what kind of shot and time you have, you can use one battery that will last you through a quick shot. You will still have full power even when using one battery. When you are using two batteries they are being drained at the same time.
Hope this helps! Thanks again for stopping by and I’ll see you in the next one!
@@TLDR_filmmaker Thanks. Very helpful.
Great video and review. However, the package is priced more than $100.00 more than you indicated. I am assuming manufacturer changed price?
Hey hey Keith!
Thank you so much for checking out this video and commenting!
Unfortunately it looks like prices have gone up since my review :(
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
Hey can you charge the battery directly in the light?
Hey hey Aaron!
Thank you so much for checking out this video and asking a question!
No, unfortunately the light does not charge the NPF batteries when plugged in. That woulda been an awesome feature! The only panel I reviewed that has this function is the Aputure HR672.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker nice. third party batteries will be fine? cheap ones i mean
Can you charge the NP-F Batteries through the Neewer 660 LED when its plugged in?
Hey hey Konstantin!
Thank you so much for checking out this video and asking a question!
Unfortunately No, the NP-F Batteries do not charge when you plug this in.
Thanks again for stopping by! Stay safe, healthy, and I’ll see you in the next one!
@@TLDR_filmmaker Thanks a lot for the quick reply!