Thank you 🙏🏾 I really appreciate you taking the time to watch and leave this feedback. It’s encouraging to know that the video resonated with someone who’s seen a lot of tutorials. I’ll keep striving to make the content as useful as possible. Thanks again.
@@franksalas24 It ultimately depends on what I’m shooting. In my opinion, your collection of focal lengths and apertures covers the spectrum really well- the 24mm f/2.8 is great for wide-angle shots like cityscapes, or astrophotography, though the f/2.8 aperture may require slightly longer exposures to let in enough light. The 50mm f/1.8 is versatile for general use, with its wide aperture allowing plenty of light in for street photography or mid-range subjects. Finally, the 85mm f/1.8 is perfect for portraits or isolating subjects, and the wide aperture allows in a great deal of light.
@@franksalas24 I very often carry two of my favorite lenses with me when I go out for night photograpfy. A 35mm f/1.4 and 50mm f/1.4. I often shoot at ISO 3200 and have no problem with. I find it adds to the atmosphere. I love night photography. I vary my apertures between 2.8 and 4.
I love night photography and this is by far the best video I have ever seen on the subject. It is well organized, carefully presented, and explained clearly. Wow, great job!
@@adventure6639 Thank you! Much appreciated. It means a lot coming from someone with over 20 years of night photography under their belt. Thanks again for watching and supporting!
This was very helpful to someone like myself who is just starting out and trying to find my legs. I currently work an overnight shift and I typically don’t get to shoot in the daytime. Out of All the low light videos yours has been the best for explaining the gear, settings, and post processing. I can’t wait to put this into practice
Thank you for sharing this-it really means a lot to know the video was helpful to you. Working overnight and not having much time to shoot during the day is definitely a challenge, so I’m glad the tips resonated and gave you something you can use.
Well presented and helpful. Your video presentation gives those with no experience an opportunity to work with trial and error to achieve their desired results! Thank you for sharing!
Thank you for your kind feedback. I’m really glad you found the video helpful and accessible. I truly appreciate you taking the time to watch and share your thoughts!
I am a Network engineer by day and a Z6ii hobbyist by night and day. Thank you for the tutorial and tips, it is concise and straight to the point without the unnecessary ambiguities.
I really appreciate you taking the time to share your thoughts. It’s always great to connect with others who are passionate about photography. The Z6ii is a fantastic tool-wishing you all the best as you keep exploring and creating!
Thank you, Alvin. Your tutorial and tips were on point. I struggle with night photography, and your tips and advice have answered many of my issues. Unlike many other videos that use unnecessary campy ab-libs (that I usually end within seconds), you get right to the point. I appreciate that. You have a new subscriber! :)
Thank you for the kind words Dorrie. I’m really glad my tutorial was able to help out. My primary goal is to provide clear and cohesive advice, so it means a lot to hear you found it straightforward and valuable. I’ll try to stay consistent with that. Welcome to the channel, and I look forward to sharing more tips and techniques with you!
Great vid, (been shooting nightshots for toooo many years) well presented covering basic Night Photography with good solid tips for the beginner. Keep making vids like this and your following will grow.
@@paultrunfull3324 Very much appreciated. That’s pretty much my goal …. to remain consistent, concise, and to ensure that what i’m delivering is correct! Thank you for taking the time to watch.
Thank you for the thoughtful feedback! It’s great to hear that the clarity and structure resonated with you. I’m excited to explore more topics and bring even more valuable content in the future!
You're a great communicator, teacher, college professor or police office? Your Pro Tip at 10:57 on the "500 Rule" is for full frame cameras. Those with a crop sensors say Sony 6700 has a 1.5 crop, so a 24mm lens X 1.5 = 36mm then divide 500 by 36 for 13.89 seconds. Great video, cheer's from Vancouver Canada.
Thank you for the kind words! I always aim to present material the way I’d want to hear it myself, so it’s great to know it resonates. Your example with the Sony 6700 is spot on and incredibly useful for crop-sensor users. Cheers to you in Vancouver, Canada!
Thank you for the feedback! I’m glad to hear you found the video clear and concise-that’s always my goal when sharing these techniques. Appreciate you watching, and I hope it helps with your night photography journey!
Thank you for all your effort at creating an excellent video. It is not only professional looking as well as being exceptionally informative. Night photography has always been a passion of mine and you have covered all the important aspects of it nicely. I look forward to watching more of your content. Take care and clear skies.
Thank you so much for your kind words and support! I’m genuinely thrilled to hear that you found the video both professional and informative. Knowing the content resonated with you is incredibly motivating, and it inspires me to keep creating with the same dedication. Stay tuned for more, and thank you once again for watching. Wishing you clear skies and inspiring moments ahead!
@@providencephotographydfw Yes, the tips suggested will certainly help. I intend to try these out tomorrow and see how it pans out. Will keep you posted 🙂
@@Western-Ranger. Glad you’re finding the info useful. I learned about the red light tip just before a night sky/Milky Way session. Came in really handy.
Good video. I tried but will have to practice more. I also find that the camera brightens the pictures too much. But, I will try a lower maximum iso when using auto iso. I will watch it again, well presented 👍🏻
Thank you for watching and I’m glad to hear you’re experimenting with the techniques. While Auto ISO can be convenient in certain situations, for night photography, I usually shoot in manual ISO for better control over noise and exposure. Keep practicing, and feel free to revisit the video anytime-let me know if you have any other questions or need more tips!
Informative video. I love to shoot at night. I mostly shoot the milky way but it's have done some street photography at night. One thing about ISO though. ISO doesn't change the sensitivity of the sensor. ISO is applied after the photo is taken. Noise is the absence of light and is always present when there's not light. When the ISO is raised the noise is amplified with the light. It works similarly to a microbiology when you turn the gain up to be able to hear someone who speaks softly. Ago off a sudden you can hear the crackle and popping in the background. I'm the film days the ISO was from the crystals in the film so having a higher ISO film actually increased the sensitivity of the film. The crystals absorbed photons. The more crystals there were the higher the ISO. It also created more grain. My go to lens for the milky way is my 20mm f/ 1.8 lens. I usually stop it down to f/2.8 to get sharper stars and less vignetting. I love my 24-70mm at night too. I can use it for street or milky way. The stars are sharp with that lens. Nikon is doing great things with their z lenses.
Wow!! Incredible comment. Thanks for sharing, Carl! Your explanation of ISO really helped expand my understanding, especially the analogy to gain in microbiology-that’s such a clear way to think about it. I also found the point about ISO in the film days fascinating, with the crystals absorbing photons and higher ISO films actually being more sensitive. That adds a lot of historical context to how ISO works today. I appreciate your thoughtful and detailed comment-it’s always great to learn something new!
Thank you for the kind words and for subscribing! Glad you enjoyed the content. Best wishes to you as well, and I hope you find even more value in future videos. Cheers! 👍🏾
I appreciate the comment. No, it doesn’t. It’s a common misconception-one I held myself until recently. A few weeks ago, @mariuszh4611 clarified that increasing ISO doesn’t allow more light to reach the sensor; instead, it amplifies the signal from the light already captured. This distinction was an important one for me to learn, and I’m glad to share it here to help clarify for anyone who might have the same question or misconception.
Your video is well done, and your presentation is spot on. I realize this is geared towards beginners, so maybe you just didn't cover it. What do you do about white balance, with and without mixed light sources? Do you just us Auto WB and fix it in post?
Thank you for the great feedback! I’m glad you enjoyed the video. For white balance, my approach is to set a preset WB in-camera rather than using Auto WB, and I always shoot in RAW. This way, I have a consistent color baseline across all my shots, which makes it much easier to match colors during editing. Shooting in RAW also gives me the flexibility to make precise adjustments in post, so I can fine-tune the color balance based on the look I’m aiming for without any quality loss. This method keeps my workflow smooth and ensures color consistency, especially in scenarios where lighting can be variable. I hope this insight helps, and thanks again for watching!
That sounds like a cool project! Shooting at night with flashlights can definitely create an awesome vibe. A few quick tips: use a tripod to keep your shots steady, especially for long exposures. Play with the flashlight to create shadows or partially light your subject for a mysterious effect. Long exposures can make cool light trails if the flashlight moves. Keep your ISO high enough to capture enough light but not so high that noise becomes a problem. You might want to bring a small portable light to fill in shadows if needed without overpowering the flashlight. Experiment with low angles or shooting through bushes for that “in the wilderness” look. In editing, you could use cooler tones or muted greens to give it that nighttime hunting vibe. Would love to see how it turns out-sounds like a fun shoot!
Bro. Im from DFW too. You have to also be careful out there at night, because Dallas aint that safe. Especially if you out there trying to get a shot of the skyline.
Thanks for the heads-up, bro! Safety is always a priority, no matter where you’re shooting, but I try to stay prepared and aware wherever I go. Dallas has some amazing spots, and being cautious just comes with the territory of chasing those perfect shots.
It’s going to sound strange. But I’m sitting at 3:25 in the morning watching your photography lesson in English. Because I got into photography and it just so happened that I’m learning English. Thanks for the beautifully shot video and the helpful lesson, brother. Your video is much better than many famous bloggers. My subscription and like for your work.
Wow, thank you so much for your kind words! It means a lot to hear that you’re watching my videos, especially at 3:25 in the morning! I’m glad to be a part of your photography and English journey. It’s awesome that both passions are coming together for you, and I’m honored to have you here. Thanks for subscribing and liking-it really keeps me motivated to keep creating. All the best to you! Keep learning and creating, and don’t hesitate to reach out anytime.
Hi Sir, it's really helpful for beginners like me. I always have problems balancing the exposure during night photography, especially in manual mode. I'm not sure why the exposure value keeps shooting up to brightest level even after I manually dial the ev to 0 level. The 500 rule might help me a lot in night photography. Very interesting video tutorials, and you teach us so professionally. Just completed my night journey yesterday, Nov 10, not the photos look good or bad. Thank you. ❤
I’m really glad the video has been helpful for you! Balancing exposure in night photography, especially in manual mode, can definitely be tricky. It sounds like you’re already putting in the effort to dial in those settings and explore techniques like the 500 rule, which is a great tool for star photography. As for the exposure value issue, sometimes the camera’s meter can be sensitive to small light sources in dark settings, causing it to overcompensate. Keep experimenting-it’s all part of the journey! Congrats on completing your night shoot, and don’t worry about perfection. Every photo is a learning step. Thanks so much for watching, and happy shooting!
@providencephotographydfw3339 Thanks for the valuable support and tips in detai. I am really appreciate your effort to understand my issues. You're a great mentor. God bless 🙌 🙏 ❤️
Wow, awesome video. Informative, well edited. I've been shooting some nighttime photos lately, trying to capture people in motion. It's tricky though here in a small town where there isn't as much artificial ambient light available. I try to keep my distance from photographed people to make it more natural and avoid being spooky 😅 a person with huge 200-600 on a tripod after dark in a small town looks odd that's for sure 😅 using 600mm focal length and a timer is also tricky because of a narrow field of view. Capturing objects that don't shine or reflect light is also requiring a different approach.
Thanks so much for the support! Really glad you enjoyed the video. It sounds like you’re facing some interesting challenges with night photography-small towns, low light, and trying to keep things natural from a distance is no easy feat! Shooting with a long lens at night definitely takes patience, but it’s awesome to see you’re putting in the effort to make it work. Keep at it, and thanks again for sharing your experience!
@providencephotographydfw3339 here in Poland during this time of year the sun sets quickly. So there is plenty of time to experiment. I capture people while they pass underneath street lamps. Shutter speed needs to be something around 1 second. Longer than that makes people disappear 😅 unless they don't move as much. So it really depends and like you said it's trial and error. subscribed😉
@ Thanks so much for subscribing! It sounds like you’re making the most of those early sunsets in Poland-getting to experiment with light and movement under street lamps is such a unique experience. Appreciate you sharing your process!
Nice video, but keep in mind that raising ISO will not „allow more light to hit the sensor” nor increase sensor sensitivity, this is common mistake how ISO works. It just amplifies signal that sensor registers. That’s why the noise is visible on higher iso’s, cause in same exposition, the shutter speed is lower or aperture is higher which results less light hitting the sensor reducing signal to noise ratio.
Thanks for explaining that! I appreciate you breaking this down because it clears up a misconception I had, and it’s really helpful for understanding how ISO affects noise in low-light shots. Thanks again for taking the time to share your knowledge with me and the community.
I hate post processing. 1.its too time consuming and not good for my heath. 2. I love the idea of the origins of the tool- Camer/Photographer. Its like life , the work place,the barn, or the farm the builders, the mason the mechanic engineers -Persons & Tools that my consept of Photography, real life .....I won't swap such actual physiological art for a desk Oops computer Job. From Film - DgitalI can remake the same opportunities without cost. At my age, i ain't spending no hours fascinating my ego with someoneelses programming. I'll go out an creat that whis=ch is beyond my camera and me
@@ghifarix Thank you for sharing your perspective! I completely respect the appreciation for capturing moments as they are, without relying on post-processing. There’s something powerful in using the camera as a pure tool to create ‘physiological art,’ as you put it, that feels genuine and true to life. Photography has so many approaches, and it’s inspiring to hear from someone who values the authenticity of the craft over the convenience of digital editing. Keep creating that raw, unfiltered art-it’s a perspective the world needs!
Very professional tutorial on night photography. I have watched many and yours is first class. Congratulations.
Thank you 🙏🏾 I really appreciate you taking the time to watch and leave this feedback. It’s encouraging to know that the video resonated with someone who’s seen a lot of tutorials. I’ll keep striving to make the content as useful as possible. Thanks again.
Do you have a best particular lens for night photography, I use an 85 mm 1.8 a 50 mm 1.8 and a 24 mm 2.8
@@franksalas24 It ultimately depends on what I’m shooting. In my opinion, your collection of focal lengths and apertures covers the spectrum really well- the 24mm f/2.8 is great for wide-angle shots like cityscapes, or astrophotography, though the f/2.8 aperture may require slightly longer exposures to let in enough light.
The 50mm f/1.8 is versatile for general use, with its wide aperture allowing plenty of light in for street photography or mid-range subjects.
Finally, the 85mm f/1.8 is perfect for portraits or isolating subjects, and the wide aperture allows in a great deal of light.
@@franksalas24 I very often carry two of my favorite lenses with me when I go out for night photograpfy. A 35mm f/1.4 and 50mm f/1.4. I often shoot at ISO 3200 and have no problem with. I find it adds to the atmosphere. I love night photography. I vary my apertures between 2.8 and 4.
I love night photography and this is by far the best video I have ever seen on the subject. It is well organized, carefully presented, and explained clearly. Wow, great job!
Thank you for your generous feedback! It truly means a lot. I hope it inspires you to capture even more amazing shots. Thanks again!
This is an absolutely first class night photography tutorial Alvin. You couldn't have put it together any better. Top work!
Thank you, Mike. I really appreciate your kind words-it means a lot to hear that the tutorial hit the mark for you. I’m glad you found it helpful!
I’ve been shooting night photography for over 20 years. Awesome video very structured and educational.Thank you! 👍
@@adventure6639 Thank you! Much appreciated. It means a lot coming from someone with over 20 years of night photography under their belt. Thanks again for watching and supporting!
This was very helpful to someone like myself who is just starting out and trying to find my legs. I currently work an overnight shift and I typically don’t get to shoot in the daytime. Out of All the low light videos yours has been the best for explaining the gear, settings, and post processing. I can’t wait to put this into practice
Thank you for sharing this-it really means a lot to know the video was helpful to you. Working overnight and not having much time to shoot during the day is definitely a challenge, so I’m glad the tips resonated and gave you something you can use.
Great show, good advice! Cheers!
Thanks for watching!
Excellent tutorial. Concise and very informative without extra fluff. Thank you!
Thank you so much for the kind feedback! I’m glad you found the tutorial clear and to the point.
Well presented and helpful. Your video presentation gives those with no experience an opportunity to work with trial and error to achieve their desired results! Thank you for sharing!
Thank you for your kind feedback. I’m really glad you found the video helpful and accessible. I truly appreciate you taking the time to watch and share your thoughts!
I am a Network engineer by day and a Z6ii hobbyist by night and day. Thank you for the tutorial and tips, it is concise and straight to the point without the unnecessary ambiguities.
I really appreciate you taking the time to share your thoughts. It’s always great to connect with others who are passionate about photography. The Z6ii is a fantastic tool-wishing you all the best as you keep exploring and creating!
Thank you, Alvin. Your tutorial and tips were on point. I struggle with night photography, and your tips and advice have answered many of my issues. Unlike many other videos that use unnecessary campy ab-libs (that I usually end within seconds), you get right to the point. I appreciate that. You have a new subscriber! :)
Thank you for the kind words Dorrie. I’m really glad my tutorial was able to help out. My primary goal is to provide clear and cohesive advice, so it means a lot to hear you found it straightforward and valuable. I’ll try to stay consistent with that. Welcome to the channel, and I look forward to sharing more tips and techniques with you!
@@providencephotographydfw I will definitely stay tuned! Happy Holidays! 😃
Great vid, (been shooting nightshots for toooo many years) well presented covering basic Night Photography with good solid tips for the beginner. Keep making vids like this and your following will grow.
@@paultrunfull3324 Very much appreciated. That’s pretty much my goal …. to remain consistent, concise, and to ensure that what i’m delivering is correct! Thank you for taking the time to watch.
Really nice video. I love your clear structure and explenations. I can`t wait to see what other topics you will cover in the future.
Thank you for the thoughtful feedback! It’s great to hear that the clarity and structure resonated with you. I’m excited to explore more topics and bring even more valuable content in the future!
You're a great communicator, teacher, college professor or police office? Your Pro Tip at 10:57 on the "500 Rule" is for full frame cameras. Those with a crop sensors say Sony 6700 has a 1.5 crop, so a 24mm lens X 1.5 = 36mm then divide 500 by 36 for 13.89 seconds. Great video, cheer's from Vancouver Canada.
Thank you for the kind words! I always aim to present material the way I’d want to hear it myself, so it’s great to know it resonates. Your example with the Sony 6700 is spot on and incredibly useful for crop-sensor users. Cheers to you in Vancouver, Canada!
Very good video. You are clear and concise presenting the material.
Thank you for the feedback! I’m glad to hear you found the video clear and concise-that’s always my goal when sharing these techniques. Appreciate you watching, and I hope it helps with your night photography journey!
Phenomenal instructor!!! Awesome video!!!
@@anthonywright5141 Thank you! Glad you found the content helpful.
Very professional and concise tutorial. Thx for your efforts. That video is extremely good.
Thank you for the kind words! I appreciate you watching, and I’m excited to keep delivering more valuable insights. Thanks again for your support!
Hello SIr, really comprehensive explanation that is actually understandable. May I ask what is your camera please?
Hi Martin, thank you for the feedback. I’m glad the content was clear and useful for you. I currently use a Nikon Z7II, and Nikon Z6.
I’m glad I found your channel, great presentation!!
Thank you!! And welcome aboard.
Thank you for all your effort at creating an excellent video. It is not only professional looking as well as being exceptionally informative. Night photography has always been a passion of mine and you have covered all the important aspects of it nicely. I look forward to watching more of your content. Take care and clear skies.
Thank you so much for your kind words and support! I’m genuinely thrilled to hear that you found the video both professional and informative. Knowing the content resonated with you is incredibly motivating, and it inspires me to keep creating with the same dedication. Stay tuned for more, and thank you once again for watching. Wishing you clear skies and inspiring moments ahead!
Wonderful video. No fluffs or bloated information but just simple and precise/crisp tips. As simple as 1-2-3
Glad to hear you appreciated the straightforward approach. Thanks for watching, and I hope the tips help you capture some amazing night shots!
@@providencephotographydfw Yes, the tips suggested will certainly help. I intend to try these out tomorrow and see how it pans out. Will keep you posted 🙂
Fantastic video really informative, thank you
Glad you enjoyed it!
@@providencephotographydfw I'm going to watch it again and take notes especially using red light in the dark, that's a great tip
@@Western-Ranger. Glad you’re finding the info useful. I learned about the red light tip just before a night sky/Milky Way session. Came in really handy.
Good video. I tried but will have to practice more. I also find that the camera brightens the pictures too much. But, I will try a lower maximum iso when using auto iso. I will watch it again, well presented 👍🏻
Thank you for watching and I’m glad to hear you’re experimenting with the techniques. While Auto ISO can be convenient in certain situations, for night photography, I usually shoot in manual ISO for better control over noise and exposure. Keep practicing, and feel free to revisit the video anytime-let me know if you have any other questions or need more tips!
Informative video. I love to shoot at night. I mostly shoot the milky way but it's have done some street photography at night. One thing about ISO though. ISO doesn't change the sensitivity of the sensor. ISO is applied after the photo is taken. Noise is the absence of light and is always present when there's not light. When the ISO is raised the noise is amplified with the light. It works similarly to a microbiology when you turn the gain up to be able to hear someone who speaks softly. Ago off a sudden you can hear the crackle and popping in the background. I'm the film days the ISO was from the crystals in the film so having a higher ISO film actually increased the sensitivity of the film. The crystals absorbed photons. The more crystals there were the higher the ISO. It also created more grain. My go to lens for the milky way is my 20mm f/ 1.8 lens. I usually stop it down to f/2.8 to get sharper stars and less vignetting. I love my 24-70mm at night too. I can use it for street or milky way. The stars are sharp with that lens. Nikon is doing great things with their z lenses.
Wow!! Incredible comment. Thanks for sharing, Carl! Your explanation of ISO really helped expand my understanding, especially the analogy to gain in microbiology-that’s such a clear way to think about it. I also found the point about ISO in the film days fascinating, with the crystals absorbing photons and higher ISO films actually being more sensitive. That adds a lot of historical context to how ISO works today. I appreciate your thoughtful and detailed comment-it’s always great to learn something new!
Great video man! Thank you
Glad you liked it!
Really enjoyed that and thank you for sharing it. Best wishes from London UK......👍 Just subscribed as well.
Thank you for the kind words and for subscribing! Glad you enjoyed the content. Best wishes to you as well, and I hope you find even more value in future videos. Cheers! 👍🏾
Thank you! A great video.
Glad you liked it!
Great video. Very informative and thank you for sharing.
Thanks for watching!
Brother to brother! You got one over here! Subscribed!
Thanks you!! I really appreciate the support. Welcome to the channel, and I’m glad to have you on board!
Great info, even for newbies.
Greetings from Brazil 🇧🇷!!!
“Thank you! Thrilled to hear the video was helpful. Greetings to you in Brazil-it’s amazing to connect with viewers from around the world!”
Well said
@@oo0RECON0oo Thank you and thanks for watching
😊 Thank you Brother, very informative 👍🙏
Glad it was helpful!
Another good tutorial video. Thanks
You’re very welcome. Glad you enjoyed it
High iso allows more light to reach the sensor ?
I appreciate the comment. No, it doesn’t. It’s a common misconception-one I held myself until recently. A few weeks ago, @mariuszh4611 clarified that increasing ISO doesn’t allow more light to reach the sensor; instead, it amplifies the signal from the light already captured. This distinction was an important one for me to learn, and I’m glad to share it here to help clarify for anyone who might have the same question or misconception.
Your video is well done, and your presentation is spot on. I realize this is geared towards beginners, so maybe you just didn't cover it. What do you do about white balance, with and without mixed light sources? Do you just us Auto WB and fix it in post?
Thank you for the great feedback! I’m glad you enjoyed the video. For white balance, my approach is to set a preset WB in-camera rather than using Auto WB, and I always shoot in RAW. This way, I have a consistent color baseline across all my shots, which makes it much easier to match colors during editing. Shooting in RAW also gives me the flexibility to make precise adjustments in post, so I can fine-tune the color balance based on the look I’m aiming for without any quality loss.
This method keeps my workflow smooth and ensures color consistency, especially in scenarios where lighting can be variable. I hope this insight helps, and thanks again for watching!
Superb 👍😍👍
@@ZulMOHAMAD.PHOTOGRAPHY Thank you!!
Thinking about doing some promotional shots for my friends bigfoot hunting business where theyll be out at night and with a flashlight. Have any tips?
That sounds like a cool project! Shooting at night with flashlights can definitely create an awesome vibe. A few quick tips: use a tripod to keep your shots steady, especially for long exposures. Play with the flashlight to create shadows or partially light your subject for a mysterious effect. Long exposures can make cool light trails if the flashlight moves. Keep your ISO high enough to capture enough light but not so high that noise becomes a problem. You might want to bring a small portable light to fill in shadows if needed without overpowering the flashlight. Experiment with low angles or shooting through bushes for that “in the wilderness” look. In editing, you could use cooler tones or muted greens to give it that nighttime hunting vibe. Would love to see how it turns out-sounds like a fun shoot!
Move over red, there’s a new narrator in tow. Good job sir new subscriber here!
Much appreciated sir. Glad to have you on board!
Bro. Im from DFW too. You have to also be careful out there at night, because Dallas aint that safe. Especially if you out there trying to get a shot of the skyline.
Thanks for the heads-up, bro! Safety is always a priority, no matter where you’re shooting, but I try to stay prepared and aware wherever I go. Dallas has some amazing spots, and being cautious just comes with the territory of chasing those perfect shots.
It’s going to sound strange. But I’m sitting at 3:25 in the morning watching your photography lesson in English. Because I got into photography and it just so happened that I’m learning English. Thanks for the beautifully shot video and the helpful lesson, brother. Your video is much better than many famous bloggers. My subscription and like for your work.
Wow, thank you so much for your kind words! It means a lot to hear that you’re watching my videos, especially at 3:25 in the morning! I’m glad to be a part of your photography and English journey. It’s awesome that both passions are coming together for you, and I’m honored to have you here. Thanks for subscribing and liking-it really keeps me motivated to keep creating. All the best to you! Keep learning and creating, and don’t hesitate to reach out anytime.
Hi Sir, it's really helpful for beginners like me. I always have problems balancing the exposure during night photography, especially in manual mode. I'm not sure why the exposure value keeps shooting up to brightest level even after I manually dial the ev to 0 level. The 500 rule might help me a lot in night photography. Very interesting video tutorials, and you teach us so professionally. Just completed my night journey yesterday, Nov 10, not the photos look good or bad. Thank you. ❤
I’m really glad the video has been helpful for you! Balancing exposure in night photography, especially in manual mode, can definitely be tricky. It sounds like you’re already putting in the effort to dial in those settings and explore techniques like the 500 rule, which is a great tool for star photography.
As for the exposure value issue, sometimes the camera’s meter can be sensitive to small light sources in dark settings, causing it to overcompensate. Keep experimenting-it’s all part of the journey! Congrats on completing your night shoot, and don’t worry about perfection. Every photo is a learning step. Thanks so much for watching, and happy shooting!
@providencephotographydfw3339 Thanks for the valuable support and tips in detai. I am really appreciate your effort to understand my issues. You're a great mentor. God bless 🙌 🙏 ❤️
It's 5:15am here in New York and I found this video 💪🏿
Thanks for tuning in so early. Hope the video gave you a solid start to your day! 💪🏾
Great video, thanks!
Glad you liked it!
Wow, awesome video. Informative, well edited. I've been shooting some nighttime photos lately, trying to capture people in motion. It's tricky though here in a small town where there isn't as much artificial ambient light available. I try to keep my distance from photographed people to make it more natural and avoid being spooky 😅 a person with huge 200-600 on a tripod after dark in a small town looks odd that's for sure 😅 using 600mm focal length and a timer is also tricky because of a narrow field of view. Capturing objects that don't shine or reflect light is also requiring a different approach.
Thanks so much for the support! Really glad you enjoyed the video. It sounds like you’re facing some interesting challenges with night photography-small towns, low light, and trying to keep things natural from a distance is no easy feat! Shooting with a long lens at night definitely takes patience, but it’s awesome to see you’re putting in the effort to make it work. Keep at it, and thanks again for sharing your experience!
@providencephotographydfw3339 here in Poland during this time of year the sun sets quickly. So there is plenty of time to experiment. I capture people while they pass underneath street lamps. Shutter speed needs to be something around 1 second. Longer than that makes people disappear 😅 unless they don't move as much. So it really depends and like you said it's trial and error. subscribed😉
@ Thanks so much for subscribing! It sounds like you’re making the most of those early sunsets in Poland-getting to experiment with light and movement under street lamps is such a unique experience. Appreciate you sharing your process!
I never worry about high iso being a problem if I have a tripod, my night shots are all shot on iso 100.
Thanks for sharing! That’s a great approach-guaranteed to produce incredibly clean results. Appreciate the insight!
keep it up
Thank you!!
Nice video, but keep in mind that raising ISO will not „allow more light to hit the sensor” nor increase sensor sensitivity, this is common mistake how ISO works. It just amplifies signal that sensor registers. That’s why the noise is visible on higher iso’s, cause in same exposition, the shutter speed is lower or aperture is higher which results less light hitting the sensor reducing signal to noise ratio.
Thanks for explaining that! I appreciate you breaking this down because it clears up a misconception I had, and it’s really helpful for understanding how ISO affects noise in low-light shots. Thanks again for taking the time to share your knowledge with me and the community.
I hate post processing. 1.its too time consuming and not good for my heath. 2. I love the idea of the origins of the tool- Camer/Photographer. Its like life , the work place,the barn, or the farm the builders, the mason the mechanic engineers -Persons & Tools that my consept of Photography, real life .....I won't swap such actual physiological art for a desk Oops computer Job. From Film - DgitalI can remake the same opportunities without cost. At my age, i ain't spending no hours fascinating my ego with someoneelses programming. I'll go out an creat that whis=ch is beyond my camera and me
@@ghifarix Thank you for sharing your perspective! I completely respect the appreciation for capturing moments as they are, without relying on post-processing. There’s something powerful in using the camera as a pure tool to create ‘physiological art,’ as you put it, that feels genuine and true to life. Photography has so many approaches, and it’s inspiring to hear from someone who values the authenticity of the craft over the convenience of digital editing. Keep creating that raw, unfiltered art-it’s a perspective the world needs!
Excellent info! Thanks!
Glad it was helpful!