Prokofiev: Piano Concerto No. 3 in C major, Op. 26 (with Full Score)
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- Опубликовано: 9 июл 2024
- Sergei Prokofiev:
Piano Concerto No. 3 in C major, Op. 26 (with Full Score)
Composed: 1913 - 1921
Piano: Martha Argerich
Conductor: Claudio Abbado
Orchestra: Berliner Philharmoniker
00:00 1. Andante - Allegro
09:02 2. Tema con variazioni
18:05 3. Allegro, ma non troppo
Prokofiev began his work on the concerto as early as 1913 when he wrote a theme with variations which he then set aside. Although he revisited the sketches in 1916-17, he did not fully devote himself to the project until 1921 when he was spending the summer in Brittany.
Prokofiev himself played the solo part at the premiere on 16 December 1921 in Chicago with the Chicago Symphony Orchestra conducted by Frederick Stock. The work did not gain immediate popularity and had to wait until 1922 to be confirmed in the 20th century canon, after Serge Koussevitzky conducted a lavishly praised performance in Paris. The first Soviet performance was on 22 March 1925, by Samuil Feinberg, with the Orchestra of the Theatre of the Revolution under Konstantin Saradzhev.
Of the five piano concertos written by Prokofiev, the third piano concerto has garnered the greatest popularity and critical acclaim. The concerto radiates a crisp vitality that testifies to Prokofiev's inventive prowess in punctuating lyrical passages with witty dissonances, while maintaining a balanced partnership between the soloist and orchestra. Unlike the examples of piano concertos set by many of Prokofiev's Romantic forebears, the orchestra rises above subsidiary accompaniment to play a very active part in this work. 
Видеоклипы
i love how it quickly descends into chaos
You can just tell this is a Martha Argerich performance, my god!
Indeed!!
¡Nadie como ella!
ruclips.net/video/jw0_bmLnGq0/видео.htmlsi=9bi3kD8yuCcthCNh
After all, it is the reference recording.
Considering how dark and intense Concerto No. 2 is, Concerto No. 3 is the perfect “next” concerto. Overall it’s bright, optimistic and sunny. Its slow introduction with the shimmering strings and the sudden allegro foreshadow a magical experience.
The definitive performance on disc.
I absolutely love the part at 22:37, especially because of its incredible orchestration. Leave it to Prokofiev to effortlessly and seamlessly meander through different, clashing keys without making things sound sudden or tonally unstable
This is her 1967 DG recording with the BPO/Abbado. Still the benchmark.
12:57 My favorite part ❤️❤️
Thanks for uploading!
Prokofiev has his own unique style, he starts of in home key, beautiful melodies and all, and not a few bars or pages later, it changes keys, it become dissonant and crazy, but not too crazy like shostakovich or schönberg or somthing, a bit more key changes, some more dissonance, and then it surprisingly resolves back in home key! He is one of the greatest musical geniuses out there ( to me at least 😁😁😁😁 ).
I don't know about some of that- parts of Prokofiev are more dissonant to my ears than just about anything of Shostakovich!
@@aaronking4610 Nah....Shostakovich dissonance are more intense and "In Your Face" in my opinion.
Thank you for uploading this, it's such a beautiful work!
Thanks for sharing this!
The Polistylistic concerto.
Romantism, primitivism, neoclassicism and even moments of jazzy-impressionistic textures and harmonies and still being so genuinely structured and balanced.
@Jm Jm
25:09
12:47 that wind chord
5:13
Immo mN
クラリネット実音じゃん...😮
Goofy ahh concerto
Lol yeah
deadass but there’s still something special abt it imo
has anyone confirmed whether 5:12 is a reference to Saint Saen's Aquarium?
25:09