This title sequence is how every single opening title sequence should aim for, I like how it even foreshadows the fact that he cut off the skin on his finger tips by showing the bandaids
@Cyberdemon Mike wrote this comment a while ago and let me just say, I completely agree. After seeing so many more films, not every movie needs a flashy, over-done intros.
Zach Snyder once said that some directors refuse to use him because he “makes title sequences better than the movie.” Kyle Cooper should deserve an award for this..
movies are so awesome, so many great opening credits sequences.. gone baby gone, se7en, eraser, alien, aliens, alien 3, T2, the terminator, point break, speed, halloween, total recal
KABLAM Yes and it is disturbing in the way he makes us think about Media and method. We must think that way today. 1995 was film, I was there. Everything in that sequence is about film and film context. But today it is digital, what is our context today --- what do we work against to make that visceral visual experience?
@@realmichaelkingsburyFincher hates Film though. As soon as he could- he ditched shooting (and editing) on film. I love Fincher but he is not a Film medium lover nor defender. That has to be Tarantino, Nolan, Gray and the creator of some amazing tv shows (Lost, Breaking Bad, True Detective etc).
Nope. We didn't get any good opening sequence. The days of creative, compelling and just plain cool opening credits in films(and tv) are long gone i'm afraid.
@@kendallrivers1119 because this is a David fincher style, the title sequence for Batman was a big bold red title card of “THE BATMAN” which I found pretty unique, as for the opening scene, horrifyingly beautiful in my opinion.
@@DocCujoh2321 Oh I agree it was a great opening scene but... still missing a really great and memorable title sequence like every other film these days. They might not be the most important for a film's success but a particularly memorable one can certainly help keep the film alive for many. I would've loved to have seen a kick ass title sequence after that epic opening teaser in The Batman. But, hey that's my opinion.
"To make the title sequence for the movie SE7EN, production designer John Sable filled several notebooks with dozens of pages full of nonsensical rambling and grotesque imagery. The sequence itself is made up of footage of Sable undertaking this laborious task and includes NO COMPUTER EFFECTS - the titles themselves are etched directly into the film emulsion" Goddammit, Cracked. lol
If I had the props dept job of writing out all those tiny little sentences, thousands, I'd probably go insane, start hearing voices, and do something awful...
One of the most greatest, iconic, and memorable opening scenes in cinema as it was just so dark, gritty, urban, raw, explicit, graphic, and unnerving as of today it still gives me chills and goosebumps. 😍😎💯👍😰😱
Absolutely. He said it himself people would’ve been looking for him the entire movie (remember, he’s coming of Usual Suspects and Outbreak) and they would’ve put it together by 1 hr into the movie
Yep, and it argues people must abandon apathy as a private solution to the problem of pandemic human suffering. The film is the opposite of nihilistic.
One of the best movie title intros of all time. This film changed the game. I’ve lost count to how many times I’ve seen other movies copy this style of intro. I remember seeing this at the movie theater when it first came out. I was so disturbed and floored. Brilliant. Absolutely brilliant.
Se7en turned a film that supposed to be one of those bad 80s' cop films filled with cliches into a thoughtful philosophical psychological thriller. Compare this film side by side with Steven Seagal's Glimmer Man and you know how masterful Se7en is
Can we all agree that David Fincher was a grunge kid and he was one of the first movie directors that brought grunge style to movies. I mean his movies are grunge but upscale. His movies are one of the coolest trend breakers in cinema history.
“You have to remember, it was like what? 1995? I had never seen anything like that before. I remember when we were sitting in the theater and the titles started with close up shots of someone cutting their finger tips with razorblades I knew I was in trouble.” -My Dad
Its been a long time and I'm too lazy to google it but I'm pretty sure that this version is on the closer single album. Maybe not but there's like 5 different remixes of the song on there and this sounds familiar.
This is my all-time favorite Fincher film next to "The Curious Case of Benjamin Button." I still think "Seven" is pretty friggin' underrated in almost every aspect possible. I don't hear enough people talk about it or see it get acknowledged like it deserves. It's a masterpiece.
Did anyone catch the word pregnant highlighted during that opening sequence, looking back it now this movie sets up a lot subtly and it does it masterfully the writing in this movie is fantastic!!
Don't think I've ever seen an opening title sequence that does this good of a job setting the mood for a movie. This sequence is a masterpiece on its own.
God DAMN if this sequence wasn't the best part of the entire film. I never imagined that there was a person whose sole job was directing title sequences - but Kyle Cooper is that man, and he's far and away the best at what he does. Spider-Man and Metal Gear Solid 2 & 3 were great, but this is his masterpiece.
i remember seeing this in the theater. It was pretty revolutionary. I had never seen anything like it at the time. Now, so many films have used this same aesthetic.
The 90s was so revolutionary when it came to movies. I'm so glad to have been one to see this movie and others when they were fresh. The opening to Seven gave me shivers in the theater! My fiance (now husband) was with me...
The perfect combination of title sequence, and film. It's unsettling and disturbing right out of the gate, setting the tone for the rest of what the viewer is about to experience.
@COLUPAS It's a remix of "Closer" by Nine Inch Nails. It was credited as "Closer (Precursor) (Remix)" by Nine Inch Nails on the Criterion laserdisc, but the new DVD simply credits the song as "Closer" by Nine Inch Nails.
This was 1995, 20 years ago, and still we are copying it as if our work is "Unique". We have to re-think and push harder. What does media mean today to us.
You realize this movie was heavily inspired by Silence of the Lambs and the works of Denis Lehane right? I love this movie, but it’s nowhere near as original as you think it is.
I was very young when I listened to this track. It was amazing (as the movie) and scary at the same time. Then, I found NIN, my souldband. Thanks for uploading this :D
Absolutely love this, always have; a lot of this opening sequence (1995) looks like the fantastic work of the Brothers Quay and maybe they in turn were inspired by this when they made their awesome short 'In Absentia" in 2000? xx
Interesting to find out that there were quite a few powerhouses considered for the two main roles. Brad Pitt's David Mills was first offered to Denzel Washington and Sylvester Stallone and Morgan Freeman's William Somerset as offered to Al Pacino, Gene Hackman, Robert Duvall and was originally conceived with William Hurt in mind. Would've been interesting if any of those guys actually were cast in the roles how different the movie would've been. Brad and Morgan were perfect btw.
0:16 “He was doing a year for contempt, and he had this wonderful system for doing the garlic. He used a razor, and he used to slice it so thin that he used to liquefy in the pan with just a little oil."
I believe it is to keep you from figuring out it is he who is playing 'John Doe' - any film fan spotted his voice as soon as he called his own apartment. his name is in the end credits
Neither. It's by the same person. Kyle Cooper. He's been the title sequence designer in one way or another for most huge blockbuster movies and shows of the last two decades.
Kyle Cooper made the title sequence for this film. So did he for Dawn of the dead (2004) Both intros are my fav's. I think even better than all the bond sequences!
When I first watched this movie I kept playing the intro over and over and pausing over every detail just 'cause it's so damn cool! Also, pay close attention just after 2:06 and pause right after the big white flash. The large scribbles say: NO KEY
The iconic opening sequence of Se7en is a masterclass in combining multiple design elements to create a gritty, disturbing atmosphere. Here's how you can achieve something similar: 01. Distressed Textures and Analog Effects: A lot of the aesthetic comes from using distressed, analog-style textures. Experiment with scanning actual physical objects (like paper, film, or other surfaces) and use them as overlays in your digital project. Grain, dirt, and scratches help create that grimy, worn-down feel. 02. Erratic Editing and Glitch Effects: Quick, jarring cuts are essential. Use jump cuts, frame skipping, and subtle glitch effects to add an unsettling, chaotic rhythm to your sequence. Play with time-lapse and stop-motion to make it feel unpredictable. 03. Disturbing Typography: The typography in Se7en is messy, fragmented, and handwritten. For this effect, use distressed or hand-drawn fonts; don't be afraid to layer them or play with opacity. The text is often slightly misaligned, which adds to the discomfort. 04. Dark and Desaturated Colour Palette: Stick to muted tones like blacks, dark greys, and blood-like reds, with little contrast. The lack of colour makes the visuals more unsettling, focusing the viewer on the textures and movements. 05. Layering of Imagery: The visuals are often multi-layered, with footage playing over textures and text, giving a sense of visual clutter. Use masking techniques to add layers of meaning to your shots. This is where you can truly captivate your audience and keep them absorbed in your visual storytelling. 06. Creepy, Experimental Sound Design: Sound is not just an element; it's a crucial player in the overall impact. Dissonant industrial sounds amplify the unsettling mood. Look into layering ambient noises like mechanical hums or distorted feedback to add to the tension. This is where you can truly engage your audience's senses and keep them intrigued. Combining these elements-textural overlays, fast-cut edits, raw typography, and sound design-creates an atmosphere that evokes a similarly dark and disorienting feel. Now, I am more than inspired to create a reel with this and obviously, showing the evolution on my Instagram (@bluehaus).
Watching this makes me wonder: What kind of lives did serial killers lead before becoming such? What were their childhood's like? What drives them to do as they do? What sort of meaning does all their...'scrapbooking' have? Why do they put so much detail and work into something that probably only has meaning to them, and what does it mean/signify? And just 'why?'
Fun fact: Kevin Spacey's name was actually removed from all versions of this title sequence in existence after he was cancelled in 2017 during the #MeToo movement.
His name wasn't mentioned because they wanted the reveal of kevin being in the movie a suprise, his name has never been in the title sequence and to make up for it his name is mentioned first in the closing credits
@verauko Yes. I believe this was Fincher's first collaboration with Reznor, though NIN was still together (i think). It was the start of a wonderful music/movie relationship. Thank our lucky stars for Se7en.
They also used that kind of intro on American Horror Story, which is awesome. According to the City, on wikipedia it's discribed as a "rainy city of urban decay" or something, but i think seattle is quite likely. I mean it's much closer to any desert than the east coast right?
This title sequence is how every single opening title sequence should aim for, I like how it even foreshadows the fact that he cut off the skin on his finger tips by showing the bandaids
Agreed!
Also showing him cut off the skin
@Cyberdemon Mike wrote this comment a while ago and let me just say, I completely agree. After seeing so many more films, not every movie needs a flashy, over-done intros.
Mission Impossible
@@jofall91 the title should have movie theme or essence. Not flashy or something that's upto director what to choose
Zach Snyder once said that some directors refuse to use him because he “makes title sequences better than the movie.” Kyle Cooper should deserve an award for this..
Kyle Cooper the goat
Kyle Cooper and Zack Snyder are the absolute goats
Better than Snyder sure, but that’s not hard 😂😂
Zach Snyder started by directing music videos so thats not schocking. Dude is good at filmmaking but his stories are kinda blamd
@caliUberDriverFincher is a great storyteller
This is actually my favorite opening title sequence i've seen in a movie. Not to mention the nine inch nails. Fucking incredible.
Kyle coowpr the goat
movies are so awesome, so many great opening credits sequences.. gone baby gone, se7en, eraser, alien, aliens, alien 3, T2, the terminator, point break, speed, halloween, total recal
Drop the “the.”
Same, all stylized movie intros should look to this one as the gold standard
wow David Fincher really knows how to disturb me right in the beggining of the film
KABLAM Yes and it is disturbing in the way he makes us think about Media and method. We must think that way today. 1995 was film, I was there. Everything in that sequence is about film and film context. But today it is digital, what is our context today --- what do we work against to make that visceral visual experience?
+KABLAM actually kyle cooper made the opening
Same with opening 'Dawn of the dead' 2004
@@assetsix383 and NIN did the audio. Can't forget that ;)
@@realmichaelkingsburyFincher hates Film though. As soon as he could- he ditched shooting (and editing) on film. I love Fincher but he is not a Film medium lover nor defender.
That has to be Tarantino, Nolan, Gray and the creator of some amazing tv shows (Lost, Breaking Bad, True Detective etc).
First time I saw this in the cinema I was thinking "this is intense. Oh this is going to be a wild ride." And indeed it was.
probably one of the most unnerving opening sequences ever
This intro is such a classic!
I like that at 1:14 he's writing directly below "NIN" haha!.. never noticed that...
since The Batman is supposed to take inspiration from this movie, I hope they have a horror-inspired opening sequence like this one
Nope. We didn't get any good opening sequence. The days of creative, compelling and just plain cool opening credits in films(and tv) are long gone i'm afraid.
@@kendallrivers1119 I was really disappointed by that and in the movie in general
@@kendallrivers1119 because this is a David fincher style, the title sequence for Batman was a big bold red title card of “THE BATMAN” which I found pretty unique, as for the opening scene, horrifyingly beautiful in my opinion.
@@DocCujoh2321 Oh I agree it was a great opening scene but... still missing a really great and memorable title sequence like every other film these days. They might not be the most important for a film's success but a particularly memorable one can certainly help keep the film alive for many. I would've loved to have seen a kick ass title sequence after that epic opening teaser in The Batman. But, hey that's my opinion.
@@kendallrivers1119This is awful film criticism. You’re judging the movie for something it isn’t trying to be but what you want it to be.
"To make the title sequence for the movie SE7EN, production designer John Sable filled several notebooks with dozens of pages full of nonsensical rambling and grotesque imagery. The sequence itself is made up of footage of Sable undertaking this laborious task and includes NO COMPUTER EFFECTS - the titles themselves are etched directly into the film emulsion"
Goddammit, Cracked. lol
If I had the props dept job of writing out all those tiny little sentences, thousands, I'd probably go insane, start hearing voices, and do something awful...
The suicide note in the sequence was also a real suicide note. That's deep shit!!!
@@captainrex4403 whose suicide note? I can't find any more information about it :O
@@Lotselancewhere's the suicide note? I've never even noticed and I've watched this 1000 times
@@j.b.8546 Don't know, it's probably just an urban legend
One of the most greatest, iconic, and memorable opening scenes in cinema as it was just so dark, gritty, urban, raw, explicit, graphic, and unnerving as of today it still gives me chills and goosebumps. 😍😎💯👍😰😱
one of the best intros for this type of movie styles
Not putting Kevin Spacey on the marketing for the film nor the opening credits was a stroke of genius.
It still is.
Absolutely. He said it himself people would’ve been looking for him the entire movie (remember, he’s coming of Usual Suspects and Outbreak) and they would’ve put it together by 1 hr into the movie
A villain has never been set up better.
Incredible movie with a simple message: the world is a fucked up place filled with fucked up people. But it's worth fighting for, despite all that.
+Me4899 It's definitely not worth fighting for, like at all...
just burn it all down i say. I welcome the apocalypse
Yep, and it argues people must abandon apathy as a private solution to the problem of pandemic human suffering. The film is the opposite of nihilistic.
It’s not worth fighting for. Humans are all garbage, myself included.
@@sparrowprince3432 Sorry you feel that way, but a lot of people disagree.
@@sparrowprince3432 No, they aren't. If you think you're 'garbage', improve yourself - and stop projecting.
One of the best movie title intros of all time. This film changed the game. I’ve lost count to how many times I’ve seen other movies copy this style of intro. I remember seeing this at the movie theater when it first came out. I was so disturbed and floored. Brilliant. Absolutely brilliant.
Se7en turned a film that supposed to be one of those bad 80s' cop films filled with cliches into a thoughtful philosophical psychological thriller.
Compare this film side by side with Steven Seagal's Glimmer Man and you know how masterful Se7en is
Can we all agree that David Fincher was a grunge kid and he was one of the first movie directors that brought grunge style to movies. I mean his movies are grunge but upscale. His movies are one of the coolest trend breakers in cinema history.
This is definitely more industrial than it is grunge
@@etalex7074agreed. Now Fight Club, that was grunge. I don't think he's wrong in his general sentiment at all really
He's not a grunge kid. His first movie was Alien 3 in 1992 and the grunge kids were still in highschool when this came out in 1995.
I wonder how disturbed people were when it first came out. It was way ahead of its time.
I love when Finchner does these opening credits reminds me of a modern version of Alfred Hitchcock’s openings credits. Quite suitable.
Those lines through the eyes... .
“You have to remember, it was like what? 1995? I had never seen anything like that before. I remember when we were sitting in the theater and the titles started with close up shots of someone cutting their finger tips with razorblades I knew I was in trouble.” -My Dad
This title sequence is basically saying, "You want to know what you're in for? Well here it is, so buckle up."
Very well done and memorable.
Creepiest opening music+credts I've ever heard.
Anybody notice that there is no Kevin Spacey's name on this opening titles? :)
They kept his inclusion in the film as a surprise, he never showed up for appearances and his name was never on a single poster
that has a whole new meaning now lmao
ZoxVux it is the first name that appears in the closing titles
They show him twice in the end credits
It's like Closer by Nine Inch Nails had an unnerving baby with an AHS opening
Its been a long time and I'm too lazy to google it but I'm pretty sure that this version is on the closer single album. Maybe not but there's like 5 different remixes of the song on there and this sounds familiar.
you get me closer to god...
This is my all-time favorite Fincher film next to "The Curious Case of Benjamin Button." I still think "Seven" is pretty friggin' underrated in almost every aspect possible. I don't hear enough people talk about it or see it get acknowledged like it deserves. It's a masterpiece.
Okay but the social network and zodiac are pretty great too...
no fight club?!
@@d3gauss3rwe dont talk about that
He’s a great director
One of the greatest movie intros of all time. Truly unsettling and foreshadowing.
Did anyone catch the word pregnant highlighted during that opening sequence, looking back it now this movie sets up a lot subtly and it does it masterfully the writing in this movie is fantastic!!
The begginning of the modern era at cinema
I knew this movie was gonna be great after this intro, scared the shit out of me
💯💯😊
this into is honestly so terrifying
Don't think I've ever seen an opening title sequence that does this good of a job setting the mood for a movie. This sequence is a masterpiece on its own.
I remember back then. Heard the Closer samples and I was all like, "Ooooohhhh man!"
You get me closer to God!
Тhis mоviе is nоw аvаilаblе tо wаtсh hеrе => twitter.com/486895abd1d8d2386/status/822764300452302849 Sе7en Ореning Тitlеееs
NIN
The gold standard for a stylized movie intro
God DAMN if this sequence wasn't the best part of the entire film. I never imagined that there was a person whose sole job was directing title sequences - but Kyle Cooper is that man, and he's far and away the best at what he does. Spider-Man and Metal Gear Solid 2 & 3 were great, but this is his masterpiece.
Ah the first instance of the Reznor/Fincher combo
i remember seeing this in the theater. It was pretty revolutionary. I had never seen anything like it at the time. Now, so many films have used this same aesthetic.
The 90s was so revolutionary when it came to movies. I'm so glad to have been one to see this movie and others when they were fresh. The opening to Seven gave me shivers in the theater! My fiance (now husband) was with me...
"You bring me closer to God!"
Yeah...in the most painful way possible
The perfect combination of title sequence, and film. It's unsettling and disturbing right out of the gate, setting the tone for the rest of what the viewer is about to experience.
@COLUPAS It's a remix of "Closer" by Nine Inch Nails. It was credited as "Closer (Precursor) (Remix)" by Nine Inch Nails on the Criterion laserdisc, but the new DVD simply credits the song as "Closer" by Nine Inch Nails.
This movie is fucking great.
Reznor written all over it
it's a remix of closer
Over 27 years later, this Main Titles sequence still delivers and is one of the all time best Main Titles sequences.
-How disturbing do you want the scenes Mr. Fincher?
-Yes.
The music is a remix of Nine Inch Nails' song "Closer" and is called the Precursor Remix. It is also on RUclips alone.
Ryan Murphy clearly took huge inspiration from this for American Horror Story!
Dude, he didnt just take inspiration but hired the same guy who made and edited this sequence.
EVERYONE was using these credit sequences after this film.
Say it baby, say it! Se7en spawned all these little bastards and rip offs!
uncredited, but coil did this NIN remix
+Charon Badmann Thank you so much. I have never known.
john balance was pretty upset they didn’t get any credit
This and The Good, The Bad And The ugly have the best opening titles sequences ever.
personally, Lord of War takes the cake for me
Lt. Col. Frank Slade I still need to see that. It looks good.
rybrentmannftw
I love that film, it's soo good.
Lt. Col. Frank Slade I hope I like it whenever I watch it.
I wаtссhеd Sе7еn full moviее hеrееe twitter.com/0a0ba1a8ac032d31a/status/795841507286654977 Sе7еn Оpееning ТТТitlеes
Makes Saul Bass titles seem like practice. Just insanely good. That slowed down Closer track is a genius idea for it.
i was high when i watched this and thought it was literally the coolest shit i’ve ever seen. Incredible movie
Kudos for incorporating Nine Inch Nails into the opening song/sounds!
I find it horrifying that the guy cut off some of his skin so there would be no fingerprints, like, Jesus man, buy some gloves!
This is both badass and haunting...basically sums up the movie
Pride, Greed, Envy, Wrath, Lust, Gluttony, Sloth = Awesome Pitt/Fincher Combo!
Uh, how could you possibly leave out Freeman? That's just disrespectful af lol.
This was 1995, 20 years ago, and still we are copying it as if our work is "Unique". We have to re-think and push harder. What does media mean today to us.
You realize this movie was heavily inspired by Silence of the Lambs and the works of Denis Lehane right? I love this movie, but it’s nowhere near as original as you think it is.
This title sequence has aged like fine wine. Kyle Cooper deserves the credits to set the tone for Se7en.
The entire film aged like fine wine. It’s a masterpiece from the dark side.
I was very young when I listened to this track. It was amazing (as the movie) and scary at the same time. Then, I found NIN, my souldband. Thanks for uploading this :D
Charlie Clouser also worked on the title music for AHS, and was also a member of Nine Inch Nails back in the Downward Spiral "Closer" era.
Absolutely love this, always have; a lot of this opening sequence (1995) looks like the fantastic work of the Brothers Quay and maybe they in turn were inspired by this when they made their awesome short 'In Absentia" in 2000? xx
Still probably the hardest opening credits ever
even the opening credits are nightmare fuel
Interesting to find out that there were quite a few powerhouses considered for the two main roles. Brad Pitt's David Mills was first offered to Denzel Washington and Sylvester Stallone and Morgan Freeman's William Somerset as offered to Al Pacino, Gene Hackman, Robert Duvall and was originally conceived with William Hurt in mind. Would've been interesting if any of those guys actually were cast in the roles how different the movie would've been. Brad and Morgan were perfect btw.
This alone told me that the movie gonna be thrilling af.
Looks like I found the inspiration for the AHS opening credits scenes
Every time I read the title of release, I go "wait, this movie is HOW OLD!?"
Saul Bass would have been proud.
0:16 “He was doing a year for contempt, and he had this wonderful system for doing the garlic. He used a razor, and he used to slice it so thin that he used to liquefy in the pan with just a little oil."
This has to be a reference to something or your just insane
@ Goodfellas
In this opening titles we can see all the movie .
Condemned: Criminal Origins
I believe it is to keep you from figuring out it is he who is playing 'John Doe' - any
film fan spotted his voice as soon as he called his own apartment. his name is
in the end credits
reminded me of american horror story intro.. or maybe vice versa?
because kyle cooper created that as well
Bailey Carswell opening to the girl with the dragon tattoo too ;3
Bailey Carswell We used to do that stuff on the Oxberry printer, before Avid digital came along.
i thought the same when i started watching AHS. plagiarism or just homage?
Neither. It's by the same person. Kyle Cooper. He's been the title sequence designer in one way or another for most huge blockbuster movies and shows of the last two decades.
One of the intros that u don't forget
At 1:10 that photo of the child getting his eyes crossed out is Boyd Rice
Kyle Cooper made the title sequence for this film. So did he for Dawn of the dead (2004) Both intros are my fav's. I think even better than all the bond sequences!
The "cut" on a meta layer - superb
The great Howard Shore ladies and gentleman
When I first watched this movie I kept playing the intro over and over and pausing over every detail just 'cause it's so damn cool!
Also, pay close attention just after 2:06 and pause right after the big white flash. The large scribbles say: NO KEY
It's like a funky and fast paced Mindhunter intro.
I've only just realised that it's John Doe making his preparations for later in the film. God damn it. One of the greatest movies ever made.
my late cousin luvved this version of nin Rest in Paradise, see u when I get thurr
Anybody ever play the game Manhunt? You can see the opening there as well being inspired by this.
my honest reaction 💀💀💀
how does one achive this aesthetic??
The iconic opening sequence of Se7en is a masterclass in combining multiple design elements to create a gritty, disturbing atmosphere. Here's how you can achieve something similar:
01. Distressed Textures and Analog Effects: A lot of the aesthetic comes from using distressed, analog-style textures. Experiment with scanning actual physical objects (like paper, film, or other surfaces) and use them as overlays in your digital project. Grain, dirt, and scratches help create that grimy, worn-down feel.
02. Erratic Editing and Glitch Effects: Quick, jarring cuts are essential. Use jump cuts, frame skipping, and subtle glitch effects to add an unsettling, chaotic rhythm to your sequence. Play with time-lapse and stop-motion to make it feel unpredictable.
03. Disturbing Typography: The typography in Se7en is messy, fragmented, and handwritten. For this effect, use distressed or hand-drawn fonts; don't be afraid to layer them or play with opacity. The text is often slightly misaligned, which adds to the discomfort.
04. Dark and Desaturated Colour Palette: Stick to muted tones like blacks, dark greys, and blood-like reds, with little contrast. The lack of colour makes the visuals more unsettling, focusing the viewer on the textures and movements.
05. Layering of Imagery: The visuals are often multi-layered, with footage playing over textures and text, giving a sense of visual clutter. Use masking techniques to add layers of meaning to your shots. This is where you can truly captivate your audience and keep them absorbed in your visual storytelling.
06. Creepy, Experimental Sound Design: Sound is not just an element; it's a crucial player in the overall impact. Dissonant industrial sounds amplify the unsettling mood. Look into layering ambient noises like mechanical hums or distorted feedback to add to the tension. This is where you can truly engage your audience's senses and keep them intrigued.
Combining these elements-textural overlays, fast-cut edits, raw typography, and sound design-creates an atmosphere that evokes a similarly dark and disorienting feel.
Now, I am more than inspired to create a reel with this and obviously, showing the evolution on my Instagram (@bluehaus).
One of the creepiest and best opening scenes of all time
This title sequence goes hard.
masterpiece
Watching this makes me wonder: What kind of lives did serial killers lead before becoming such? What were their childhood's like? What drives them to do as they do? What sort of meaning does all their...'scrapbooking' have? Why do they put so much detail and work into something that probably only has meaning to them, and what does it mean/signify? And just 'why?'
I’ve never seen anything like this.. David fincher use to direct music videos before film. Most notably NIN videos. You can tell……..
Fun fact: Kevin Spacey's name was actually removed from all versions of this title sequence in existence after he was cancelled in 2017 during the #MeToo movement.
I didn’t think his name was ever in the title sequence to begin with, just like his name was never marketed with the film.
@@eddixon2015 That literally makes no sense and is against the law.
His name wasn't mentioned because they wanted the reveal of kevin being in the movie a suprise, his name has never been in the title sequence and to make up for it his name is mentioned first in the closing credits
@@maximumoccupancy his name isn't on the poster.
Guess we're just making things up now when we say fun "facts"
His movies, or at least the intros, always have a very 'music video' feel and look to them!
Makes since, he got his start directing music videos. I have no Idea why I'm replying to an 8 year old comment.
@@noahspencer720 😂
@verauko
Yes. I believe this was Fincher's first collaboration with Reznor, though NIN was still together (i think).
It was the start of a wonderful music/movie relationship.
Thank our lucky stars for Se7en.
One of the best movie i see in the `90s.
Even JERICHO the video game had this unnerving visual aesthetic.
oh my god...brilliant...
They also used that kind of intro on American Horror Story, which is awesome. According to the City, on wikipedia it's discribed as a "rainy city of urban decay" or something, but i think seattle is quite likely. I mean it's much closer to any desert than the east coast right?
Yes, Kyle Cooper did create the titles for American Horror Story as well.
Hahaha I was about to comment on how this sounds like NIN music, when the "You get me closer to God" lyric came in at the end. X)
This is Nine inch Nails Closer (Remix)