@@lucasantoniotujan7783 Chopin's studies are easier than Czerny's Op. 756 and 692, those who say that Chopin is difficult is because they don't know how to study them
@@czeynerpianistproducercomp7155 Where the heck do you come from? Every video that features music very similar to Czerny you're always somewhere hiding in the comments. Yo siempre encuentro usted en los comentarios. Nos gustamos musica muy similar, se parece.
Die brillanter Technik des Pianisten, seine meisterhaft bewältigte, vom Komponisten geforderte Dreistimmigkeit in der ersten Etüde, der unglaubliche Leggiero-Anschlag in den beiden folgenden - sie täuschen nicht über die Schwäche der Kompositioen hinweg...
@@zak2659 well some of Liszt I find quite hard to listen to yes a lot of Chopin etudes are great but over played to a point where they kind of just get annoying. An etude like this one that’s lesser known that fits the criteria of an etude is sometimes a breath of fresh area
This is astonishingly sensitive nuanced playing. Who the heck is Lucas Antonio Tujan? Seriously, I would have expected him to already be established in the professional competition circuit on the world stage, based on these three etudes. Terrific playing, Lucas. Good luck in your career.
@@jimp4170 Thanks; I think two weeks ago when I wrote my comment, Chamayou wasn't mentioned in the title/info for this video. Either that, or I was completely clueless...
This is the kind of thing, of which, if it were better-known, and if the actual speeds played here were notated as metronome marks on the music, the fans of the Authentic Sound channel, if they had seen the music but not heard the recording, would all, to a man, declare: ‘Those metronome mark are totally impossible. Why did Mendelssohn write impossible metronome marks? This PROVES the double-beat theory!’
Double beat is also false because way too slow! For Czerny, Beethoven, Moscheles, Ries, Clementi etc etc etc. Please, don't focus with your left-brain and in an anal way on the bloody metronome mark. Play music according to your heart (and musical understanding/mind).
Are the opening pages of this another example of the trick Liszt used to do (e.g. in the 'Norma' reminiscences) i.e. pick out the slow melody using the thumbs while the other fingers play the fast arpeggios?
That was actually Thalberg's "trick," I don't know who was first. Among the magnificent technical innovations of Lizst in the truly astonishing number of compositions and transcriptions he wrote, the RH/LH thumb melody is a tiny detail.
The key of Db/Bb minor is actually quite well liked by many pianist. The combination of white keys and blacks keys comfortably fits the natural shape of the hands. It may seem obvious that C major / A minor should be easy because it's just white keys right? In reality that's not really the case for more technical music. Chopin considered C major to be the hardest key because of it's awkwardness for the fingers and hands. It may be the easiest key to learn, but it's considered by many to be the hardest to master.
@@randomchannel-px6ho I agree! But for some reason I find B-flat and B-flat minor to be difficult. I like how other "flat" keys fit so naturally in the hands.
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
희빈 장씨(禧嬪 張氏 1659∼1701) : 조선 19대왕 숙종의 후궁. 본관은 인동(仁同)이다. 역관 장현(張炫)의 종질녀이다. 어머니의 정부(情夫)였던 조사석(趙師錫)과 종친인 동평군 이항(東平君 李杭)의 주선으로 궁녀로 들어가 숙종의 총애를 독차지했다. 1686년(숙종 12) 숙원(淑媛)이 되었다. 1688년 소의(昭儀)로 승진하고 왕자 이윤(李昀: 뒤의 景宗)을 낳았다. 왕은 기뻐하여 세자로 봉하려 했다. 그러나 송시열(宋時烈) 등 당시 정권을 잡고 있던 서인이 지지하지 않으므로 남인들의 원조를 얻어 책봉하려 했다. 이에 서인의 노론·소론은 모두 왕비 민씨(閔氏)가 나이가 많지 않으니 후일을 기다리자고 주장하였다. 숙종은 듣지 않고 1689년 정월에 이윤을 세자로 봉하고, 장소의는 희빈으로 승격했다. 이 때 송시열이 세자로 봉하는 것이 아직 이르다고 상소하였다. 왕은 이미 명호(名號)가 결정된 다음에 이런 의견을 말하는 것은 무슨 일이냐고 진노했다. 이에 남인 이현기(李玄紀)·남치훈(南致薰)·윤빈(尹彬) 등이 송시열의 상소를 논박하며 파직시켜 제주도로 유배하게 하고 다시 사사(賜死)하게 하였다. 그러나 송시열은 중로 정읍으로 이배(移配)되었다가 사약을 받았다. 이 밖에 서인의 영수들도 파직 또는 유배를 면하지 못했다. 반면에 남인의 권대운(權大運)·김덕원(金德遠) 등이 등용되었다. 이 정권의 교체를 기사환국 또는 기사사화라고 한다. 이 해 5월에 민비를 폐하고 장희빈을 왕비로 삼으려 할 때 서인 오두인(吳斗寅)·박태보(朴泰輔) 등 80여 명이 상소하여 이를 반대했다. 그러나 이들은 참혹한 형문을 받게 되니 이후 정국은 남인의 세상이 되었다. 기사환국 후 시간이 흐르면서 숙종은 폐비사건을 후회하게 되었다. 그러던 중 1694년 서인의 김춘택(金春澤)·한중혁(韓重爀) 등이 폐비 복위운동을 꾀하다가 고발되었다. 이 때 남인의 영수요 당시 우의정이었던 민암(閔黯) 등이 이 기회에 반대당 서인을 완전히 제거하려고 김춘택 등 수십 명을 하옥하고 범위를 넓혀 일대 옥사를 일으켰다. 이 때 숙종은 폐비에 대한 반성으로 옥사를 다스리던 민암을 파직하고 사사했으며, 권대운·목내선(睦來善)·김덕원 등을 유배했다. 이어 소론 남구만(南九萬)·박세채(朴世采)·윤지완(尹趾完) 등을 등용하고 장씨를 희빈으로 내렸는데 이것을 갑술옥사라고 한다. 또한, 이미 죽은 송시열·김수항(金壽恒) 등은 복작(復爵)되고 남인은 정계에서 물러나게 되었다. 소론이 들어서고 남인이 물러날 때 장희빈의 오빠 장희재(張希載)가 희빈에게 보낸 서장(書狀) 속에 폐비 민씨에 관련된 문구가 있어 논쟁이 벌어졌다. 여러 사람이 장희재를 죽이자고 했으나 세자에게 화가 미칠까 염려하여 남구만·윤지완 등이 용서하게 했다. 그런데 왕비 민씨가 죽은 다음에, 장희빈이 취선당(就善堂) 서쪽에 신당(神堂)을 설치하고 민비가 죽기를 기도한 일이 발각되었다. 이 일에 관련된 희빈과 장희재는 처형되고 궁인(宮人)·무녀와 그 족당(族黨)도 화를 입었다. 이것을 무고(巫蠱)의 옥(獄)이라고 한다. 이 때 장희빈에 대해 관대한 태도를 취한 남구만·최석정(崔錫鼎)·유상운(柳尙運) 등 소론의 선비들도 몰락하고 다시 노론이 득세하였다. 숙종은 이후 빈(嬪)을 후비(后妃)로 승격하는 일을 없애는 법을 만들었다.
Etude No. 1 in B♭ Minor - 0:00
Etude No. 2 in F Major - 2:13
Etude No. 3 in A Minor - 5:17
A
Such an underrated piece it is for No.1...
I think the thing about this piece is that it's extremely difficult but doesn't seem like it to a non-pianist
@@ensiehsafary7633 so true!!
Mendelssohn is one of the best melodists in the Romantic Era
A deeply underrated one.
il y a aucune mélodie particulière dans ce morceau
The melody and harmonisation really bring out the feeling...I love Mendelssohn
What a pianist, and what a composer!
O, yes!
Quel pianiste incroyable est Mr. Chamayou. Je vous conseille d'ecouter les etudes trancendantales avec lui!
honteux cet instrumtiste, il comrprends meme pas ce qu'il joue, un brainless.
les etudes transcendatales Liszt => par Cziffra oui.
Wow, what a performance
Those trills in no.1, what clever composing and admirable playing. The effect is so satisfying.
They’re arpeggios, not trills
There are 2 trills on E, especially well executed.
The deceptive move from C7 to Bflat minor adds a lot too !
Congrats Mendelsohn. You composed amazing music here!!
Very nice collection. Mendelssohn was great.
Amazing! Thank you so much. Pianist !!!! What a technical performance! Lovely Mendelssohn.❤️
These were wonderful throughout, thank you. Exploring FM's repertoire is both exciting and rewarding.
Wonderful, Mendelssohn!
Wow, very difficult but nice
Classical Sheet Music These etudes are easier than the Chopin Etudes, they look difficult but its easy if you try lol
oh. .-.
@@lucasantoniotujan7783 I kind of disagree, I think this one is harder than for example Chopin etude op. 25 no. 1 or smth
@@lucasantoniotujan7783 Chopin's studies are easier than Czerny's Op. 756 and 692, those who say that Chopin is difficult is because they don't know how to study them
@@czeynerpianistproducercomp7155 Where the heck do you come from? Every video that features music very similar to Czerny you're always somewhere hiding in the comments. Yo siempre encuentro usted en los comentarios. Nos gustamos musica muy similar, se parece.
Sehr Schön ❤
Виртуозно! И этюды красивые
Браво! Спасибо за доставленное удовольствие
I like nr 1 the best!.....perhaps because I played it.....🎹🎹🎼🎼🎵🎶
Die brillanter Technik des Pianisten, seine meisterhaft bewältigte, vom Komponisten geforderte Dreistimmigkeit in der ersten Etüde, der unglaubliche Leggiero-Anschlag in den beiden folgenden - sie täuschen nicht über die Schwäche der Kompositioen hinweg...
Was sind denn die Schwächen?Mich würde besonders Deine Meining zu Nr 1 interessieren
Very very nice!
Шикарно!!!! 👍👍👍👍🎉🎉🎉🎉
Ваах! Шедеврально!
Wow, etude that sound nice
you dont think chopin or liszt etudes sound nice?
What about Kapustin? I listen to his etudes all the time. Especially no6.
@@zak2659 well some of Liszt I find quite hard to listen to yes a lot of Chopin etudes are great but over played to a point where they kind of just get annoying. An etude like this one that’s lesser known that fits the criteria of an etude is sometimes a breath of fresh area
Il n'y a pas de mélodie extraordinaire dans ce morceau
This is astonishingly sensitive nuanced playing. Who the heck is Lucas Antonio Tujan? Seriously, I would have expected him to already be established in the professional competition circuit on the world stage, based on these three etudes.
Terrific playing, Lucas. Good luck in your career.
The pianist is Bertrand Chamayou and he is very well known.
@@jimp4170 Thanks; I think two weeks ago when I wrote my comment, Chamayou wasn't mentioned in the title/info for this video. Either that, or I was completely clueless...
This is the kind of thing, of which, if it were better-known, and if the actual speeds played here were notated as metronome marks on the music, the fans of the Authentic Sound channel, if they had seen the music but not heard the recording, would all, to a man, declare: ‘Those metronome mark are totally impossible. Why did Mendelssohn write impossible metronome marks? This PROVES the double-beat theory!’
Double beat is also false because way too slow! For Czerny, Beethoven, Moscheles, Ries, Clementi etc etc etc.
Please, don't focus with your left-brain and in an anal way on the bloody metronome mark.
Play music according to your heart (and musical understanding/mind).
Yup
The double beat theory is nonsense and you're a moron.
They are not "impossible" because you can't play them.
@@thekeyoflifepiano Exactly
5:19 Chopin op 25 no 4 remix
Yes
Written for Human with 3 arms
Yes this is known as a three hand technique- mostly developed by Liszt later
What about bach 4 voices then? Just the melody is on mid voices the arpeggio is abbeliment@@NoahOrtolani
@@NoahOrtolanihe could ve even avooded the arpeggio but its dynamic and technique etude
Surprised 1rst one isn't called "Etude for 3 Hands".
👏👏👏👏👏👏👏👏👏👏👏👏🎹🎶🎹🎶🎹🎶🎹🎶🥰🥰🥰🥰🥰 excellent
The first one sounds like a Schumann symphonic etude
I think the first one is easiest amongst the 3 (albeit still a little difficult) so I want to learn it someday and maybe perform it
Henle Verlag rating system says opposite. It rates 8, 6, 7 out of 9.
@@John-wr8lj I personally find the last one would be hardest with the quick jumps
It's so beautiful though
Жаль, что не могу поставить ещё лайк
First is the best!🥰🥰🥰
Thanks
0:14 - 0:25
Meritava diventare un Lied il primo studio
All are beautiful, I like it 💗😋
Sounds like Czerny, although the first one interestingly is a bit of the three hand effect, I don't think these predate Thalberg though.
"Sounds like Czerny"????? This is music...
Mendelssohn would have made a fantastic boogie & jazz pianist. Wondering if Bertrand likes jazz? Cheers for the upload of this awesome performance.
The second etude almost sounds like the Schubert Eb impromptu/ Eb minor (D956) on steroids
omg😍
this is peak piano
I only like the first one to be honest
@Alejandro Elias Ruiz I wouldn't go that far, but I have to agree the first one is more beautiful than the other two.
Agree, especially when the B-Flat Minor Transposed to D-Flat Major to make the exposition of the etude is absolutely beautiful in 0:49 - 0:59
Are the opening pages of this another example of the trick Liszt used to do (e.g. in the 'Norma' reminiscences) i.e. pick out the slow melody using the thumbs while the other fingers play the fast arpeggios?
That was actually Thalberg's "trick," I don't know who was first. Among the magnificent technical innovations of Lizst in the truly astonishing number of compositions and transcriptions he wrote, the RH/LH thumb melody is a tiny detail.
❤️
First Etude: This would be a good starting place for learning Tchaikovsky/Pletnev 'Nutcracker' Piece No 7.
No 2 reminds of a Bach gigue or something similar
The first one sounds like a Christmas carol mated with Sinding's Rustle of Spring.
🎯🎯🎯
the third one thou, it looks like a pain in the ass
Un grand pianiste !
un grand robot , merci
대학1학년때 쳤던곡인데 지금은 칠수없는곡이 되어버려 너무 속상하네요..
The second one sounds Beethoven-esque.
yes, but it also reminds on Chopin 25 no 2
Mit glänzender Technik und großer Anschlagskultur serviert...
The choice of tempo is...interesting
no sé vengo de un au bokuaka en twitter
👏👏👏💐💐💐💐🩷🩷🩷
Oh, Mendelssohn. He could have just written the first one in A minor but chose to write in more difficult key. Hahaha.
The key of Db/Bb minor is actually quite well liked by many pianist. The combination of white keys and blacks keys comfortably fits the natural shape of the hands.
It may seem obvious that C major / A minor should be easy because it's just white keys right?
In reality that's not really the case for more technical music. Chopin considered C major to be the hardest key because of it's awkwardness for the fingers and hands. It may be the easiest key to learn, but it's considered by many to be the hardest to master.
@@randomchannel-px6ho I agree! But for some reason I find B-flat and B-flat minor to be difficult. I like how other "flat" keys fit so naturally in the hands.
I think B-flat minor with many accidentals is kind of hard to read.
@@randomchannel-px6ho For me, the easiest keys to play in are C# Minor/E Major and C Minor/Eb Major
C majeur et A mineur is hard to play. They are just relatively easy to read.
maybe I can tackle this
i feel like no.1 is better at x0.85 or 0.90 i dont like the default tempo of this piece i like it a bit slower
It's an etude nonetheless
No wonder Debussy called Mendelssohn an old schoolmaster. lol.
The best is no. 3
Felt the 2nd was played a bit too fast.
A
truly
나는 희빈 장씨니라 꺄아하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하하
희빈 장씨(禧嬪 張氏 1659∼1701) : 조선 19대왕 숙종의 후궁.
본관은 인동(仁同)이다. 역관 장현(張炫)의 종질녀이다. 어머니의 정부(情夫)였던 조사석(趙師錫)과 종친인 동평군 이항(東平君 李杭)의 주선으로 궁녀로 들어가 숙종의 총애를 독차지했다.
1686년(숙종 12) 숙원(淑媛)이 되었다. 1688년 소의(昭儀)로 승진하고 왕자 이윤(李昀: 뒤의 景宗)을 낳았다. 왕은 기뻐하여 세자로 봉하려 했다. 그러나 송시열(宋時烈) 등 당시 정권을 잡고 있던 서인이 지지하지 않으므로 남인들의 원조를 얻어 책봉하려 했다.
이에 서인의 노론·소론은 모두 왕비 민씨(閔氏)가 나이가 많지 않으니 후일을 기다리자고 주장하였다. 숙종은 듣지 않고 1689년 정월에 이윤을 세자로 봉하고, 장소의는 희빈으로 승격했다. 이 때 송시열이 세자로 봉하는 것이 아직 이르다고 상소하였다. 왕은 이미 명호(名號)가 결정된 다음에 이런 의견을 말하는 것은 무슨 일이냐고 진노했다.
이에 남인 이현기(李玄紀)·남치훈(南致薰)·윤빈(尹彬) 등이 송시열의 상소를 논박하며 파직시켜 제주도로 유배하게 하고 다시 사사(賜死)하게 하였다. 그러나 송시열은 중로 정읍으로 이배(移配)되었다가 사약을 받았다.
이 밖에 서인의 영수들도 파직 또는 유배를 면하지 못했다. 반면에 남인의 권대운(權大運)·김덕원(金德遠) 등이 등용되었다. 이 정권의 교체를 기사환국 또는 기사사화라고 한다.
이 해 5월에 민비를 폐하고 장희빈을 왕비로 삼으려 할 때 서인 오두인(吳斗寅)·박태보(朴泰輔) 등 80여 명이 상소하여 이를 반대했다. 그러나 이들은 참혹한 형문을 받게 되니 이후 정국은 남인의 세상이 되었다.
기사환국 후 시간이 흐르면서 숙종은 폐비사건을 후회하게 되었다. 그러던 중 1694년 서인의 김춘택(金春澤)·한중혁(韓重爀) 등이 폐비 복위운동을 꾀하다가 고발되었다. 이 때 남인의 영수요 당시 우의정이었던 민암(閔黯) 등이 이 기회에 반대당 서인을 완전히 제거하려고 김춘택 등 수십 명을 하옥하고 범위를 넓혀 일대 옥사를 일으켰다.
이 때 숙종은 폐비에 대한 반성으로 옥사를 다스리던 민암을 파직하고 사사했으며, 권대운·목내선(睦來善)·김덕원 등을 유배했다. 이어 소론 남구만(南九萬)·박세채(朴世采)·윤지완(尹趾完) 등을 등용하고 장씨를 희빈으로 내렸는데 이것을 갑술옥사라고 한다. 또한, 이미 죽은 송시열·김수항(金壽恒) 등은 복작(復爵)되고 남인은 정계에서 물러나게 되었다.
소론이 들어서고 남인이 물러날 때 장희빈의 오빠 장희재(張希載)가 희빈에게 보낸 서장(書狀) 속에 폐비 민씨에 관련된 문구가 있어 논쟁이 벌어졌다. 여러 사람이 장희재를 죽이자고 했으나 세자에게 화가 미칠까 염려하여 남구만·윤지완 등이 용서하게 했다.
그런데 왕비 민씨가 죽은 다음에, 장희빈이 취선당(就善堂) 서쪽에 신당(神堂)을 설치하고 민비가 죽기를 기도한 일이 발각되었다. 이 일에 관련된 희빈과 장희재는 처형되고 궁인(宮人)·무녀와 그 족당(族黨)도 화를 입었다. 이것을 무고(巫蠱)의 옥(獄)이라고 한다.
이 때 장희빈에 대해 관대한 태도를 취한 남구만·최석정(崔錫鼎)·유상운(柳尙運) 등 소론의 선비들도 몰락하고 다시 노론이 득세하였다. 숙종은 이후 빈(嬪)을 후비(后妃)로 승격하는 일을 없애는 법을 만들었다.
Better than any chopin etude
😂
Bruh
ahh yes.... Mendelsohn's practice exercises......
Amazing.
Too fast . I would like play slower . Emotional relax better
Well, these certainly aren't Chopin or Schumann!
No 3 has the same stupid difficulty as Chopins 8th etude
So so diatonic
nice playing , my robot does same thing .
Please , dont listen instrumentist
Mendelssohn had an annoying habit relying on repetitive formula's.
I mean, Mendelssohn hated this set, calling it "disgrace" and apologized to his sister, hence the high opus number (published posthumously).
Similar to Vivaldi?
Similar to Vivaldi?
What a weird piece is no.1