Operalia 2022 | The World Opera Competition: Final Round | Video by
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- Опубликовано: 30 окт 2022
- Operalia 2022 | The World Opera Competition: Final Round
Video by @medicitv
🏆 First Prize
Juliana Grigoryan | Soprano (Armenia)
Anthony León | Tenor (USA)
🏆 Second Prize
Serena Sáenz | Soprano (Spain)
Duke Kim | Tenor (USA)
Nils Wanderer | Countertenor (Germany)
🏆 Third Prize
Maire Therese Carmack | Mezzosoprano (USA)
Youngjun Park | Baritone (Republic of Korea)
Jongwon Han | Bassbaritone (Republic of Korea)
🏆 Birgit Nilsson Prize
Serena Sáenz | Soprano (Spain)
🏆 The Pepita Embil Prize of Zarzuela
Serena Sáenz | Soprano (Spain)
🏆 The Don Plácido Domingo Ferrer Prize of Zarzuela
Anthony León | Tenor (USA)
🏆 Rolex Prize of the Audience
Juliana Grigoryan | Soprano (Armenia)
Youngjun Park | Baritone (Republic of Korea)
🏆 CulturArte Prize
Anthony Ciaramitaro | Tenor (USA)
📌 Program
00:35 Duke Kim | Tenor (USA)
Kuda, kuda vy udalilis [Eugene Onegin, Op. 24] - P. I. Tchaikovsky
10:03 Emily Sierra | Mezzosoprano (USA)
Parto, parto, ma tu, ben mio [La clemenza di Tito, K. 621] - W. A. Mozart
17:01 Youngjun Park | Baritone (Republic of Korea)
Nemico della patria? [Andrea Chénier] - U. Giordano
22:44 James Ley | Tenor (USA)
O paradis [L'Africaine] - G. Meyerbeer
26:49 Jenni Hietala | Soprano (Finland)
Einsam in trüben Tagen hab ich zu Gott gefleht [Lohengrin, WWV 75] - R. Wagner
34:33 In-Ho Jeong | Bass (Republic of Korea)
Come dal ciel precipita [Macbeth] - G. Verdi
39:39 Serena Sáenz | Soprano (Spain)
Grossmächtige Prinzessin, wer verstünde nicht [Ariadne Auf Naxos, Op. 60] - R. Strauss
52:40 Anthony Ciaramitaro | Tenor (USA)
Notte, perpetua notte [I due Foscari] - G. Verdi
59:45 Juliana Grigoryan | Soprano (Armenia)
Mĕsičku na nebi hlubokém [Rusalka, B. 203] - A. Dvořák
01:07:08 Anthony León | Tenor (USA)
Je crois entendre encore [Les pêcheurs de perles] - G. Bizet
01:13:17 Nils Wanderer | Countertenor (Germany)
Stille amare [Tolomeo, re d'Egitto, HWV 25] - G. F. Händel
01:22:29 Maire Therese Carmack | Mezzosoprano (USA)
Ces lettres [Werther] - J. Massenet
01:30:37 Jongwon Han | Bassbaritone (Republic of Korea)
Ves tabor spit [Aleko] - S. Rachmaninov
01:37:27 Duke Kim | Tenor (USA)
Mujer de los negros ojos [El huésped del Sevillano] - J. Guerrero
01:41:10 Juliana Grigoryan | Soprano (Armenia)
De España vengo [El Niño judío] - P. Luna
01:47:52 Anthony León | Tenor (USA)
Bella enamorada [El último romantico] - R. Soutullo, J. Vert
01:52:37 Serena Sáenz | Soprano (Spain)
Me llaman la primorosa [El Barbero de Sevilla] - J. Giménez, M. Nieto
01:58:26 Anthony Ciaramitaro | Tenor (USA)
La roca fria del calvario [La Dolorosa] - J. Serrano
02:03:43 All Contestants
Operalia’s Hymn - Plácido Domingo Jr.
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За арию Ленского - браво, браво, браво!!! Пел с душой, прекрасное произношение!!!
Oh dear, oh dear ... what a gift to us, lovers of good music. Enjoyed the whole program. Mr. Leon's performance of Bizet's 'The Pearl's Fishers'. was lovely, sweet, enchanting. Thank you.
Me embellecieron un dia triste y lluvioso ! Muchas gracias, jovenes y bellas voces. La Opera si tiene futuro. Gracias, Maetros Placido. Gracias a los concusantes. Una maravilla.
Ария Алеко - выше всяких похвал!!! Очень проникновенно!
Прекрасная музыка, великолепные голоса, красивые лица! Мои фавориты выиграли главные призы! Браво!!! 👏👏👏👏👏
Anthony Ciaramitaro deserved more! He has a marvelous voice
Yes and Nice looking, but weak appoggio sometimes
Incredible what wonderful singers are living near us, so young and so genially! Opera will never, never die. Thanks an OPERALIA for the celebration of the most beautiful art! I adore Nilses Wanderer Händel-singing and voice: so deep interpretation and emotion. Also Grigorian is a real "rose" - some great stars are born here.
Anthony Ciaramitaro, finalmente una voce italiana. Bravissimo Anthony León.
My deepest respects to Juliana Grigorian.
🤗 🫶 🎼 🇦🇲 🥰
자랑스런 한국 성악가분들 축하합니다
No not just Koreans. The were all marvelous. Ethnocentricity should not make a difference
Ahhh, the adrenaline of being on THE stage!!!
Congratulations to Juliana Grigoryan on her well-deserved victory, she is such a wonderful singer.
Grandisimo todos! Enhorabuena a todos los concursantes, tantas voces hermosas. Felicidades en particular a Anthony Leόn, tenor con mucho talento, lo conozco un poco gracias a su canal YT. Bravi a tutti, se que vamos a verlos mucho mas en los años que vienen, con el ayudo de Dios. El Gran Domingo sigue siendo el Rey de Opera y asi se va quedar por eternidad. Mil gracias a Rolex y a todos que ayuden a el Maestro. Paz y salud.
Bien palabras, gracias desde alemania…
rey? Segùn quien y què parametros?
@@brunoarturomendozavicente3775 Chaval, lee un libro. Empieza por aquí: en 2008, todos los críticos de ópera encuestados por la BBC Music Magazine situaron a Domingo en el N° 1 de sus listas de los 10 mejores tenores de todos tiempo. Una hora y 20 minutos de ovación por Otello en 1991, 152 papeles y contando, y mucho más. Utilizando las mismas métricas que tu utilizaría pa justificar lo grande que tu crees que es su favorito, ha batido todos los récords de Caruso y ha establecido otros nuevos que nadie creía posibles. Además de su voz gloriosamente bella y, gracias a su "padre," Franco Corelli, la personificación perfecta de todos los papeles pa los que se le contrató con 5-6 años de antelación. Podría extenderme mucho más, como todo el mundo sabe, ya que soy un viejo estudioso de la carrera de esta leyenda viviente, pero me detendré aquí. Todo lo que he dicho es realmente pa los demás que se pasen por aquí y estan realmente interesados. Veremos si eso te incluye a ti. Paz y salud.
Me encanta el Himno de Operalia. Las voces son magníficas.
Adored the 1st one: Duke Kim, in his first aria. Exquisite musicianship & singing + voice quality. I'm sure I lack knowledge to properly appreciate other performers who won even higher prizes. Yes, also loved Grigoryan's Rusalka!
Sarà una mia impressione, ma i timbri vocali sono sempre più standardizzati, omologati. Non sento più un soprano, un tenore, men che meno un baritono, selezionato per le sue peculiarità timbriche. Per la sua identità. Si ascoltano voci anonime, emuli di qualcun altro. Le giurie dei concorsi, tramite i loro verdetti, fanno capire che tipo di vocalità va di moda, e i giovani cantanti perseguono quegli stereotipi. Per esempio il tenore che ha vinto, si sente che ha ascoltato molto Kraus fino ad avvicinarvisi nel timbro. Il controtenore dopo 20 secondi di ascolto di suoni attaccati sempre fissi, non riesco più ad ascoltarlo. Mi consolo rifugiandomi nel passato.
Bravi Tutti
Fantástico concurso Operaria 2022 👏👏👏
Operalia 2022 bravissimo! Maestro bravo!
Nils Wanderer impressed me by his technique and placement.
Me hubiera gustavo ver a alguien con la tecnica del gran Alfredo Kraus....
Juliana Grigoryan brava,brava and brava❗️So proud of you ❤💐🇦🇲❗️
Ein gutes Video das gut Orchester
Bravi!!
I hope one day I’ll see Juliana perform the title role Rusalka in Prague
I adored the Zerbinetta - so fresh and personal interpretation. Congratulation to this coloratura soprano! Sarena Saensa! Bravo!
Si ma più panofka e concone please
She made a massive mistake in the middle of the aria. She made up the notes for a whole phrase...
Poor her, and those were the notes right before the big money high E6… in my opinion she didn’t really bring anything new, but the attempt is worth commending.
@@Yotam1703 one of the most difficult arias in the whole repertory. it takes a lot of guts to sing this in a competition.
@@biancacastafiore8760 oh certainly - I wasn’t trying to disparage her. It is indeed a scary aria and she took a big risk singing it in the competition.
Tenemos el futuro asegurado con estos magníficos artistas !!!
bravi ai tutti
De belles techniques vocales qui vont s'épanouir, espérons-le, et peut-être une grande CABALLE verra-t-elle le jour.
Low voices did a great job.
Congrats to Juliana Grigoryan, performance was sublime.
Second singer on stage,lovely looking. I felt her Mozart was somewhat heavy and sluggish and slightly late on entries. Triplets well negotiated. Great clarinet!
andsomew
Все поют. Очень достойно.
Это сарказм?
@@FloriaTosca8 почему сарказм.
@@nataliyayatsenko8986 потому что поют плохо , некоторые криминально. Уровень конкурса с каждым годом всё ниже. Григорян выделяется в лучшую сторону , но идёт по пути южнокорейских певцов: карьера = участие в различных конкурсах, причём, с одними и теми же ариями.
@@FloriaTosca8 конкретней пожалуйcта. На мой взгляд ,за редким исключением , пели прилично.а вот кто плохо для меня не совсем ясно.
@@FloriaTosca8 кстати,что вы имеете против корейцев и кто конкретно пел криминально,если можно с указанием минут,я ещё раз послушаю.спасибр заранее.
34:20
Serena was great
Ciaramatiro the best tenor voice by far I’m not fooled by the end result winner, having said that Leon has a beautiful voice
I do not know what Operalia is about, but the only male singer to have an operatic voice was Anthony Ciaramitaro.
And he didn’t even place… that is the thinking of the leaders of some of the biggest opera companies in the world.
And listening him singing live was even more magnificent, such a huge voice full of overtones!!
Anyway there is and will be no Mario del Monaco or Franco Corelli on the stage of the modern opera. I console myself with videos showing legendary opera singers of the glorious past
59:45
ドミンゴって指揮者もするんだ
Maybe I’m not hearing what the “experts” are hearing… but Ciaramitaro was the only singer I felt was technically secure and stayed connected to his core. Beyond him it was a bunch of head voices. 😒
Cannot agree. How are you connected to him
@@doogieschmoogie5849 😂 not at all. Don’t even know his first name. He sang the old Italian style technique like Franco Bonisolli, Giuseppe Giacomini etc
Тенор,который поет Верди очень форсирует.
Bring Domingo back. People need to hear the man now.
Juliana looks like Asmik
Who?
Asmik Grigorian
They are not related.
Except for the last name and that they are lyrical sopranos, they don't look alike at all. Asmik is one of the most interesting artists that have emerged in recent generations, both vocally and interpretively. To begin with, it is the recipient and inheritor of a way of emitting the voice that, unfortunately, has been lost in recent decades and that can be defined as natural, physiological and that is typical of the bel canto masters of the 19th century. Her lyrical soprano voice is fully developed and always sounds clean, round, homogeneous, as far as timbre is concerned, in all registers, from the bass, which never sounds artificial, forced, to the treble, which never sounds strident, open and oscillating, but rather, as they say in Italy, "copertos" and with authentic "squillo", that is, with their natural harmonics; equally homogeneous, regardless of the dynamics, from "pianissimo" to "fortissimo" (not backing out on the "pianos" and squeezing, pushing on the "fortes"), with a natural vibrato, perfectly in tune and, what is very relevant , INTRINSICALLY BEAUTIFUL. Likewise, her voice presents a fluid, easy transition between the different registers and with excellent phrasing, articulation, diction, expressive capacity and nuance, which allows her interpretations to be full of authenticity, creativity and dramatic intensity.
Not so with Juliana. A quality voice and talent is perceived, but its emission technique is contaminated by the parameters of the so-called modern singing technique. I am not going to make an exhaustive comparative analysis of the two broadcasting techniques, because it would be very long for a space like this, but I invite you to listen to both in, for example, "Un bel di vedremo", from the " Butterfly" pucciniana and compare; first listen to Juliana and then to Asmik (both videos are on youtube) and draw your own conclusions.
I have had the opportunity to listen to and see Asmik live, in the theater, and it is absolutely spectacular in every way, a privilege.
THE BELCANTO LOVER.
The coloratura butchered Großmächtige Prinzessin LOL
it takes a lot of guts to sing this in a competition. you should try it.
I'm super sorry, but Nils did not sound great in this competition, i don't get how he tied with the amazing korean tenor... In the previous round of the competition he sang one of the worst Cesares i have ever heard also.