Confessions of A Wildlife Artist with Greg Beecham V1E1
HTML-код
- Опубликовано: 26 окт 2023
- Confessions of A Wildlife Artist with Greg Beecham
V1E1
Series Introduction
Building the palette
Transparent Earth Red
Quinacridone Burnt Orange
Raw Sienna
Titanium White
Warm White
Cadmium Yellow Pale
Cadmium Orange
Cadmium Scarlet
Cadmium Red Deep
Alizarin Crimson
Magenta
Ultramarine Blue
Manganese Blue Hue
Chromatic Black
Portland Grey Deep
Portland Grey Medium
Portland Grey Light
Portland Cool Grey
Subtractive properties of paint
Painting composition elements
Color Value
Focal Points
Painting subjects
Excellent video. Thanks for sharing your experience and knowledge. I'm looking forward to seeing future videos.
Thank you for sharing how you approach your paintings. I love how you can capture a mood without getting bogged down in super fine detail. What you said about having harder edges for your focal point and softening as you move away was very helpful. I look forward to your next video :)
This is awesome! Thanks so much for uploading this to RUclips. I really appreciate you going through your process step by step in Confessions of a Wildlife Artist. I really appreciate it :D
Thank you for writing. I look forward to the next video. You’re the best wildlife artist in the country.
Nso2ndiiens9. Oxnsons😢ehgdia❤
Looking forward to the next video! I’m curious to see how you’re using the greys/chromatic black. I liked hearing about how your path ended up being different from your dad, and finding your own way :)
I just discovered you today. I will look for your finished paintings after this tutorial, but I want to thank you for sharing your talent.
Good news❤❤❤❤🙏
Gorgeous work.
I some use acrylic in underpants
I kno w a wild life artist who is incredibly then shoots hunts them dead. I cannot fathom after painting the beauty of a breath creature you would take its life
@savioroftheheavenlyfowl7111 yes you can see and feel their heart beat and soul
Enjoyed hearing about your thoughts and process. I enjoyed seeing you mix and paint slowly. There’s too many hyper speed art vidoes online - watching those stresses me a bit.
Thanks for your feedback! I'm a fan of the slower pace myself.
I first saw your paintings on your Instagram, and I think they are stunning. Thank you for sharing your process! I do have a question not art-related. In your About section, you mention that you honor the sanctity of life but also enjoy hunting. How do you reconcile those two opposites?
So far every oil painter, I know, including myself, feels exactly the same way you do about acrylics.😂
when will the rest of this painting demo be posted?
I'm working on having another episode edited, but it may be a bit.
Thanks so much this is really great! Question, do you always use your own photos as references? If so, what’s your process for taking them? If you use references from others, what’s your process for that? I feel like I’m always grappling with how to get and use reference photos of wildlife
As often as I can, I use my own references. My personal rule for using other people's references is that I have to have been with them when the reference was taken. That means getting out and being with the animals. Not always easy, I understand, I'm blessed to live in an area that has abundant animals all around, but I implore every artist to find a way to get out with the animals.
What palette is this ? is this sta wet masterson palette? It looks like sta wet palette? How do you keep your palette wet for days?
Yes, I believe it is a Sta-Wet. I usually use a glass palette at my home studio. I don't purposely try to keep my palette wet, simply pile up my oils as I need them with space in the middle to mix.
Come to Islam n success Greg