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Four Cheap Guitar Amps That You Can Gig With (Just!!)
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- Опубликовано: 2 окт 2017
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👆 For more info on the amps in this video follow these links....
Fender Champion 40 - bit.ly/2g5qkrA
Boss Katana 50 - bit.ly/2dT2tNP
Marshall Code 50 - bit.ly/2g3jEKm
Orange Crush 35RT - bit.ly/2yjGCrj
Each amp is mic'd up with a Shure SM57 & we're not using any pedals.
Cheers All!!
Lee & Rob
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#chappers #Thecaptain #cheapamps
Orange Crush 35RT Clean 4:54 Gain 5:33
Marshall Code 50 Clean 6:59 Gain 8:18
Boss Katana 50 Clean 10:25 Gain 11:17
Fender Champion 40 Clean 14:13 Gain II 12:39 III 13:25 V 13:44
Shootout Winner Lee 19:52 Rob 20:31
The only losers are those two dumb brits trying to be funny.
Orange I think
You sir are a hero
Eddy did his good deed for the month thanks
спасибо!
The only gig I've got these days is mowin' the lawn. I'll tell you what.
Hank Hill hwat*
I wish you would step back from that ledge my friend.
Hank Hill your presence is getting old.
Oh really? I am so very sorry Mr. Doe. I will now stop making comments on the internet because of your opinion.
Hank Hill i don't care what anyone says your presence is appreciated.
havent really watched this channel in a couple years. there is a certain comfort in knowing that these guys are still playing the same licks
Lee has gotten 10x better over that time, he plays some really nice stuff now. Rob sounds great when playing more melodic things but is still prone to the same old 'big wailing bend followed by shreddy run through the pentatonic scale' thing he's always done.
This was one of the more critical demos; seems more authentic when they address flaws; dig it
Marcel Riemer yes, we need more of those from these guys. :)
Best clean sound equals best platform for pedals therefore i go for the Fender.
Francois Maurion amen
Even for Metallica tone?
@@JAF2991 No. He's talking about clean tone, when you're playing Metallica you don't care about clean tone. You want phat gain/distortion sounding amps.
@@penoyer79 he said best for cleans means best for pedals, just sold my Champion 40 for a Katana 50.
The Katana beats the champ IMO.
@@penoyer79 wrong.
ok here is an idea ... you guys keep saying that you could gig with these amps in all these demos ... so please do a video where you actually use some of these amps for a gig and give us a feedback :)
Robert Loch you can gig with any amp if it’s mic’d up lol
@@bunnybook6590 I think the idea is that you want to be able to use the amp at park gigs and the like where the venue has nothing, no PAs or anything.
@@bunnybook6590 okay but it is a scenario of pure raw power coming just through the amp
I've gigged the orange crush countless times, the clean channel is giggable
@@Havanacuba1985 most of the time
they def didnt give that amp a fighting chance. i wanna know what the knobs were set to.
The Captain’s solo at 16:15. My word. So good.
Honestly still can't believe how Boss can retail the Katana 50 at such a good price. It looks classy, sounds great and is really easy to use. Probably the best value gigable amp on the market?
ampedwales - oh it definitely is. Videos dont even do it justice. All of the Katanas are incredible. I found myself plugging into a Katana 100 (like the one I have) instead of the Rockerverb 50 thats ran through a 2x12 at my local guitar store
And super light!
MegaCrasherMusic - Solid State that heavily resembles a valve amp
The 100w has even better tones
the katana is awesome and all but how does the volme? is it really loud so it can beat the drums sound?
Champ sounded great to me. Didn't hear any fizzy or cheap in it. It'd be my choice for sure out of this group. :)
ArielsSmartyPants I thought the fender sounded good too. Don't know why Rob was hating on the distortion
I do hope the guys go back and watch this video. The Boss and the Marshall sounded terrible. Not sure if it's because of post processing or mic'ing or what, but the Marshall and Katana both sounded like pure ass. I've heard demos of the Code and Katana and none of them sounded THAT bad. Based on this, the Fender was the clear cut winner, for me, followed by the Orange, and the katana and code in a dead heat for last.
I spent one hour with the Katana at a big box retailer. No matter what I did, I could not produce a tone that inspired me and this is coming from someone who has owned nearly every modeling amp ever made. The hype surrounding this amp had me thinking I was going to leave the store holding the box as if it was Christmas in September. Nope. Left totally unimpressed. Spent another hour with the constantly slagged Line 6 Spider V and was blown away by what I was able to create, just from digging into the options buried within. Just goes to show ya....we all hear what we hear and like what we like. Glad the Katana crew love 'em but I'm just as happy toying around with my Spider V. It sounds every bit as good as my Vetta head once you get beyond the presets and really start creating your own tones and yes, to my ears as well the Fender's tone was the most organic. The Champion sounds like a real amp being goosed whereas the Code and Katana...again, to my ears, sound like digital amps being pushed by $50 dirt pedals.
I did the same thing with the Katana, really didnt enjoy any of the tones coming from it. Honestly expected it to be so much better but I guess there is just soo much hype surrounding it. Meh
I did the same thing with a bassbreaker 15 and couldn't make it sound bad no matter what knob I turned. Honestly the best experience I've ever had plugging into an unfamiliar amp, it's super.
Now do 4 cheap guitars you can gig with, one that's will hold up in a gig setting, easily played on a dark stage, sounding good to a gig standard, those sort of factors took into consideration
Ben Milford so basically the cheapest Chapman Guitar out there 😂
Bet they wouldn't mention harley bentons! Every guitar centres worst nightmare.
You know, I don't think there are any American RUclipsrs talking about HB either. In fact there are very few at all reviewing any Chinese stuff. What I've seen seems damn good too. I think they know they wouldn't sell too many $500 guitars if they stocked HB's for $200, that look and play and sound as good or better. It's just bad business, I get that. That's why we have many channels to turn to for reviews that these guys are not in a position to do.
Matt Mcmordie never heard of them before and I just spent the last 3 hours looking at them. Now to wait 2 weeks for my ST-20HSS to get here from over the pond. Thanks man!
+Matt Mcmordie Well, they wouldn't mention a guitar that you can only buy from one of their direct competitors anyway ;)
I think recording some instructional videos about how to properly maintain and take care of guitars and amps would be a great idea. Something such as "how to change tubes", "how to set up your vibrato" or "how to connect your pedals".
I have the orange crush, been gigging with it for 3 to 4 years playing to crowds as big as 300 people. Its a great amp for value. The clean tone sounds good to me ( I ve owned mesa boogie Mark V and various Marshall amps), for its price and weight really a great amp!
Do you use the 35RT? They said the clean channel isn't loud enough but what about when used with pedals?
Yup thats the model I have and was talking about@@rajikula8085. The Clean channel has been loud enough for me on various big stages as mentioned 2 years ago. I still use it
@@rajikula8085 I dont feel that way, It is loud enough to me and especially when used with pedals! At the end of the day it all depends what you are up against on the stage... And Ive used in on all sorts of big stages and small bars and clubs. I play in cover bands. If you have the option for something louder and thats what you need, go for it.For this price range, This is a good investment in an gigging amp. And it is light as F***!
Is me or Rob looking like he going to do darts match for Andertons
my band played a gig this summer for our singers motor cycle club at a park I was going to take my tube amp I took my Boss Katana 50 instead .it sounded great! and it was really loud enough . and cut through the bass and drums. I am so glad I bought this amp. Im taking it to all my gigs.
I used to bring my FENDER STAGE 112se to all our shows, but loved it to much to keep taking it to bars. SO i bought a MINT Peavey Bandit red stripe off a guy that played in a church band, for $100. Never a hiccup, sounds great. Reliable as the day is long.
Why are they saying the katana 50 has a 10 inch speaker? It's 12 :^)
Veloxzr They’re not, idiot.
@@stanknugget Hello. Per an internet search: "With 50 watts of power and a custom 12-inch speaker, the Katana-50 delivers a commanding range of gig-worthy tones that gracefully slice through any band scenario."
Preferably Stephen What is this?
@@stanknugget It was just some information explaining that the Katana 50 has a 12' speaker (not 10 inch speakers). I wasn't sure if you knew which speakers it had. Just trying to be helpful. Take care.
Todd Sauve Thats some wise words 👍🏼
1st = Orange
In joint second place, Katana + Fender. Can't squeeze a Rizla between them, even though they're different beasts.
Good sounds can be wrangled from the top three.
Failing to limp across the finish line in this egg+spoon race is the Marshall.
Damn, this shootout just shows how good that katana is. And god that marshall sounds awful. Katana>fender>orange>marshall
ky99999999 way too much bass I though for the Marshall...
Yep, Marshall sounded like crap. I wonder how would it sound with that PRS though.
They didn't have that Marshall dialed in right. I bought a Katana but I bought it for the ability to swap out all of the Boss pedals. The Codes I played sounded WAY better than on this demo.
Hated the code I owned. Not only the sound, but the functionality is terrible. I hated the way it has you manipulate EQ and presets.
Ya the presets on the marshall aren't great, the one they used was awful, but i honestly thing if dialed in right the marshall would be the best one here.
Why does every guitar player grossly overestimate the volume they need to gig?
As someone looking into getting their first (decent) amp and guitar, how much have they overestimated it by in your opinion?
barnaby de la billiere I’d say a good amount, if you mic up the amp you really just need anything with a great tone but I’m no expert
Ego, that's why. Guitarists want to be heard, and god forbid the drummer is louder than you.
I think it really depends on what "strength" of music your playing and how good of drums you have. If your playing a lighter rock like punk or alt then you dont really need a huge volume you just need it to mix well, but if you do metal or death metal or some straight screamo bs you want a louder sound to match.
@@barnabydelabilliere6740 Many venues have a PA system, so it's more important to find the one that sounds the best, volume is pretty irrelevant to an extent as it will be mic'd and played though the PA.
Eric Clapton used the Fender Champion for his Layla cycle.
I'm sorry rob but I'm pretty sure the katana 50 has a 12 inch speaker not a 10
no it's 10
No, it's a 12. From Sweetwater's site:
Tech Specs
Type: Solid State
Number of Channels: 2
Total Power: 50W/25W/0.5W
Speaker Size: 1 x 12"
Reverb: Yes
Its 12. Looking at mine right now!!
There are 2 versions with the 10" being cheapest
Definitely only comes in a 12
Dave Simpson demos the Orange Crush series the best.
LeJarrett yep. I just got one and it's amazing.
Top tips for the code:
1. Use the 1912 cab setting.
2. Use a low gain Amp setting with a peddle overdrive setting over it
3. Worn in, they sound amazing
Nice video.
I use the Orange Crush RT35 and love it.
I run my pedals through the clean channel and use the Reverb from the amp (great one by the way). Depending on the gig, I use its FX Loop.
I play Classic rock and Hard rock tunes, and this Orange deals very well with it.
I had the 35RT for several years. I bought the CR120 combo in 2020. So, I sold the 35RT since it wasn't getting used. THEN, I fell on some really bad luck and I had to sell off a lot of gear. The CR120C was among them and truly broke my heart to see it go. I used the clean channel exclusively on any Orange amp I have ever owned and yes, they are fantastic with pedals.
I use mine only the power stage and pretty happy until this day, now i'm looking and old valvestate 8040 to use it in stereo. i play at most for 50 people and the band have a good PA system.
Oh yeah orange can get loud. I have pretty much that exact amp. I have the 35RT and it'a dirty tone is loud!
I think you should do the shoot out and then actually gig with the setup you choose. Put them to the test, I'm sure loads of people would love to see Chappers and the Captain play a few songs live
I actually pre-ordered a code 50 and I've done numerous small gigs (40ish folks) with it and I absolutely love it. I've gotten some fantastic tones from the JTM 45, Blusebreaker and Plexi settings.
I personally have a Fender Champ 40, got it used for $119 about a year ago. I agree with the guys and the comments that the clean channel is the best (at least for my tastes). I use this as my practice amp and have played both individual analog pedals and my Line 6 HX through it and I can say with confidence that BOTH types of effects sound wonderful through this amps clean channel so for me the dirty channel lacking is not an issue for me. Played one gig with the amp and had no issue volume/mix wise.
Surprisingly I like the fender most....
Kai Fischer
Fender guitars are my absolute favorite, but not Fender amps.
fender amps have the best cleans ever. so smooth and resonant
The fender has a great clean and a nice low gain overdrive, but the katana runs it close on both and also has way more versatility in distortions and effects.
I’d probably go with the Fender if it pairs well with multieffects...
better cleans then katana, much better slightly driven/ crunch then katana, but totaly fades at gainy/distorted sound. Orange looks like 2 tricks ponny (if orange sound is your thing, might be perfectly alright) and Marshall looks like something that needs lot of tweaking ...
I've used a Vox Classic Rock headphone amp at a gig. Delay, reverb, chorus, and three channels. Plugged straight into the board. Sounded great.
I just picked up the Champ 40 for my son. Amazing lil' solid state'r. I agree with Lee on the assessment of it's gain, quite good overall.
Ya gotta try the champion 40 with a jaguar. It’s such a Special Sound... magic.
Looking good in that andertons shirt chappers!
disgracedstormtrooper you could literally say that for any video
love these honest videos! that's why i go to this channel and order from this store
I love my Champion 40. I’ve been gigging with it for the past 3 years of playing. It’s weird yet amazing that the Champion 40 can compete with all these new amps
Hi Jovan, what style do you play? because im looking for the champion 40 to gig with, but my band plays from punk rock to heavy metal. I would use it on clean with a pedal for distortion. Do you think it would work? Thanks.
I have a Katana 50 in the FEDEX delivery truck , on its way to my humble abode on Galveston island today! Can't wait to get it. I LOVE that amp and for solid state, I don't think it gets much better for the money where good clean and dirty tones are concerned.
I have the katana 50 and it's amazing.
Justin Roman Do you recommend katana or marshall code?
Hemolia Liz Katana 50
"Gain of tones" I actually lolled
Me to.
Katana is amazing tone - I have the 100w and have binned my valve amp - it's just amazing.
Recently, this afternoon, i play with the Orange and Fender in a local shop. This Orange is really BIG. The Fender is so loud but the dirt channel is weak. Now, I think that i can gig with Orange Crush 20rt.
Fender for clean to classic rock, Katana for hard rock to extreme genres ... Also Katana has nice acoustic mode ...
and when you do small valve amp, pleas pleas pleas add (at least as honorable mention) Laney CAB12 (I actualy tried it in music store and its just amazing in 1 watt mode, esp with P90 or PAF humbucker loaded guitar)
stanislavmigra run an epiphone ultra 3 through the katana. The piezo really likes The Katana acoustic setting. The buckers love the electric setting.
Fender amp and gretsch semi hollow guitar
MIM are great on the budget, cant go wrong here ...
So where can i buy on of those Josh's? Seems pretty usefull
In order of preference: 1. Fender 2. Boss 3. Orange 4. Marshall
RMS or 'root mean squared' is a measure of the average wattage used by the amp. Because we use A.C. power is oscilates back and forth between peak voltages. Rms is just the average between those 2 peaks
I would go for the Boss katana 50 💜
I own the Orange 35rt and I love the clean channel. The gain is great until you add to much, for my taste. If I didn’t have the Orange I would go with the Katana. The Code didn’t sound that good to me and even when I tried one I was not impressed with the sound but the app feature is pretty cool. Fender was good on clean but didn’t like the dirty all that much.
I have truly enjoyed watching the Ol Captain become quite the guitar player over the last 3 years. Puttin work in SON!..
I thought the Orange sounds pretty bad until the Cap'n started busting those sweet blues-rock licks in the jam portion, holy smokes!
Love the editing on these vids you guys are hilarious and very informative at the same time. Rock on fellas
Great vid guys! I wonder if Rob kept that magic PRS 594. Love that 594 he has here and obviously Lee is enjoying that CAP10!
Marcus Hogan Its a McCarty I have the same guitar with different color and ebony fretboard on my page.
Sorry you're right my mistake
Marcus Hogan All good man you should really play one it's the best guitar I've ever owned hands down.
Rob kept the magic PRS 594 with the Red Grey finish (dunno the official name). He was playing it on his youtube channel and said he was keeping it for his son's 18th birthday then started laughing maniacally...dunno why :P
DeathPandaDanceParty what if his son hates the prs?
It think some people would agree with me on this:
1)Boss Katana - Luscious cleans, spank 80's, 90's distorted and crunchy tones, nice 10/10
2)Fender Champion 40- Surprisingly nice cleans, cool all rounder channels/ gain stuff. 8.5/10
3)Orange Crush 35RT- Even though a bit boxy, it still is old school on cleans and gain still damn good if you are into it 6.5/10 for me
4)Marshall Code 40 - Give a piece of cardboard a speaker, an app and buttons= Marshall Code 2.3/10
I've got a Champion 100, it's fantastic. I use the jazz voice with low gain as a clean, but the standard clean is incredible. It handles pedals really well too, and it's only £230
Personally,
I really like the Orange crush 35rt.
However I also like the fender.
I'm not a fan of the boss amplifier or the marshall.
The best amplifiers on the market in my opinion are the following:
Fender champion amplifiers,
Orange crush amplifiers,
Marshall MG amplifiers,
And Blackstar HT1 and HT5.
On the other side, I really like the sound of 10" speakers, less muddy than most of the 12".
Katana 50 in the post! So excited as it's my first amp over 15 Watts and the first time I'll ever use reverb!
Owned a Champion 100 - LOVED the cleans and the reverb, but nothing else. Sold it and bought a Katana 2-12. Haven't regretted it for one second. It's clean is not quite at the Fender level (although the 'acoustic' setting gets close), but for an all around great sounding amp that does every genre (and effects) really well - the Boss Katana is the way to go.
Gain of tones? You guys are just hilarious!
The Orange is cool, love the straight forward analog simple controls, unfortunately it doesn't sound worth buying in person. The Code sounds sooo much better when set up properly. It can suffer from a crap ton of settings and I wasn't all that thrilled by the presets. The Fender Champion 50 xl looks really good, but I'm seeing bad stories regarding a reverb issue.
i spent a lot of time tweaking the knobs on my crust 35 when i first got it.... but im happy with the tones i can get out of it after spending time with it. and it sounds better with some of my guitars than others, but that's the nature of gear.
i´m reading all negative commentaries about marshall code..
i´ve got a code 50 and is really powerfull
the delay and reverb effects are really professional effects !
so i use it with acoustic guitars too , just pulling down de gain, and sounds fantastic !
despite it has no celestion speakers..
The editing in these videos are just the best. That poof, the classic shattering glass mugs...gotta love it.
You guys should do a challenge where you go through Andertons and select your dream rig! no restrictions!(money wise)
Can't wait for the home use valve amps review!
Agreed, this is what i'm looking forward to. Shootout with the Blackstar and marshall 5's (and whatever else is good at that price range?)
boymcgee Fender Bassbreaker 7w is also a good choice. And rumor says Marshall is going to release some new valve amps soon.
oRaNgE mIcRo DaRk
Bugera 5w! I just run nine through a 1×12 cab
Hi guys! I personally gig with the Fender Champion 100, two speakers and channel switch pedal take it to the next level. Absolutely cracking amp and recommended in Andertons by Rabbea so cheers for that dude! Really grateful, it has served me well!
Interesting to see Lee is getting better and better...love his bluesy approach to guitar playing.
"Trying to keep this affordable" uses PRS 594.
It's a McCarthy 22, but your point remains valid
Fellas, to demo the ability of these amps to keep up in a “gig” setting, why not run a drum & bass backtrack at volume (or have guys playing live?). then play the amps against it to demonstrate.
I would definitely go for the Fender, since it has the nicest clean sounds by orders of magnitude. And for the gain sounds, I (and I guess 90% of you out there) use there preferred pedal combination that we have anyhow...
The "Orange Croosh Really Not Very Sound" 3:56 cracks me up
Also, make a video about 4 affordable tube amps for gigging as well.
Could you guys do a most expensive Squier vs cheapest Fender shootout, strats and teles?
Mish Bayoumi they did that with teles a month ago
Cool, i must have missed that one. Have they done Strats?
yup
I have a challenge for the Chaptain wombo combo, try to get a pedal board of as many different styles of pedal (tuner, booster, delay, mod, OD etc) but using only one colour, so for white it could be TU3, OCD, micro amp, Caverns, tone wicker big muff.
Daaaamnn, Capt Lee your chops have come along way from where you were a couple of years ago!!!
If I closed my eyes I wouldn't recognize your playing. Awesome!!!
🎸😈🎸
honestly the Plexi amp model on the CODE is spectacular, idk what preset you guys used, but please check out the Plexi preset with the distortion pedal effect in front of it, that tone is easily better than those other amps there.
Robert Cuff The jvm clean really surprised me as well.
True. The JCM 800 model also does a really good job. It's the JVM and DSL models that don't do the trick. And I'm fairly sure they used the JVM model in that demo. Sometimes it makes you think they deliberately want the CODE to come across sub par.
Tenkterian I was talking about the "Plexi" setting not the JCM 800, but that one also is quite accurate, i find it is slightly muddier than the plexi one.
Robert Cuff I know, that's why I wrote "also". ;) But you're right, the Plexi model is great. Basically all vintage style preamps on board are quite spot on. It's the modern, gainy ones that sound a bit cheap.
Tenkterian oh lol i'm sorry i read that wrong, ya i use the JCM 800 setting for Tom Morello songs and it sounds spot on. but the plexi setting is so great for classic marshall stuff like AC/DC but if you turn up the gain a little, you would be surprised how close i got it to Adam Jones' Tone from Tool
Fender champion wins ...
A word about the Code, for all the haters. I had one about a year ago and went through the presets, tweaked a bit here and there and returned it after a couple of hours at home. I thought it was awful. I recently traded for a Code 50 and decided to give it some more time. Here's what it boils down to (I play a SSS Strat, btw). It does a few things very poorly, like high gain. It does a lot of things good enough for most, like cleans and blues tones. BUT, it does one very significant thing VERY well. If you want a great hard rock/classic rock tone, set the preamp to Plexi, the power amp to Marshall Classic 100 Watt and turn the cab emulation OFF. Roll off the treble to 2-4 depending on your guitar, set your mids to 12 oclock and the bass to 7-9. Gain about 8 and volume to 5+. You now have the best Plexi sound you could ask for without paying thousands of dollars. Add a bit of overdrive or Guv and you're in classic metal territory. Oh, and BTW, when Cap was showing the noise gate at the end of the video, he had the thing turned nearly all the way up to make it choke off his sound like that! And the hum he showed with it off could have been easily addressed by turning the gate up to about 1.8 or so WITHOUT destroying the tone. It was a VERY dishonest demonstration of the Code noise gate!
I ordered a BOSS Katana 100W today. Can't wait to plug in my Fender elite tele tomorrow and shred it up :)
I want a Cap 10. Candy Apple Red, with no pickguard.
You guys should do a sounds like Tom Petty, like so they can see!
Props to the champion! Way underrated. But they all rock.
In a previous video on Rob's channel titled "Orange Crush Guitar Practice Amps - New for 2015" Rob and the Captain both praised the clean sound of the Orange Crush amps. They even confirmed the fact that these amps take pedals very well in front of their clean channel. In stark contrast to that review, they clearly mentioned different opinions about the same clean tone of the same amp in this video!...Rob said it's plasticy while the captain said it's boxy! This is really interesting and I wonder whether their ears heard another sound from the same amp after two years. I have tried this amp three times in a music store and I can confirm it really doesn't sound plasticy at all (not the best but quite acceptable). I trust this channel so much, but I find it hard to justify the inconsistency between the two videos.
Oi, can you play the red 335 in the back sometime?
SNOGGERS I think it's danish pete guitar, look at his channel, really thought I saw a video there
omg what’s the tension between cap and rob? it’s a w k w a r d
I have an orange c35rt and gig with its clean channel all the time, and it works just fine.
I own the Fender Champion 40. The Fender models or voices as they are called sound decent especially the tweed deluxe for high gain. The cleans are the best. I use distortion pedals with mine as I don’t care at all for the British or metal settings. Plenty loud.
Team katana. Vote👈
Hell yeah ! i got one ;) go team katana
100watter checking in. Love it to bits.
Haha same awesome ^^
The Boss Katana and the Zoom G3Xn. The ultimate bedroom goofing around set-up.
Sorry to shit the bed, but I hated it. I bought a Revv Generator instead. Much, much better.
Did Lee say “Gain of Tones”?!
that was on the spot too, that was brilliant!
I gigged with a 10 watt Peavey TransTube amp once. it could easily be heard over the drums and everyone liked it.
I enjoyed everything about this. Only suggestion is to use "mid level" guitars that someone who is just starting out would likely have.
Good critical review, cheers
#1 Orange
#2 Fender
#3 Boss
# Marshall
The Boss Katana definitely sounded the best to me, great gain and workable cleans. The gain at about three also sounded pretty okay on the Champion to me, though the Katana was still better.
The guy who does the editing for these is a damn legend
That PRS is disgustingly sexy. Someday...
12:23 - Lol "can you teach me your shred lick?"
Root Mean Square is a way of talking about an 'average' performance vs a peak value.
The idea behind using the RMS is that taking square root of the average deviation squared is more computationally tractable than finding the average of the absolute values.
The fender with more gain sounds fine to my ears, my amp is cheap and sounds absolutely crap and the distortion is unusable except for like light crunch which still sounds shrill and fizzy.
I'd rather buy a used Peavey Bandit.
I bought a used red stripe about 2 years ago without really knowing anything about amps at the time, was only when I started jamming with other people I realised what a gem I'd gotten my hands on :)
Yup
Shhhhh.. don't jack the prices up. 😜
Had an almost brand new latest-gen Bandit shipped to my door for ~160 bucks. Played it for a year, that was a beast of a gig-worthy amp. Sounded phenomenal by itself or with pedals... And when I sold it, I got 160 back out of it. One of the best amps I've ever owned, and I would own one again one day.
I’m not sure this would fit with the purpose of your channel, but I would love to see a shoot out of amps that are commonly available in the used market. When I cruise craigslist I see a lot of Peavey (a lot) line 6 and older Fender amps. Would be cool to know what the good finds, bargains and steals would be among those.
Roland cube????
Was discontinued when Katana came out.
Ah.
Wait... Really?
I owned an Orange Crush. Sold it after my girl bought me a Line 6 Amplifi. I regret selling it. My main amp is a Mesa Dual Recto and i would put the Crush up there. Really good tones out of it. The clean is actually really good, they should have tweaked it better in the video. Legit debated selling my Recto to buy the biggest Crush - tones are that good and get the reliability of solidstate.
how come you guys didn't include the new spider or the peavey bandit?