The first time I hear about holding one note throughout the whole bar, I was thinking of it as a definite do-not in direct conflict with the requirement that Mozart's music requires as much clarity as possible. Actually you probably can't really see someone playing completely without pedal now, I have to say in some sense I prefer the more dry sound, not even saying when the structure gets blurred just because of the pedal instead of been played distinctly and clearly - e.g. Piu Allegro section in Fantasia c minor K. 475.
Question from a amateur Piano hobbyist: If Mozart could here you play this music on a Steinway Model D Concert grand piano - it would blow his mind. So why are we concerned about what the people of Mozarts time might be thinging?
Fantastically insightful. Thank you!!
It’d befit many a instrumental work to approach its performance operatically. Please, do more of this!
Thank you again mr. Shijun wang
Well done with the audio improvement. The voice doesn’t fade and come back like it did in previous videos.
Great! Thank you a lot for your insightful explanations and interpretations! There is always a lot to learn from you!
Thank you for your support!
The first time I hear about holding one note throughout the whole bar, I was thinking of it as a definite do-not in direct conflict with the requirement that Mozart's music requires as much clarity as possible. Actually you probably can't really see someone playing completely without pedal now, I have to say in some sense I prefer the more dry sound, not even saying when the structure gets blurred just because of the pedal instead of been played distinctly and clearly - e.g. Piu Allegro section in Fantasia c minor K. 475.
Pls make a tutoral for rach op.39 no.1, that piece is extremely hard and I need some advice. Thanks!
I will try!
Any advice on how to play without messing up when recording?
Ha! The same like live performances, better preparation, better control of the nerves and some luck.
Very informative (but need to work on the pronunciation of aria so that it doesn't sound like area). 👍
Yes I second this comment!
I don’t think you had a hard time differentiating between aria and area, James. Don’t get goofy, now.
Question from a amateur Piano hobbyist: If Mozart could here you play this music on a Steinway Model D Concert grand piano - it would blow his mind. So why are we concerned about what the people of Mozarts time might be thinging?
If we don’t differentiate the sound and style of Bach (1685-1750) Mozart (1756-1791) Chopin (1810-1849). Then they will all sound the same!