Of course, even a better net of resistors and capacitors for a band pass of some sort, but for my taste and after testing the idea with live PA a 400n capacitor is doing the job. In the video I used 100n at it wasn't enough, I tested until almost 400n it's a sweet spot between loosing volume and more than enough high cuts. The harp it's not harsh anymore...
@@viocaiaI’m mostly interested in a high-pass filter to reduce plosives, and potentially to remove the effect that happens when a rapper cups a microphone like you do when playing the harp. Having a few modified switchless SM58 in the mic kit would be helpful for those times/performers.
@@gregorykusiak5424 Interesting! When you say ''high-pass'' means you want to cut lower frequencies? That's simple, just add a 100n or bigger capacitor in series with the microphone. You can tweak the low response by changing the capacitor value. Rule: bigger capacity=lower the frequency.
@@viocaia yes, the proximity effect and plosives would be a first step, but a further one would be to mitigate the 400-600Hz buildup when an SM58 gets cupped by rappers or harp players. So 100+ nF in series with whatever wire goes to pin 2 of the XLR until plosives (popped p’s, b’s, d’s, k’s etc) disappear… I’ll get back to you…
Interesting!Du er så flink!☺🤗
Veldig flink! Tusen Takk!
Great Idea!
Can you hear any pops or clicks in the PA when you switch it?
Not at all...even at low volume, it's stealth.
There has to be a formula somewhere for determining the low pass frequency in relation to capacitance….
Of course, even a better net of resistors and capacitors for a band pass of some sort, but for my taste and after testing the idea with live PA a 400n capacitor is doing the job. In the video I used 100n at it wasn't enough, I tested until almost 400n it's a sweet spot between loosing volume and more than enough high cuts. The harp it's not harsh anymore...
@@viocaiaI’m mostly interested in a high-pass filter to reduce plosives, and potentially to remove the effect that happens when a rapper cups a microphone like you do when playing the harp. Having a few modified switchless SM58 in the mic kit would be helpful for those times/performers.
@@gregorykusiak5424 Interesting! When you say ''high-pass'' means you want to cut lower frequencies? That's simple, just add a 100n or bigger capacitor in series with the microphone. You can tweak the low response by changing the capacitor value. Rule: bigger capacity=lower the frequency.
@@viocaia yes, the proximity effect and plosives would be a first step, but a further one would be to mitigate the 400-600Hz buildup when an SM58 gets cupped by rappers or harp players.
So 100+ nF in series with whatever wire goes to pin 2 of the XLR until plosives (popped p’s, b’s, d’s, k’s etc) disappear… I’ll get back to you…
@@gregorykusiak5424 Right ! I'm waiting your resuslts.