After watching joker,I heard that I should watch old classics like this movie and king of comedy,I started off with this movie Omg perfect the score felt weird and grand at first but then it became an addiction with the kind of scores we have today, this score was obviously sooo special I'm hungry for more,can you suggest some other good movies with a story and score like this one?
I just watched "You Were Never Really Here" with Joaquin Phoenix the other day and it really has some nice Taxi Driver vibes. I would recommend "Mean Streets" (1973), "King of Comedy" (1982) and Bring Out The Dead" (1999) all by Scorsese. "The Conversation" (1974), more recently "Drive" (2011) and Nightcrawler" (2014).
Makes me happy to see people bringing back classic cinema, also watch Casino, Once upon a time in America, Raging Bull, A Clockwork Orange, and Goodfellas
One of the many incredible things about this film is that it’s a product of its time but also a product of ALL time. There were countless Travis Bickles walking around in the U.S. after Vietnam and Watergate. There still are.
I think this movie applies today as much as it did yesterday. We live in an extremely lonely, hyperactive world these days it seems - it becomes easy to relate to Travis for a lot of young men these days and it's sad, if not still accurate to the themes of this movie when they came out.
1:10... the music, and the lights, and his eyes...it's like a perfect symphony. and then the windshield with the water drops falling, and the piano notes accompanying....god..perfect.
Bernard Herrmann was an absolute genius. A lot of people poo-poo film music but that cut to Robert De Niro's face and the sax playing over it always sends shivers down my spine.
I love everything from the Columbia title to the smoke running over the taxi cab to the windshield view and of course the music choice. Just a masterpiece! Best opening!!!!
Fun Fact: this is the final Columbia movie to ever use the golden era torch lady logo before they went with the coke bottle looking torch lady and the sunburst until 1982 and 1993 respectively
We'd go see it over and over when it appeared in theaters. We must have driven thousands of miles. When these titles came up, it was heaven. Herrmann's music, the mood, the color, the dead serious promise of severe immersion. No thrills like that in cinema much these days.
See the first time I heard the main theme I thought it was pretty good, but as it continued to play throughout the rest of the movie, I became entranced and I love it now
So mesmerizing. Even as someone born in the newer generation, the film grain and vibrance is unparalleled on this format - before cgi and crazy things like that. Not hating on the latter, but this is certainly a piece of art.
This was the first and only time that the hairs on the back of my neck stood up with the cab coming through the smoke at the beginning. Fantastic film.
Those opening credits and such unsettling music score... you realize you're in for an unforgettable experience... has to be the most pivotal movie of the mid seventies.
si me da nostalgia ami, que la vi en el invierno del 2019, no me puedo imaginar lo que debe sentir alguien que la vio hace 30 o 40 años atrás, o en el mismísimo cine, Dios.
Every element of the film is perfect - the soundtrack, the cinematography, the screenplay, the wonderful method performances by de Niro and Keitel, Jodie Foster, Cybil Shepherd, and right down to details like Scorsese's cameo, the gun seller, de Niro's "you talkin to me" improv. The whole thing is totally mesmerising.
Just awesome how the Taxi Cab drives through the Fog and while dissapearing on the other End of the Sceen, then the Title TAXI DRIVER appears. One of my absolutely favorit Openin-Titles in a Movie
Il cinema mi aiuta nei momenti difficili, cerco di immergermi completamente nell'opera che guardo. Ho scelto Taxi Driver appunto per le sensazioni e le emozioni che mi trasmette ad ogni visione.
I don't know the movie definition of "effect," so I'm not sure this _is_ one. You're looking through the rain-spotted windshield of the taxi at the lights on the street, and they are streaking and moving as the drops of water disrupt the light.
No idea on this and as a graphic designer I've always loved it but am afraid that there may be no digital version. It might be worth chasing, as a famous title designer called Dan Perri did the title design. Art of the Title recently did a presentation with him www.artofthetitle.com/designer/dan-perri/
It's the real deal! New York has had a steam heating system since the 19th century. It supplies heat to the buildings. www.citylab.com/life/2015/10/ask-citylab-whats-the-deal-with-steam-rising-from-the-nyc-streets/411958/
The difference being that the film's undertone was political. It was far more about Bickle's state of mind than his ideological affiliation. The politics was an excuse for Bickle to exocise his feelings.
@@Jordannadroj20 It's not just about the political afilation, but things such as gun control, discrimination, how media transform people into heroes and so on... Are all political topics; Scorsese even said that Taxi Driver was a feminist movie, so It's not about politics literally appearing on the film, but all the topics discussed
There’s nothing inherently political about the film. Travis’ actions are motivated by an existential loneliness and a desire to kill the father figures of Betsy (a woman he wants but can’t have) and Iris (a girl he can have but doesn’t want). And that’s not my theory: that’s *Schrader’s* . My comment a year ago was meant to express the fact that we have reduced the personal to the political in this culture. As a consequence our filmmakers no longer make personal films; they make political ones. The replies to my comment underscore the extent to which the general public has been conditioned to accept personal as political.
En realidad esta pelicula es nostalgia por un Estados Unidos que desapareció en el tiempo, el director idealizo una época, pero traducida en una horrible realidad de nueva york de finales de los setenta, consumida en sexo, drogas, prostitutas, la musica de Bernard Herrmann es pieza clave en toda la pelicula, sin ella perdería ese sentido que el director quiso mostrar
Olia Klioueva , Ρωσίδα της Μαριούπολης : "Απευθύνομαι στους "ειρηνηστες" και πονόψυχους που έχουν κατακλύσει το FB τελευταία μέρα. Επειδή μάλλον οι περισσότεροι έχουν παρωπιδες στα μάτια η κατέχουν πολύ επιλεκτική μνήμη, θα σας υπενθυμίσω. Ξέρετε, αγαπητοί, ο πόλεμος δεν ξεκίνησε χθές, ο πόλεμος κρατάει 8 χρόνια τώρα, πέρα το ότι μέχρι τώρα δεν σας ενδιέφερε καθόλου. Που είσασταν όλοι εσείς όταν ο ουκρανικός στρατός χτυπούσε πόλεις και χωριά;; 152 παιδιά σκοτώθηκαν και πόσα έμειναν ανάπηρα! Όταν εμείς φωνάζαμε "Save Donbass people" εσείς ενοχλημένοι πως σας χαλάμε τη διάθεση από τις εικόνες με σκοτωμένους ανθρώπους, κανατε στραβά μάτια και κουφά αφτιά. Όταν το 2 Μαϊου το 2014 διαπράχθηκε ένα αποτρόπαιο έγκλημα, όταν μετά από μια ειρηνική διαδήλωση Ουκρανοί ναζί έκλεισαν τους ανθρώπους σε ένα κτίριο και τους έκαψαν ζωντανούς και αυτούς που προσπαθουσαν να ξεφύγουν από τις φωτιές και έπεφταν από τα παράθυρα, τους χτύπαγαν με ρόπαλα μέχρι θανάτου, αυτό δεν ακούστηκε πουθενά και δεν ευαισθητοποίσε κανένα ευρωπαίο ανθρωπιστή προοδευτικό. Όταν τον στόχο των βομβαρδισμών έπεφτε ένα γεροκομειο, και έβλεπες τους σκοτωμένους παππούδες στα αναπηρικά αμαξακια και λουτρά αίματος από κάτω να τρέχουν.. Μου φέρνετε αναγουλα από την υποκρισία και τον κυνισμό σας, ψεύτικες ευαισθητοποίησες και φιλοσοφικές συζητήσεις περί του "κακού του πολέμου". "Αχ, δεν θέλουμε πόλεμο". Και ποιος το θέλει;;; Βλέπω φτηνά εικονίδια με παιδάκια και κιτρινογαλανες σημαίες και συνθήματα "δεν θέλουμε πόλεμο ", "φοβόμαστε τον κακό θείο Πούτιν " και άλλες μπούρδες. Θέλετε να σας ποσταρω αληθινές φωτογραφίες με παιδιά -θυματα των βομβαρδισμών του '14 και '15 να σας κοπεί ο ύπνος για μια εβδομάδα όπως μου κόπηκε τότε; Η μέρα έφτασε. Αλλά είμαι τόσο...μα τόσο σίγουρη... αλλιώς δεν θα άνοιγα το στόμα μου να μιλήσω καθόλου, πως ΔΕΝ ΘΑ ΥΠΆΡΧΟΥΝ ΘΎΜΑΤΑ μεταξύ του άοπλου πληθυσμού. Εξάλλου έχω τους δικούς μου ανθρώπους εκεί και ξέρω πως δεν κινδυνεύουν. Η αιτία που προχωράει αρκετά αργά ο ρωσικός στρατός είναι πως οι Ουκρανοί στρατιώτες κρύβονται μέσα στις πόλεις στα σπίτια που δεν μπορούν βεβαίως να χτυπηθούν από τους Ρώσους. Αντίστροφα οι Ουκρανοί συνεχίζουν να βαράνε τις πόλεις των Δημοκρατιών και εικόνες καταστραμμένων σπιτιών από κει είναι. Η Ρωσία δεν είναι η Αμερική που τα εξαφανίζει όλα στο πέρασμα της μόνο και μονο να φτάσει στον στόχο της. Το λοιπόν, ελπίζω να έγινα σαφής, καλή χώνεψη. * Δεν έχω αναφέρει το Ιράκ, τη Λιβύη, τη Συρία, το Αφγανιστάν και τη Γιουγκοσλαβία, αλλιώς θα γράφω μέχρι αύριο".... Εγώ το μόνο που έχω να γράψω , είναι πως στον εκφυλισμένο δυτικόδουλο, νεοέλληνα περισσεύει η υποκρισία, ο εγωισμός και η πλήρης άγνοια Ιστορίας, όχι απλά της Ρωσίας, αλλά και της ίδιας της Ελλάδας.... Η φωτογραφία δείχνει ένα μνημείο δολοφονημένων ΠΑΙΔΙΩΝ , από τους τυφλούς βομβαρδισμούς του νατοϊκού ουκρανικού στρατού, που γινόταν από το 2014 και συνεχίζονται... Και φυσικά κανένα δάκρυ από καμιά δυτική ή ελληνόφωνη δημιοσιογραφική ή πολιτική πόρνη, δεν κύλησε.... Το Ντονμπας "δεν είχε παιδιά" για την Δύση.... Από Dilvoi Mirsini 0 σχόλια
After watching joker,I heard that I should watch old classics like this movie and king of comedy,I started off with this movie
Omg perfect the score felt weird and grand at first but then it became an addiction with the kind of scores we have today, this score was obviously sooo special
I'm hungry for more,can you suggest some other good movies with a story and score like this one?
I just watched "You Were Never Really Here" with Joaquin Phoenix the other day and it really has some nice Taxi Driver vibes. I would recommend "Mean Streets" (1973), "King of Comedy" (1982) and Bring Out The Dead" (1999) all by Scorsese. "The Conversation" (1974), more recently "Drive" (2011) and Nightcrawler" (2014).
@@sid1662 thanks!
Makes me happy to see people bringing back classic cinema, also watch Casino, Once upon a time in America, Raging Bull, A Clockwork Orange, and Goodfellas
You'll love the Clockwork Orange score
Raging Bull. Same director, same actor, same screenwriter, same themes. It also has one of the greatest intros in the history of cinema.
One of the many incredible things about this film is that it’s a product of its time but also a product of ALL time. There were countless Travis Bickles walking around in the U.S. after Vietnam and Watergate. There still are.
I think this movie applies today as much as it did yesterday. We live in an extremely lonely, hyperactive world these days it seems - it becomes easy to relate to Travis for a lot of young men these days and it's sad, if not still accurate to the themes of this movie when they came out.
This opening captures the theme of the whole movie.
Martin Scorsese + Paul Schrader + Bernard Herrmann + Robert De Niro = one of the greatest movies of all times.
Agreed. These four powerhouse artists coalesced and did their best work in one film.
+ Jodie foster
Agreed
+Micheal Chapman
That’s a fuckin' understatement.
1:10... the music, and the lights, and his eyes...it's like a perfect symphony. and then the windshield with the water drops falling, and the piano notes accompanying....god..perfect.
SO effing perfect.
And the film hasn't even started yet.. incredible.
Bernard Herrmann was an absolute genius. A lot of people poo-poo film music but that cut to Robert De Niro's face and the sax playing over it always sends shivers down my spine.
Will always remain one of the most beautiful few minutes in cinema to me.
My recollection is that Bernard Herrmann died the day after he completed recording for the film. His music fits the movie all the way through.
I think he passed when he went home from the last session.
@@slyslaughter5115 He felt at peace with himself.
Yes, hours after the recording session.
At the Sheraton Hotel Universal..staying during scoring from his home in London
the ballad of a lonley man
AustralianAnimations that’s exactly it’s intent. Best “score” to the lonely man...
I just saw this in the Movie Theater for the 40th Anniversary. This feels like the most timeless movie.
Mark Hazleton indeed it is
I seen it in theaters as well, back in 2019
lucky first world
That would be fuckin dope to go see this movie in the theatres damn..
That bass rumble was heavy as heck in a theater.
This is Herrmann's best score.
And intense in a good way.
+Stephen Phillips What's the "bad" way? ( ͡° ͜ʖ ͡°)
And Psycho!
And Obsession from the same year.
And Mysterious Island
I love everything from the Columbia title to the smoke running over the taxi cab to the windshield view and of course the music choice. Just a masterpiece! Best opening!!!!
Such a great opening for an excellent movie. One of my favorites.
There something settling and unsettling in this soundtrack by Bernard that makes the opening scene and the film one of the greatest of them all.
Fun Fact: this is the final Columbia movie to ever use the golden era torch lady logo before they went with the coke bottle looking torch lady and the sunburst until 1982 and 1993 respectively
Once upon a time in Hollywood
Taxi Driver and Raging Bull have a beautiful opening
We'd go see it over and over when it appeared in theaters. We must have driven thousands of miles. When these titles came up, it was heaven. Herrmann's music, the mood, the color, the dead serious promise of severe immersion. No thrills like that in cinema much these days.
See the first time I heard the main theme I thought it was pretty good, but as it continued to play throughout the rest of the movie, I became entranced and I love it now
Martin Scorsese should direct the sequel: Uber Driver.
+JO. O LMAO..hahahaa
Starring Leonardo DiCaprio!
or Ryan Gosling
Cassian Andor shut the hell up you goddamn piece of shit
hell yes! 😹😹😹😹
So mesmerizing. Even as someone born in the newer generation, the film grain and vibrance is unparalleled on this format - before cgi and crazy things like that. Not hating on the latter, but this is certainly a piece of art.
I just love the drum and the music going together...so awesome!
Best intro of 70's
Best opening in film histroy!
Absolutely masterful filmmaking. I love the music.
The score is so gripping that it makes sure you never lose interest in the movie!!
This always scared me and I first saw the movie as an 8-year-old; so urgent and menacing
Who let you watch this movie as an 8 year old wtf
Sounds like you've got some stellar parents, Pail.
I'm jealous
@@jackdawson5490 Lulz. As long as there wasn’t any gratuitous nudity or sex featured throughout. My parents let me see all the violent films.
@@lethalbox909 If they were true movie buffs and you over 12 - then fine.
This was the first and only time that the hairs on the back of my neck stood up with the cab coming through the smoke at the beginning. Fantastic film.
You know something's going to happen. And you know it's going to be bad.
i never get tired of watch this.
Same here.
best movie ever
great film
I was hooked off the bat of this film crazy intro sequence
Those opening credits and such unsettling music score... you realize you're in for an unforgettable experience... has to be the most pivotal movie of the mid seventies.
si me da nostalgia ami, que la vi en el invierno del 2019, no me puedo imaginar lo que debe sentir alguien que la vio hace 30 o 40 años atrás, o en el mismísimo cine, Dios.
Every element of the film is perfect - the soundtrack, the cinematography, the screenplay, the wonderful method performances by de Niro and Keitel, Jodie Foster, Cybil Shepherd, and right down to details like Scorsese's cameo, the gun seller, de Niro's "you talkin to me" improv. The whole thing is totally mesmerising.
holy fuck that cut at 1:25 was so well done
Just awesome how the Taxi Cab drives through the Fog and while dissapearing on the other End of the Sceen, then the Title TAXI DRIVER appears. One of my absolutely favorit Openin-Titles in a Movie
A movie that many lonely men like to see and feel like Trevis except in the insanity
Beautiful!
We all feel lonely sometimes. It’s the human condition.
“Yeah but I get really lonely. I mean look at me, c’mon!!”. -Jim Carrey, Cable Guy.
From the riseing steam from a manhole cover,and right away you know where you are.Dani had a word for.Taxi driver is a hell!
Michael Chapman is so underrated.
#Godspeed, good sir
Amazing. First time I saw this opening scene, I already knew I was going to watch something special
I Really Like This Title Sequence
Am I the only one that vastly prefers the first part of this score over the sax part?
No, you're not
Nope
Yeah
I love the vast difference in them and how they sort of unsmoothly transition between each other.
De niro's eyes are just hypnotic ❤️
Masterpiece 👌
That opening music is the inspiration behind fake taxi’s theme.
Es hermoso, Robert de Niro de joven me despierta tantas sensaciones...
Happy birthday Robert de niro
One of the best movies of all time. Could be Scorseses best.
Il cinema mi aiuta nei momenti difficili, cerco di immergermi completamente nell'opera che guardo.
Ho scelto Taxi Driver appunto per le sensazioni e le emozioni che mi trasmette ad ogni visione.
I had the sound turned off and didn't think it was "Taxi Driver," I thought it was "This Wheel's on Fire" by the Byrds.
Scorsese always made top tier introductions.
I don't know the movie definition of "effect," so I'm not sure this _is_ one. You're looking through the rain-spotted windshield of the taxi at the lights on the street, and they are streaking and moving as the drops of water disrupt the light.
My favorite movie 🎬 and music 🎶
fantastic
when u high af but you try to drive
Muhammad Guruh Ajinugroho Lol
Driving under influence is so funny haha not like anyone died because of that
T. Mac #2 Sayd Says the person who made a Kobe helicopter crash meme lol
@@sconebro7458 ahahahahahah 😂😂😂
@@t.mac_k That is fucking halarious honestly
Does anyone know the name of the font they used here?
No idea on this and as a graphic designer I've always loved it but am afraid that there may be no digital version. It might be worth chasing, as a famous title designer called Dan Perri did the title design. Art of the Title recently did a presentation with him www.artofthetitle.com/designer/dan-perri/
The best Intro movie i have ever seen
This is to the visual aesthetic of the 90s what Blade Runner was to the visual aesthetic of 2016
70s
@@Thomasgermaine I know when the movie came out
@@biddyfox no
@@Thomasgermaine Yes
I get to write a paper for music class about how music is used to accompany movies, thank god I know of this movie
why always that smoke? I'm not from USA but I never seen smoke in a big city...
It's the real deal! New York has had a steam heating system since the 19th century. It supplies heat to the buildings. www.citylab.com/life/2015/10/ask-citylab-whats-the-deal-with-steam-rising-from-the-nyc-streets/411958/
non sei stato a new york negli anni settanta . e semplice , forse nel film e' un po' esagerato .
Put a lid on it
It’s called “art”. People used to believe in it as expression. Now, expression is called “politics”.
Art and politics are interwoven at a fundamental level. You can’t separate them. Even this film is political in several ways.
It's funny, cause this film is political as hell
The difference being that the film's undertone was political. It was far more about Bickle's state of mind than his ideological affiliation. The politics was an excuse for Bickle to exocise his feelings.
@@Jordannadroj20 It's not just about the political afilation, but things such as gun control, discrimination, how media transform people into heroes and so on... Are all political topics; Scorsese even said that Taxi Driver was a feminist movie, so It's not about politics literally appearing on the film, but all the topics discussed
There’s nothing inherently political about the film. Travis’ actions are motivated by an existential loneliness and a desire to kill the father figures of Betsy (a woman he wants but can’t have) and Iris (a girl he can have but doesn’t want). And that’s not my theory: that’s *Schrader’s* . My comment a year ago was meant to express the fact that we have reduced the personal to the political in this culture. As a consequence our filmmakers no longer make personal films; they make political ones. The replies to my comment underscore the extent to which the general public has been conditioned to accept personal as political.
Genial película se merece cinco estrellas
god's lonely man baby!
And this one lost to "Rocky"?
Clássico
Does anyone know the name of the saxophonist?
Khun Lay Ronnie Lang. On soundtrack LP O believe it is Tom Scott, but in the film it is Ronnie Lang.
prima si comprava lp o cd della olonna sonora . oggi puoi chiedere a google
Tom scott
this is the part with the car
Drumpler, Floogull, Strombonin, Sox, Cherubble, Clamble, Vhamp
En realidad esta pelicula es nostalgia por un Estados Unidos que desapareció en el tiempo, el director idealizo una época, pero traducida en una horrible realidad de nueva york de finales de los setenta, consumida en sexo, drogas, prostitutas, la musica de Bernard Herrmann es pieza clave en toda la pelicula, sin ella perdería ese sentido que el director quiso mostrar
John Coltrane Naima
Ended too soon
GOAT
como se llama ese sonido de sazon con trompeta del principio
What is the font style name of the title of the movie, "Taxi Driver"?
0:26
Alguien del 2024
Chat come metto i video in playlist Dio e poi madonna
Fargo anyone?
Guv... DCN
fake taxi :v
Olia Klioueva , Ρωσίδα της Μαριούπολης :
"Απευθύνομαι στους "ειρηνηστες" και πονόψυχους που έχουν κατακλύσει το FB τελευταία μέρα. Επειδή μάλλον οι περισσότεροι έχουν παρωπιδες στα μάτια η κατέχουν πολύ επιλεκτική μνήμη, θα σας υπενθυμίσω. Ξέρετε, αγαπητοί, ο πόλεμος δεν ξεκίνησε χθές, ο πόλεμος κρατάει 8 χρόνια τώρα, πέρα το ότι μέχρι τώρα δεν σας ενδιέφερε καθόλου. Που είσασταν όλοι εσείς όταν ο ουκρανικός στρατός χτυπούσε πόλεις και χωριά;; 152 παιδιά σκοτώθηκαν και πόσα έμειναν ανάπηρα! Όταν εμείς φωνάζαμε "Save Donbass people" εσείς ενοχλημένοι πως σας χαλάμε τη διάθεση από τις εικόνες με σκοτωμένους ανθρώπους, κανατε στραβά μάτια και κουφά αφτιά. Όταν το 2 Μαϊου το 2014 διαπράχθηκε ένα αποτρόπαιο έγκλημα, όταν μετά από μια ειρηνική διαδήλωση Ουκρανοί ναζί έκλεισαν τους ανθρώπους σε ένα κτίριο και τους έκαψαν ζωντανούς και αυτούς που προσπαθουσαν να ξεφύγουν από τις φωτιές και έπεφταν από τα παράθυρα, τους χτύπαγαν με ρόπαλα μέχρι θανάτου, αυτό δεν ακούστηκε πουθενά και δεν ευαισθητοποίσε κανένα ευρωπαίο ανθρωπιστή προοδευτικό. Όταν τον στόχο των βομβαρδισμών έπεφτε ένα γεροκομειο, και έβλεπες τους σκοτωμένους παππούδες στα αναπηρικά αμαξακια και λουτρά αίματος από κάτω να τρέχουν..
Μου φέρνετε αναγουλα από την υποκρισία και τον κυνισμό σας, ψεύτικες ευαισθητοποίησες και φιλοσοφικές συζητήσεις περί του "κακού του πολέμου". "Αχ, δεν θέλουμε πόλεμο". Και ποιος το θέλει;;;
Βλέπω φτηνά εικονίδια με παιδάκια και κιτρινογαλανες σημαίες και συνθήματα "δεν θέλουμε πόλεμο ", "φοβόμαστε τον κακό θείο Πούτιν " και άλλες μπούρδες. Θέλετε να σας ποσταρω αληθινές φωτογραφίες με παιδιά -θυματα των βομβαρδισμών του '14 και '15 να σας κοπεί ο ύπνος για μια εβδομάδα όπως μου κόπηκε τότε;
Η μέρα έφτασε.
Αλλά είμαι τόσο...μα τόσο σίγουρη... αλλιώς δεν θα άνοιγα το στόμα μου να μιλήσω καθόλου, πως ΔΕΝ ΘΑ ΥΠΆΡΧΟΥΝ ΘΎΜΑΤΑ μεταξύ του άοπλου πληθυσμού. Εξάλλου έχω τους δικούς μου ανθρώπους εκεί και ξέρω πως δεν κινδυνεύουν. Η αιτία που προχωράει αρκετά αργά ο ρωσικός στρατός είναι πως οι Ουκρανοί στρατιώτες κρύβονται μέσα στις πόλεις στα σπίτια που δεν μπορούν βεβαίως να χτυπηθούν από τους Ρώσους. Αντίστροφα οι Ουκρανοί συνεχίζουν να βαράνε τις πόλεις των Δημοκρατιών και εικόνες καταστραμμένων σπιτιών από κει είναι. Η Ρωσία δεν είναι η Αμερική που τα εξαφανίζει όλα στο πέρασμα της μόνο και μονο να φτάσει στον στόχο της.
Το λοιπόν, ελπίζω να έγινα σαφής, καλή χώνεψη.
* Δεν έχω αναφέρει το Ιράκ, τη Λιβύη, τη Συρία, το Αφγανιστάν και τη Γιουγκοσλαβία, αλλιώς θα γράφω μέχρι αύριο"....
Εγώ το μόνο που έχω να γράψω , είναι πως στον εκφυλισμένο δυτικόδουλο, νεοέλληνα περισσεύει η υποκρισία, ο εγωισμός και η πλήρης άγνοια Ιστορίας, όχι απλά της Ρωσίας, αλλά και της ίδιας της Ελλάδας....
Η φωτογραφία δείχνει ένα μνημείο δολοφονημένων ΠΑΙΔΙΩΝ , από τους τυφλούς βομβαρδισμούς του νατοϊκού ουκρανικού στρατού, που γινόταν από το 2014 και συνεχίζονται... Και φυσικά κανένα δάκρυ από καμιά δυτική ή ελληνόφωνη δημιοσιογραφική ή πολιτική πόρνη, δεν κύλησε.... Το Ντονμπας "δεν είχε παιδιά" για την Δύση....
Από Dilvoi Mirsini
0 σχόλια
Martin Scorsese + Paul Schrader + Bernard Herrmann + Robert De Niro = one of the greatest movies of all times.
1:08
Martin Scorsese + Paul Schrader + Bernard Herrmann + Robert De Niro = one of the greatest movies of all times.
0:26
Martin Scorsese + Paul Schrader + Bernard Herrmann + Robert De Niro = one of the greatest movies of all times.
Martin Scorsese + Paul Schrader + Bernard Herrmann + Robert De Niro = one of the greatest movies of all times.