The intonation of wood pipes is a very interesting and crucial item. It could be fantastic if you will do a special video about this argument! Hoping so, i send you my compliments and greetings!!
thank you, yes, I'm preparing a theoretical miniseries, where topics ranging from acoustic theory applied to organ pipes to intonation will be dealt with
ДОБРЫЙ ВЕЧЕР. Смотрю все ваши видео. Очень жду размеры геометрические на портативный орган который носили в 15 -17 веках за спиной . Вы грандиозный популяризатор органа и органной музыки. Уверен --- с вашей помощью и у меня всё получится. Я ваш поклонник и и уже далеко не молодой человек -- но я ваш ученик.
I have been messing around making some test pipes, and I was wondering how you determined to use 40mm of wind. From testing with my accordion it seems that I can make about 20mm with the bellows for normal playing. Isn't 40mm a lot?
Hi Casey, Thanks for the question. I choose this pressure through empirical tests. The bellows system in an organ is very different, in fact a wedge shaped bellows is a second order lever, which, at least, doubles the pressure for the same force exerted by moving half of the air. The bellows I will build will have a factor of 2.6, so for 10kg of force it will exert 26kg. but in any case by intervening on the foot aperture and the windway of the pipes, it is possible to voice the pipes even for lower pressures. I hope everything goes well :)
Mi chiedevo se non è rischioso fare i fori alla copertina, prima di averne stabilita l'esatta posizione con questo processo. 🤔 So che alcuni infatti ricorrono all'incollaggio di questa, anche se personalmente non la gradisco, anche esteticamente.
Ciao Marco. In effetti tanti organari aspettano a fare i fori sulla copertina proprio per questo motivo. In realtà i fori che ho fatto sulla copertina mi permettono un certo margine per spostare la copertina di quel millimetro avanti indietro che è più che sufficiente. Nel video la sposto in modo esagerato 😄 ma solo per far sentire la differenza. Grazie!
Hi Gianmaria, could I ask why set the pressure at 40mm? and what is the pressure for your continuo organ? Second, when testing the pipes, why higher notes are shifted to the holes in the middle? Is the diameter of the foot hole gets smaller for higher notes? The Screw at the foot controls the wind and thus to control the percussion? why need to control the percussion? And finally, what is paint used as the filler? Thanks in advance for your patience 😅
😅some questions here... The pressure is 40mm in water column because medieval portative organs, and hand pumped in general, worked at very low pressures. in a previous video I said that my pipe organ worked at 55mm water column, but I was wrong, it works at 65mm of water column. Yes the diameter of the foot is smaller for the higher pipes. because too much air at the foot is unpleasant, however within certain limits it is also a matter of taste. it is a normal water based trasparent filler, in Italian we said "turapori"I don't know if there is a better word to describe it in english.
@@nippocast thank you so much, could I ask another question about the height of the mouth, higher mouth produce more flute like sound? what is the range of the mouth height. Meanwhile, I found that making wooden pipes seems far more difficult than metal pipes? the adjustment are more difficult?
@@dlwangxiaohu Hi Xiaohu, thanks for your questions. The ideal height of the mouth is related to frequency and diameter. out of this ideal measure it produces more or less harmonics, therefore a higher mouth has a sound with fewer harmonics, more sweet, while a lower mouth produces a sound with more harmonics. But it's not that simple, it's very rough as an explanation, the mouth it's just one of the factors that affect the sound.
salve, vorrei sapere, ho notato che il cacolo della pressione viene fatto regolando il livello piu basso con quello piu alto, e la differenza determina quindi la pressione dello strumento. quindi se realizzo uno strumento simile, posso controllare la pressione del mio organo, e' corretto? grazie. puo scrivermi a dm2000bach@gmail.com (le mie canne lavorano a basse pressioni e a volte mi sembra di sentire piu l'armonico che il fondamentale). saluti. interessanti i suoi video
Salve Davide, Si esatto. La pressione si misura dal punto più basso a quello più alto. Spesso si sbaglia misurando solo quanto sale il livello di destra e ci si trova con pressioni doppie!
@@nippocast grazie, ho calcolato bene e quindi il mio organo lavora a 50mm, dovro controllare la regolazione al piede del bordone perche come le dicevo percepisco piu l'armonico. tutte le mie canne hanno la vite di regolazione o la valvolina girevole all'interno, forse si e' spostata. grazie della disponibilita'. saluti
@@nippocast mi son dimenticato di dirle, che ho seguito passo passo la sua costruzione per un mantice di compensazione, ho risolto in parte ma migliorato moltissimo i tempi di risposta del mio organo. forse avrei dovuto metterlo dalla parte degli acuti, dove si nota di piu' la vibrazione se al basso ho accordi che quindi danno molte scosse al canale del vento. grazie ancora, i suoi video sono molto completi. saluti
Hi guys, another step forward! in the next episode we will see the tuning system
Grazie mile!!
The intonation of wood pipes is a very interesting and crucial item. It could be fantastic if you will do a special video about this argument! Hoping so, i send you my compliments and greetings!!
thank you, yes, I'm preparing a theoretical miniseries, where topics ranging from acoustic theory applied to organ pipes to intonation will be dealt with
@@nippocast this is the best new! I m waiting for with top interest! Thank you!
Hi guys. Where to find organs plans construction?
Great video!
Thanks Howard!
I've been looking for a long time for a video on how to voice pipes. Thank you so much for this!
I'm glad to hear that. Thank you!
Your skills are incredible 😮 I have learned a lot watching you, plus I could listen to you all day long.
Thanks!
I like how you are putting so much efford in it to show exactly how to build an portativ organ. keep it on!
Thank you, I would like these topics to reach a wider audience. I do my best😅
worth to watch for a second and third time, thanks so much!
Thanks Xiaohu!
SUPER.
Thanks!
ДОБРЫЙ ВЕЧЕР. Смотрю все ваши видео. Очень жду размеры геометрические на портативный орган который носили в 15 -17 веках за спиной . Вы грандиозный популяризатор органа и органной музыки. Уверен --- с вашей помощью и у меня всё получится. Я ваш поклонник и и уже далеко не молодой человек -- но я ваш ученик.
@@ЧеславРадюль Большое спасибо! информация, приемлемы ли русские субтитры, чтобы что-то понять?
@@nippocast Понять можно если знать тему разговора.
@@ЧеславРадюль OK, thanks
Wow! very helpful, thanks
Tnaks antony!
@@nippocast they seems very loud
@@antonyswift4069 yes, they have a good volume
Thank you for the details in voicing the pipes.
Thanks Richard!
Cool
Thanks alexy!
Exactly what I was waiting for👌
Excellent
Muito bom! Ótimo trabalho
Obrigado!
Benedito, vc constroi órgãos?
¡¡¡fantastic!!!
Hi Despelothier, Thanks!
Muito bom seu trabalho.
Obrigado!
Super sound!
Thanks Travis!
Estas flautas não poderiam ser de bambu?
certamente, o bambu é uma boa madeira para flautas
@@nippocast você fala português?
Nice sound! Is the pipe a stopped flute?
Hi Han, Thanks! No it is an open pipe, in the other videos you can see the building process. Bye!
A great video, thanks you!
Thanks Jordan!
I have been messing around making some test pipes, and I was wondering how you determined to use 40mm of wind. From testing with my accordion it seems that I can make about 20mm with the bellows for normal playing. Isn't 40mm a lot?
Hi Casey, Thanks for the question. I choose this pressure through empirical tests. The bellows system in an organ is very different, in fact a wedge shaped bellows is a second order lever, which, at least, doubles the pressure for the same force exerted by moving half of the air. The bellows I will build will have a factor of 2.6, so for 10kg of force it will exert 26kg. but in any case by intervening on the foot aperture and the windway of the pipes, it is possible to voice the pipes even for lower pressures. I hope everything goes well :)
Domanda, con che legno fai le canne dell'organo?
Ciao, queste le ho fatte in Mogano.
Who designed your instrument?
it's my project
@@nippocast I'm inpressed!
Mi chiedevo se non è rischioso fare i fori alla copertina, prima di averne stabilita l'esatta posizione con questo processo. 🤔 So che alcuni infatti ricorrono all'incollaggio di questa, anche se personalmente non la gradisco, anche esteticamente.
Ciao Marco. In effetti tanti organari aspettano a fare i fori sulla copertina proprio per questo motivo. In realtà i fori che ho fatto sulla copertina mi permettono un certo margine per spostare la copertina di quel millimetro avanti indietro che è più che sufficiente. Nel video la sposto in modo esagerato 😄 ma solo per far sentire la differenza. Grazie!
Ah ecco, grazie per la risposta✌️
Como faço para adquirir um livro dedicado ao ensino da construção deste instrumento musical?
bons livros são "the art of organ building vol II" e "Organ buildings for amateurs", mas estão em inglês. Obrigado
Hi Gianmaria, could I ask why set the pressure at 40mm? and what is the pressure for your continuo organ? Second, when testing the pipes, why higher notes are shifted to the holes in the middle? Is the diameter of the foot hole gets smaller for higher notes? The Screw at the foot controls the wind and thus to control the percussion? why need to control the percussion? And finally, what is paint used as the filler? Thanks in advance for your patience 😅
😅some questions here... The pressure is 40mm in water column because medieval portative organs, and hand pumped in general, worked at very low pressures. in a previous video I said that my pipe organ worked at 55mm water column, but I was wrong, it works at 65mm of water column. Yes the diameter of the foot is smaller for the higher pipes. because too much air at the foot is unpleasant, however within certain limits it is also a matter of taste. it is a normal water based trasparent filler, in Italian we said "turapori"I don't know if there is a better word to describe it in english.
@@nippocast thank you so much, could I ask another question about the height of the mouth, higher mouth produce more flute like sound? what is the range of the mouth height. Meanwhile, I found that making wooden pipes seems far more difficult than metal pipes? the adjustment are more difficult?
@@dlwangxiaohu Hi Xiaohu, thanks for your questions. The ideal height of the mouth is related to frequency and diameter. out of this ideal measure it produces more or less harmonics, therefore a higher mouth has a sound with fewer harmonics, more sweet, while a lower mouth produces a sound with more harmonics. But it's not that simple, it's very rough as an explanation, the mouth it's just one of the factors that affect the sound.
@@nippocast thanks so much for the reply, it is aleady very useful for beginner like me.
great video, but how big are the hole in the pipes suposed to be? I cant find a video here on you tube about it.
i mean the hole were the air is coming in.
@@oskarrosing4503 Ok, the hole at the foot in this pipe , the C sharp, is 11mm. Is 12mm for the biggest pipe and 6mm for the smallest
@@nippocast thanks🙏
0:46 Finally this piece of paper came out 😅 I could have ripped it up by reflex 😂.
😂
999 Subscribers, just one more!
salve, vorrei sapere, ho notato che il cacolo della pressione viene fatto regolando il livello piu basso con quello piu alto, e la differenza determina quindi la pressione dello strumento. quindi se realizzo uno strumento simile, posso controllare la pressione del mio organo, e' corretto? grazie. puo scrivermi a dm2000bach@gmail.com (le mie canne lavorano a basse pressioni e a volte mi sembra di sentire piu l'armonico che il fondamentale). saluti. interessanti i suoi video
Salve Davide, Si esatto. La pressione si misura dal punto più basso a quello più alto. Spesso si sbaglia misurando solo quanto sale il livello di destra e ci si trova con pressioni doppie!
@@nippocast grazie, ho calcolato bene e quindi il mio organo lavora a 50mm, dovro controllare la regolazione al piede del bordone perche come le dicevo percepisco piu l'armonico. tutte le mie canne hanno la vite di regolazione o la valvolina girevole all'interno, forse si e' spostata. grazie della disponibilita'. saluti
@@nippocast mi son dimenticato di dirle, che ho seguito passo passo la sua costruzione per un mantice di compensazione, ho risolto in parte ma migliorato moltissimo i tempi di risposta del mio organo. forse avrei dovuto metterlo dalla parte degli acuti, dove si nota di piu' la vibrazione se al basso ho accordi che quindi danno molte scosse al canale del vento. grazie ancora, i suoi video sono molto completi. saluti
Grazie, si questo è un problema comune soprattutto se la pressione è piuttosto alta.