Best of Boijmans - Layer by Layer | ENG

Поделиться
HTML-код
  • Опубликовано: 23 авг 2024
  • A medieval artist built up his panel painting in various layers. This video shows the process step by step. Starting point is a detail from the Norfolk Triptych (1414-1420) from the collection of Museum Boijmans Van Beuningen, which is on show in the exhibition The road to Van Eyck (October 13, 2012 till February 10, 2013). By combining research into the paint layers with material-technical data such as x-ray and infrared photography, we have been able to make an accurate reconstruction of this detail.
    The reconstruction was made by art historian and painting restorer Charlotte Caspers.
    Reconstruction: Charlotte Caspers
    Camera and editing: Wouter Schreuder
    Subtitles: Einion

Комментарии • 25

  • @artdeco3874
    @artdeco3874 4 года назад +3

    This is the most interesting video I've seen on RUclips in a long time

  • @TheMarkEH
    @TheMarkEH 2 года назад +1

    This was a fabulous piece of work by Charlotte. Great video, thank you.

  • @tonylarussa4046
    @tonylarussa4046 3 года назад +1

    Great job!!! Beautiful!!

  • @jonathannadeau6218
    @jonathannadeau6218 4 года назад +2

    I took classes to learn how to paint icons and it’s the exact same process. This method is still widely used today by icon painters.

    • @banalarousal4310
      @banalarousal4310 Год назад +1

      Thank you do much for taking the time to make this comment. It opens up the possiblity for me to kill 3 birds with one stone!

  • @harrcrapts1564
    @harrcrapts1564 6 лет назад +1

    Geweldige schilderes bent U Charlotte, ik volg de series van de meesters.
    Zo perfect en gedetailleerd hoe U schilderd dat vaccineert me enorm.
    Ik heb nooit les gehad maar ik teken en schilder ook een beetje.
    Zo fijn om de tijd te doden ff een paar uurtjes schilderen.
    Gewoon heerlijk.
    Veel Suc6 verder met het Geheim van de meesters.
    Grt Harry Crapts

  • @danjoneshistory
    @danjoneshistory 10 лет назад +13

    This is amazing.

  • @kawtharmarhoon2481
    @kawtharmarhoon2481 5 лет назад +4

    This is interesting!

  • @tarqwahid9731
    @tarqwahid9731 6 лет назад +4

    Brilliant

  • @audreyfischmann8032
    @audreyfischmann8032 5 лет назад +1

    Very instructive! Thank you.

  • @Adahleni
    @Adahleni 3 года назад +1

    Look stunning, I wish to see Tolkien arts in that style

  • @water9892
    @water9892 5 лет назад +2

    I get now why old paintings are expsensive

  • @eirvingdiaz7185
    @eirvingdiaz7185 6 лет назад +2

    beautiful!

  • @donaldmcronald8989
    @donaldmcronald8989 6 лет назад

    Wow! Beautiful job x

  • @jaykishanart6630
    @jaykishanart6630 3 года назад +1

    👌👌👌👌👌

  • @EE-cs9zt
    @EE-cs9zt 6 лет назад +1

    !!!!!!!!!!
    What insulation layer ,you use before painting?

  • @johnkennethmiranda3915
    @johnkennethmiranda3915 6 лет назад +1

    What kind of paint are you using?

    • @vittley1826
      @vittley1826 5 лет назад

      kenneth miranda in the medieval times they used oil paints so she most likely is using either oil paints or acrylic

    • @kcajmortsnnew1488
      @kcajmortsnnew1488 5 лет назад +6

      absolutely wrong Polly , you shouldn't comment from this level of ignorance.........acrylics are a mid XXth century product . Oil paints came after the medieval period , after experiments in adding oil to tempera paints as emulsions , i believe in the 1500's ' and eventually straight oils were used , quite late in the history of painting . it was probably egg tempera , possibly casein (milk ) paint , altho' the gessoed panels would accept watercolors , which it appears she painted the drawing/under painting with final colors most likely egg tempera @@vittley1826

    • @carolinehoogendoorn6497
      @carolinehoogendoorn6497 5 лет назад

      @@kcajmortsnnew1488 It does not look like egg tempera to me. She is just adding what I think is oil to pigment. Oil or gum arabic.

    • @kcajmortsnnew1488
      @kcajmortsnnew1488 5 лет назад

      @@carolinehoogendoorn6497 you are right
      i'd missed the paint mixing part....i assumed { ! } that as an
      " art historian and restorer" , she'd be using egg tempera ; knowing that oil on gesso is a bad idea.....it might also be casein , egg and milk were both used....having painted w/c on gesso , i can say the paint layer remains vulnerable/impermanent , so gum seems unlikely
      one of my frustrations over the yrs. has been lack of , or simply wrong information , re: mediums , and youtube "experts" have compounded the confusion IF oil or acrylic were used , the restorer needs to be fired...but we'll not get an answer from the museum , apparently

    • @kcajmortsnnew1488
      @kcajmortsnnew1488 5 лет назад

      went and looked again , yes , probably straight oil , likely a commercial product...another ,mistake