I bought a full year of patreon membership. After this video I want to buy one more. this is exactly what I need and it perfectly fits to my approach to music. thank you!
I’d just call the chord a CMaj13. We’re talking guitar, and not piano. It’s inevitable that with thicc chords, we’ll have to lose a potential voice. Nobody is really missing the 11th in guitar voicings for 13th chords, especially over a major third with the major seventh. It’s common to leave out the 11th, unless we’re adding a #11.
Amazing content Rotem! (again!) I'd call the chords Cmaj9(13) and G7(b9)(b13). Thanks for the content you're working on, very inspirational and motivational. I'm gonna check your workshop for sure!!! cheers from Barcelona
If it's in a context where one could reasonably expect the root note to be the tonic, I'd call that a C Major 13 unless I wanted to emphasize the fact that the 9th is present, in which case I'd call it a C Major 13 add 9, as folks before me have said. I can't think of any other reasonable context for that voicing offhand, so I'll leave it at that.
I think once you realise that scales are a a collection of chords and chords are the scale...it opens up the colours...especially when it comes to melody
Colours change in relation to the colours around it...white looks different with blue around it compared to red for example same with people we change depending on what company we keep...I feel this is the same with notes....
Do you have a course that I can buy for intermediate-advanced players bro? Time to absorb what's in your brain. After 17 years nearly I'm ready for it. Cheers from Alberta.
Thank you for greatfull content. I have one question. I know that Am can be tonic substitution because it is on VI degree in the Ionian scale. But can someone explain how Am chord can be subdominant substitution? Thank you in advance
Dmaj7 add 9 add 13 or I guess Dmaj7 add6/9 would work too. Without the 7 I'd call it Dmaj6/9 but since the seventh is there and the extensions are added on top, that's what I'd say.
giving 25% off my new course! here it is! fretsfordays.com/p/unlocking-the-fretboard?coupon_code=YT25&product_id=4249621
What guitar are you playing? You sound great!
@@DennyJiosaGuitar p
I bought a full year of patreon membership. After this video I want to buy one more. this is exactly what I need and it perfectly fits to my approach to music. thank you!
I’d just call the chord a CMaj13. We’re talking guitar, and not piano. It’s inevitable that with thicc chords, we’ll have to lose a potential voice. Nobody is really missing the 11th in guitar voicings for 13th chords, especially over a major third with the major seventh. It’s common to leave out the 11th, unless we’re adding a #11.
I love that intro guitar riff. Keep up the great guitar tutorials.
Amazing content Rotem! (again!) I'd call the chords Cmaj9(13) and G7(b9)(b13).
Thanks for the content you're working on, very inspirational and motivational. I'm gonna check your workshop for sure!!!
cheers from Barcelona
Sounds incredible. Would love to write and sing to anything you make
Finally signed up! Looking forward to jumping into the courses! Thanks Rotem!
This information is a gold mine
I guess I’d call that chord at 4:22 a Cmaj13 add 9
Love these breakdown lessons. Cheers
Bro aren't you the Coldplay vocalist? Love the band man 😍
If it's in a context where one could reasonably expect the root note to be the tonic, I'd call that a C Major 13 unless I wanted to emphasize the fact that the 9th is present, in which case I'd call it a C Major 13 add 9, as folks before me have said. I can't think of any other reasonable context for that voicing offhand, so I'll leave it at that.
Oh, and the second one is G7b9b13.
Cmaj9(13) and G7(b9,b13)
That's great Rotem
Awesome lesson!
The tune at the end I would name The Mirage Mountain 🏔️
thanks mr Rotem! beauty fly
Nice video as always! Thank you! Guess the chords name is Cmaj6/9.
You're the beest teacher in the world
❤️🙏🙏
@@RotemSivanGuitar no joke, are you giving some IRL guitar lecture ? If not yet, please come to live in Paris, I'll be your first student ;)
Love your vids. Learning a lot every time I tune in.
Ps - Whats your guitar strap?? I want it!
Always insightful Rotem. Thank you
I think once you realise that scales are a a collection of chords and chords are the scale...it opens up the colours...especially when it comes to melody
Beautiful lesson. Especially the chapter 'MAKING MUSIC'. After all that is all about... I 'm tired of all the exercises.
Nice "vibey" video as Always. Been missing that diy-modified guitar lately!
They sure are nasty!! Love them all
Colours change in relation to the colours around it...white looks different with blue around it compared to red for example same with people we change depending on what company we keep...I feel this is the same with notes....
You always seem to teach me something Rotem :)
Id call one of chords lushness and the other warm butter
In terms of the chords it can be lots of thing...Ebmaj11#5....Galt(b9 b13)??
Do you have a course that I can buy for intermediate-advanced players bro? Time to absorb what's in your brain. After 17 years nearly I'm ready for it. Cheers from Alberta.
It’s Chords! A big lump of notes! When I tried them with extensions, everything changed
4:15 I'm guessing (Cmaj9/13) ?
Thank you for greatfull content. I have one question. I know that Am can be tonic substitution because it is on VI degree in the Ionian scale. But can someone explain how Am chord can be subdominant substitution? Thank you in advance
I think it’s because an Am has an Fmaj7 inside of it, and F is the subdominant of C
The notes of Am7b6 is an inversion of Fmaj7
Awesome as always!!!
But! What is that polyphonic low octave I’m hearing?! What pedal is that?
most likely a boss oc-3 in poly mode
I'd call it "You got it!"
G b9/b13
This chords I would call cold mud
F half-dim/G, F half-dim add 9, Gaugb9?
Its G7b9(b13)
Good food 👍
Cmaj13
C maj 6/9
But the 7 is there so maybe C maj 13 add 9 or C maj 9 add 13
"I'll play again so you can see these shapes"... camera angle doesn't change so all you see is the back of the hand...
דו דיאזזזז
C9/13
Dmaj7 add 9 add 13 or I guess Dmaj7 add6/9 would work too. Without the 7 I'd call it Dmaj6/9 but since the seventh is there and the extensions are added on top, that's what I'd say.
Hey are you doing a giveaway or is it a scam ?
neo soul? for me its more jazz...
Cmajor913