Awesome lesson! - loved your Matterhorn lesson as well. I want to learn the straight blue highway break that you taught but could you also do a lesson on the break you played at the end? I think You referred to it as double picking.
Dead on the money! Thanks for doing this! I wrote this song and appreciate that it keeps moving forward! Thanks again! Really good! www.pulleytunes.com
There most definitely is such a thing as playing too close to the bridge. If you can't hear the degradation in tone/sound when a banjo is played too close to the bridge, I don't know what to tell you. If you play close enough to the bridge, you can't tell the difference between a $100 Harmony and a $100,000 prewar Gibson. It robs each banjo of its natural full tone and they will both have the same hollow tinny sound.
Awesome lesson! - loved your Matterhorn lesson as well. I want to learn the straight blue highway break that you taught but could you also do a lesson on the break you played at the end? I think You referred to it as double picking.
Great lesson. Any tips for the backup parts during the vocals?
Good I like the way you explained it
Some how I missed this lesson!
Nice job.
Your also sliding from 2nd to 3rd fret on 2nd string and playing up on the 3rd, 4th and 5th on the 4th string
Genial
Do you have tab for this?
Dead on the money! Thanks for doing this! I wrote this song and appreciate that it keeps moving forward! Thanks again! Really good! www.pulleytunes.com
I'm honored to have your approval on it! It's one of my favorites.
Wow, what a compliment!
Playing way too close to that bridge. Makes that great banjo sound hollow and tinny.
adamaj there is no such thing as playing too close to the bridge lol
Banjo tone is totally subjective and at the discrepancy of the picker.
There most definitely is such a thing as playing too close to the bridge. If you can't hear the degradation in tone/sound when a banjo is played too close to the bridge, I don't know what to tell you. If you play close enough to the bridge, you can't tell the difference between a $100 Harmony and a $100,000 prewar Gibson. It robs each banjo of its natural full tone and they will both have the same hollow tinny sound.