Thank you so much! If I could sing well, I'd do covers like you. I'm a big fan of yours and of your work. I'd more than happy to do collaborations with you, when you have the time :)
@@theuniverseofmusic sounds like a great idea! Fun fact - if you send Dave from lumatone an email with instrumental only covers, they’ll post it on their social media :)
Ahaha! Thanks so much! That’s one of the reasons that 19-EDO is my favourite, in addition to the fact that it’s prime and also the first EDO to have a lower relative error in the 5-limit and 7-limit, all while still having a relatively small amount of notes 🙂
@@theuniverseofmusic That's what I like about 19edo! It maintains diatonic harmony while giving you more colors to work with practically. I'm planning to create a series called "Exploring 22edo" based off of HEHEHE I AM A SUPAHSTAR SAGA's original series. I like 22edo as much as 19edo because it is the first EDO to be consistent in the 11-odd-limit, granting access to beautiful 11-limit intervals. I also don't mind that it's superpyth because it forces you to think about harmony differently, like distinguishing between the 9/8 and 10/9 whole tones.
@@YoVariable I have two microtonal guitars, one in 19-EDO and one in 22-EDO. I'm excited about your upcoming series! I've been wanting to make a video about my 22-EDO guitar, but I'm finding it difficult to know what to say or play, as my 22-EDO vocabulary is not very strong. However, it's very fun to fool around and come up with new chords and melodies. Like you said, 22-EDO is the first EDO to represent the 11-odd-limit consistently, and combined with the fact that it's not meantone forces you to try new things. The porcupine scale is really cool and also highlights the fact that 10/9, 11/10, and 12/11 are all equated, resulting in the perfect fourth being splittable into 3 equal parts, and the minor third being splittable into two equal parts.
@@theuniverseofmusic I wouldn't forget talking about porcupine! Building a 22edo keyboard in a porcupine layout also seems intuitive, similar to a 15edo porcupine layout, except the fifths and fourths are more in-tune. The 8:9:10:11:12 porcupine-tempered chord is so easy to build because as you said, 3\22 functions as 10/9~11/10~12/11. In 22edo, those are step sizes 4 3 3 3, which are in the porcupine MOS 1L 6s! I also find it interesting how 6\22 is so flexible in its function as it represents 6/5~11/9 due to porcupine tempering, similar to the function of 4\19, which represents 8/7~7/6. Harmonically, 4\19 is close to 15/13 and is the optimal generator for semaphore and godzilla (they are identical in 19edo).
@@YoVariable Very true! 6\22 and 4\19 are really cool intervals, especially how they function in their respective EDOs. And I love how the 9-note Semaphore/Godzilla scale contains the 4:5:6:7:9 chord in 19-EDO! In terms of prime limits, 19-limit is a logical place to stop, since 23-limit strangely doesn’t offer a new record smallest superparticular interval. So 19-EDO is prominent in the 2.3.5.7.13 subgroup, and 22-EDO in the 2.3.5.7.11.17 subgroup. As you were saying, 6\22 represents 6/5~11/9 and so it will represent 17/14, the mediant as well. Lastly, realizing that 12-EDO represents the 2.3.5.7.17.19 subgroup can inspire those without microtonal instruments yet to try something new.
It's insane this didn't get picked up by the algorithm, it's so fucking cool!!! I'm sending this to my homies rn!!!
Thanks! I appreciate it!
yessssssss I'm not the only one anymore!!!!! nice job :)
Thank you so much! If I could sing well, I'd do covers like you. I'm a big fan of yours and of your work. I'd more than happy to do collaborations with you, when you have the time :)
@@theuniverseofmusic sounds like a great idea! Fun fact - if you send Dave from lumatone an email with instrumental only covers, they’ll post it on their social media :)
OMG man, so good performance and technical
This slaps so much 🔥🔥 absolutely brilliant cover, well done!
Immediate like. Holy moly. Not often you get covers with a lumatone
Happy to try any other song suggestions you may have!
@@theuniverseofmusic Could you try "her" by Matsuii? The song has such a melancholic feel, I wonder how it would sound with a lumatone :)
@@unicorndoo3372That’s a lovely piece of music. I’ll definitely give it a try! Make sure you have notifications on so you know when it’s out!
@@theuniverseofmusic Notifications are on! Looking forward to hearing your version of the song :)
@@unicorndoo3372 Hopefully my finger heals soon! I got a bad cut on Monday.
This needs more likes comments and subscribes.🔥🔥🔥
finally a lumatone golden hour cover in a meantone tuning!!! beautiful performance :)
Ahaha! Thanks so much! That’s one of the reasons that 19-EDO is my favourite, in addition to the fact that it’s prime and also the first EDO to have a lower relative error in the 5-limit and 7-limit, all while still having a relatively small amount of notes 🙂
@@theuniverseofmusic That's what I like about 19edo! It maintains diatonic harmony while giving you more colors to work with practically. I'm planning to create a series called "Exploring 22edo" based off of HEHEHE I AM A SUPAHSTAR SAGA's original series. I like 22edo as much as 19edo because it is the first EDO to be consistent in the 11-odd-limit, granting access to beautiful 11-limit intervals. I also don't mind that it's superpyth because it forces you to think about harmony differently, like distinguishing between the 9/8 and 10/9 whole tones.
@@YoVariable I have two microtonal guitars, one in 19-EDO and one in 22-EDO. I'm excited about your upcoming series! I've been wanting to make a video about my 22-EDO guitar, but I'm finding it difficult to know what to say or play, as my 22-EDO vocabulary is not very strong. However, it's very fun to fool around and come up with new chords and melodies. Like you said, 22-EDO is the first EDO to represent the 11-odd-limit consistently, and combined with the fact that it's not meantone forces you to try new things. The porcupine scale is really cool and also highlights the fact that 10/9, 11/10, and 12/11 are all equated, resulting in the perfect fourth being splittable into 3 equal parts, and the minor third being splittable into two equal parts.
@@theuniverseofmusic I wouldn't forget talking about porcupine! Building a 22edo keyboard in a porcupine layout also seems intuitive, similar to a 15edo porcupine layout, except the fifths and fourths are more in-tune. The 8:9:10:11:12 porcupine-tempered chord is so easy to build because as you said, 3\22 functions as 10/9~11/10~12/11. In 22edo, those are step sizes 4 3 3 3, which are in the porcupine MOS 1L 6s! I also find it interesting how 6\22 is so flexible in its function as it represents 6/5~11/9 due to porcupine tempering, similar to the function of 4\19, which represents 8/7~7/6. Harmonically, 4\19 is close to 15/13 and is the optimal generator for semaphore and godzilla (they are identical in 19edo).
@@YoVariable Very true! 6\22 and 4\19 are really cool intervals, especially how they function in their respective EDOs. And I love how the 9-note Semaphore/Godzilla scale contains the 4:5:6:7:9 chord in 19-EDO! In terms of prime limits, 19-limit is a logical place to stop, since 23-limit strangely doesn’t offer a new record smallest superparticular interval. So 19-EDO is prominent in the 2.3.5.7.13 subgroup, and 22-EDO in the 2.3.5.7.11.17 subgroup. As you were saying, 6\22 represents 6/5~11/9 and so it will represent 17/14, the mediant as well. Lastly, realizing that 12-EDO represents the 2.3.5.7.17.19 subgroup can inspire those without microtonal instruments yet to try something new.
Bro this is fire af fr 🤌🤌🔥🔥
Great, well played!
Beautiful❤
here before it got viral!!!
You’re so kind; thank you 😊
❤