2022-09-01 10.03.59 Olivier Campagne

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  • Опубликовано: 14 июн 2023
  • OLIVIER CAMPAGNE, Architect.
    Former Associate at #ArtefactoryLab
    Now running his own digital image studio.
    @oliviercampagne www.oliviercampagne.com
    FADU UBA 2022.09.01
    Presented by Ignacio Montaldo
    We are so glad and grateful to have you here, in our class, at University of Buenos Aires, this morning.
    First of all, I would like to say thanks to Federico Nichnik Who have the idea of invite to you, to Cristina Gonzalo Nogués from Gonzalo Neri & Weck architects, who put us in touch with you, and to Cathedra Diegues, Tristan Dieguez to help us to develop the lecture and finally to architect Agustina Alaines, who is going to translate the lecture to Spanish.
    I will introduce you briefly, and I will pass the word to you.
    Olivier Campagne is an architect and 3D visual artist, based in Paris, specialized in architecture images and films. He is co-founder and partner of Artefactorylab since 2009 (two thousand nine).
    Olivier and ArtefactoryLAB works closely with many French and international architects which we follow and deeply study their work in our studio, such as Muoto, Bruther, Baukunst, GNWA Gonzalo Neri & Weck , Arrhov Frick, E2A, Christian Kerez, Jan Kinsbergen, Buchner Bründler, and others.
    Olivier is also giving workshops on constructing 3D images, since 2019 (two thousand nineteen), at ETH Zurich at Alexandre Theriot Studio.
    we are very interested in close collaboration between Architects and Photographers produced along century twenty, in the conception of the visual construction of the architecture.
    Nowadays, maybe this collaboration has been moving to the field of virtual visual construction.
    And I like the term “Visual Construction” because We are interested in focus on the cultural significance of architectural and construction technologies and its value in the definition of architectural form.
    So, we look forward with great expectation to hearing from you on the subject of “nine hundred ninety-nine cameras”
    Thanks Olivier!

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