Bonjour, est-il possible.d'utiliser un papier carbone pour transférer un dessin sur l'alluminum? Faut-il dans ce cas repasser les traits avec un crayon gras? Merci
Oui c’est possible. Il y a des different types de papier carbone. Si c'est le type cireux, ça fera une marque qui s'imprime. Il y en a autres types donc il faut repasser avec un crayon gras.
Amazing work! how on earth do get such good results with this process? I've tried it and could never get the ink to stop sticking to the plate. At the 58 second mark what are you painting on around the drawing area?
Thank you! I don’t know why kitchen litho works so well for me. I’ve had lots of people with the same question… perhaps my studies in traditional lithography have made it easier. At the 58 second mark, I am using plain gum arabic as a stop out. I use it to keep the margins clean.
@@valeriesyposz Gum arabic, ok thank you! What kind of ink do you use and do you add anything to it? Also how long do you leave the coke on, it looks like in the video you pour it on and wipe it off almost immediately, sorry to be such a bother but you do the best quality kitchen litho prints that I've seen and your artwork is very unique.
@@JFDyment I use litho inks, so they generally don’t need modifiers. And as for coke etch time, it really depends on your drawing materials. I use materials without much grease content, therefore the quick etch. I’d suggest doing some tests of materials and different etch times to see what works best for you.
❤❤❤❤❤
Thanks!
Thank you for sharing!
Bonjour, est-il possible.d'utiliser un papier carbone pour transférer un dessin sur l'alluminum? Faut-il dans ce cas repasser les traits avec un crayon gras? Merci
Oui c’est possible. Il y a des different types de papier carbone. Si c'est le type cireux, ça fera une marque qui s'imprime. Il y en a autres types donc il faut repasser avec un crayon gras.
Amazing work! how on earth do get such good results with this process? I've tried it and could never get the ink to stop sticking to the plate. At the 58 second mark what are you painting on around the drawing area?
Thank you!
I don’t know why kitchen litho works so well for me. I’ve had lots of people with the same question… perhaps my studies in traditional lithography have made it easier.
At the 58 second mark, I am using plain gum arabic as a stop out. I use it to keep the margins clean.
@@valeriesyposz Gum arabic, ok thank you! What kind of ink do you use and do you add anything to it? Also how long do you leave the coke on, it looks like in the video you pour it on and wipe it off almost immediately, sorry to be such a bother but you do the best quality kitchen litho prints that I've seen and your artwork is very unique.
@@JFDyment I use litho inks, so they generally don’t need modifiers. And as for coke etch time, it really depends on your drawing materials. I use materials without much grease content, therefore the quick etch. I’d suggest doing some tests of materials and different etch times to see what works best for you.
@@valeriesyposz Thank you Valerie for responding to my questions, I'm off to buy some litho ink.
@@JFDyment No problem, I’m glad I could help!
So beautiful and delicate.
A technical question: do you dampen the paper (gampi?) before printing?
Thanks! I print with it dry so the layers will register properly.
@@valeriesyposz Thank you! I guess damping is impossible for such a thin paper
@@spcfsu1 it’s fine to wet when doing chine collé, but during printing like this it wouldn’t work well.
Quel encre utiliser ? Merci
I use a mix of lithography inks, namely Graphic Chemical, Hanco and Swallow brand.
Hmmm, coke. Glad I don’t drink that s--t
😂 I’m happy some people do, otherwise I wouldn’t have this amazing art material.