Lucas Antonio Tujan
Lucas Antonio Tujan
  • ะ’ะธะดะตะพ 44
  • ะŸั€ะพัะผะพั‚ั€ะพะฒ 1 203 923

ะ’ะธะดะตะพ

Robert Schumann: Bunte Blรคtter, Op. 99: No. 8, Albumblรคtter. Langsam (Sviatoslav Richter)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 8802 ะณะพะดะฐ ะฝะฐะทะฐะด
โ€œRobert Schumann; 8 June 1810 - 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.โ€ Original audio performed by Sviatoslav Richter ruclips.net/video/CXoU9QQSuTA/ะฒะธะดะตะพ.html Sheet Music: vmirror.imslp.org/files/img...
Robert Schumann: Bunte Blรคtter, Op. 99: No. 7, Albumblรคtter. Sehr langsam (Sviatoslav Richter)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 6522 ะณะพะดะฐ ะฝะฐะทะฐะด
โ€œRobert Schumann; 8 June 1810 - 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.โ€ Original audio performed by Sviatoslav Richter ruclips.net/video/9YVY70FNpu4/ะฒะธะดะตะพ.html Sheet Music: vmirror.imslp.org/files/img...
Robert Schumann: Bunte Blรคtter, Op. 99: No. 6, Albumblรคtter. Ziemlich langsam(Sviatoslav Richter)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 1,2 ั‚ั‹ั.2 ะณะพะดะฐ ะฝะฐะทะฐะด
โ€œRobert Schumann; 8 June 1810 - 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.โ€ Original audio performed by Sviatoslav Richter ruclips.net/video/UORCmvRo7G/ะฒะธะดะตะพ.html Sheet Music: vmirror.imslp.org/files/imgl...
Robert Schumann: Bunte Blรคtter, Op. 99: No. 4, Albumblรคtter. Ziemlich langsamh (Sviatoslav Richter)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 3,9 ั‚ั‹ั.2 ะณะพะดะฐ ะฝะฐะทะฐะด
โ€œRobert Schumann; 8 June 1810 - 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.โ€ Original audio performed by Sviatoslav Richter ruclips.net/video/ra92_SWb3sQ/ะฒะธะดะตะพ.html Sheet Music: vmirror.imslp.org/files/img...
Robert Schumann: Bunte Blรคtter, Op. 99: No. 3, Stรผcke. Frisch (Sviatoslav Richter)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 8092 ะณะพะดะฐ ะฝะฐะทะฐะด
โ€œRobert Schumann; 8 June 1810 - 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.โ€ Original audio performed by Sviatoslav Richter ruclips.net/user/shortsXEX19I9HAEE?feature=share Sheet Music: vmirror.imslp.org/f...
Robert Schumann: Bunte Blรคtter, Op. 99: No. 2, Stรผcke. Sehr rasch (Sviatoslav Richter)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 1,7 ั‚ั‹ั.2 ะณะพะดะฐ ะฝะฐะทะฐะด
โ€œRobert Schumann; 8 June 1810 - 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.โ€ Original audio performed by Sviatoslav Richter ruclips.net/user/shortsuUrVZMCxwiw?feature=share Sheet Music: vmirror.imslp.org/f...
Robert Schumann: Bunte Blรคtter, Op. 99: No. 1, Stรผcke (Sviatoslav Richter)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 8 ั‚ั‹ั.2 ะณะพะดะฐ ะฝะฐะทะฐะด
โ€œRobert Schumann; 8 June 1810 - 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.โ€ Original audio performed by Sviatoslav Richter ruclips.net/video/DtzFpvcV5DQ/ะฒะธะดะตะพ.html Sheet Music: vmirror.imslp.org/files/img...
Robert Schumann: Bunte Blรคtter, Op. 99: No. 13, Scherzo. Lebhaft (Sviatoslav Richter)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 1,4 ั‚ั‹ั.2 ะณะพะดะฐ ะฝะฐะทะฐะด
โ€œRobert Schumann; 8 June 1810 - 29 July 1856) was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist.โ€ Original audio performed by Sviatoslav Richter ruclips.net/video/C3W8hobXYsE/ะฒะธะดะตะพ.html Sheet Music: vmirror.imslp.org/files/img...
Mendelssohn: Gondellied in A major MWV U 136 (Daniel Barenboim)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 3,3 ั‚ั‹ั.2 ะณะพะดะฐ ะฝะฐะทะฐะด
"Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 - 4 November 1847) was a German composer, pianist, organist, and conductor of the early Romantic period." Original audio performed by Daniel Barenboim: ruclips.net/video/ZB7z9Y1uJMA/ะฒะธะดะตะพ.html Sheet Music: ks4.imslp.net/files/imglnks/usimg/8/80/IMSLP33627-PMLP76252-Mendelssohn_Werke_Serie_11_No_59_Gondellied_in_A.pdf About Mendelssohn: ...
Mendelssohn: 7 Charakterstรผcke, Op. 7 [FULL] (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 2,4 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
" Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 - 4 November 1847) was a German composer, pianist, organist, and conductor of the early Romantic period. " Original audio performed by Roberto Prosseda: I - ruclips.net/video/rvNM-Ym2pbQ/ะฒะธะดะตะพ.html II - ruclips.net/video/VM_VDUJ4kPw/ะฒะธะดะตะพ.html III - ruclips.net/video/biPomAf48Ag/ะฒะธะดะตะพ.html IV - ruclips.net/video/gc_kA5HvmHQ/ะฒะธะดะตะพ.html ...
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 7 in E Major, MWV U 62 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 1,3 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
" Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 - 4 November 1847) was a German composer, pianist, organist, and conductor of the early Romantic period. " Original audio performed by Roberto Prosseda: ruclips.net/video/OEzF0tFySx8/ะฒะธะดะตะพ.html Sheet Music: ks.imslp.net/files/imglnks/usimg/0/03/IMSLP103185-PMLP22714-Mendelssohn_Werke_Breitkopf_Gregg_Serie_11_Band_1_MB_52_Op_7_scan.pdf ...
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 6 in E Minor, MWV U 61 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 2 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
" Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 - 4 November 1847) was a German composer, pianist, organist, and conductor of the early Romantic period. " Original audio performed by Roberto Prosseda: ruclips.net/video/pKuCP3LQsR8/ะฒะธะดะตะพ.html Sheet Music: ks.imslp.net/files/imglnks/usimg/0/03/IMSLP103185-PMLP22714-Mendelssohn_Werke_Breitkopf_Gregg_Serie_11_Band_1_MB_52_Op_7_scan.pdf ...
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 5 in A Major, MWV U 60 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 1,9 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
" Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 - 4 November 1847) was a German composer, pianist, organist, and conductor of the early Romantic period. " Original audio performed by Roberto Prosseda: ruclips.net/video/syduRO-j4OU/ะฒะธะดะตะพ.html Sheet Music: ks.imslp.net/files/imglnks/usimg/0/03/IMSLP103185-PMLP22714-Mendelssohn_Werke_Breitkopf_Gregg_Serie_11_Band_1_MB_52_Op_7_scan.pdf ...
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 4 in A Major, MWV U 55 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 3,5 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
" Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 - 4 November 1847) was a German composer, pianist, organist, and conductor of the early Romantic period. " Original audio performed by Roberto Prosseda: ruclips.net/video/gc_kA5HvmHQ/ะฒะธะดะตะพ.html Sheet Music: ks.imslp.net/files/imglnks/usimg/0/03/IMSLP103185-PMLP22714-Mendelssohn_Werke_Breitkopf_Gregg_Serie_11_Band_1_MB_52_Op_7_scan.pdf ...
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 3 in D Major, MWV U 59 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 3,6 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 3 in D Major, MWV U 59 (Roberto Prosseda)
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 2 in B Minor, MWV U 44 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 7 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 2 in B Minor, MWV U 44 (Roberto Prosseda)
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 1 in E Minor, MWV U 56 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 3,4 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: 7 Charakterstรผcke, Op. 7, No. 1 in E Minor, MWV U 56 (Roberto Prosseda)
Mendelssohn: Andante cantabile e Presto agitato, WoO 6 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 12 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Andante cantabile e Presto agitato, WoO 6 (Roberto Prosseda)
Mendelssohn: Scherzo a capriccio, WoO 3 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 15 ั‚ั‹ั.3 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Scherzo a capriccio, WoO 3 (Roberto Prosseda)
Mendelssohn: Scherzo in B Minor, WoO 2 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 6 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Scherzo in B Minor, WoO 2 (Roberto Prosseda)
Mendelssohn: Albumblatt in E Minor, Op. 117 (Daniel Barenboim)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 11 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Albumblatt in E Minor, Op. 117 (Daniel Barenboim)
Mendelssohn: 2 Klavierstรผcke, WoO 19 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 2,2 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: 2 Klavierstรผcke, WoO 19 (Roberto Prosseda)
Mendelssohn: Variations in Eโ™ญ Major, Op. 82 (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 4,5 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Variations in Eโ™ญ Major, Op. 82 (Roberto Prosseda)
Mendelssohn: Variations in Bโ™ญ Major, Op. 83a (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 9 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Variations in Bโ™ญ Major, Op. 83a (Roberto Prosseda)
Mendelssohn: Variations Sรฉrieuses Op. 54 (Murray Perahia)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 52 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Variations Sรฉrieuses Op. 54 (Murray Perahia)
Mendelssohn: 3 Preludes Op. 104a (Roberto Prosseda)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 25 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: 3 Preludes Op. 104a (Roberto Prosseda)
Mendelssohn: Piano Sonata in Bโ™ญ Major, Op. 106 (Frederic Chiu)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 53 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Piano Sonata in Bโ™ญ Major, Op. 106 (Frederic Chiu)
Mendelssohn: Piano Sonata in G Minor, Op. 105 (Frederic Chiu)
ะŸั€ะพัะผะพั‚ั€ะพะฒ 200 ั‚ั‹ั.4 ะณะพะดะฐ ะฝะฐะทะฐะด
Mendelssohn: Piano Sonata in G Minor, Op. 105 (Frederic Chiu)

ะšะพะผะผะตะฝั‚ะฐั€ะธะธ

  • @Whatismusic1234
    @Whatismusic1234 14 ั‡ะฐัะพะฒ ะฝะฐะทะฐะด

    This is music

  • @broiledhobbit
    @broiledhobbit 16 ั‡ะฐัะพะฒ ะฝะฐะทะฐะด

    Well, these certainly aren't Chopin or Schumann!

  • @ๅคงๆœจ็”ฑๅธŒ-u3h
    @ๅคงๆœจ็”ฑๅธŒ-u3h 5 ะดะฝะตะน ะฝะฐะทะฐะด

    ๅบๅฅใฎใ‚ขใƒซใƒšใ‚ธใ‚ชใŒๆƒ…ๆ„ŸใŸใฃใทใ‚Šใงใ€ๅฟƒใ‚’ใคใ‹ใพใ‚Œใพใ—ใŸใ€‚ใใฎๅพŒไธ€่ปขใ—ใฆใƒ†ใƒณใƒใ‚ขใƒƒใƒ—ใ€ใƒชใ‚บใƒ ใŒใƒŽใƒชใƒŽใƒชใงๆ›ดใซๆƒนใใ“ใพใ‚Œใพใ—ใŸใ€‚

  • @music-by1ou
    @music-by1ou 6 ะดะฝะตะน ะฝะฐะทะฐะด

    The most Mendelssohn piece ever

  • @TomBarrister
    @TomBarrister 9 ะดะฝะตะน ะฝะฐะทะฐะด

    Mendelssohn's 2nd and 3rd sonatas were published posthumously, which is why they have high opus numbers.

  • @Whatismusic1234
    @Whatismusic1234 10 ะดะฝะตะน ะฝะฐะทะฐะด

    This is music

  • @Whatismusic1234
    @Whatismusic1234 10 ะดะฝะตะน ะฝะฐะทะฐะด

    This is music

  • @mihajlopetkovic388
    @mihajlopetkovic388 17 ะดะฝะตะน ะฝะฐะทะฐะด

    First piece sounds like ragtime

  • @sincixz
    @sincixz 18 ะดะฝะตะน ะฝะฐะทะฐะด

    soulful piece...

  • @mihajlopetkovic388
    @mihajlopetkovic388 25 ะดะฝะตะน ะฝะฐะทะฐะด

    Mendelssohn has so many underrated pieces that most of us haven't heard yet

    • @MalexX_music
      @MalexX_music 19 ะดะฝะตะน ะฝะฐะทะฐะด

      Yeah. Mendelssohn Op. 105 Sonata in G-Minor is my favorite Sonata by Mendelsson!

  • @BloodSh1ne
    @BloodSh1ne ะœะตััั† ะฝะฐะทะฐะด

    nice playing , my robot does same thing . Please , dont listen instrumentist

  • @้Ÿฉๆ˜€ๆ˜Š
    @้Ÿฉๆ˜€ๆ˜Š ะœะตััั† ะฝะฐะทะฐะด

    ๅฅฝ๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰๐ŸŽ‰

  • @f.p.2010
    @f.p.2010 ะœะตััั† ะฝะฐะทะฐะด

    what clean playing... bravo!

  • @์ƒ๊ฐ๋งˆ๋งˆ๋ฏธ์›Œ์š”
    @์ƒ๊ฐ๋งˆ๋งˆ๋ฏธ์›Œ์š” 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    ํฌ๋นˆ ์žฅ์”จ(็ฆงๅฌช ๅผตๆฐ 1659โˆผ1701) : ์กฐ์„  19๋Œ€์™• ์ˆ™์ข…์˜ ํ›„๊ถ. ๋ณธ๊ด€์€ ์ธ๋™(ไปๅŒ)์ด๋‹ค. ์—ญ๊ด€ ์žฅํ˜„(ๅผต็‚ซ)์˜ ์ข…์งˆ๋…€์ด๋‹ค. ์–ด๋จธ๋‹ˆ์˜ ์ •๋ถ€(ๆƒ…ๅคซ)์˜€๋˜ ์กฐ์‚ฌ์„(่ถ™ๅธซ้Œซ)๊ณผ ์ข…์นœ์ธ ๋™ํ‰๊ตฐ ์ดํ•ญ(ๆฑๅนณๅ› ๏งกๆญ)์˜ ์ฃผ์„ ์œผ๋กœ ๊ถ๋…€๋กœ ๋“ค์–ด๊ฐ€ ์ˆ™์ข…์˜ ์ด์• ๋ฅผ ๋…์ฐจ์ง€ํ–ˆ๋‹ค. 1686๋…„(์ˆ™์ข… 12) ์ˆ™์›(ๆท‘ๅช›)์ด ๋˜์—ˆ๋‹ค. 1688๋…„ ์†Œ์˜(ๆ˜ญๅ„€)๋กœ ์Šน์ง„ํ•˜๊ณ  ์™•์ž ์ด์œค(๏งกๆ˜€: ๋’ค์˜ ๆ™ฏๅฎ—)์„ ๋‚ณ์•˜๋‹ค. ์™•์€ ๊ธฐ๋ปํ•˜์—ฌ ์„ธ์ž๋กœ ๋ด‰ํ•˜๋ ค ํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์†ก์‹œ์—ด(ๅฎ‹ๆ™‚็ƒˆ) ๋“ฑ ๋‹น์‹œ ์ •๊ถŒ์„ ์žก๊ณ  ์žˆ๋˜ ์„œ์ธ์ด ์ง€์ง€ํ•˜์ง€ ์•Š์œผ๋ฏ€๋กœ ๋‚จ์ธ๋“ค์˜ ์›์กฐ๋ฅผ ์–ป์–ด ์ฑ…๋ด‰ํ•˜๋ ค ํ–ˆ๋‹ค. ์ด์— ์„œ์ธ์˜ ๋…ธ๋ก ยท์†Œ๋ก ์€ ๋ชจ๋‘ ์™•๋น„ ๋ฏผ์”จ(้–”ๆฐ)๊ฐ€ ๋‚˜์ด๊ฐ€ ๋งŽ์ง€ ์•Š์œผ๋‹ˆ ํ›„์ผ์„ ๊ธฐ๋‹ค๋ฆฌ์ž๊ณ  ์ฃผ์žฅํ•˜์˜€๋‹ค. ์ˆ™์ข…์€ ๋“ฃ์ง€ ์•Š๊ณ  1689๋…„ ์ •์›”์— ์ด์œค์„ ์„ธ์ž๋กœ ๋ด‰ํ•˜๊ณ , ์žฅ์†Œ์˜๋Š” ํฌ๋นˆ์œผ๋กœ ์Šน๊ฒฉํ–ˆ๋‹ค. ์ด ๋•Œ ์†ก์‹œ์—ด์ด ์„ธ์ž๋กœ ๋ด‰ํ•˜๋Š” ๊ฒƒ์ด ์•„์ง ์ด๋ฅด๋‹ค๊ณ  ์ƒ์†Œํ•˜์˜€๋‹ค. ์™•์€ ์ด๋ฏธ ๋ช…ํ˜ธ(ๅ่™Ÿ)๊ฐ€ ๊ฒฐ์ •๋œ ๋‹ค์Œ์— ์ด๋Ÿฐ ์˜๊ฒฌ์„ ๋งํ•˜๋Š” ๊ฒƒ์€ ๋ฌด์Šจ ์ผ์ด๋ƒ๊ณ  ์ง„๋…ธํ–ˆ๋‹ค. ์ด์— ๋‚จ์ธ ์ดํ˜„๊ธฐ(ๆŽ็Ž„็ด€)ยท๋‚จ์น˜ํ›ˆ(ๅ—่‡ด่–ฐ)ยท์œค๋นˆ(ๅฐนๅฝฌ) ๋“ฑ์ด ์†ก์‹œ์—ด์˜ ์ƒ์†Œ๋ฅผ ๋…ผ๋ฐ•ํ•˜๋ฉฐ ํŒŒ์ง์‹œ์ผœ ์ œ์ฃผ๋„๋กœ ์œ ๋ฐฐํ•˜๊ฒŒ ํ•˜๊ณ  ๋‹ค์‹œ ์‚ฌ์‚ฌ(่ณœๆญป)ํ•˜๊ฒŒ ํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์†ก์‹œ์—ด์€ ์ค‘๋กœ ์ •์์œผ๋กœ ์ด๋ฐฐ(็งป้…)๋˜์—ˆ๋‹ค๊ฐ€ ์‚ฌ์•ฝ์„ ๋ฐ›์•˜๋‹ค. ์ด ๋ฐ–์— ์„œ์ธ์˜ ์˜์ˆ˜๋“ค๋„ ํŒŒ์ง ๋˜๋Š” ์œ ๋ฐฐ๋ฅผ ๋ฉดํ•˜์ง€ ๋ชปํ–ˆ๋‹ค. ๋ฐ˜๋ฉด์— ๋‚จ์ธ์˜ ๊ถŒ๋Œ€์šด(ๆฌŠๅคง้‹)ยท๊น€๋•์›(้‡‘ๅพท้ ) ๋“ฑ์ด ๋“ฑ์šฉ๋˜์—ˆ๋‹ค. ์ด ์ •๊ถŒ์˜ ๊ต์ฒด๋ฅผ ๊ธฐ์‚ฌํ™˜๊ตญ ๋˜๋Š” ๊ธฐ์‚ฌ์‚ฌํ™”๋ผ๊ณ  ํ•œ๋‹ค. ์ด ํ•ด 5์›”์— ๋ฏผ๋น„๋ฅผ ํํ•˜๊ณ  ์žฅํฌ๋นˆ์„ ์™•๋น„๋กœ ์‚ผ์œผ๋ ค ํ•  ๋•Œ ์„œ์ธ ์˜ค๋‘์ธ(ๅณๆ–—ๅฏ…)ยท๋ฐ•ํƒœ๋ณด(ๆœดๆณฐ่ผ”) ๋“ฑ 80์—ฌ ๋ช…์ด ์ƒ์†Œํ•˜์—ฌ ์ด๋ฅผ ๋ฐ˜๋Œ€ํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๋“ค์€ ์ฐธํ˜นํ•œ ํ˜•๋ฌธ์„ ๋ฐ›๊ฒŒ ๋˜๋‹ˆ ์ดํ›„ ์ •๊ตญ์€ ๋‚จ์ธ์˜ ์„ธ์ƒ์ด ๋˜์—ˆ๋‹ค. ๊ธฐ์‚ฌํ™˜๊ตญ ํ›„ ์‹œ๊ฐ„์ด ํ๋ฅด๋ฉด์„œ ์ˆ™์ข…์€ ํ๋น„์‚ฌ๊ฑด์„ ํ›„ํšŒํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋˜ ์ค‘ 1694๋…„ ์„œ์ธ์˜ ๊น€์ถ˜ํƒ(้‡‘ๆ˜ฅๆพค)ยทํ•œ์ค‘ํ˜(้Ÿ“้‡็ˆ€) ๋“ฑ์ด ํ๋น„ ๋ณต์œ„์šด๋™์„ ๊พ€ํ•˜๋‹ค๊ฐ€ ๊ณ ๋ฐœ๋˜์—ˆ๋‹ค. ์ด ๋•Œ ๋‚จ์ธ์˜ ์˜์ˆ˜์š” ๋‹น์‹œ ์šฐ์˜์ •์ด์—ˆ๋˜ ๋ฏผ์•”(้–”้ปฏ) ๋“ฑ์ด ์ด ๊ธฐํšŒ์— ๋ฐ˜๋Œ€๋‹น ์„œ์ธ์„ ์™„์ „ํžˆ ์ œ๊ฑฐํ•˜๋ ค๊ณ  ๊น€์ถ˜ํƒ ๋“ฑ ์ˆ˜์‹ญ ๋ช…์„ ํ•˜์˜ฅํ•˜๊ณ  ๋ฒ”์œ„๋ฅผ ๋„“ํ˜€ ์ผ๋Œ€ ์˜ฅ์‚ฌ๋ฅผ ์ผ์œผ์ผฐ๋‹ค. ์ด ๋•Œ ์ˆ™์ข…์€ ํ๋น„์— ๋Œ€ํ•œ ๋ฐ˜์„ฑ์œผ๋กœ ์˜ฅ์‚ฌ๋ฅผ ๋‹ค์Šค๋ฆฌ๋˜ ๋ฏผ์•”์„ ํŒŒ์งํ•˜๊ณ  ์‚ฌ์‚ฌํ–ˆ์œผ๋ฉฐ, ๊ถŒ๋Œ€์šดยท๋ชฉ๋‚ด์„ (็ฆไพ†ๅ–„)ยท๊น€๋•์› ๋“ฑ์„ ์œ ๋ฐฐํ–ˆ๋‹ค. ์ด์–ด ์†Œ๋ก  ๋‚จ๊ตฌ๋งŒ(ๅ—ไน่ฌ)ยท๋ฐ•์„ธ์ฑ„(ๆœดไธ–้‡‡)ยท์œค์ง€์™„(ๅฐน่ถพๅฎŒ) ๋“ฑ์„ ๋“ฑ์šฉํ•˜๊ณ  ์žฅ์”จ๋ฅผ ํฌ๋นˆ์œผ๋กœ ๋‚ด๋ ธ๋Š”๋ฐ ์ด๊ฒƒ์„ ๊ฐ‘์ˆ ์˜ฅ์‚ฌ๋ผ๊ณ  ํ•œ๋‹ค. ๋˜ํ•œ, ์ด๋ฏธ ์ฃฝ์€ ์†ก์‹œ์—ดยท๊น€์ˆ˜ํ•ญ(้‡‘ๅฃฝๆ’) ๋“ฑ์€ ๋ณต์ž‘(ๅพฉ็ˆต)๋˜๊ณ  ๋‚จ์ธ์€ ์ •๊ณ„์—์„œ ๋ฌผ๋Ÿฌ๋‚˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์†Œ๋ก ์ด ๋“ค์–ด์„œ๊ณ  ๋‚จ์ธ์ด ๋ฌผ๋Ÿฌ๋‚  ๋•Œ ์žฅํฌ๋นˆ์˜ ์˜ค๋น  ์žฅํฌ์žฌ(ๅผตๅธŒ่ผ‰)๊ฐ€ ํฌ๋นˆ์—๊ฒŒ ๋ณด๋‚ธ ์„œ์žฅ(ๆ›ธ็‹€) ์†์— ํ๋น„ ๋ฏผ์”จ์— ๊ด€๋ จ๋œ ๋ฌธ๊ตฌ๊ฐ€ ์žˆ์–ด ๋…ผ์Ÿ์ด ๋ฒŒ์–ด์กŒ๋‹ค. ์—ฌ๋Ÿฌ ์‚ฌ๋žŒ์ด ์žฅํฌ์žฌ๋ฅผ ์ฃฝ์ด์ž๊ณ  ํ–ˆ์œผ๋‚˜ ์„ธ์ž์—๊ฒŒ ํ™”๊ฐ€ ๋ฏธ์น ๊นŒ ์—ผ๋ คํ•˜์—ฌ ๋‚จ๊ตฌ๋งŒยท์œค์ง€์™„ ๋“ฑ์ด ์šฉ์„œํ•˜๊ฒŒ ํ–ˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์™•๋น„ ๋ฏผ์”จ๊ฐ€ ์ฃฝ์€ ๋‹ค์Œ์—, ์žฅํฌ๋นˆ์ด ์ทจ์„ ๋‹น(ๅฐฑๅ–„ๅ ‚) ์„œ์ชฝ์— ์‹ ๋‹น(็ฅžๅ ‚)์„ ์„ค์น˜ํ•˜๊ณ  ๋ฏผ๋น„๊ฐ€ ์ฃฝ๊ธฐ๋ฅผ ๊ธฐ๋„ํ•œ ์ผ์ด ๋ฐœ๊ฐ๋˜์—ˆ๋‹ค. ์ด ์ผ์— ๊ด€๋ จ๋œ ํฌ๋นˆ๊ณผ ์žฅํฌ์žฌ๋Š” ์ฒ˜ํ˜•๋˜๊ณ  ๊ถ์ธ(ๅฎฎไบบ)ยท๋ฌด๋…€์™€ ๊ทธ ์กฑ๋‹น(ๆ—้ปจ)๋„ ํ™”๋ฅผ ์ž…์—ˆ๋‹ค. ์ด๊ฒƒ์„ ๋ฌด๊ณ (ๅทซ่ ฑ)์˜ ์˜ฅ(็„)์ด๋ผ๊ณ  ํ•œ๋‹ค. ์ด ๋•Œ ์žฅํฌ๋นˆ์— ๋Œ€ํ•ด ๊ด€๋Œ€ํ•œ ํƒœ๋„๋ฅผ ์ทจํ•œ ๋‚จ๊ตฌ๋งŒยท์ตœ์„์ •(ๅด”้Œซ้ผŽ)ยท์œ ์ƒ์šด(ๆŸณๅฐ™้‹) ๋“ฑ ์†Œ๋ก ์˜ ์„ ๋น„๋“ค๋„ ๋ชฐ๋ฝํ•˜๊ณ  ๋‹ค์‹œ ๋…ธ๋ก ์ด ๋“์„ธํ•˜์˜€๋‹ค. ์ˆ™์ข…์€ ์ดํ›„ ๋นˆ(ๅฌช)์„ ํ›„๋น„(ๅŽๅฆƒ)๋กœ ์Šน๊ฒฉํ•˜๋Š” ์ผ์„ ์—†์• ๋Š” ๋ฒ•์„ ๋งŒ๋“ค์—ˆ๋‹ค.

  • @์ƒ๊ฐ๋งˆ๋งˆ๋ฏธ์›Œ์š”
    @์ƒ๊ฐ๋งˆ๋งˆ๋ฏธ์›Œ์š” 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    ๋‚˜๋Š” ํฌ๋นˆ ์žฅ์”จ๋‹ˆ๋ผ 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˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜

  • @์ƒ๊ฐ๋งˆ๋งˆ๋ฏธ์›Œ์š”
    @์ƒ๊ฐ๋งˆ๋งˆ๋ฏธ์›Œ์š” 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    ํฌ๋นˆ ์žฅ์”จ(็ฆงๅฌช ๅผตๆฐ 1659โˆผ1701) : ์กฐ์„  19๋Œ€์™• ์ˆ™์ข…์˜ ํ›„๊ถ. ๋ณธ๊ด€์€ ์ธ๋™(ไปๅŒ)์ด๋‹ค. ์—ญ๊ด€ ์žฅํ˜„(ๅผต็‚ซ)์˜ ์ข…์งˆ๋…€์ด๋‹ค. ์–ด๋จธ๋‹ˆ์˜ ์ •๋ถ€(ๆƒ…ๅคซ)์˜€๋˜ ์กฐ์‚ฌ์„(่ถ™ๅธซ้Œซ)๊ณผ ์ข…์นœ์ธ ๋™ํ‰๊ตฐ ์ดํ•ญ(ๆฑๅนณๅ› ๏งกๆญ)์˜ ์ฃผ์„ ์œผ๋กœ ๊ถ๋…€๋กœ ๋“ค์–ด๊ฐ€ ์ˆ™์ข…์˜ ์ด์• ๋ฅผ ๋…์ฐจ์ง€ํ–ˆ๋‹ค. 1686๋…„(์ˆ™์ข… 12) ์ˆ™์›(ๆท‘ๅช›)์ด ๋˜์—ˆ๋‹ค. 1688๋…„ ์†Œ์˜(ๆ˜ญๅ„€)๋กœ ์Šน์ง„ํ•˜๊ณ  ์™•์ž ์ด์œค(๏งกๆ˜€: ๋’ค์˜ ๆ™ฏๅฎ—)์„ ๋‚ณ์•˜๋‹ค. ์™•์€ ๊ธฐ๋ปํ•˜์—ฌ ์„ธ์ž๋กœ ๋ด‰ํ•˜๋ ค ํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์†ก์‹œ์—ด(ๅฎ‹ๆ™‚็ƒˆ) ๋“ฑ ๋‹น์‹œ ์ •๊ถŒ์„ ์žก๊ณ  ์žˆ๋˜ ์„œ์ธ์ด ์ง€์ง€ํ•˜์ง€ ์•Š์œผ๋ฏ€๋กœ ๋‚จ์ธ๋“ค์˜ ์›์กฐ๋ฅผ ์–ป์–ด ์ฑ…๋ด‰ํ•˜๋ ค ํ–ˆ๋‹ค. ์ด์— ์„œ์ธ์˜ ๋…ธ๋ก ยท์†Œ๋ก ์€ ๋ชจ๋‘ ์™•๋น„ ๋ฏผ์”จ(้–”ๆฐ)๊ฐ€ ๋‚˜์ด๊ฐ€ ๋งŽ์ง€ ์•Š์œผ๋‹ˆ ํ›„์ผ์„ ๊ธฐ๋‹ค๋ฆฌ์ž๊ณ  ์ฃผ์žฅํ•˜์˜€๋‹ค. ์ˆ™์ข…์€ ๋“ฃ์ง€ ์•Š๊ณ  1689๋…„ ์ •์›”์— ์ด์œค์„ ์„ธ์ž๋กœ ๋ด‰ํ•˜๊ณ , ์žฅ์†Œ์˜๋Š” ํฌ๋นˆ์œผ๋กœ ์Šน๊ฒฉํ–ˆ๋‹ค. ์ด ๋•Œ ์†ก์‹œ์—ด์ด ์„ธ์ž๋กœ ๋ด‰ํ•˜๋Š” ๊ฒƒ์ด ์•„์ง ์ด๋ฅด๋‹ค๊ณ  ์ƒ์†Œํ•˜์˜€๋‹ค. ์™•์€ ์ด๋ฏธ ๋ช…ํ˜ธ(ๅ่™Ÿ)๊ฐ€ ๊ฒฐ์ •๋œ ๋‹ค์Œ์— ์ด๋Ÿฐ ์˜๊ฒฌ์„ ๋งํ•˜๋Š” ๊ฒƒ์€ ๋ฌด์Šจ ์ผ์ด๋ƒ๊ณ  ์ง„๋…ธํ–ˆ๋‹ค. ์ด์— ๋‚จ์ธ ์ดํ˜„๊ธฐ(ๆŽ็Ž„็ด€)ยท๋‚จ์น˜ํ›ˆ(ๅ—่‡ด่–ฐ)ยท์œค๋นˆ(ๅฐนๅฝฌ) ๋“ฑ์ด ์†ก์‹œ์—ด์˜ ์ƒ์†Œ๋ฅผ ๋…ผ๋ฐ•ํ•˜๋ฉฐ ํŒŒ์ง์‹œ์ผœ ์ œ์ฃผ๋„๋กœ ์œ ๋ฐฐํ•˜๊ฒŒ ํ•˜๊ณ  ๋‹ค์‹œ ์‚ฌ์‚ฌ(่ณœๆญป)ํ•˜๊ฒŒ ํ•˜์˜€๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์†ก์‹œ์—ด์€ ์ค‘๋กœ ์ •์์œผ๋กœ ์ด๋ฐฐ(็งป้…)๋˜์—ˆ๋‹ค๊ฐ€ ์‚ฌ์•ฝ์„ ๋ฐ›์•˜๋‹ค. ์ด ๋ฐ–์— ์„œ์ธ์˜ ์˜์ˆ˜๋“ค๋„ ํŒŒ์ง ๋˜๋Š” ์œ ๋ฐฐ๋ฅผ ๋ฉดํ•˜์ง€ ๋ชปํ–ˆ๋‹ค. ๋ฐ˜๋ฉด์— ๋‚จ์ธ์˜ ๊ถŒ๋Œ€์šด(ๆฌŠๅคง้‹)ยท๊น€๋•์›(้‡‘ๅพท้ ) ๋“ฑ์ด ๋“ฑ์šฉ๋˜์—ˆ๋‹ค. ์ด ์ •๊ถŒ์˜ ๊ต์ฒด๋ฅผ ๊ธฐ์‚ฌํ™˜๊ตญ ๋˜๋Š” ๊ธฐ์‚ฌ์‚ฌํ™”๋ผ๊ณ  ํ•œ๋‹ค. ์ด ํ•ด 5์›”์— ๋ฏผ๋น„๋ฅผ ํํ•˜๊ณ  ์žฅํฌ๋นˆ์„ ์™•๋น„๋กœ ์‚ผ์œผ๋ ค ํ•  ๋•Œ ์„œ์ธ ์˜ค๋‘์ธ(ๅณๆ–—ๅฏ…)ยท๋ฐ•ํƒœ๋ณด(ๆœดๆณฐ่ผ”) ๋“ฑ 80์—ฌ ๋ช…์ด ์ƒ์†Œํ•˜์—ฌ ์ด๋ฅผ ๋ฐ˜๋Œ€ํ–ˆ๋‹ค. ๊ทธ๋Ÿฌ๋‚˜ ์ด๋“ค์€ ์ฐธํ˜นํ•œ ํ˜•๋ฌธ์„ ๋ฐ›๊ฒŒ ๋˜๋‹ˆ ์ดํ›„ ์ •๊ตญ์€ ๋‚จ์ธ์˜ ์„ธ์ƒ์ด ๋˜์—ˆ๋‹ค. ๊ธฐ์‚ฌํ™˜๊ตญ ํ›„ ์‹œ๊ฐ„์ด ํ๋ฅด๋ฉด์„œ ์ˆ™์ข…์€ ํ๋น„์‚ฌ๊ฑด์„ ํ›„ํšŒํ•˜๊ฒŒ ๋˜์—ˆ๋‹ค. ๊ทธ๋Ÿฌ๋˜ ์ค‘ 1694๋…„ ์„œ์ธ์˜ ๊น€์ถ˜ํƒ(้‡‘ๆ˜ฅๆพค)ยทํ•œ์ค‘ํ˜(้Ÿ“้‡็ˆ€) ๋“ฑ์ด ํ๋น„ ๋ณต์œ„์šด๋™์„ ๊พ€ํ•˜๋‹ค๊ฐ€ ๊ณ ๋ฐœ๋˜์—ˆ๋‹ค. ์ด ๋•Œ ๋‚จ์ธ์˜ ์˜์ˆ˜์š” ๋‹น์‹œ ์šฐ์˜์ •์ด์—ˆ๋˜ ๋ฏผ์•”(้–”้ปฏ) ๋“ฑ์ด ์ด ๊ธฐํšŒ์— ๋ฐ˜๋Œ€๋‹น ์„œ์ธ์„ ์™„์ „ํžˆ ์ œ๊ฑฐํ•˜๋ ค๊ณ  ๊น€์ถ˜ํƒ ๋“ฑ ์ˆ˜์‹ญ ๋ช…์„ ํ•˜์˜ฅํ•˜๊ณ  ๋ฒ”์œ„๋ฅผ ๋„“ํ˜€ ์ผ๋Œ€ ์˜ฅ์‚ฌ๋ฅผ ์ผ์œผ์ผฐ๋‹ค. ์ด ๋•Œ ์ˆ™์ข…์€ ํ๋น„์— ๋Œ€ํ•œ ๋ฐ˜์„ฑ์œผ๋กœ ์˜ฅ์‚ฌ๋ฅผ ๋‹ค์Šค๋ฆฌ๋˜ ๋ฏผ์•”์„ ํŒŒ์งํ•˜๊ณ  ์‚ฌ์‚ฌํ–ˆ์œผ๋ฉฐ, ๊ถŒ๋Œ€์šดยท๋ชฉ๋‚ด์„ (็ฆไพ†ๅ–„)ยท๊น€๋•์› ๋“ฑ์„ ์œ ๋ฐฐํ–ˆ๋‹ค. ์ด์–ด ์†Œ๋ก  ๋‚จ๊ตฌ๋งŒ(ๅ—ไน่ฌ)ยท๋ฐ•์„ธ์ฑ„(ๆœดไธ–้‡‡)ยท์œค์ง€์™„(ๅฐน่ถพๅฎŒ) ๋“ฑ์„ ๋“ฑ์šฉํ•˜๊ณ  ์žฅ์”จ๋ฅผ ํฌ๋นˆ์œผ๋กœ ๋‚ด๋ ธ๋Š”๋ฐ ์ด๊ฒƒ์„ ๊ฐ‘์ˆ ์˜ฅ์‚ฌ๋ผ๊ณ  ํ•œ๋‹ค. ๋˜ํ•œ, ์ด๋ฏธ ์ฃฝ์€ ์†ก์‹œ์—ดยท๊น€์ˆ˜ํ•ญ(้‡‘ๅฃฝๆ’) ๋“ฑ์€ ๋ณต์ž‘(ๅพฉ็ˆต)๋˜๊ณ  ๋‚จ์ธ์€ ์ •๊ณ„์—์„œ ๋ฌผ๋Ÿฌ๋‚˜๊ฒŒ ๋˜์—ˆ๋‹ค. ์†Œ๋ก ์ด ๋“ค์–ด์„œ๊ณ  ๋‚จ์ธ์ด ๋ฌผ๋Ÿฌ๋‚  ๋•Œ ์žฅํฌ๋นˆ์˜ ์˜ค๋น  ์žฅํฌ์žฌ(ๅผตๅธŒ่ผ‰)๊ฐ€ ํฌ๋นˆ์—๊ฒŒ ๋ณด๋‚ธ ์„œ์žฅ(ๆ›ธ็‹€) ์†์— ํ๋น„ ๋ฏผ์”จ์— ๊ด€๋ จ๋œ ๋ฌธ๊ตฌ๊ฐ€ ์žˆ์–ด ๋…ผ์Ÿ์ด ๋ฒŒ์–ด์กŒ๋‹ค. ์—ฌ๋Ÿฌ ์‚ฌ๋žŒ์ด ์žฅํฌ์žฌ๋ฅผ ์ฃฝ์ด์ž๊ณ  ํ–ˆ์œผ๋‚˜ ์„ธ์ž์—๊ฒŒ ํ™”๊ฐ€ ๋ฏธ์น ๊นŒ ์—ผ๋ คํ•˜์—ฌ ๋‚จ๊ตฌ๋งŒยท์œค์ง€์™„ ๋“ฑ์ด ์šฉ์„œํ•˜๊ฒŒ ํ–ˆ๋‹ค. ๊ทธ๋Ÿฐ๋ฐ ์™•๋น„ ๋ฏผ์”จ๊ฐ€ ์ฃฝ์€ ๋‹ค์Œ์—, ์žฅํฌ๋นˆ์ด ์ทจ์„ ๋‹น(ๅฐฑๅ–„ๅ ‚) ์„œ์ชฝ์— ์‹ ๋‹น(็ฅžๅ ‚)์„ ์„ค์น˜ํ•˜๊ณ  ๋ฏผ๋น„๊ฐ€ ์ฃฝ๊ธฐ๋ฅผ ๊ธฐ๋„ํ•œ ์ผ์ด ๋ฐœ๊ฐ๋˜์—ˆ๋‹ค. ์ด ์ผ์— ๊ด€๋ จ๋œ ํฌ๋นˆ๊ณผ ์žฅํฌ์žฌ๋Š” ์ฒ˜ํ˜•๋˜๊ณ  ๊ถ์ธ(ๅฎฎไบบ)ยท๋ฌด๋…€์™€ ๊ทธ ์กฑ๋‹น(ๆ—้ปจ)๋„ ํ™”๋ฅผ ์ž…์—ˆ๋‹ค. ์ด๊ฒƒ์„ ๋ฌด๊ณ (ๅทซ่ ฑ)์˜ ์˜ฅ(็„)์ด๋ผ๊ณ  ํ•œ๋‹ค. ์ด ๋•Œ ์žฅํฌ๋นˆ์— ๋Œ€ํ•ด ๊ด€๋Œ€ํ•œ ํƒœ๋„๋ฅผ ์ทจํ•œ ๋‚จ๊ตฌ๋งŒยท์ตœ์„์ •(ๅด”้Œซ้ผŽ)ยท์œ ์ƒ์šด(ๆŸณๅฐ™้‹) ๋“ฑ ์†Œ๋ก ์˜ ์„ ๋น„๋“ค๋„ ๋ชฐ๋ฝํ•˜๊ณ  ๋‹ค์‹œ ๋…ธ๋ก ์ด ๋“์„ธํ•˜์˜€๋‹ค. ์ˆ™์ข…์€ ์ดํ›„ ๋นˆ(ๅฌช)์„ ํ›„๋น„(ๅŽๅฆƒ)๋กœ ์Šน๊ฒฉํ•˜๋Š” ์ผ์„ ์—†์• ๋Š” ๋ฒ•์„ ๋งŒ๋“ค์—ˆ๋‹ค.

  • @์ƒ๊ฐ๋งˆ๋งˆ๋ฏธ์›Œ์š”
    @์ƒ๊ฐ๋งˆ๋งˆ๋ฏธ์›Œ์š” 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    ๋‚˜๋Š” ํฌ๋นˆ ์žฅ์”จ๋‹ˆ๋ผ 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˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜ํ•˜

  • @Philobach
    @Philobach 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Il n'y a pas de mรฉlodie extraordinaire dans ce morceau

  • @JesusNippletwistus
    @JesusNippletwistus 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    What a disguisting performance, bah! Would reccomend Daniel Hoexter's marvellous rendition of this great sonata.

  • @vedprakashmevada6741
    @vedprakashmevada6741 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Well done. Hope your viewrship increases manifold.

  • @Olena-r1l
    @Olena-r1l 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    ะ’ะธั€ั‚ัƒะพะทะฝะพ! ะ˜ ัั‚ัŽะดั‹ ะบั€ะฐัะธะฒั‹ะต

  • @AntonioFormaro
    @AntonioFormaro 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Diabolique piece.....! Teufel Felix !!

  • @VassilikiKravari
    @VassilikiKravari 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Une merveille.

  • @alexgrimsson6143
    @alexgrimsson6143 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    a febrile, sonic genius was felix.... and wherever he lacked deep story-telling melody, he then often captivates the listener with sheer musical ENERGY <><><>

  • @music-by1ou
    @music-by1ou 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Hail Mendelssohn

  • @music-by1ou
    @music-by1ou 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    What a piece. Mendelssohn was an absolute GENIUS!

  • @ะะฝั‚ะพะฝะธะฝะฐะจัƒะปะตะฟะพะฒะฐ-ะป1ะพ

    ะ’ะฐะฐั…! ะจะตะดะตะฒั€ะฐะปัŒะฝะพ!

  • @VassilikiKravari
    @VassilikiKravari 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    All alone, with remembrances, and soon dead. One could take it metaphorically...

  • @VassilikiKravari
    @VassilikiKravari 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Wonderful! And moving...

  • @jacopozambelli
    @jacopozambelli 2 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Il romanticismo piรน bello ๐Ÿ’• complimenti.bellissimo il secondo preludio

  • @lovethis3696
    @lovethis3696 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Amazing ๐Ÿ˜ฎ

  • @theb3rn7
    @theb3rn7 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    What was Wagner thinking when he wrote that essay trashing Mendelssohn, Meyerbeer, and their people? I love Wagner's music, but he was a very prejudiced man.

    • @glitchglork
      @glitchglork 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

      Antisemitism

  • @jwajjajajw9810
    @jwajjajajw9810 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    19:19

  • @elmiramuradova561
    @elmiramuradova561 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Lovely composer โค Thank you for this.

  • @dbovendorp
    @dbovendorp 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Bela interpretaรงรฃo! Esse tema foi repetido por Clara Schumann em suas Variaรงรตes de concerto, Op. 8, 1837. Foi um presente de aniversรกrio.

  • @elmiramuradova561
    @elmiramuradova561 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    Wonderfulโค

  • @elmiramuradova561
    @elmiramuradova561 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    So nice .. tender and sensualโค Lovely Mendelssohn.

  • @viktorsilva4017
    @viktorsilva4017 4 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    There's a song called Lasting Child, by Angra, HEAVILY influenced by this. Really good too

  • @jsh31425
    @jsh31425 4 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    This is astonishingly sensitive nuanced playing. Who the heck is Lucas Antonio Tujan? Seriously, I would have expected him to already be established in the professional competition circuit on the world stage, based on these three etudes. Terrific playing, Lucas. Good luck in your career.

    • @jimp4170
      @jimp4170 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

      The pianist is Bertrand Chamayou and he is very well known.

    • @jsh31425
      @jsh31425 3 ะผะตััั†ะฐ ะฝะฐะทะฐะด

      @@jimp4170 Thanks; I think two weeks ago when I wrote my comment, Chamayou wasn't mentioned in the title/info for this video. Either that, or I was completely clueless...

  • @tg92277
    @tg92277 4 ะผะตััั†ะฐ ะฝะฐะทะฐะด

    The choice of tempo is...interesting

  • @kniazigor2276
    @kniazigor2276 5 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    Un grand pianiste !

    • @BloodSh1ne
      @BloodSh1ne ะœะตััั† ะฝะฐะทะฐะด

      un grand robot , merci

  • @437composer
    @437composer 5 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    beauty

  • @J.B.03
    @J.B.03 5 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    09:03

  • @bestaff
    @bestaff 5 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    I tried playing this 10 years ago. Not as polished as you but playing jazz is my bag not classical! You can see it on my you tube channel

  • @russian-canadianfamily6895
    @russian-canadianfamily6895 5 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    No 3 has the same stupid difficulty as Chopins 8th etude

  • @ginettetremblay1070
    @ginettetremblay1070 5 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    Merci, c'est magnifique

  • @josephlaredo5272
    @josephlaredo5272 6 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    A discovery for me (and I've been playing and listening to piano music for more than half a century!). Why do we "never" hear it? Thanks for posting.

    • @doublesharp4325
      @doublesharp4325 5 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

      It's also incomprehensible to me. The posthumously published Opp.82 and 83 seem to get overshadowed by the Op.54 set.

  • @angreagach
    @angreagach 6 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    A brilliant piece! Should be heard much more often than it is!

  • @sophiecarolinaabend3284
    @sophiecarolinaabend3284 6 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    4:40 โค

  • @SovietSayori97
    @SovietSayori97 6 ะผะตััั†ะตะฒ ะฝะฐะทะฐะด

    [Insert caretaker reference here]