A little bit of German here, a little bit of Italian (-- my language -- for music terms) there. And such a beautiful composition was born... and I have been so stupid to ignoring this song until today.
@@epictetusphilosophy he hates and consider Rosa a monster but loves another monster who is one of the main reasons of why Rosa become an abusive and negleting mother to Maria (don't mention that this song suck if compared to Rimaneggiamento)
@@alexistogni5499 Eva wasny really a good person either but abusing and neglecting your own 9 year old child who you know is lonely and doesnt have any friends is much worse in my opinion
I know, right! But actually, in the lyrics booklet and in several printings of the actual play, it's written "eingestehn". We chose to preserve it since it was reflected in copies of the quoted play. I don't know why this is! But it is. :)
@@ciel2634 "Eingestehn" is the shortened form of "eingestehen", it's more or less a "sloppier" version of the verb. (A somewhat similar occurrence in English is shortening a verb, like going from saying to sayin') This is generally used in non-serious contexts where people don't really care about grammatical correctness. In Evatrice's case, this is more or less meant to express her assertiveness and dismissiveness of the situation, fitting with the more "aggressive" tone of the song and vocals.
@@nuclearidiot280 Oh, that's very interesting! We didn't hit that in our research, so I'm glad you could supply some extra information about it. It's interesting that the play itself was printed with that... Maybe a character choice in there, as well. :p
@@ciel2634 Glad to have been of assistance! German has a lot of small quirks that are only really recognized by its speakers and not really colloquial dictionaries and such, so researching some of these things can really be a pain sometimes. It actually kind of surprised me to see that they chose to print it with that! Functionally, the pronunciation of "eingestehen" and "eingestehn" is pretty much identical that can only be heard if you have a *really* heavy native accent and with the accent of the vocals here, the difference would be completely unnoticeable. Still, they chose to add this, which I personally think is a really nice touch that helps with setting the tone and shows more awareness of the details of the language than I expected. My apologies for rambling, I just find this small bit a very interesting choice!
![Konjiki no Yasoukyoku ~Golden Nocturne~ [Beatrice]](http://i.ytimg.com/vi/70klHdh8l8o/mqdefault.jpg)
A little bit of German here, a little bit of Italian (-- my language -- for music terms) there. And such a beautiful composition was born... and I have been so stupid to ignoring this song until today.
Ye, i love this song, the voice of the singer is really good, even if i am italian i love the german part
Yup, it's impressive actually!
Oh another Italian Umineko fan?
Well well ✌️
@@RikaFurudeIT ah vedo che sei italiano pure te
Esattamente! 😊
*kills Rika*
Powerful
I would kill for an instrmental version I love the melody.
what a hypocrite
@@alexistogni5499 why?
@@epictetusphilosophy he hates and consider Rosa a monster but loves another monster who is one of the main reasons of why Rosa become an abusive and negleting mother to Maria (don't mention that this song suck if compared to Rimaneggiamento)
It's available on their channel now if you want
@@alexistogni5499 Eva wasny really a good person either but abusing and neglecting your own 9 year old child who you know is lonely and doesnt have any friends is much worse in my opinion
As always, history repeats.
Ciel, it was eingestehen ! (nice video)
I know, right! But actually, in the lyrics booklet and in several printings of the actual play, it's written "eingestehn".
We chose to preserve it since it was reflected in copies of the quoted play. I don't know why this is! But it is. :)
@@ciel2634 "Eingestehn" is the shortened form of "eingestehen", it's more or less a "sloppier" version of the verb. (A somewhat similar occurrence in English is shortening a verb, like going from saying to sayin') This is generally used in non-serious contexts where people don't really care about grammatical correctness. In Evatrice's case, this is more or less meant to express her assertiveness and dismissiveness of the situation, fitting with the more "aggressive" tone of the song and vocals.
@@nuclearidiot280 Oh, that's very interesting! We didn't hit that in our research, so I'm glad you could supply some extra information about it. It's interesting that the play itself was printed with that... Maybe a character choice in there, as well. :p
@@ciel2634 Glad to have been of assistance! German has a lot of small quirks that are only really recognized by its speakers and not really colloquial dictionaries and such, so researching some of these things can really be a pain sometimes. It actually kind of surprised me to see that they chose to print it with that! Functionally, the pronunciation of "eingestehen" and "eingestehn" is pretty much identical that can only be heard if you have a *really* heavy native accent and with the accent of the vocals here, the difference would be completely unnoticeable. Still, they chose to add this, which I personally think is a really nice touch that helps with setting the tone and shows more awareness of the details of the language than I expected. My apologies for rambling, I just find this small bit a very interesting choice!
Nein Nein nein danke!
Is this the VA who was singing this?
No