JS Bach, Adagio in G Minor, BWV 1001, Insights, Part 2 | Heather DeRome
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- Опубликовано: 25 авг 2024
- Guitar transcriptions available at www.sonatasandPartitas.com or productionsdoz...
This video discusses the middle section of the Adagio in G minor, BWV 1001, understanding the music from a performer's perspective. the section of this piece is different from anything else in the book. See the video to find out why.
CRUNCHY❤ Love all those twists and turns. At the end of measure 13 going into 14 it seems there is an elision in the phrase. A lot of performers really want to break the phrase there. I don't know if that is an artistic freedom, or a mistake. Personally I think the phrase should feel continued, but open to other ideas. Wondering what you think about that moment.
funny! My nickname can be Captain Crunch (as long as I can stay gluten free). The downbeat of m. 14 does conclude the previous phrase, and it's definitely a strong arrival. But it is also the first note of the following phrase, and of that last major section, which is an "exact" transposition of the first. So I can see it being elided, since it' such a strong arrival and such an important point of departure. I don't know though, I think we need to be careful about eliding phrases, because it's just too easy to keep forging ahead. I guess I can see eliding it, as long as you act like you are going to really stop there, and then whoops you don't. I suppose that is the answer. Interesting question!!
@@sonatasandpartitas That makes perfect sense! Captain Crunch! 😂! Lol
What do you use to edit your videos?
i movie. Why do you ask?