These cameras are so good. I'd love to get a Blackmagic someday; I used to use the 6k Pro and Ursa Broadcast in my old job and they were such a pleasure to use. I'm assuming you shoot in Braw or do you find that Prores does the job?
Very nice ! I love the feel out of your shots, that moody light. Could you please explain your grading process in just a few words ? :) Is it like a complicated node tree or just basic adjustments based on a simple rec 709 conversion ? Thanks a lot and keep going !
Cheers mate! For this project, as it was quick turnaround, the colour grade process was super simple node tree wise. Followed a structure like this: Noise Reduction > Balance > Curves and Exposure > Look / Color Adjust > Effects (Grain Halation) > CST > Sharpening Hope that helps!
6k/pro has higher DR I'm testing both at the moment with identical lenses and light. Ursa clips a lot sooner resulting in "imaginary" lower noise floor but then exposed correctly both - the 6k is visually higher DR. I'm still keeping the ursa as it eliminates the need for a gimbal and makes it faster on location / docu shooter for me but 6k is a better sensor thats not even factoring in superior low light.
Not sure if i've had the same experience as you have, but overall I've just found the sensor in the Ursa to be of higher calibre in the look, 6K is still my favourite camera, having had it for the last 3 years almost as my primary
Well according to the lab tests from CineD, the UMP G2 actually has MORE dynamic range than the BMPCC6K and also than the newer BMCC6K. And that is also my personal impression. According to the CineD lab tests, the G2 even has more dynamic range out of camera than the UMP 12K.
Love my Ursa G2. I did do a mod on the evf to make it smaller. I could not get the kit that was made 8 years ago but used the modification video to create my own version. this is the video that inspired me to make my own. ruclips.net/video/k5wcAicHpOk/видео.htmlsi=S2x9MownnGmGe5Go
@@DesignedbyKirk I emailed Wooden to see if they had any left, no response. I removed everything but the eyepiece, used the existing cables and made a mount to attach to a Zacuto EVF/monitor mount. I would post some photos if I could.
The Ursa 4.6 g2 is a very underrated camera, it’s a beast of a production camera, easy to use and rig and the image is on its own class.
Totally! It's legendary and i'm loving using it every time I pick it up
These cameras are so good. I'd love to get a Blackmagic someday; I used to use the 6k Pro and Ursa Broadcast in my old job and they were such a pleasure to use. I'm assuming you shoot in Braw or do you find that Prores does the job?
They are brilliant! I always shoot BRAW, really find myself shooting ProRes, despite the huge file sizes!
That product reveal concept was sick! Well done!
Cheers mate! It was great fun to do!
Very nice ! I love the feel out of your shots, that moody light. Could you please explain your grading process in just a few words ? :) Is it like a complicated node tree or just basic adjustments based on a simple rec 709 conversion ? Thanks a lot and keep going !
Cheers mate! For this project, as it was quick turnaround, the colour grade process was super simple node tree wise.
Followed a structure like this:
Noise Reduction > Balance > Curves and Exposure > Look / Color Adjust > Effects (Grain Halation) > CST > Sharpening
Hope that helps!
@@DesignedbyKirk Thank you for your very quick answer ! And sorry for my late thanks ;)
I’m thinking about getting a Ursa mini 4.6k Is there really a big difference between that & the Ursa mini pro G2?
I think there are some noticeable differences that are worth considering, best compare the spec sheets, dynamic range is one of them
@@DesignedbyKirk gotcha
How did you deal with the IR pollution of the ursa mini pro 4.6 g2?
IR filter on my sigma lens, however both shoots I’ve had so far I haven’t gone any further with mitigations yet nor noticed any issues
@@DesignedbyKirk which IR filter do you use? I was looking at a Tiffen filter
@@OurVoicesOurLivescurious on this too
@@OurVoicesOurLivesYes! All my filters are from Tiffen
Which batteries are you using? Im using a 95w but I only get 2 hours on my ursa
The brand is called "SWIT" I believe, often get 3 hours when I dont have any other accessories plugged into it
nice!
Thank you! Cheers!
6k/pro has higher DR I'm testing both at the moment with identical lenses and light. Ursa clips a lot sooner resulting in "imaginary" lower noise floor but then exposed correctly both - the 6k is visually higher DR. I'm still keeping the ursa as it eliminates the need for a gimbal and makes it faster on location / docu shooter for me but 6k is a better sensor thats not even factoring in superior low light.
Not sure if i've had the same experience as you have, but overall I've just found the sensor in the Ursa to be of higher calibre in the look, 6K is still my favourite camera, having had it for the last 3 years almost as my primary
Well according to the lab tests from CineD, the UMP G2 actually has MORE dynamic range than the BMPCC6K and also than the newer BMCC6K. And that is also my personal impression. According to the CineD lab tests, the G2 even has more dynamic range out of camera than the UMP 12K.
Love my Ursa G2. I did do a mod on the evf to make it smaller. I could not get the kit that was made 8 years ago but used the modification video to create my own version. this is the video that inspired me to make my own.
ruclips.net/video/k5wcAicHpOk/видео.htmlsi=S2x9MownnGmGe5Go
Nice! Looks like an interesting mod!
@@DesignedbyKirk I emailed Wooden to see if they had any left, no response. I removed everything but the eyepiece, used the existing cables and made a mount to attach to a Zacuto EVF/monitor mount. I would post some photos if I could.