Probably the hardest. They have that rich buzzy sound, yet the two main tones still stand out quite a bit. I originally though it was because the higher frequencies are dominated by harmonics of the resultant, but when constructed that way it sounds too harsh.
But wait, in your "500AT Storm Warning" video you got the sound almost perfect, how did you construct it then? I've been kicking myself in the face trying to construct a 500AT sound. The 9/12 version is extremely easy.
The wind-up of that 500 is epic.
It’s a 500-SHTT
@@Ultimate2T22 It's part of the 500 series, so I called it a 500 for short. I'm aware that this specific model is a 500SH-TT
Topeka had one of the best sounding siren systems.
Dand man! You gotta teach me some synthing techniques sometime!!! :D
Probably the hardest. They have that rich buzzy sound, yet the two main tones still stand out quite a bit. I originally though it was because the higher frequencies are dominated by harmonics of the resultant, but when constructed that way it sounds too harsh.
@alarmsynthsrus It's really strange when you consider how easy Thunderbolts and 9/12 500Ts are.
The 500AT really is tough to get right, isn't it?
Mine sounds like DSRX's, not quite right but if you were to guess at what it's supposed to be you would guess correctly.
@alarmsynthsrus DSRX100 kinda figured it out but not perfectly. I still can't do it.
But wait, in your "500AT Storm Warning" video you got the sound almost perfect, how did you construct it then? I've been kicking myself in the face trying to construct a 500AT sound. The 9/12 version is extremely easy.