No mystery to it. The problem is that people fixate on the chord rather than the progression - like obsessing over the design of one engine component and ignoring its interaction with the rest. The chord itself is an altered "sixth" predominant that leads via sequential suspensions to a dominant that deliberately doesn't resolve. The gesture is then repeated twice through different potential regions of the home key (A minor) but never finds home. Thus longing and searching without success.
It's the same chord but a different context, and unless it resolves to F# Major it requires an accidental. So while you're incorrect about Why you think this is "wrong" this analysis is flawed.
VERY nice video but MUSIC IS TOO LOUD - I found it very difficult to understand your words. Especially when the Horns would swallow up the sound. Maybe I am getting old! 😢😥😭😰
No mystery to it. The problem is that people fixate on the chord rather than the progression - like obsessing over the design of one engine component and ignoring its interaction with the rest.
The chord itself is an altered "sixth" predominant that leads via sequential suspensions to a dominant that deliberately doesn't resolve. The gesture is then repeated twice through different potential regions of the home key (A minor) but never finds home. Thus longing and searching without success.
Now I can sleep better tonight knowing this.... lol 🙂 Everything always sounds better with a b5 in it
Wrong! The chord in the opening is not the same as the chord at the end.
It's the same chord but a different context, and unless it resolves to F# Major it requires an accidental. So while you're incorrect about Why you think this is "wrong" this analysis is flawed.
VERY nice video but MUSIC IS TOO LOUD - I found it very difficult to understand your words. Especially when the Horns would swallow up the sound. Maybe I am getting old! 😢😥😭😰