Correction: 15:03 is not an ingressive note. It is a second false cord subharmonic. Also 5:30 and 5:58 are not flageolet, but flute register. The “chest” A1 and F#1 are not chest, but a breathy fry.
Bassitenoprano. Seriously though it's really impressive how you got your vocal range so far. You basically saw vocal limits and just said no thanks to it.
Your vocal range is absolutely nuts, as always!!! You have grown so much this year, great improvement, my guy! 5:23 This is really solid!!! 12:00 What the hell did you do to get that low in pure chest?!!! Did you have an hangover? Did you drink hundreds of shots?!!! Because if it was an exceptional morning voice, then you are the lowest tenor on record!!!! Not gonna lie, I am absolutely shocked, because I would never expect to see a high tenor to get a super low note as a Low Bass or an Oktavist!!!🤯🤯🤯🤯🤯🤯
Ok, you've got a lot of range and use a lot of techniques to do so as I've seen, but there are quite a few glaring flaws. 1. You are most certainly pushing to extend to extra notes in your range. It seems you only sing to show off how many notes you can produce instead of the clarity or quality of those said notes. Not to be mean, but a lot of those notes, especially the higher ones were unpleasant and some downright painful to listen to. I suggest finding certain songs of a modest range that speak to you emotionally, so that you can find your vocal tessitura and mainly stick with that instead of making the itty-bitty groan or squeak to hit a likely unusable note. 2. I question the legitimacy of the registers used to hit some of the sixth octave notes (Chest and Mixed) Having a "chest" range of F#1-C6 as a tenor seems super fishy. I personally don't think that you're "chesting" too much past C#5/D5 and mixing too much past "G5/G#5. I also noticed that chest notes below C2 sounded a lot easier to sustain and hit than those D2-E2 which doesn't make sense. I think those uber-low "chest" notes are some sort of growl. You can claim to have OVER 9 octaves of range, but that doesn't mean much when it sounds really strained and isn't very usable anyways. I suggest finding a coach to help you develop your voice and your timbre to improve your overall sound. Also for anybody else reading this comment, don't attack me as this is just criticism and I would like to see eventual true development in Matteo's music and voice.
The “chest” notes below C2 from him might’ve been done by a new technique that is really similar to chest. I don’t think he who loses his resonances below C3 can hit an F#1 in chest either. And, he already has a vocal coach :)
1. I always pictured Matteo as a part of a vocal group (given my exclusive viewing experience that he's a part of) rather than on his own, so he is definitely a harmonizer. It's a bit harsh to give the operatic pass to this kind of singer. Although, the technique does encourage vocal longevity and he has a vocal coach according to the other commentor, so all is good. 2. I'm with you on this one. In fact, my question to Matteo really would be a clarification on those notes below low C. When I first encountered growl, I interpreted it through the false fold medium and the acoustic sensation of an airy growl (which is the way that Tomi Pizur, somewhat of a colleague to Matteo, uses it). But now that you suspect Matteo's technique to be some sort of growl, I suspect that too. Matteo, my ultimate goal would be to reproduce it for myself. It actually sounds identical to Geoff Castellucci's technique. People say he uses a compressed chest. Is that a growl? This leads me to believe people saying Geoff has a double low E in chest is a little farcical. Geoff has readily admitted in earlier interviews (like the one with Peter Barber) that he has learned fry, subharmonics, and growl. So, I would say its an overestimation that people suggest that Geoff only uses full chest voice and subharmonics for his sound production and that his double low E, even if it sounds chesty, is chest.
@@WarroirEaglelooking back on the video, I think the F#1 is achieved by a breathy fry rather than a growl or pure chest, but I’m not sure exactly what it is.
agree. i personally ALSO posses around 8 octaves of *total* vocal range, out of which a bit over 5 are actually notes. and yes, the extremes are chest fry & whistle notes, and around 4 of the octaves are pure chest and falsetto. but i have worked on my own voice alot, (for sometihng like 8.5 years now) and have a consistent 3.5 octave range that mostly always sounds good ish. i have a very typical low tenor tessitura. am also a tenor btw.
Bro G1 on chest is insane. That’s literally close to Tim Storms’s chest record. And you’re way younger then him. You might have a chance to break his record on the world’s deepest voice
@@BassManMatteo still, that’s very impressive. You’re way too young, brother. Just focus on mastering the deep voice techniques and that combined with your voice deepening naturally, I’m sure you’ll be an amazing bass singer with a really deep voice at age 30.
No accusations or anything, I could be very wrong. But the E at 9:10 sounds mildy fried. it's not pure chest as far as I can hear. Not very much fry at all, but just enough to noticably have that typical sound and inconsistency that comes with chest fry. Same with the D after it.
Nice video! I’m very surprised to see how you’ve grown so much in this year 😳 6:14 Casper guy would be proud of this. 12:00 How can it be possible to have an F#1 chest as a high tenor!? Have a happy new year! 👋
Awesome dude! Great range! I just uploaded my version of a gospel standard (Just A Little Talk With Jesus) here on RUclips. Notice you're into quartet harmony, check it out of ya like😊 I can also send it to you to upload if you want😊 Continue singing brother, You're Great!
this is the goofiest shit ive ever seen. Singing to stuffed animal in a high pitched voice about dolphin divisions. How the fuck do you get into the 5th octave in chest
@@charlessingleton-b1c oh the A1 and F#1 weren’t actually in chest. I was mistaken. My actual lowest chest note is C#2, but usually I only have down to F#/G2.
![Male Singers Low notes [Part 2]C3-G#-1](http://i.ytimg.com/vi/inKUAzTXAYg/mqdefault.jpg)
![Male Singers Low notes [Part 2]C3-G#-1](/img/tr.png)
Correction: 15:03 is not an ingressive note. It is a second false cord subharmonic.
Also 5:30 and 5:58 are not flageolet, but flute register.
The “chest” A1 and F#1 are not chest, but a breathy fry.
You should pin this comment.
So, Bb1 is still your record low chest note, right?
@@hugobasilio1303 yes
How can fry be breathy
@@TheBassACALovers By whispering in chest voice and holding back air at the same time.
-The World: Bassmanmatteo, what is your vocal range?
-Bassmanmatteo: Yes.
Bassitenoprano. Seriously though it's really impressive how you got your vocal range so far. You basically saw vocal limits and just said no thanks to it.
Thank you!
Imagine being his neighbor 😂💀
been in the premiere, and watched every second of this vid, this was great
Thank you!
Your vocal range is absolutely nuts, as always!!!
You have grown so much this year, great improvement, my guy!
5:23 This is really solid!!!
12:00 What the hell did you do to get that low in pure chest?!!! Did you have an hangover? Did you drink hundreds of shots?!!!
Because if it was an exceptional morning voice, then you are the lowest tenor on record!!!! Not gonna lie, I am absolutely shocked, because I would never expect to see a high tenor to get a super low note as a Low Bass or an Oktavist!!!🤯🤯🤯🤯🤯🤯
Thank you! No alcohol for the F#1, just some weird technique that I don’t fully understand that feels like both chest and not chest at the same time.
@@BassManMatteo lowest I can go now on chest is C2 lol.
Ok, you've got a lot of range and use a lot of techniques to do so as I've seen, but there are quite a few glaring flaws.
1. You are most certainly pushing to extend to extra notes in your range. It seems you only sing to show off how many notes you can produce instead of the clarity or quality of those said notes. Not to be mean, but a lot of those notes, especially the higher ones were unpleasant and some downright painful to listen to. I suggest finding certain songs of a modest range that speak to you emotionally, so that you can find your vocal tessitura and mainly stick with that instead of making the itty-bitty groan or squeak to hit a likely unusable note.
2. I question the legitimacy of the registers used to hit some of the sixth octave notes (Chest and Mixed) Having a "chest" range of F#1-C6 as a tenor seems super fishy. I personally don't think that you're "chesting" too much past C#5/D5 and mixing too much past "G5/G#5. I also noticed that chest notes below C2 sounded a lot easier to sustain and hit than those D2-E2 which doesn't make sense. I think those uber-low "chest" notes are some sort of growl.
You can claim to have OVER 9 octaves of range, but that doesn't mean much when it sounds really strained and isn't very usable anyways. I suggest finding a coach to help you develop your voice and your timbre to improve your overall sound. Also for anybody else reading this comment, don't attack me as this is just criticism and I would like to see eventual true development in Matteo's music and voice.
The “chest” notes below C2 from him might’ve been done by a new technique that is really similar to chest. I don’t think he who loses his resonances below C3 can hit an F#1 in chest either.
And, he already has a vocal coach :)
1. I always pictured Matteo as a part of a vocal group (given my exclusive viewing experience that he's a part of) rather than on his own, so he is definitely a harmonizer. It's a bit harsh to give the operatic pass to this kind of singer. Although, the technique does encourage vocal longevity and he has a vocal coach according to the other commentor, so all is good.
2. I'm with you on this one. In fact, my question to Matteo really would be a clarification on those notes below low C.
When I first encountered growl, I interpreted it through the false fold medium and the acoustic sensation of an airy growl (which is the way that Tomi Pizur, somewhat of a colleague to Matteo, uses it). But now that you suspect Matteo's technique to be some sort of growl, I suspect that too. Matteo, my ultimate goal would be to reproduce it for myself.
It actually sounds identical to Geoff Castellucci's technique. People say he uses a compressed chest. Is that a growl? This leads me to believe people saying Geoff has a double low E in chest is a little farcical. Geoff has readily admitted in earlier interviews (like the one with Peter Barber) that he has learned fry, subharmonics, and growl. So, I would say its an overestimation that people suggest that Geoff only uses full chest voice and subharmonics for his sound production and that his double low E, even if it sounds chesty, is chest.
@@WarroirEaglelooking back on the video, I think the F#1 is achieved by a breathy fry rather than a growl or pure chest, but I’m not sure exactly what it is.
agree. i personally ALSO posses around 8 octaves of *total* vocal range, out of which a bit over 5 are actually notes. and yes, the extremes are chest fry & whistle notes, and around 4 of the octaves are pure chest and falsetto.
but i have worked on my own voice alot, (for sometihng like 8.5 years now) and have a consistent 3.5 octave range that mostly always sounds good ish. i have a very typical low tenor tessitura.
am also a tenor btw.
@@WarroirEagle geoff doesnt even have chest notes below F#1. and even then, anything below G1 might be a mix.
Bro G1 on chest is insane. That’s literally close to Tim Storms’s chest record. And you’re way younger then him. You might have a chance to break his record on the world’s deepest voice
Looking back on it, the G1 wasn’t actually pure chest. It was a sort of chest-mimicking breathy fry.
@@BassManMatteo still, that’s very impressive. You’re way too young, brother. Just focus on mastering the deep voice techniques and that combined with your voice deepening naturally, I’m sure you’ll be an amazing bass singer with a really deep voice at age 30.
Eric holloway has hit a C1 chest on a duet with Geoff
No accusations or anything, I could be very wrong. But the E at 9:10 sounds mildy fried. it's not pure chest as far as I can hear. Not very much fry at all, but just enough to noticably have that typical sound and inconsistency that comes with chest fry. Same with the D after it.
You are very dedicated!
Do you have a tutorial on how to identify the frequency in a low note?
ruclips.net/video/uDJ179i6RPc/видео.htmlsi=X7YL5XF8lFA60dgg
@@BassManMatteo Thanks!
@@Nipsu78090 you’re welcome!
Join my discord server for all things singing! discord.gg/3N8rgT8g
Nice video!
I’m very surprised to see how you’ve grown so much in this year 😳
6:14 Casper guy would be proud of this.
12:00 How can it be possible to have an F#1 chest as a high tenor!?
Have a happy new year! 👋
Thank you!
9:18/2:56 is my Favorite because hes hitting D5/Eb5/D2 in chest
Is the C5 the D5 E5 F5 G5 A5 B5 C6 in chest voice hard for you?
I am Dramatic Baritone and my range F#1-F4 only i have 3 octaves
Above F5 is pretty hard
Ok nice youre soo good! I like you 😂 youre funny xD
This man just casually flexing his 9 octave range. No fair
What is a fryharmonic note?
Subharmonics but from a fry fundamental
@@BassManMatteo Ok.
How old are you and what are your socials??
ขอโน็ตของ Pelleko หน่อยคับ😅😅
I'm not an expert but your "falsetto" Bb5 sounds like head voice. They are not the same thing actually.
1:43 HOW DID U HAVE THE CONFIDENCE TO POST... THAT...
Probably because it’s better than anything you could do 🤷♂️
Backing Josh up here
ngl that was actually a good comeback
@@Myhappyplaceisinherarms be real...
Great inhale singing , you're the master of that technique , for sure! But notes lower than D2 were not chest tho. Great video
Thanks!
5:24 that's not true, there are many male singers who have hit C6 in mv, and a few who have hit acuter
basically every heavy metal tenor ever sang C6 casually, but not in chest voice, because not even women can do that.
Is the G#-1 harder than the A6
The A6 was harder for me
Thx for replying
@@Zecospheretoday you’re welcome!
Remember me when you get famous
Note to flex or anything man, but i can also sing a D-1 and sometimes a C-1
Awesome dude! Great range!
I just uploaded my version of a gospel standard (Just A Little Talk With Jesus) here on RUclips. Notice you're into quartet harmony, check it out of ya like😊
I can also send it to you to upload if you want😊
Continue singing brother, You're Great!
Thank you!
this is the goofiest shit ive ever seen. Singing to stuffed animal in a high pitched voice about dolphin divisions. How the fuck do you get into the 5th octave in chest
A combination of practice and having a naturally high voice
@@BassManMatteo I was wondering how you hit A1 chest with a high voice
@@charlessingleton-b1c oh the A1 and F#1 weren’t actually in chest. I was mistaken. My actual lowest chest note is C#2, but usually I only have down to F#/G2.
Exact same here Lmao.