BOSS Nextone Artist/Stage Guitar Amplifier Sound Example
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- Опубликовано: 12 сен 2024
- Four Power Stages, Unlimited Expression.
The Nextone series - Artist(80W) and Stage(40W) - presents an exciting new concept in professional guitar amplification. Backed by our advanced Tube Logic approach, four selectable Class AB analog power amp types, 6V6, 6L6, EL84, and EL34, create a complete sonic experience of these distinctive voicings.
#BOSSNextone #NextoneArtist #NextoneStage
Product Details:
Nextone Artist: www.boss.info/...
Nextone Stage: www.boss.info/...
For the best possible listening experience, we recommend listening through quality headphones.
All Examples recorded directly to Studer A800 Mk3 2" Tape Recorder via Cadac G-series Console performed by Chris Buck.
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These Nextone amps actually impressed the guys over at That Pedal Show.
With a *Fuzz* the Nextone actually sounded better than whatever high-end valve amp they were A/Bing against.
And they admitted it.
I still love my simple valve amps, but this line of amps is definitely getting very close to indiscernible emulation of that sound, feel, and response.
this amp took me from traditionalist tone snob to "THE FUTURE IS NOW BITCHES" literally overnight
@@jafrost1328 I've had my Nextone Stage for 4yrs and it's a rockin bitch!
Solid af no doubt.
Chris Buck can make anything sound good...he makes this sound Great.
Great playing Chris Buck! Beautiful tones!
Love my Nextone - just wish I could play like Chris Buck….
Good player, good demo. This is how you do it.
Great work by Boss engineers. I'll have to try one out, but every video I've seen for the Nextone sounds great.
Chris Buck can make anything sound amazing. Great player, great amp
Two strands of rusty barbed-wire nailed to a grey ironbark fence
sleeper & Buck would make it cry, laugh, sing & wail, no problemo.
Tone is in the head, then the hands, it's about 'feel'.
Didyabringyabongalong Station, Central QLD, Australia.
I hear beautiful music, rich, dynamic, powerful and complex sound. I then wonder why anyone would continue to care about, or push the “nothing sounds as good as tubes” idea. They could have lied and said it was a new all tube deluxe reverb model, and it would have fooled most people. Just play, play with all you’ve got, and maybe you can sound as good as Chris someday.
Jason Guion While it’s a nice thought that solid-state is going to catch up to tubes, it hasn’t yet. I have a Stage, and like it a lot, but it won’t replace my boutique tube combos, except when I need to keep them from getting beat up or need a smaller and lighter amp for travel.
The Nextone presets live and loud are much better sounding than the sounds in this demo, but a $500 solid-state combo just isn’t going to compete with a $3000+ ToneKing SkyKing or even a Mesa Lonestar, and Boss knows that. But the Stage will definitely kick a $500 tube amp around the stage, and would give a Fender Hotrod Deluxe a run for its money in a lighter and more robust amp for the person wanting a pedal platform. A great tube amp doesn’t need anything else to sound good, it’s the holy grail sound other amps try to copy. The Stage does a creditable attempt, good enough I don’t need pedals with it because it feels and sounds good when I crank it.
So when I’m comparing to things in its category I recommend it highly, but anyone who’s playing great boutique amps regularly will know the difference. But for the average beginner to intermediate players it’s a great amp and solid choice and should be a no-brainer.
Better sound than I heard on other videos of this amp
First things first, this amp looks as good as it sounds. That IS something that I consider when purchasing a new amp. The sounds of the amp is pretty good too. It's just what I've been looking for. I wanted something kinda small light and that sounds great. I really don't care about how much metal or distortion I can get from an amp. Just give me some wonderful clean tones and I can get the rest. I'm not a purist, I just know what I like and this amp fits the bill. I want it to augment my Fender Blues Deville 2x12.
Phil Spigner I have a Stage, and it’ll do just what you are looking for. I bought it for the same reasons and was quite happy with the presets available via the editor, and its size, weight and sound. Crank it up and it’s fun!
I know it's not sold as such but this thing is more than capable of some absolutely filthy distortion, it's amazing for playing wild noise type stuff
Wow, great demo and fantastic playing!
Chris Buck is a BEAST
@Buck as usual best, great tones and playing
@Boss we need a quick comparison between this and katana, trust me on this, we need that real quick ;-) pleaseeeeeee :-)
I still don't know how good the amp is because Chris Buck is such a wonderful musician he can make anything sound great😂
Really like the versatility and adjustability of this new amp -- want to hear more --- also would be great to get some of these artists to profile the presets!
Awesome...my next amp to pair with my Blues Cube Artist!
I have a Blues Cube Stage, Did You bought Netxtone? How did You compare bouth?
which one is best? this one , katana 100 or blues cube?
@@thereviewer593 for me Blues Cube Artist
@@lunkercarp really thank you. How about blues give vs supro 18R12?
Nice job done!
Very useable clean sounds
Finally got someone who sounds great to demo.
seems like a good pedal platform - for home and elsewhere
Looks Awesome
When I heard this without seeing the video yet I was like.. is this Chris Buck? Yes.. yes it was.
Crish buck all time fav 👍👍❤️❤️
Sounds really nice! But I think there is one missing thing in the nextone serie. The katana serie has got a head and cabinet. The waza serie has got a head and cab. BUT, the nextone serie does not. I would like to see a nextone head and a 1x12 and 2x12 cabinet. With the tube logic technology that will be a really popular product I think!
Manuel Grevelink the 80 watt has got speaker out socket just plug a cab into it 8 or 16 ohm.
I love Chris Buck buit on edge of tube break stage, this thing sounds...digital!
If you guys are wondering about metal tones for use "live". Can tell you modelling only goes a little way. The cabs, pres, amps make the tone as much as the player. COSM is great tech but it's how you apply it. A small cab will only get you a small cab sound. But in a small crowded venue this might work, not too sure about plugging in downtuned guitars with loads of drive from Metal Core or Mega Distortion. I remember using JC-120 with them. Lol. If they like your playing, anything goes. 😂
Tube Logic is very different from COSM and these amps are very different from typical solid state though. Current driven, vs voltage driven, class A/B power. Cranked up this amp barks like you want it to.
@@aaronkaaimarino Aaron Marino yup but there's a reason why we use the actual equipment. It's give me the real thing if you have it. Like, cables, the cabs, etc. Roland makes great products and I've been using and sharing them with players at gigs. It's easier to change the guitar than to change the amp for the seasoned players. Personally, I prefer the solid state amp to use with the modeling software. I think the benefit of the tech in this amp is to reduce wattage but drive the amp at high load. It's built for those requiring lower volume but a high load response. Small clubs, home band practice. Try it and see if it works for the situation. So with this amp, we can change the response of the amplification characteristics by making changes in an editor through the computer? JC-120 is ok for the job. 😉
I’ve cyberstalking the reviews on this amp. From what I’ve been seeing (hearing) Roland/Boss have really designed their way into something really cool. I have been a long time tube amp player, and a fan of power tube distortion/breakup. I first went from large hi watt amps (which could never be turned up) to small, low watt amps (which could really only hit their sweet spot at gigs or loud rehearsals). The small amps could never really get the tone of the big boys.
This amp looks like an answer. There is no perfect. I need the dynamic response and tone that can react to my guitar, volume, pick attack, and pedals in a “natural” way. The fact that you have built in attenuation and power tube voicing seems like a dream. I have never been able to afford the high end boutique amp with an attenuator. I have a beautiful old Fender Vibro Champ, which is too loud for my neighbors and not loud enough for gigs. If this amp sounds this good live, it will be my next amp...I’m hoping, 🤞
druwk I have two of the high-end amps with attenuators and use them similar to how it sounds like you would, relying on the power-amp distortion. The Stage is a really good compliment to that sort of player. The Tweed Lead preset available in the editor is very close to the feel of an amp with a tube rectifier. It’s not an exact match to the tube-amp but it’s very good, so good you won’t care once you consider the weight and lower cost to purchase and maintain.
Be sure to run the master volume on 10, just like you would with an attenuator, and use the lead volume to set the volume for the channel.
Hey bro, did you get one?
Ruinstorm warp, Nope! I got a 5e3 clone with an attenuator for live/jams, and a Strymon Iridium for silent rehearsals or silent stages. After checking out the Boss, I wasn’t blown away? It’s cool, but there’s something about a tube amp dynamics and riding the guitar volume that is really hard to duplicate?
Wow. Heard dude and immediately thought "wow, he has the chops of Danish Pete." And then the end if the video pops up.
I'm on the brink of ordering the Artist amp. I need to know if it is capable of natural feedback like tubes amps are, and by that I mean the feedback that produces controllable sustain. I can achieve this with the rig I have now and it is nice to have when you want it.
I know this might not answer your question directly, but, I have the Boss KATANA artist 100w and yes. It does. Even on lower power settings like 0.5 or 50w
@@andrewwheelerguitar I think this is better than the Katana in terms of tube emulation.
Sounds good
If only it had more simultaneous effects available at a time
I need a noise gate, compressor, od delay and chorus
Do you hate your guitar sound that much? ..... ;)
Noise gate is built in. As for other effects use pedals through the loop or old school in the front.
That sound is why I play guitar!
The EL34 sounded like harsh mud city. I think this amp would be best for cleans/lightly overdriven
Anonymous User It’s the recording and amp settings. The EL84 with the British Lead preset sounds very good when the amp is cranked up with the master at 10 and 20 watts. I use mine on the Tweed Lead setting and it’s very fun and sounds great without pedals for both humbuckers and single-coils.
The el34 voice can be tweaked in the editor software Shane on the in the blues channel talks about this.
Definitely my next amp. The 80W one.
I got the stage. Loud enough lol trust me. Anything 30 watt on a 12 inch speaker or bigger is good enough for a crowd of 500 people. If that's not loud enough for ya then damn lol.
my fucking god, come on Boss...Metalheads need an amplifier for pure metal power of destruction!!!
If you can fashion a time machine and go back to the late 90s, early to mid 2000s youd find that Boss only employed hair metal guitarists to demo their products.
I don't miss those times.
Ok its a great sounding amp but one thing Im not hearing being spoke of is headroom. In some ways it may have the Katana beat. But when it come to headroom. The Katana has massive headroom. The 80watt is $699 but the Katana 100watts Artist is $699. A bit more bang for your buck.
The Katana Artist also has [whats marketed as] the more premium Waza speaker. I'll have to see one in person, but from what I can gather from the pictures/videos online the cabinet looks like it belongs on the $300'ish Katana, but not a $700 amp.
@@freezingCode
The new Waza speaker does make a big difference. The Nextone will do well. But I will stick with the Katana. Im still cross between the regular Katana 212 or the Artist 112.
fuck headroom SOUND IS WHERE ITS AT SONNNNN
Oh! Look! Loki! Playing guitar!
It's a Variant
Excellent. And much more realistically priced than the good-but-overpriced Roland Blues Cubes.
Just got mine. I feel it's a lil better sounding than the standard 100 watt mark 2 boss amp.
When are these getting released ?? These look cool
omg T_T and I just bought a small Fender solid state amp last weekend. Heavy sigh.
This actually sounds really good and authentic. Any other effects besides tremolo?
Reverb, delay, and tremolo.
And my favourite hidden feature - swap the boost out for compressor!
You can get chorus by messing with the digital delay settings too.
Do u have need computer to edit. Can u use tablet?
Yeah, sure: Chris Buck could make a trashcan sound like a high-end boutique amp... No fair deal :))))
Exactly! Strive to become a better player and quit obsessing over what gear you have or don't have. When I look back at the tens of thousands spent over the years I want to throw up.
Jason Whitaker Jason: no need to throw up: keep your best guitar, sell everything else and start practicing !! 😉🤘🏻
it's not fair bringin chris to play.... He is too good
Can anyone explain the difference between all these boss amps and also which has the best sound quality through headphones and when recording line out to a multitrack please.
What would be the best way to silently play and record this amp? USB output, line out, phones out, or from the speaker output with
something like Two Notes Torpedo Captor 8 (i own one),
i mean to use it with IR's and preferably some stereo effects after the amp.
Could i turn off the speaker simulation have my stereo delay/reverb after the line out in the chain, and then go straight into my soundcard's line in,
like i do with torpedo captor and tube amps? (Blues Junior -> torpedo captor -> NUX Atlantic -> Sound Blaster Audigy Rx with Wall Of Sound IR plugin)
Are all recording outputs placed after the power amp modeling stage?
I really like the idea of these amps, but i have to know how much can i do with them in the silent practise/record situations,
because i have a small child and it's like 90% of my playing time right now.
So - 40W ok for small gigs? Like the size of it.
40W can get close to volume of a 50W or 100W amp
The Stage keeps up with bigger amps. Remember, you have to have 10x the power to double the volume, and only get +3db if you double the power, and 3db is barely perceptible, especially on stage. I think the Stage is a perfect size, and could easily be miked.
I gig a katana and the 50watt setting is plenty loud enough I've never needed to use the 100watts
Does the foot switch allow switching from channel 1 to channel 2 also.
OMG REALLY no high gain demos yet? come one!
Every demo is either low gain or single coils.
Does this do metal or not?
This is what I need to know. Come on BOSS!!! Seriously, was going to get a katana on black Friday, but if this is similar price and will do metal I might go with this.
I would say it’s pretty obvious this is not a metal amp.
If it was, dont you think they would have shown it doing that?
It’s a Fender and Vox-type amp, not a Soldano or Triple Rec. Just look at it.
not really metal, but higher gain than any other vid ruclips.net/video/SGpMFlBp4XY/видео.html
Nice amp.
But apart from the external appearance, what is the difference with the Boss Katana (or even the Roland Cube) ?
Nextone is the latest generation of the Tube Logic technology first seen in the Cube, then in the Katana. The Nextone has four separate power-amp circuits, each is optimized to sound like the main power-tubes in tube amps, which would be like four modules in a Cube at a time, only they can be switched under the software control in the editor’s presets. I have a black-face 6v6 clean and 6L6 Tweed Lead in my custom preset that sounds really good loud.
The nextone and blues Cube are using tube logic tech which is not present in the katana I think It costs more to put in. The tube logic makes the amps sound very good and very dynamic. Also at volume it will do the strange wobble that tube amps do but a little bit quicker. The katana is not as responsive.
To break it down
Boss katana good amp for beginners that doesn’t have the money to buy pedals and wants to know what they sound like and wants to jam/ gig with friends and practice at home.
Boss Nextone + Roland Blue Cube for someone who loves valve amps but doesn’t want the inconsistency, unreliability and expensive maintenance costs of a tube amp plus the back breaking weight of the things. They are fairly simple especially the Roland and make excellent valve amp replacements you can also include Orange Cr120 and Cr60 amps in with theses as well.
All the amps will take pedals not so much the katana. All the amps can be turned down to whisper quiet bedroom practice levels even the 120 watt Orange amp and will still sound got. Turn down a tube amp to bedroom levels and you’ll be disappointed.
@@sid35gb I couldn't have said it better. And I had never thought of the problem of the tone degradation of tube amps played at low volume ... Interesting.
@@sid35gb Well said. Tube amps always sound best when loud as fuck which sadly isn't a option for most folks. Most folks live in the city and can't blast noise that disturbs the peace. Plus they are typically more expensive and harder to maintain. If you do have that luxery than tube amps kick ass in terms of loud great sound but that's it. Solid state today beats them out in every way.
Do the 40W & the 80W have the same speaker ? Blues On....
PLEASE tell me how to activate the tremolo. Can't find any explanation.
Connect to your computer activate it through the editor.
That’s a great product. But, this guitarist is a beautiful guy. This is more than handsome for a man. God is great to create such a man!!
Wtf?
David Elvis Creeeeeeepy as fuck!
....okay
Pls BOSS im torn between Katana Artist MK2 and Nextone Artist, i need a good pedal playform for low to mid gain pedals, that with a bit of tweaking could get me close to something like Hot Rod Deluxe.
LucasZembrzuski nextone 👍
I got the artist mark 1 model. Same as the mark 2 model but with less fancy effect stuff. Same speaker and everything. It's my fav amp prolly.
Just got the nextone stage. Second fav amp : )
Both are good though. The new nextone special though... Now that thing looks like a beast. Gotta save up for that thing lol.
@@soyborne.bornmadeandundone1342 I got the Nextone Stage, and it's awesome, i use it with pedals on the 6v6 and 6L6 settings, i set it so it sounds very similar to Blues Junior/Hot Rod Deluxe. Great with pedals, i use Way Huge Green Rhino Mk.IV (tube screamer with additional bass and middle knobs), NUX Horseman (Klon clone), Mooer Rumble Drive (Zendrive clone), NUX Morning Star (JHS Morning Glory/BluesBreaker clone) and it works so good that i don't miss having tubes in amp at all, man! this is soo comfortable :D
Is this the 40W or 80W in the video???
cmonnnnnn brooo the artist
That sounds cool. Is it Tube or Solid State or mixed?
all tube....they use the same ones that Two Rock use
I hear compression, what’s up with that?
Sounds beautiful, but Chris Buck could solo on a Diddley Bow and sound like SRV....
LennyJohnson5 he’s better than SRV tho 😏
Fender blues junior or nextone??
We may be slightly biased, but the Nextone is designed to replicate tube amps down to the last detail - see how we did it: www.boss.info/global/promos/nextone/
I W A N T !!!!!!!!!!!
Not fair using Chris, I call shenanigans
Suena fenomeno
Close BUT not there yet! Those fragile harmonics MAN!
Agreed. I have a Stage and like it a lot, and used it live two times I played last week, then last night took my Lonestar Special instead. I run my amps on the lead channel 99% of the time and control it all from the guitar’s volume, and the Stage responds like the tube amps, and gets very fat and compresses like a tube rectifier and distorting power section does, but the sound and touch isn’t quite there. The Mesa had that extra zing that makes good tube amps so fun to play. I highly recommend the Stage for its category and price point but it’s not ready to put high-end amps on the shelf nor is it intended to.
@@8sigreg agreed...never will
@@sugarlife485 Love how you morons think that hearing it through fucking youtube compression of all things is a great way to judge the sound lololol. And the mesa amps are what emo kids and butt rockers use. Shame on you for talking amp sound when THAT is the level of quality that you consider the best. What a joke.
I like it but is it twice as good as a katana?
10 times...I had the katana it sucked
Am I the only one who is sick of knobs on the top?
Sounds interesting but unless its like $200 max, I do not see the point at all.
Sweetwater has it listed for $499. I agree, if this was priced like a Katana I would be all over it. A Blues Jr is $599, and that is the benchmark for this sort of amp
@NoiseFeedMusic I think it sounds great too, it's just hard to get excited for it when the "real thing" is available for similar money. I don't know what this amp cost to make or how much R&D money is behind it, but I hope that improvements to solid state technology will make great tones cheaper. If the price of solid states is inflated to what people will pay for a sound, they are pointless.
@@zrwhiskey This amp FEELS great , and responds like a tube amp, after a few gigs with the stage 40 going out to the desk and using it as a monitor for myself I really like it , I found using the custom' patches and with lead selected I could clean up the sound but then get great o/d just turning up the vol knob on the guitar , not going to suit everyone but its light , silent and nicely built for the price of a couple of pedals , a mate has nearly 2k invested in his board alone , so its a personal thing .
Zachary Weyandt Blues junior is the benchmark most popular amp in the world. But it’s a tube amp with tube amp problems. If you go to a gig and it’s got bad power or the electricity company is working on the grid at that time valve amps will not perform how you want them to no matter how hard you try to dial it in but the next day it could sound amazing. Also a tube can go at anytime which means you’re in the lap of the gods from gig to gig. Solid state/ digital amps don’t have those issues.
The tube logic tech makes for a great sounding amp that behaves like a tube amp. The gap has closed enough that tube amps days are numbered. I’m a tube snob got Marshall’s, Fender tweeds, Orange and Vox tube amps but I’m trading them in for solid state. Although I own a Katana it’s not got the mojo of the tube logic amps or an Orange Cr60 which is basically a rockerverb circuit with op amps replacing the valves.
@@sid35gb I'm glad to hear great tube amps will be for sale soon because I love them and they will never die at this point. Solid State wouldn't continuously try to sound like them if tubes weren't the goal tone and feel. There are companies that make great solid state amps too. I have an 80's Peavey Jazz Classic and the tone is undeniable. We are in the golden age of gear and there is something for everyone.
ok..who else was simply waiting for the switch to go to EL34?...lol..ps its @ (3:10)
nice amp But this guy can make a Dumble sound good...sooo no fair
Dumble SOUNDS good by itself😂
Keep trying Boss. You now sound almost as good as the original Pod.
It's really weird. Boss Waza amps are overpriced pieces of crap, yet Katana and Nextone amps are quite nice! What's with the inconsistency?
no humbukers love.....
111 votes and I'm the only thumbs down. Why you ask? Boss already had a killer amp called Katana. I own one. Nextone is a Blackstar ID series copy. (ID15, ID30, ID60.
Nope, wishful thinking. Nextone is the next generation amp and younger brother of the Katana. It has improved circuitry over the Katana. It’s not designed to compete with the Katana, it’s for the player who already has pedals, or doesn’t want pedals and expects the amp to be the whole sound, like we do with boutique tube amps.
Nope not correct the Katana is not the same it doesn’t have the tube logic tech makes a noticeable difference to the sound and dynamic response. Also the Katana has all the effects you’ll need but putting pedals into it is Meh!
Nextone is more a old school amp with a digital twist.
This sounds great from what I have heard, but the marketing terms are getting silly. "Class AB power amp circuits", "Tube logic", etc. It's a solid state amp with power amp modelling. Solid state amps also do not need power control attenuation.
There are two reasons it does. All Power amps have a "class" Most valve amps are Class A etc. This is Class A/B which means it reacts the same as a valve amp, so the more you crank it the better the tone (like a valve amp would react) so by putting the power amp control on there it means you can crank the power amp but maintain the feel and response as lower volumes. Each Power amp type and volume type changes the way the amp reacts. So it does more than just attenuate the volume Tube Logic is Boss' evolving technology used in there amps. Also worth noting the four power amp circuits in this are not modelling. They are real analogue circuits designed to match that of the valve counterparts. Hope this helps.
@@Knightsie exactly. Well said
I own a Blues Cube Hot and this new amp is the same concept with the Tube logic taken to the next level
Also to add to what Matt Knight said, BOSS amps (Waza, Katana, Blues Cube) are all "current" driven class a/b amplifiers (like a tube amp), not a typical "voltage" driven solid state amplifier. Nextones have 4 versions of class a/b, 4 analog sections. Like a tube amp they respond to the reactive impedance of the speaker, whereas solid state typically does not.
Power atténuation feature is really helpful on these amps. When I'm playing at home I use mostly the 0.5w setting, and I barely reach half the full volume. To get the same level with the 25 or 50w option in my Katana I'd have to keep the volume around 1, 1.25, so it would be much harder to control. Turn the knob a milimiter more than you should, and you're too loud.
@@Place_to_keep_videos
Not sure I understand your response. Tubes...in a push/pull circuit design...don't influence tone?
Lovely playing by Chris. But this just seems like a rip off of Blackstar’s brilliant ID260TVP type amp.👎🏻
Well, we will have to agree to disagree on this one.
I run a number of amps including the ID260TVP ( and there is a big difference between the 60 and the 260 ) and the TVP Section works incredibly well with the cab/speakers etc. The boss is just their stab at it.
Amp has more fizz than a cheap Spumante.
Stand in front of one that’s cranked up and you’ll immediately change your mind. It’s small but it doesn’t sound like it at all. I’ve had compliments for the sound of my Stage at 20 watts with the master at 10, saying it sounded really big.
Meh
NoiseFeedMusic aww, poor you 😘
NoiseFeedMusic you have to be shitting me. You don't know what is meant by "meh"?
I'll spell it out. I don't hear or see anything particularly impressive. It soinds decent. It's perfectly functional and I'm certain it's built extremely well but it's just another modeling amp trying to be a valve amp
Demolab Studio There’s no modeling at all in the amp. It’s purely analog through the signal stage. It’s definitely not old-style solid-state.
I had a Helix and currently have an AX-8 and like the Stage over them. It’s not perfect but it’s a a great amp live and loud.
8sigreg are you sure about that it’s got a USB port on the back and editing software to tweak foot controller and activate tremolo.
Yamaha already did it better with the THR100 years ago.
John Yeo this is the combo amp thr users have been waiting for.
The THR100 was a great idea but not a gig rig as it was not loud enough on it's own. It was fantastic for recording with but now most new amps Analogue or digital record exceptionally well.
@@rgbplumbinghilton May not suit everyones needs. Been using it live with the XLR stereo outs with custom IRs directly into FOH and it's been great and consistent sounds each time. I love being able to carry it around in my backpack and not having to lug around a 50 lb amp.
@@ytheeasinine I agree with direct outs and cab sim it would be great amp. Yamaha make very good quality gear just as Boss do. I used a THR for 6 months so know its strengths and weaknesses. I sold out for a Katana 100w head and it is more versatile for the gigging pub/club musician and sounds fantastic using direct out and is also a great practice amp having power scaling and a small speaker in it.
lmao that amp is a bedside toy
I’m getting tired of Chris playing always the same riffs
Samuel R Then get the gig from him and play better ones.