@Jarred Mello-Neyhart-May The things we fall in love with at the movies are backed up by an army of technicians, agents, and financiers. Also, note the universal Cinderella theme.
I worship this clip. That breathy voice, the colors, the pace. Unless I'm mistaken, she's lip synching to the Connie Stevens recording. Lipsynching is a big thing in MULHOLLAND DRIVE...think of the Silencio Club scene.
1:18 is one of the most crucial clues of the movie plot twist and shows why this movie was chosen as the best movie of the 21st century and why David Lynch is a genius directing.
@@dazaprado6843 In short: you are watching the dream of a down-and-out would-be actress who is feeling guilt over having paid to have a rival actress killed.
I could watch this clip 10 times in a row. Always loved this Connie Stevens song. Who knew it would be immortalized one day in Mulholland Drive one of my favorite movies!
There are so many sections that stand out to tell there own stories in this film while being connected to the whole. I love this section as a momentary salute and even meditation on the process of filmmaking, kind of a beautiful love letter to filmmaking in general. A gentle touch of Truffaut.
There are so many sections that stand out to tell there own stories in this film while being connected to the whole. I love this section as a momentary salute and even meditation on the process of filmmaking, kind of a beautiful love letter to filmmaking in general. A gentle touch of Truffaut.
If you remind yourself that we are in Diana's "script," which she has created to justify and beautify her own real-world actions, you will never be lost for long. The grim comedy of MD is how ugly reality keeps breaking into her Hollywood success story script.
That’s the song. I never watched the movie. I was looking for some song, everything I remembered is that it was vintage but still in color.. I was watching all videos of Lesley Gore and other singers for 15 years which was my mistake. That was not an actual video , it was part of the movie. That’s why I couldn’t find it for so long time.
If you still haven't figured out, half the movie is a dream/surreal as Naomi's character copes with her past ordeal. This scene is clearly part of the surreal. Replicating what you might experience in a dream.
There are so many sections that stand out to tell there own stories in this film while being connected to the whole. I love this section as a momentary salute and even meditation on the process of filmmaking, kind of a beautiful love letter to filmmaking in general. A gentle touch of Truffaut.
My take on that look is that Betty was so perfect for the role - and so lovable a figure - that Adam would have immediately gotten her cast for the movie if he wasn’t being pressured to instead pick “The Girl.” This is how Diane Selwyn wanted to see herself as the It actress arriving in Hollywood and taking it by storm with her sheer talent and charm. It also suggests that Betty have have been Adam’s love interest instead of Camilla. The most painful part of Diane’s (real-life) experience seems to have been at the dinner party where Camilla dumps her for Adam and takes “The Girl” as her new lover, too. In this dream, the rising star director Adam loves Diane, the beautiful mystery woman imprisoned at home is vulnerable and needs Diane (the opposite of cruel Camilla), and The Girl is a joke, a wannabe starlet imposed on Adam against his will by the ruthless studio. In every way, this fantasy scene is pathetic Diane’s vindication.
David Lynch movies are not for the closed minded he will not tell you what you're supposed to think you have to figure it out for yourself and it may take 20 views
There are so many sections that stand out to tell there own stories in this film while being connected to the whole. I love this section as a momentary salute and even meditation on the process of filmmaking, kind of a beautiful love letter to filmmaking in general. A gentle touch of Truffaut.
Is it just me, or there are a lot of anachronisms in this movie? Story set in the 1960s, yet people wearing clothes from the 2000s, and modern-looking sony recording equipment, when Japanese electronics were still thought of as crap, and the standard for recording equipment was still German gear, such as Telefunken? Suspension of disbelief, perhaps?
Mulholland Drive is set at the end of the 20th century. The movie being filmed in this scene is a nostalgic & lo-budget romance set in the early 1960s. The two interracial backup couples wouldn't have been acceptable in 1960; but look politically correct by the time MD was made.
He’s not hearing her, he feels a magnetic pull… the whole point of this scene is that it’s Diane’s fantasy/dream of her miraculous Hollywood arrival on set. Adam in this scene isn’t that real Adam, but a figment of her subconscious. The logic of the real world doesn’t apply here (nor to most of the movie). Part of what makes this scene (and the rest of the film) so great is that there are so many “off” moments that capture the feeling of being in a dream, with dream logic and surreal interactions
It's strange. The most beautiful eye contact I've ever seen in movie, and it's even not real...
This whole movie is a trip. It plays exactly how a dream actually would. Hard to describe
The whole film is a masterpiece of a true genius!
@Jarred Mello-Neyhart-May The things we fall in love with at the movies are backed up by an army of technicians, agents, and financiers. Also, note the universal Cinderella theme.
I worship this clip. That breathy voice, the colors, the pace. Unless I'm mistaken, she's lip synching to the Connie Stevens recording. Lipsynching is a big thing in MULHOLLAND DRIVE...think of the Silencio Club scene.
Yes she is. Connie Stevens exact voice with new mastering.
No. Hay. Banda.
Yes the role she's auditioning for in this involves lip syncing.
1:18 is one of the most crucial clues of the movie plot twist and shows why this movie was chosen as the best movie of the 21st century and why David Lynch is a genius directing.
I don't understand a single thing but it's my favorite film.
@@dazaprado6843 In short: you are watching the dream of a down-and-out would-be actress who is feeling guilt over having paid to have a rival actress killed.
I like how it still kind of makes sense in the scene. Adam could be thinking that she'd be good for the role
I could watch this clip 10 times in a row. Always loved this Connie Stevens song. Who knew it would be immortalized one day in Mulholland Drive one of my favorite movies!
Gawd I love this movie
My fav scene which perfectly captured 1960s sixteen reasons.
There are so many sections that stand out to tell there own stories in this film while being connected to the whole. I love this section as a momentary salute and even meditation on the process of filmmaking, kind of a beautiful love letter to filmmaking in general. A gentle touch of Truffaut.
Mulholand Drive isn't just a film. It's a piece of art.
There are so many sections that stand out to tell there own stories in this film while being connected to the whole. I love this section as a momentary salute and even meditation on the process of filmmaking, kind of a beautiful love letter to filmmaking in general. A gentle touch of Truffaut.
@@Bootmahoy88 Definitely. Mulholland Drive inspired me to become a filmmaker. I just wrote and directed my first short.
"Cindy, Adam wants to see Jason"
"You wanted to see me Adam?"
"THIS IS THE GIRL"
"Excellent choice Adam"
this is my favorite
it was at this point in the film where i realised i had no fuckin idea what was going on
If you remind yourself that we are in Diana's "script," which she has created to justify and beautify her own real-world actions, you will never be lost for long. The grim comedy of MD is how ugly reality keeps breaking into her Hollywood success story script.
@@constantreader8760 Very well put. Yes.
Cut! Thank you very much, Carol, I’m coming back
That’s the song. I never watched the movie. I was looking for some song, everything I remembered is that it was vintage but still in color.. I was watching all videos of Lesley Gore and other singers for 15 years which was my mistake. That was not an actual video , it was part of the movie. That’s why I couldn’t find it for so long time.
ruclips.net/video/DWmpP0I4KC0/видео.htmlsi=ja3jyH-hNdvfGuhr
My fav song
She looks like Connie Steven's in a dark wig💙💙💙💙💙
Thanks for the upload, fav scene and boy what a sweet song ! :)
Me encanta !!!!!!!!!!!!!... simplemente adoro ésto !!!! quiero que suene en mi funeral.
Minari movie and this movie... examples of few hyper reality
llol you cant compare minari to this. weird.
Great scene.
1:20 that's the girl ❤️💕❤️
I like the video, but this is not the girl :D
2021
2020
I explained this clip in my language and performativity class.
Just remember Connie Stevens sang this classic with no auto tune no nothing but reverb.?
If you still haven't figured out, half the movie is a dream/surreal as Naomi's character copes with her past ordeal. This scene is clearly part of the surreal. Replicating what you might experience in a dream.
There are so many sections that stand out to tell there own stories in this film while being connected to the whole. I love this section as a momentary salute and even meditation on the process of filmmaking, kind of a beautiful love letter to filmmaking in general. A gentle touch of Truffaut.
"Laughing eyes".
2022 I guess
This is the girl.
The way this sways in and out from a sweet sexy song to skullduggery hell. And why did he turn and look at her like this. ???
My take on that look is that Betty was so perfect for the role - and so lovable a figure - that Adam would have immediately gotten her cast for the movie if he wasn’t being pressured to instead pick “The Girl.” This is how Diane Selwyn wanted to see herself as the It actress arriving in Hollywood and taking it by storm with her sheer talent and charm. It also suggests that Betty have have been Adam’s love interest instead of Camilla. The most painful part of Diane’s (real-life) experience seems to have been at the dinner party where Camilla dumps her for Adam and takes “The Girl” as her new lover, too. In this dream, the rising star director Adam loves Diane, the beautiful mystery woman imprisoned at home is vulnerable and needs Diane (the opposite of cruel Camilla), and The Girl is a joke, a wannabe starlet imposed on Adam against his will by the ruthless studio. In every way, this fantasy scene is pathetic Diane’s vindication.
David Lynch movies are not for the closed minded he will not tell you what you're supposed to think you have to figure it out for yourself and it may take 20 views
There are so many sections that stand out to tell there own stories in this film while being connected to the whole. I love this section as a momentary salute and even meditation on the process of filmmaking, kind of a beautiful love letter to filmmaking in general. A gentle touch of Truffaut.
2018 seriously?
strawberry 🍓
this is creepy
I did not understand what this movie was all about.
You spend most of the movie in Naomi Watts' head, as she's dreaming about being a movie star.
The times when people were actually singing.
@GANNON KUEHN she is sing in the scene. Go back to lady Gaga
@@sebastiandario5866 no she isn’t😂
Lip syncing Connie Stevens.
Is it just me, or there are a lot of anachronisms in this movie? Story set in the 1960s, yet people wearing clothes from the 2000s, and modern-looking sony recording equipment, when Japanese electronics were still thought of as crap, and the standard for recording equipment was still German gear, such as Telefunken? Suspension of disbelief, perhaps?
But this scene looks pretty sixties to me. You’re seeing much more but yes. From sweet 16 to hell of Hollywood.
Uh, you’re confused. Movie is not set in the 60’s
Mulholland Drive is set at the end of the 20th century. The movie being filmed in this scene is a nostalgic & lo-budget romance set in the early 1960s. The two interracial backup couples wouldn't have been acceptable in 1960; but look politically correct by the time MD was made.
Much like most of the film, it's a dream sequence, a dream that's constantly unfolding in Diana's mind.
headsets on he cant hear behind him stupid movie
You've never worn a headset and heard shit behind you? Must be fucking deaf friendo.
He actually wasn’t hearing, it was a feeling that someone was there.
He’s not hearing her, he feels a magnetic pull… the whole point of this scene is that it’s Diane’s fantasy/dream of her miraculous Hollywood arrival on set. Adam in this scene isn’t that real Adam, but a figment of her subconscious. The logic of the real world doesn’t apply here (nor to most of the movie). Part of what makes this scene (and the rest of the film) so great is that there are so many “off” moments that capture the feeling of being in a dream, with dream logic and surreal interactions
@@ronniebishop2496 Yes!