Masterclass nº1 David Kadouch - no.16 - Barenboim on Beethoven
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- Опубликовано: 6 ноя 2017
- Playlist: • Barenboim on Beethoven...
David Kadouch - Sonata No. 16, first movement.
Saleem Abboud Ashkar - Sonata No. 21 "Waldstein", first movement.
Lang Lang - Sonata No 23 "Appassionata" , first movement.
Shai Wosner - Sonata No. 17 "Tempest", first movement.
Alessio Bax - Sonata No. 29 "Hammerklavier", fourth movement.
Jonathan Biss - Sonata No. 30, third movement.
The genius of Barenboim imparts his genius to the next generation. That is what is important here...Totally mesmeric...
"I swear it was piano in mine" :0 I can completely relate with this LOL
This young fellow, David Kadouch, is a true artist. I gotta hear more from him. Absolutely over the top wonderful.
This is amazing. This whole video is a jewel of youtube.
진짜요?
"There is a moment when liberty becomes in anarchy", well said Maestro Barenboim.
Always colorful, full bodied, filled with character and sonority.
A true delight that leaves unsuspecting bystanders with a flavorful aftertaste.
Barenboim farts never disappoint.
Pensé que sólo iba a verlo unos 10 minutos, y sin darme cuenta ya habían pasado 40 minutos
Yo vengo llegando, que bueno que me adviertes, pondre mi alarma para no quedarme de mas jajaja
Incredibly insightful! There is so much natural resonance and contrast that comes directly from what is written on the score. I often make the mistake of becoming too "inventive" too soon and "bending" the text as Barenboim mentioned before truly exploring the vast range of character that can come from just the harmonic, rhythmic and dynamic structures alone. Before I begin having thoughts to go against what is written I must truly understand the extremities of what can be done with the written score first. This will help me to understand my intentions and how to express them without "rewriting" the music. This way, my interpretations can achieve both the necessary authentic feel of the piece as well as whatever desired character I aim to portray. The intentions of the composer are equally as important as the performer, and they must be understood to the fullest. Thank you for posting this amazing masterclass!
Well put, and I agree a hundred per cent.
I thought the performer should fully understand and then serve the composer and his composition?! It's ALL about what the composer want's to tell us, about HIS story, isn't it???
Que bueno haber encontrado estas clases por este gran maestro con subtítulos al español, soy practicante de violín, pero estas clases también me sirven demasiado. Eternamente agradecido con quien lo subió.
How wonderful to hear and see this!!! The master and the brilliant young pianist... ❤
I agree wholeheartedly, a real jewel, touchingly beautiful!!! Thank you.
juste genial Brenboim! il donne a Kadouch toutes les clefs! a lui de les utiliser. Superbe master class!
David... hat off!!!
You're really gifted from mother nature! 👏👏👏🎼🎹
If you go for master classes,always expect some criticism. There will be no master class ever where the teacher will just - after the performance - say "wow, that was perfect"
Mister Morne Van der Berg krystian zimerman on schumann fantasiestücke:)
I plan to make it happen. Though it may be very difficult.
Max Hampl is that one where they played it perfect? Can I have a link to the video?
ruclips.net/video/ALDzxU452gA/видео.html
@@dieaxeldesguten3688 Thank you for referencing this video....absolutely stunning Masterclass by Zimermann
Thank you Mater Daniel Barenboim! Absolut amazing your sound, ideas, logic!!!! Brilliant.
This is worth its weight in gold Steinways.
It’s a master class in all art, frankly.
"Creo que este es uno de los primeros momentos en que vemos que el sonido permite que la música tenga una dimensión trágica, porque cada nota esta a punto de morir, y la mantienes." y todavía intento bajar de esta frase.
Hoy hay muchos pianistas... pero que me emocionen realmente no tantos, una clase muy interesante para mi gusto. Gracias Sr. Baremboim
Pure gold..!!thanks for this channel.!
Belíssima aula. Amei e fico muito feliz por ser em espanhol,pois assim compreender o que ensina muito obrigada.
Fantástica clase. Gracias.
Al fin esta subtitulado. Gracias ¡¡¡
Losing oneself to the love of something is a harsh task. Beautiful relationship here.
And great lesson. Not being pianist myself I can understand some layers yet.
Félicitations de Nice
Siempre he admirado el riguroso orden del Maestro,dentro de esa imaginación infinita.
Genial Beethoven, genial Baremboim, genial la sonata, y todo lo demás, sobra.
I love his accent when he speaks English. It doesn't sound French at all, it's very pleasing to the ear.
See above.
his english dosen't sound
french because Barenboim is not french!
Obviously I was talking about his student :)
El nació en argentina Buenos Aires, 15 de noviembre de 1942
@@ARGENTINE3 Now that’s some quid pro quo :) Me estaba refiriendo al chaval, quien a pesar de ser francés tiene un acento muy bonito cuando habla inglés.
This is amazing!!! Thanks for sharing
17:15 cuando le discutís al profesor en un final y no sale como esperabas.
Extraordinaria cabeza. Un talentoso y un sabio.
😮 Que sutilezas, que detalles, que todo...maravilloso! 😊
Master teacher and master student.
Barenboim is amazing! This kid needs 3 years with him and a metronome. Tempo rubato, abused by so many as witnessed here.
Wow.. maestro, bravo
Gracias gracias gracias .... subí todas.graciassss
Bravo ... I found a very very good one!!!!
I've watched Maestro Barenboim for many years, Master Classes, forming his orchestra of musicians from the Middle East, conducting orchestras all over the world, recording his Five Minutes on musical terms, and on & on. He will be 80 this summer. Some orchestra members are accusing him of "being a bully". There are a number of Orchestra Practice sessions you can watch on YT. Demanding yes but bullying? Some day they will brag about working w/ Maestro Barenboim!
Yes, you are right.I had the much beloved possibility to attend Barenboims rehearsals for over 30 years. There was never such a situation for which he was accused.
You are my favorit, David❤
My father is a dentist, my mother is my mother :)
I died at this lmao
Hahaha I died too
앜ㅋ
Fantastic 🌚
And my mother is a non-dentist
La música debe ser interpretada como respirar. Es orgánico no es limite es placer maestro
"Because I like it"
"that's not enough"
“I’m sorry in my score I’m sure it wasn’t” xd
La forma organicista como percibe el sonido; el símil con la vida humana y el proceso de generación/corrupción; la alternancia de contrarios y el nacimiento de cada uno en el otro (silencio-sonido-silencio) y la lectura siempre, siempre dialógica que tiene respecto a las piezas, una dialéctica entre las partes y las secciones......es Barenboim un filósofo que ve la vida en la música y la expresión de la realidad y el mundo en cada pieza.
Es fantástico!!
"Because I like it" - David Kadouch
Es Forte!!! David , es Forteee!! De donde sacaste la partitura 🤦🏿♂️ jajajaja.. Es un capo!!!
Excelente....
un trovador, divino
Un regalo!!!!!
Gracias por el videos
Eduardo Poblete de Chile, un monstruo de la interpretación, sólo superado por el maestro Arrau...Baremboim, gran maestro un coloso...
q hablai weón autoreferente
@@rxdxvxnxtx6331 Qué wea jajaja
Chapeau !
Must be very strange for both the teacher and student to have a lesson in front of an audience and on the air.
a lot of pressure on the student!
Indeed. And it was a very tough lesson on Kadouch. Barenboim was nice and correct; but this was a heavy lesson for him
Dale Smith, the master wouldn’t put himself in that position if he would feel that way.
He would be him , with or without audience.
Master classes are usually held in front of audiences
Now some being more talented than the others was a matter of my favorite things that some have realized. Such as anti amnesia.
What does he have on the left face side?
i like very much the masterclass, video and interviews. Good work David!
No word. 🥇👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻
genial la relación Baremboim - Kadouch. Me recuerda a Elina Leiva de Gonzalez.
Excellent! Salutations de Nice :)
聴いてます❗
You can really tell the difference when you put maestro and student side by side.
Watch all the way to the end to see Barenboim playing the piece. THANK YOU!
I'm watching this again. Kadouch does not bring the music to continuous halts, as Baremboim argues. It's a near perfect performance, full of his wonderful enthusiasm and insights. I think Beethoven would have loved it.
Barenboim ♥️☮️👍
Enseñándole a Lang Lang… interesante clase…
My mother is my mother
My edition didn’t have the forte either...
Beautiful staccato
Whish I could play!!!!
Please, after watching: check for Kadouch recordings on RUclips that show how he plays today - the difference is amazing! Is there an empirical study of masterclass participants, say, ten years later ? How they judge the importance of the advice given to them in the long run?
You judge as a musician.
Mr. Kadouche, if you do not forget about yourself you won't enter anywhere.
I dont know why but I like David
2:02
which year did this happen?
They remind me of Liszt and me
Aaahh internet!
oh Chopin, im a big fan of you, love your nocturnes, bye 💁🏻♂️
来赞一个👍
Creo que el chico no estaba acostumbrado a la crítica de un maestro.
27:50
Because I like it!
what is the DYNAMIC???
Something that happens often with young musicians is they get so exited that they loose regularity between similar expressions. With maturity comes self control. (And BTW these pianists were all very good so I'm not knocking anyone here 👍)
If all teachers had ten percent of Barenboim's wisdom, pedagogy, love and passion for music, there would be no unmotivated students.
1:01 What is that amazing piece?
Hammerklavier, Beethoven’s toughest sonata
Sonata opus 54 no. 2 in G Major (Sonata no. 16)
@@jackiepike1466 No..He was speaking about another piece..Beethoven's Hammerklavier mvt 4
@@juansebastian768 Yes, it is a very difficult piece..But as Barenboim said..Beethovens music pushes yourself to the extreme. Beethoven's works can be soo difficult. Maybe not Liszt difficult..But very difficult.....That is why you must play his works carefully and try to feel what Beethoven was feeling at that stage in his life. A troubled man he was..Me and him have so much in common but...His music is beyond this world.
oh! and this one is opus 31, no.1 - still learning the opus numbers... Yes, the Hammerklavier...thank you
But I listen! He teach me too! I listen!
En una entrevista Barenboim dijo que los gustos eran subjetivos y no tenían una verdad por lo que los críticos se equivocan. Sin embargo; creí que era una mala respuesta ya que un crítico argumenta el por qué. Es precisamente lo que hace él mismo a partir del minuto 27:50. Los gustos son acertados mientras tengan un argumento sólido y verificable.
Thenewjazz no creo que sea una cuestión de gustos, como ponerle carne molida a una tortilla de papas... hay que prestarle atención
pepeloco65 tu comparación es fuera de contexto. Claramente aquí se habla de gusto. El alumno dice lo toco así porque me GUSTA y Barenboim lo acepta, pero su argumento no es valido mientras que el de Barenboim le demuestra que sí lo es. Es cuestión de gusto o acaso existe una verdad absoluta?. Si yo pinto un paisaje digo que es la verdad o mi verdad?...será un gusto propio por pintar los paisajes de esa manera y todos me creerán si mi argumento es mejor que el de los demás.
34:59 Ok, mister Barenboim, I`m persuaded.
27:45 ~ 32:30
@davidkadouch ❤😊❤
Very good job.
27:50 una joya
@15:22 David! Jajjajaja 100. % argentinian, 1000%villa crespo
É Daví, es forte.
Barenboim habla seis idiomas con total naturalidad. Pronuncia el nombre David en francés porque el chico es francés. Se llama David Kadouch, no "Déivid Kéidoush".
I was confused I wanted to watch MasterChef
jajajajaajajajajaj
¡No seas malo... Me hiciste reír mucho 😂😂!
He really feels it. Simply fantastic.
ruclips.net/video/JzQN1FKk3wo/видео.html
XDXDXD
The argentine Mozart 👏❤️
The faces are a way of dealing with fear. A kind of mask. Ego construct.. to try and block out the fear. But it fks up music making yes.
Agreed
Faces are for feelings. When you play with an open mouth, you also sing to yourself. In any case, practice over five hours a day, prepare for concerts, play for the audience and acquire an utter discipline to not screw up anything. Takes a lot of effort. Hands can't shakes, fingers can't shake, can't lose the rhythm and get too emotional. But at the end, combination of everything makes it all worth the effort. Perfection is everything.
28:03 porque me gusta
Lang Lang foi aluno dele?
foi
I speak English and not Spanish. Why am I keep trying to read the Spanish subtitles
I think it is a minor ninth and not a diminished ninth :p
Yapapapam
Vamos Argentina!!
Yapapam
In my score,it is Forte.
6:14
Lang Lang Nr. 2 lol
God...