I've been watching you for quite a while, and i just want to say thanks for uploading all of these great Cziffra's recording. It's only because of you I've discovered a lot of great listz pieces and started admiring cziffra and making him my inspiration. Thank you for consantly uploading, and I wish we will see many more videos from you.
@@alanleoneldavid1787 Liszt’s arrangement of the tarantella from Auber’s La Muette di Portici is one of the hardest pieces he ever wrote. When someone played it in a masterclass, all Liszt is recorded as saying was “Now THAT is a difficult piece!” To be clear: this one from Annees de Pelerinage is not easy at all - but the other one is even harder.
I wish the recapitulation contained more repetition tbh, like I want the original g minor minimalist melody back. It feels to much like A B Coda. Where is my A again Liszt??? Bring it back please
Now that you mention it, I agree! Especially when you know that Liszt is a formidable motif transformer (the first minor depressed theme from Ballade no2 transfigured into a major ecstatic theme, for instance, or the entire B minor Sonata based on like 2 themes). I'm sure he could have made that G minor theme something else.
A lot of technical finesse here but I feel like the performance is quite rushed as though the performer's glossed over it but not quite given it enough time. Overall an interesting performance though
I've been watching you for quite a while, and i just want to say thanks for uploading all of these great Cziffra's recording.
It's only because of you I've discovered a lot of great listz pieces and started admiring cziffra and making him my inspiration.
Thank you for consantly uploading, and I wish we will see many more videos from you.
Amazing display of swashbuckling virtuosity. Cziffra displays the kind of abandon this hugely demanding piece requires.
Scrumptious
Just a miracle!!
Bravo!!
Ah, the “easy” tarantella
Which one is the hard????
@@alanleoneldavid1787 Liszt’s arrangement of the tarantella from Auber’s La Muette di Portici is one of the hardest pieces he ever wrote. When someone played it in a masterclass, all Liszt is recorded as saying was “Now THAT is a difficult piece!” To be clear: this one from Annees de Pelerinage is not easy at all - but the other one is even harder.
@@therealtruetwelfth798 As one 19th century critic commented, "rarely attempted". Earl Wild has a marvelous recording of it.
This is totally insane !
is 2:13 a transformation of 0:37?
You could definitely argue like that, makes complete sense!
I wish the recapitulation contained more repetition tbh, like I want the original g minor minimalist melody back. It feels to much like A B Coda. Where is my A again Liszt??? Bring it back please
Dawg hes dead
Now that you mention it, I agree! Especially when you know that Liszt is a formidable motif transformer (the first minor depressed theme from Ballade no2 transfigured into a major ecstatic theme, for instance, or the entire B minor Sonata based on like 2 themes). I'm sure he could have made that G minor theme something else.
isnt 2:13 a transformation of 0:37?
@@lisanderpiano good catch!
does anyone have any tips for the middle part in canzona after E major. I can’t get it right
2:10
0:00 , 0:19 , 0:37 , 1:49 , 2:10 , 6:33 -> 7:06 ;
what year this recording please?
1962
@@PianoJFAudioSheet thanks
"Fenesta vascia" the original song. ruclips.net/video/gXVeaD59lDM/видео.html
OOOO DO SPANISH RHAPSODY NEXT!!!
ruclips.net/video/viwreTQAoRA/видео.html
@@PianoJFAudioSheet Ik, It just dosen't keep up with Cziffra. It gets behind and stuff.
Horowitz tempo !
My brain: what the hell just happened
This comment is so underrated😅
I played this piece is a very imposible (techniq)
A lot of technical finesse here but I feel like the performance is quite rushed as though the performer's glossed over it but not quite given it enough time. Overall an interesting performance though
Ohh is a piano
Easy
In the upside down😂
Yes, it's easy to say it's easy bro
bruh erm what the sigma
@@Pilot4752 what the sigma
7:00