Bach - Concerto in D major BWV 972 - Egarr | Netherlands Bach Society
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- Опубликовано: 12 сен 2024
- When Bach arranged a work, or rather rewrote it, he couldn’t resist giving it a personal twist. This was also the case with this Concerto in D major, a harpsichord version of Vivaldi’s Concerto in D major for violin and orchestra, RV 230 (concert no. 9 from Vivaldi’s collection L’estro armonico). Harpsichordist Richard Egarr explains, for example, how Bach added an interesting part for the left hand in the third movement, and how in the first movement he fitted a whole string orchestra onto one harpsichord, while also making the music more appropriate for keyboard.
Recorded for the project All of Bach on 11 May 2018 at the Rijksmuseum, Amsterdam. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB and consider donating bit.ly/2uZuMj5.
For the interview with harpsichordist Richard Egarr on Concerto in D major BWV 972 go to • Egarr on Bach Concerto...
For more information on BWV 972 and this production go to allofbach.com/e...
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and its guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereni....
Richard Egarr, harpsichordist
Harpsichord: Johannes Ruckers, 1640
0:15 [...]
2:25 Larghetto
5:11 Allegro
Yes! My favourite part of the week when a new video comes out 👌
James Flores this whole concert was superb. This particular performance stands out to me though; I followed along with the score and this piece strikes me as very difficult to play musically and with interest (middle movement in particular). He did such an outstanding job.
Egarr is one of my favourite players
He just looks so relaxed, even his hands. Whenever I play, I feel like my hands look stretched and taut.
ruclips.net/video/7xYn2sUNUdA/видео.html
A skilled and highly individualistic approach to Bach's reworking of Vivaldi.
Love your sixth finger! Many thanks. Wonderful performance.
Sound engineer is spot on ! Always the best recording of everything I've heard to date !!
Bravo, maestro Richard, wonderful phrasing.these vivaldi adaptations are a window into the genius of Bach
GORGEOUS!!!!! I am really counting the days until the Triple concerto in Am is released!!!!! BACH Forever!
So much expression in those diadic chords and the simple quarter note rhythm. Genius. 2:24
Beautiful performance! The artwork inside the harpsichord is lovely.
I close my eyes and just hear. Absolutely beautiful.
Thank you so much for uploading this video. I always adore the "light and crispy" sound of the harpsichord. I hope you keep on doing your thing Bach Society.
The harpsichord is like an experience; sudden and entire.
The harpsichord is such a bright instrument. Thank you so much for the upload!
Stay well all! 🥰 🎼
Long life to Vivaldi and Bach, I love L'estro armonico!
Then listen to La Cetra, La Stravaganza, and Vivaldi’s Late concerti (RV 368, RV 370, RV 390 iii. Search those terms on RUclips. You’ll be happy you did!)
Maravilloso.... Sólo la música de Bach. Vivaldi. Haendel. Beethoven y decenas más... reconforta mi alma en esta cuarentena eterna que vivimos en Argentina.
Splendid! Fascinating and very satisfying performance, beautiful instrument and surrounded by those first rate world-class Rembrandt masterpieces in the background...
The paintings in the harpsichord lid are 'school of Rubens', so not bad either ;-)
4:26 such a beautiful ornamentation :3
SO GLAD I found this! Have been looking for these Bach harpsichord concertos for ages and have never been able to find them until now.
Wunderschöne Aufführung dieses fein komponierten und perfekt arrangierten Meisterwerks im lyrischen Tempo mit klar artikuliertem doch etwas warmherzigem Klang des historischen Cembalos und mit perfekt kontrollierter Dynamik. Bestimmt die beste Kombination der höchsten Technik und der angeborenen Lyrik!
In the second movement, there is obvious helplessness and sigh in the expression of Mr. Egarr, why is this Larghetto written so beautiful?
This is the fastest performance of the 3rd movement l’ve heard. And yet he executed it so well.
que maravillloso Bach en la interpretacion de Egarr
Thật vi diệu, những âm thanh của Bach thật tinh tế và thuần khiết. Egarr đã trình diễn hết sức tuyệt vời.
Magnifique performance sur un clavecin extraordinaire, un joyau musical... Merci...
So beautiful playing
Love the sound🍃Thank's
What an absolute joy! :)
BRAVO
PERFEITA EXECUÇÃO
BRAVÍSSIMO 👋👋👋👋♥️🇧🇷 MACAPÁ
Great ANTONIO VIVALDI !
Absolutely superb.
Heavenly! 👏🏼👏🏼👏🏼
so beautiful!
the allegro is on fire
One word: Cheerful!
Fantástico
Fantástico y Bravísimo!!
Wonderful!!
Oh how dearly I wish that I could hear The Goldberg Variations played on this harpsichord.
I don't think it's been done; however Walcha did Bk 1 of the '48' on it back in the 1980s, which is a fine performance too.
@@paulcaswell2813 I have heard the recording! It's a fine one at that.
Bravo
Lovely!
Heavenly
👌👍
Based on Vivaldis RV.230
Es muy bueno, pero lo que me pasa es que su retórica un tanto al límite me desconecta de la pieza. Pero es muy bueno, insisto.
Schitterend ! 🙏👌👏
if Vivaldi had been alive now....
Belle interprétation de ce concerto italien. Bel instrument d’époque aussi. Dommage que l’acoustique de cette salle emblématique du Rijks Museum soit trop réverbérante et assèche quelque peu la sonorité de ce magnifique clavecin. On croit aussi entendre un léger bruit de fond en provenance du musée. Je préfère les enregistrements dans la sublime ex-demeure de Gustav Leonhardt à Amsterdam.
Wonderful instrument. Sad to see the old girl in a museum though - until recently it was in the hands of the same family who originally bought it in 1640, at the Schloß Ahaus, Westphalia. (O'Brien 1640b IR).
What's the point of playing a beautiful double like this if you're going to subject our ears to three movements in a row without ever uncoupling the manuals?
Are the manuals the mechanism that makes it play two keyboards at the same time?
Oh, the humanity!
Something to do with capturing the richness of an Italian string orchestra perhaps?
"subject our ears" such drama
@@soundknight The manuals are the keyboards. It's perfectly normal for a player to use both keyboards for a whole piece like this. At the start of the Allegro, Egarr plays on the top keyboard only (though you can't see this) and this only sounds one set of strings.
¿No es de Vivaldi?
Si, una transcriçao
It sounds like C major
He lost it from 6:25 to 6:40, then he rushed it to try and escape from it.
I think his tempo in the third movement was far too ambitious - it is just an allegro after all. The music is absolutely loaded with 32nd notes, and the left hand at the top of page 3 is a killer to play. He is not the only one though; Many, many players (including the great and the good) play this as if they have a train to catch, and most of them, quite understandably, cock it up!
I should be impressed, but not really.
While I thoroughly love Bach, this artist constantly refers to his sheet music, and seems to labour at it.
Meanwhile, young Elisey Mysin from Russia, who is now around 12; and has been playing Bach since he could hardly reach the pedals, would do it easily, without any sheet music whatsoever.
Bravo