The clever bit i liked was using the compressor's sidechain input in monitor mode to basically pipe audio from another track, just like Bitwigs Audio Receiver
Bill, when you're automating resonance to create pitch with numerical values, doesn't that scare you? This makes my head explode. How do you keep something in key? Do you just end up with something chromatic or are you carefully automating pitch values that keep the melody in key? I've stayed away from acid sounds for this specific reason. They sound terrible when I use them melodically in the piano roll, but they sound amazing when I automate the bandpass frequency and decay times. I have 0 experience with a 303 though. I don't quite get it.
I cannot hear the difference between you transient readdition and I’m sure it’s my speakers but the system you’ve developed to automate that process is cool
hello! in your transient rack, if you make the compressor sidechain input a group track that just contains the drum, instead of the channel of the drum itself, it will not keep playing through if you solo something which makes it less annoying when you're writing c: so when you solo something the sends are silent because the group tracks are silent because the children are muted
Awesome video as always i learned a ton For the transients Instead of 1/128 i use a ms amount because transient length doesn't really change size with BPM for my mixes, also I use a shaper box like this to split the transient off of drums and replace it with a better transient pretty often in the drum bus, and then you can just send the sep transient to the master
I like how those high pitch reverbed construction drill sounds in the end drop between the rate-modulated sound, sounds a lot like old Vengeance Dubstep Vol 1 SFX power drill samples. Great track overall, I didn't learn much new from this but I love the content as always regardless! Keep making sick videos 👍✨️💜👽💯👌🔥
They're on the same level I would say. You should watch 4 producers 1 sample w/ Virtual Riot and Mr. Bill. They're leagues above all the other professionals. Kinda like Messi and Ronaldo.
that transient thing just blew my mind, going to have to watch it 500 times to follow what you did !
Copy and paste the transient infomation after the master waveform has been clipped
The clever bit i liked was using the compressor's sidechain input in monitor mode to basically pipe audio from another track, just like Bitwigs Audio Receiver
You are stupidly good and finding the easiest and most logical solution for problems we never knew we had.😅 That master bit is something else!
NO ILL WILL DETECTED.
PURE BASSITIVITY❤❤❤
Me after being shown on n explicit detail how everything was done:
Damn,how does he do that...?
Bill, when you're automating resonance to create pitch with numerical values, doesn't that scare you? This makes my head explode. How do you keep something in key? Do you just end up with something chromatic or are you carefully automating pitch values that keep the melody in key? I've stayed away from acid sounds for this specific reason. They sound terrible when I use them melodically in the piano roll, but they sound amazing when I automate the bandpass frequency and decay times. I have 0 experience with a 303 though. I don't quite get it.
I cannot hear the difference between you transient readdition and I’m sure it’s my speakers but the system you’ve developed to automate that process is cool
ABSOLUTELY NUTS! THE TUNE!! THE TRANSIENT INJECTION!! Tricky Dude Love it
Always Boss, always Bill, cheers big sir 👊
Is there any chance you could share the rack you used for the transients it’s such a good idea
Just in these 13 min tutorial there is worth at least a full month - or even more - to put into practise...
Thanks for sharing your knowledge
Lirst ✨️💜👽💯👌
So much god damn information, so cool...
mr bill bethod detected
That’s smart damn 🤌
For the transient rack on the master…. Couldn’t you just decrease the attack time on the compressor rather than go to all that effort?
He is not using a compressor but a clipper.
all about the cuica!
U good bill
holy sht it would've sounded so good with your version of the autopan acid bass thing tho. We need a remix VIP XD
Yeaaaaaaaa🎉 ❤
hello! in your transient rack, if you make the compressor sidechain input a group track that just contains the drum, instead of the channel of the drum itself, it will not keep playing through if you solo something which makes it less annoying when you're writing c:
so when you solo something the sends are silent because the group tracks are silent because the children are muted
YES
Incredible Bill 🔥🥀🔥
Actual wizard behavior 😮
These videos are so insanely helpful!
Awesome video as always i learned a ton
For the transients Instead of 1/128 i use a ms amount because transient length doesn't really change size with BPM for my mixes, also I use a shaper box like this to split the transient off of drums and replace it with a better transient pretty often in the drum bus, and then you can just send the sep transient to the master
Very nice! Will you ever break down some of your earlier songs? Would love to see those
Absolute gold mine! Thanks Bill and Val!
Now if we can get Jesse to do one for his too 😍
The last part, the tape stop effect patch, with drums on transients. Genius
You make it sound really simple it's a talent really.
mr bill how can i find such ragge fill like u used in this track when i search its hard to get any of the good samples pls help
Really nice Mr. Bill. Sweet
Sick as mate, can't wait to hear it at Shams!
You are a genius Bill!!!
I like how those high pitch reverbed construction drill sounds in the end drop between the rate-modulated sound, sounds a lot like old Vengeance Dubstep Vol 1 SFX power drill samples. Great track overall, I didn't learn much new from this but I love the content as always regardless! Keep making sick videos 👍✨️💜👽💯👌🔥
Mr. Bill is just guru
cool
So good!!!
Bill..Bill.. Bill. Virtual riot is in a whole nother League my friend.
They're on the same level I would say. You should watch 4 producers 1 sample w/ Virtual Riot and Mr. Bill. They're leagues above all the other professionals. Kinda like Messi and Ronaldo.
Mr. Bill is a very technical producer i'd say they work differently but are both equally as knowledgeable
Will the transient redoer available somewherre?
I hope he releases the rack for the transient thing, that would be sooo amazing