Philadelphia Orchestra - Yannick Nézet-Séguin - First rehearsal as Music Director Designate 10/27/10
HTML-код
- Опубликовано: 15 сен 2024
- The Philadelphia Orchestra and Yannick Nézet-Séguin rehearse Mahler Symphony No. 5 in Mr. Nézet-Séguin's first rehearsal as Music Director Designate, 10.27.10
Learn more: www.philorch.org/
Mr. Nezet-Seguin is one of the top conductors. Intense, distinct dynamics: pianissimo, fortissimo, and the use of silence, I think are trademarks of Westminster Choir College. Listen to his awesome CD-Don Giovanni
That's some great trumpet playing !!!
i plan to join this orchestra in like 20 years or more.
I'll be seeing them on November 17! I can't wait!
All the energy of the word to conduct Mahler's Fifth.
Outstanding,!
It's now available on their website for online download! Huzzah!
@phishman58
I don't agree. I think Mahler is supposed to be that way. Deliberately over the top and very intricately detailed.
i like violin
@phishman58 Totally agree.
@verygrumpyoldman Are you kidding me?!?!?!? His "overconducting" as you call it is what we REAL MUSICIANS call connecting with the orchestra. Yes, every new conductor needs a way to articulate his ideas with an orchestra he has rarely conducted, and Mr. Nézet-Séguin choses to show it with conducting patterns (the preferred way by musicians). Maybe if you had every actually played with a top group you would understand it, but you can't deny the sound he gets out of the Orchestra. As a native Philadelphian, I can assure you no other conductor in recent memory has connected with the Philly sound better than Yannick. Educate yourself before posting just downright ignorant comments
Jack Hoeksema as a subscriber I could not agree more - has not sounded better since Ormandy - and those were LARGE shoes to fill! His performance of Rachmaninoff's Symphony No 2 was awesome and I heard the musicians talking about him after on concert (my seat is in row 2). They LOVE him and would do anything he asks of them musically.
This fellow has brought this classic orchestra right back up to the great standards it enjoyed under Ormandy and Stokowski ... they sound like their old beautiful selves and are once again a tight and multifaceted machine... their playing on the two albums they recently did with Daniil Trifonov sounded like vintage Philadelphia Orchestra
in fact he has now grown out beethoven hair. I watched him on friday
Listen to all these arm chair conductors whining away. What have any of you done with your life? When you are appointed conductor of the Philadelphia Orchestra you can do it your way. But that won't be in our life time.
Sounds great, but I prefer Boulez. Bravo Philly Orchestra!
1:30
i went to see them today...HA
hahaha jk
but i really did see them
I don'nt know what is more ridiculous, VGOM's vocabulary or the fact that he imagines the conductor gives a look to the camera... what he never does. If the question would be interesting, I'd wonder why VGOM so uses Yannick as a target for it little arrows... But I don't mind. Just a suggestion : go to Ireland to participate arrows contests in pubs. Have a good journey and don't be back soon.
I agree.Too much 'conducting' here. The music is getting interrupted by needless micro managing. The only conductor I've ever truly liked is Esa Pekka Salonen, who really just tries to keep out of the way of the music and the musicians as much as possible.Keep things together at the changes of tempi, slightly guide accelerandi and rallentandi. But this ridiculous conducting of the long note in the strings each time is irritating.The note length is easily managed by musicians of this caliber.
No such thing as overconducting unless you are watching. As a listener (and not a watcher) you cant tell. You only hear interpretation of tone, pitch, volume, and articulation. However a conductor gets an orchestra to respond is not overconducting, but getting a proper reaction.
I heard a single false note.
Come on, French horns...
Michael Martin I think that's why it's called a rehearsal. To iron out the kinks
0:21