This is one you fall in love with instantly. That opening is so amazing. The nuance in the opening movement is just perfect. Then the lovely Andante. So deeply absorbing. The 3rd movement delightful in its charms, and subtlety rather than the often encountered stridency his fast movements often possess. some of the harmonic features of the final Allegretto echo the 1st movement. So far my favorite Shosty quartet for it's nuance and relative ambiguity of feeling.
I honestly love this one so much. Also, at 24:29, there’s a motif which appears in both the 12th and 13th quartets, in the 12th right after the opening tone row, and in the 13th right after (or during, not entirely sure) the chorale section beginning after the opening viola solo. I’m noticing a lot of thematic sharing between the quartets, like a motif near the end of the ninth which is repurposed as the second theme of the fourteenth. It’s real interesting
Wunderschöne und detaillierte Interpretation dieses neoklassischen doch ein bisschen ethnisch kompnierten Streichquartetts mit seidigen Tönen beider Violinen, mildem Ton der Bratsche und tiefem Ton des Violoncellos. Der zweite Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt beweglich und auch neuesachlich. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den vier Virtuosen ist wahrlich bewundernswert. Wunderbar vom Anfang bis zum Ende!
This is one you fall in love with instantly. That opening is so amazing. The nuance in the opening movement is just perfect. Then the lovely Andante. So deeply absorbing. The 3rd movement delightful in its charms, and subtlety rather than the often encountered stridency his fast movements often possess. some of the harmonic features of the final Allegretto echo the 1st movement. So far my favorite Shosty quartet for it's nuance and relative ambiguity of feeling.
I honestly love this one so much. Also, at 24:29, there’s a motif which appears in both the 12th and 13th quartets, in the 12th right after the opening tone row, and in the 13th right after (or during, not entirely sure) the chorale section beginning after the opening viola solo. I’m noticing a lot of thematic sharing between the quartets, like a motif near the end of the ninth which is repurposed as the second theme of the fourteenth. It’s real interesting
Aye, that's the game! I love this piece so much. Thank you, Master B.
the viola part in this is incredible
Wunderschöne und detaillierte Interpretation dieses neoklassischen doch ein bisschen ethnisch kompnierten Streichquartetts mit seidigen Tönen beider Violinen, mildem Ton der Bratsche und tiefem Ton des Violoncellos. Der zweite Satz klingt besonders schön und echt melodisch. Im Kontrast klingt der letzte Satz echt beweglich und auch neuesachlich. Die intime und perfekt entsprechende Miteinanderwirkung zwischen den vier Virtuosen ist wahrlich bewundernswert. Wunderbar vom Anfang bis zum Ende!
12:33