Panasonic LUMIX GH7 ARRI LogC3 with Sample Walking Around Footage during Hot Rod Cameras CINEBEER
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- Опубликовано: 27 июл 2024
- The Panasonic Lumix GH7 Mirrorless Camera enthusiastic live interview with Sean Robinson, Senior Marking Manager Lumix, during Hot Rod Camera CINEBEER. GH7 has RAW Recording with the latest Phase AF and ARRI CLOG3.
This video did not use 32-bit float audio. Sean talked about 32-bit float audio while we were using the LARK M2 microphone, which features a 48kHz/24bit audio format. My voice requires 32 bit float!!!!!
After exhausting two days of recording interviews during the Cine Gear Expo LA at Warner Brothers Studio with my rolling interview studio stand, I was extremely excited to sit and talk with Sean from LUMIX GH7 in the shade during CINEBEER. I'm sorry, Sean, for cutting you off a few times because of my excitement about hearing about the Panasonic GH7 and two new lenses.
iPhone 15 Pro MAX with direct audio by Hollyland Lark M2 and recorded during Hot Rod Camera CINEBEER.
The new ARRI Crash Camera GH7 test footage walking around Hot Rod Cameras Cinebeer recorded in ARRI LogC3 edited in Davinci Resolve 19.
00:00 GH7 ARRI Log C3
00:49 Hot Rod Cameras CINEBEER
01:10 Intro Walter and Sean
01:58 GH7 Deep Dive
05:31 ARRI LogC3
07:00 Panasonic DMW-XLR2 XLR Microphone Adapter
07:36 Jeffrey Riekenberg Movie Sound Department
14:12 Panasonic DMW-XLR2 XLR Overview
17:23 GH7 Media Storage Options
19:16 GH7 LCD
20:51 Panasonic Leica DG Vario-Summilux Lenses
24:15 GH7 Direct Audio Interface
25:06 GH7 WiFi
25:17 Audience Intro
26:01 GH7 Sample Footage 25-50 Lens
27:02 Close it Out Overview
27:50 GH7 Hand Held Footage Hot Rod Camera CINEBEER
Guest thoughts from Jeffrey Riekenberg, Movie Sound Department, provided his thoughts about the new Panasonic DMW-XLR1 XLR Microphone Adapter.
shop.panasonic.com/products/g...
Panasonic Lumix GH7 Mirrorless Camera
Panasonic Leica DG Vario-Summilux 25-50mm f/1.7 ASPH. Lens
Panasonic Leica DG Vario-Summilux 10-25mm f/1.7 ASPH. Lens
Panasonic DMW-XLR1 XLR Microphone Adapter
Lumix GH7 Mirrorless Camera from Panasonic, which now features ProRes RAW internal recording, 32-bit float recording with the optional DMW-XLR2 audio interface, Adobe Cloud Frame.io compatibility, versatile Open Gate framing, and real-time custom LUTs. This flagship update to the powerful GH6 retains all the valuable existing features, including the same compact form factor, a 25.2MP sensor, 5.7K30 Apple ProRes 422 HQ internal recording, improved Phase Hybrid AF, a 13+ stop dynamic range boost, and 5-axis stabilization to accommodate indie film, pro/consumer photography, documentary, or even as a B-camera in high-end productions.
My Complete list of gear: waltervandusen.com/gear
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This video was not paid for by outside persons or manufacturers.
The content of this video and my opinions were not reviewed or paid for by any outside persons.
#camerareview #lumixgh7 #GH7 #ARRICLOG #liveinterview #cameraman #lumix #lumixGH7 #wirelessaudio
I'm new to audio so I'm still learning. Recorded this NOT planned interview with the iphone 15 Pro Max and not with 32-bit float audio. Sean talked about 32-bit float audio while using a 48kHz/24bit wireless audio. I will not be using non 32 bit audio recorders ever again as I get way to excited and my voice really needs 32 bit float to bring down the gains. This was an iPhone recording so I apologize.
Finally companies doing what sony has been doing for years
Great Show.🎉Thank You
Thank you. It wasn't a planned video so it was just my iPhone and cheap wireless audio. Plus, my excitement is genuine which does blow out the non 32 bit audio.
Love the end sequence 😅
Great and interesting conversation
Thank you.
Looking forward to your sharing of materials, :)))
Arri Log!!! So nuts!
Big time. I hope LUMIX gets more ARRI Log licenses on their full frame cameras.
Current prices for the LUMIX GH5S and the LUMIX GH7 (without the ARRI LogC3) are only $100 difference on B&H Photo Video website. Having fewer but larger pixels than the GH5, the GH5S has dual-native ISO, wider dynamic range and very good low-light performance. I wonder if there will be a LUMIX GH7S with fewer but larger pixels (say, 18MP), even wider dynamic range (perhaps 14+?) and even better low-light performance (compared to the GH5S), and come with dual-native ISO? If the trade-off is no in-body image stabilization, I would still go with a GH7S.
Thank you for your comment.
Interesting conversation
I'm just an end user that gets way excited around new gear plus I was exhausted from three days at Cine Gear Expo. I hope you got something through my effort. Thank you for watching.
The video about camera with 32bit recording and it's clipping so badly, you can't listen to this... Guys...
Thank you. I'm new to audio so I'm still learning. This video did not use 32-bit float audio. Sean talked about 32-bit float audio while using the LARK M2 microphone, which features a 48kHz/24bit audio format. I will not be using non 32 bit float recorders ever again!!!
So we cannot use the XLR2 32bit float on any Lumix cameras apart from the GH7?
talking audio... fix your levels. 32BFloat seems to be your saviour.
100% as my voice is very loud. I'm new to audio so I'm still learning. This video did not use 32-bit float audio. Sean talked about 32-bit float audio while using the LARK M2 microphone, which features a 48kHz/24bit audio format. I will not be using non 32 bit audio recorders ever again. This was an iPhone recording so I apologize.
Sean might be a Californian ?
Austin Texas. Very calm compared to my excitement and 100% in need of 32 bit float
31:36 Lost focus and did not recover for a while.😲
Sorry, I'm a Sony user and my first time using a LUMIX camera. Not the cameras fault, user error.
My guess is that the MF clutch was engaged by mistake - happened to me once with an Olympus Lens...
If you want perfect focus all the time, buy a Sony.
I don’t care how good you imagine the camera is, it’s a micro 4/3… So in low light it will suck and the blacks will be noisy. If this was a full frame camera I would be buying it in a heartbeat. Micro fourth third sucks… Whether you believe that or not