The Song Continues Master Class: Strauss's "September," from Vier letzte Lieder
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- Опубликовано: 10 июн 2014
- Mezzo-soprano Marilyn Horne coaches soprano Natalie Conte and pianist Nathan Salazar on Strauss's "September," from Vier letzte Lieder.
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Marilyn Horne has long showed her commitment to nurturing young vocal talent, dating back to her founding of The Song Continues. In this public master class, she works one-on-one with young participants in her workshop devoted to the art of song. 
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Love Ms Horne! I love how she says "just say the word and support...keep it simple".
I love watching Ms. Horne's masterclasses! She's as wonderful of teacher as she is a singer. Her use of her great sense of humor helps puts the students at ease and makes for what is no doubt a nerve-wracking experience less so.
This music is so beautiful.
Thanks for watching!
Suggest to listen to both at their master classes: Marilyn Horne and Christa Ludwig.
I adore this piece
Once Horne told her she was trying to sound like someone else and to simply sing with her voice, this great singer became GREATER! Horne rocks.
what a gorgeous voice!
This young woman is a student people it is a beautiful instrument these are difficult and nuanced songs. I believe that one has to have some life experience under ones belt to sing these really authentically. My former teacher the late Soprano, Chloe Owen sang these in her sixties and they were gorgeous. I believe that she has precisely the voice that these songs call for. Everyone thinks that Lise Davidsen is so great but this young woman is pure potential.
Yes ! Maria Jeritza is on youtube ... but it is "Malven" which was dedicated to her by Strauss.
I love this! This is easily my favorite master class. First of all, the student here is great (such a lovely voice!) and she seems very nice. They obviously get along very well with Ms Horne - whom I adore. She is such a great teacher but also so funny, witty and warm - it's great to watch her teaching. And I absolutely love her stories.
But what surprises me the most is how Miss Horne's voice has remained so good - seriously, I didn't expect that 15:58. How her voice is this firm and flexible is beyond me. At 80 years of age...that's very impressive.
And that 16:15... She's so funny! And completely right. ;D
The student had great beauty of face and voice and could have a very good career. Horne is so insightful!!!!!!!!!!! And funny!!!!!
I would have liked to see what Christa Ludwig would have done with her in this.
Me too.
i'm watching this on September 1, 2019.
Schöne Stimme wie dunkler Samt. Schönes Legato.
Update please where is Ms. Conte now
when did this lesson took place ? Anyone knows ?
I don’t know for sure but I have a feeling it’s somewhere between 2013-2014.
Thanks to Miss Horn for great lesson! Anyway, there is the Miss Swartscopf,s vocal lessons in ytube where she's teaching how to sing this aria.
This isn´t an aria ;-)
This is the Schwarzkopf masterclass in this German song, which I prefer for better interpretation of master and pupil in this song. ruclips.net/video/ZYnl-0u4W_g/видео.htmlsi=1CC3HzoJhlTGCr-v
This is the Schwarzkopf masterclass, which I prefer for better interpretation of this beautiful song. ruclips.net/video/ZYnl-0u4W_g/видео.htmlsi=1CC3HzoJhlTGCr-v
As a German native speaker, I feel that the singer has no idea what she is singing. Moreover, she has apparently never dealt with proper articulation. The vowels are formed incorrectly, accordingly I cannot understand a word.
Really? I’m not a native, so it’s obviously a bit different but I can still understand many words. Sure, it’s not the best possible pronunciation but I think it’s quite clear. At least for foreigners ears. Interesting.
B
Regrettably the student doesn't have any clue what she's singing about. And even more unfortunately Marilyn Horne - who I really like! - either! The german words are pronounced in an totally wrong way, the breath-bows which are needed in all of the 4 last songs are not there, the vowels are darkened, the pronounciation is as weak as the intonation. Sometimes Horne gets a finger on the flat notes, in my eyes too seldom! @Caskader: The German-Lied-Godess Christa Ludwig would sometimes have asked the student, if she knows about what she was singing! I recommend to hear the recordings of Jessye Norman (with Kurt Masur), Lucia Popp (with Georg Solti) and (somehow old-fashioned) Elisabeth Schwarzkopf with George Szell. That's singing at it's best! And a real interpretation of the Text!
By the way: It's a shame for a student of singing not to know Maria Jeritza! Especially in New York and in Carnegie Hall!
A very odd comment. Horne speaks German fluently.
@@BellaFirenze Exactly.
Did I hear "Jesus Christ Superstar"?
It's a bit of a soup, I prefer cleaner, like Janowitz..
Schwarzkopf would have torn this one apart... ouch
With all due respect to Ms.Horne, it seems a bit rude and self indulgent to keep the student, the pianist and the audience waiting to begin while she tells anecdotes about herself, her career and acquaintances.
Well, it is her masterclass and she may do whatever she wants to, doesn't she?
@@Bumblebeebeebee -Yes, indeed. And this is her comment section and I may SAY whatever I please.
@@renzo6490 Of course. The difference between you and Ms Horne is, that she is able to relax the somehow tense situation of a masterclass by amusing and educating the audience AND the students. Your comment is just an uninteresting selfish bore. But you surely know that :)
I disagree. How long will we have this older generation around to connect us to the past?. And I will bet that the singer began to relax a bit by listening to her stories. There was plenty of time to sing, after all.
@@themessenger4208 - Probably because Ms. Horne strikes you as being narcissistic.
i just dont like them. its my own taste. ....its also fischer dieskaus taste...... amwesome haha