I thank Lord God for being alive to witness Preety Yendes's singing more so from my continent Africa and Country South Africa, excited and thankful how the 1st World embrace her,God is great indeed
SUCH A FABULOUS VOICE. Velvety, yet bright. Power, but no shrill, always extra in reserve. Smooth transitions. Great sustain and dynamics. Range. Her voice has every attribute desirable.
Her high notes are incredible!! She reminds me a little bit of Mrs Sondra Radvanovsky but she uses her gift in such a different way. I would love to listen to her in Puccinis Manon Lescaut and later in the pieces of Meyerbeer.
La musique,du Faso est une source intarissable de douceurs. Elle permet de plonger au plus profond de soi et simultanément d'entrer en résonance avec son prochain, Yé Lassina Coulibaly❤❤❤❤❤❤❤
beautiful tone, great feeling for Mozart, immaculate technique-- Pretty Yende is one of the great young singers to emerge in the 21st century. Fine orchestra. Joshua Bell turns out to be a terrific conductor
@dvoratrumer9016 A great singer, who invests emotion when she performs according to the piece, sings great, and very beautiful. I love her very much ( TRANSLATION)
She really nails it! Lovely sound, clean rapid articulation, real trills, tops not forced. Gracious and charming. She was well prepared for this. So why was her Met 'Regnava nel silenzio' rehearsal last week so vocally insecure?
Because she was a light lyric who could do coloratura and extremely high notes with no problem while her voice was still quite young, but now, at 30, the voice settles, and a Lucia doesn't suit her anymore (if it ever did, I mean depending on opinions, you have the Callas Lucia, or the Dessay Lucia - intense and dramatic, or birdy and light). She still wants to impress and push her voice into intricate fioriture and high notes but IMO her voice wants to be a Marguerite rather than a Lucia.
Glorious Mozart singing, effortlessly produced tone on the breath. Superb coloratura and trills. I do wonder if this was recorded in 1965 in Adelaide though. I can't find any record of this in the performance schedule. Of course she did sing in Adelaide for the great 1965 tour but these were Lucias, Traviatas and Marguerites in Faust. To me the sound is more 1959/60. I can't hear any sense of an audience either. Probably no way of ascertaining for sure at this stage.
I could be bias,I am requesting global community to SUPPORT AFRICA,PLEASE guys and girls just do that, God is GREAT,HE REIGNS SUPREME,I'M FROM NORTHERN ZULULAND where she's born
This appears to be the same performance that I enjoyed on BBC Radio 3 "Afternoon on 3* July 13, 2016. It comes from the Verbier Festival in Switzerland in 2015. Joshua Bell conducted the Verbier Festival Orchestra from the first violin seat. Is she perfect? Perhaps not quite, but it was a joyful, lovely performance. A joyful performance makes up for a lot of imperfections in my book. For one of my favorites check out Sylvia McNair's performance here: ruclips.net/video/u0fl17RA9Ww/видео.html
Camille - These are artificial distinctions. All singers should be able to sing rapidly, through their entire range - AND sing pure simple legato - all their lives. A voice beginning to mature and develop more weight, should retain the technical facility for 'coloratura' work.
Pretty jende dovrebbe SE mei fare SOLO CD. Non HA CARISMA né la minims PRESENZA E UNA DEI MOLTI NULLITA CHE DURANO 1-5 ANNI MASSIMO. MARTA BEATRICE DARDAY
No.... the voice is too heavy for Mozart.. interesting... or it sounds heavy... doesn’t sound ok to me... she is of course on pitch but the style is not there?
![mgk - I Think I’m OKAY (with YUNGBLUD) (Sad Version) [Official Music Video]](http://i.ytimg.com/vi/7AC1uqQLIg4/mqdefault.jpg)
I thank Lord God for being alive to witness Preety Yendes's singing more so from my continent Africa and Country South Africa, excited and thankful how the 1st World embrace her,God is great indeed
A voice that can stand with a full string orchestra is exceptional, and she has one of the best. What a talent. Utterly delightful.
SUCH A FABULOUS VOICE. Velvety, yet bright. Power, but no shrill, always extra in reserve. Smooth transitions. Great sustain and dynamics. Range. Her voice has every attribute desirable.
Such a beautiful tremolo!
This is unheard of, the audience didn't cough once?!
One of my favourite operatic voices!
Beautiful , young and talented . Excellent Voice . Like.
Lovely voice and superb delivery.
Beautiful sound, perfect intonation, incredible projection.
When Tretty Yende opens her mouth to sing, the skies open
Learn to spell missy her name is Pretty no t OK
true
Oh, what Joy, she radiates it and we are captured by her gorgeous sound and presence. Lucky us!
That woman always brings a smile to my face and tears to my eyes!
Прекрасный голос, умница.! Наслаждение!
Perfect Pitch - Thanks for sharing. 😊
Awesome vice great technick
Her high notes are incredible!! She reminds me a little bit of Mrs Sondra Radvanovsky but she uses her gift in such a different way. I would love to listen to her in Puccinis Manon Lescaut and later in the pieces of Meyerbeer.
Radvanovsky's top notes are often screeched.
Very sexist comment.
Explain the logic, please.
Why? @@zwelethushweni2391
I am a South African living in the UK but I have always been loved the natural talents and joy of their singing
Marcus Pressley
La musique,du Faso est une source intarissable de douceurs.
Elle permet de plonger au plus profond de soi et simultanément d'entrer en résonance avec son prochain, Yé Lassina Coulibaly❤❤❤❤❤❤❤
superbe voix et quelle profondeur.Bravo
chantal glaude what a voice,what talent this lady has? So amazing
beautiful tone, great feeling for Mozart, immaculate technique-- Pretty Yende is one of the great young singers to emerge in the 21st century. Fine orchestra. Joshua Bell turns out to be a terrific conductor
5:52 Joshua bell is like"stop looking at her and get ready to play man!!!"
Pretty is the best soprano singer contemporary
זמרת נהדרת ,שמשקיעה רגש כשמופיעה בהתאם ליצירה,שרה נהדר,ומאוד יפה.אהובה עלי מאוד.
@dvoratrumer9016
A great singer, who invests emotion when she performs according to the piece, sings great, and very beautiful. I love her very much ( TRANSLATION)
Sublime singing and lively, souful interpretation!
Magnificent! Looking forward to seeing her again in London
The violinist behind Yende on the left is hot.
great singer, beautiful voice....
Control is great. She is extremely accomplished!.
Great? Quite a few intonation problems including a flat final note.
But, who gives a crap?
I guess they Bowdlerized my comment. Up yoursh!
Прекрасное исполнение!!!! Браво!!!! 👏🏻👏🏻👏🏻💐💐💐
well done vocally and tone.
Loved this!!!
woooow! absolutely breath taking
Brava!!! Amazing voice!!!!!!!
amazingggggg
Pretty Yende.... yaaaaaaaah! thee best of the best
Bravo! Exquisite! She is outstandingly super!
She really nails it! Lovely sound, clean rapid articulation, real trills, tops not forced. Gracious and charming. She was well prepared for this.
So why was her Met 'Regnava nel silenzio' rehearsal last week so vocally insecure?
Because she was a light lyric who could do coloratura and extremely high notes with no problem while her voice was still quite young, but now, at 30, the voice settles, and a Lucia doesn't suit her anymore (if it ever did, I mean depending on opinions, you have the Callas Lucia, or the Dessay Lucia - intense and dramatic, or birdy and light). She still wants to impress and push her voice into intricate fioriture and high notes but IMO her voice wants to be a Marguerite rather than a Lucia.
Lovely cc keep up a good work
super, danke
Gorgeous !!
Molto brava, con tonalità disinvolta ed agile, una voce adatta ai brani mozartiani.
Exquisite. Bravissimo.
Just beautiful
Exquisite...
Pretty Yende I love you!
Excellent.
Pretty amazing!.
THE QUEEN OF SOPRANO
Bravo!
מזמרות האופרה האהובות עלי
Pretty Pretty Pretty :D
¡BRAVAAAAA!
Hermosa divina
Yes, SHE can!
richard crooks the holy city
Well done yende
Mozart - Pretty Yende - PARADISE !!!
Wait, is that Joshua Bell as the principal violinist? 😱
AMORE
Take my money! Tickets please!!
Glorious Mozart singing, effortlessly produced tone on the breath. Superb coloratura and trills. I do wonder if this was recorded in 1965 in Adelaide though. I can't find any record of this in the performance schedule. Of course she did sing in Adelaide for the great 1965 tour but these were Lucias, Traviatas and Marguerites in Faust. To me the sound is more 1959/60. I can't hear any sense of an audience either. Probably no way of ascertaining for sure at this stage.
Pretty Yende was born on the 6th March 1985 in Piet Retief, South Africa.
I could be bias,I am requesting global community to SUPPORT AFRICA,PLEASE guys and girls just do that, God is GREAT,HE REIGNS SUPREME,I'M FROM NORTHERN ZULULAND where she's born
the fast running passage is unstable and uneven in rhythm
This appears to be the same performance that I enjoyed on BBC Radio 3 "Afternoon on 3* July 13, 2016. It comes from the Verbier Festival in Switzerland in 2015. Joshua Bell conducted the Verbier Festival Orchestra from the first violin seat. Is she perfect? Perhaps not quite, but it was a joyful, lovely performance. A joyful performance makes up for a lot of imperfections in my book. For one of my favorites check out Sylvia McNair's performance here:
ruclips.net/video/u0fl17RA9Ww/видео.html
This is good but her I puritani "qui la voce" is great.
i agree with you!
Camille - These are artificial distinctions. All singers should be able to sing rapidly, through their entire range - AND sing pure simple legato - all their lives. A voice beginning to mature and develop more weight, should retain the technical facility for 'coloratura' work.
Pretty jende dovrebbe SE mei fare SOLO CD. Non HA CARISMA né la minims PRESENZA E UNA DEI MOLTI NULLITA CHE DURANO 1-5 ANNI MASSIMO. MARTA BEATRICE DARDAY
L
Indespicable voice
malo prigušeno,nije pustila glas do kraja, od ovih aktualnih najbolje to izvodi Anna Prohaska,za mene
It's curious how the typical dark color of black singers is totally lost when they sing operatic classical music. They sound like white singers.
Sorry but they sound black. No white voice sound like this. It is rich and full of volume
Just what one would really expect from a voice that has been rigorously trained in a European genre of aria.
Voce niente aspetto niente MARTA darday
Couldn’t she memorize the piece?? A few minutes long… lazy………
No.... the voice is too heavy for Mozart.. interesting... or it sounds heavy... doesn’t sound ok to me... she is of course on pitch but the style is not there?