The "tweed version" (the one you reviewed) has a terrible speaker for what you want. The stock BJ Version 3, black, stock speaker, does MUCH better for gain. MUCH BETTER.
I was wondering if these amps could be pushed with an aggressive treble boost like the 33 instead of sending in an already distorted signal. Edit: Try with active pickups, too!
I’m not gonna lie. This is more interesting to me than a lot of the other Will It Chug videos. Seeing if Ola can pull metal tones out of traditionally non-metal gear makes for a much more compelling video.
Definetely. I feel like "Will it chug? Jackson guitar into ENGL amp" makes us all think "yes, it will chug" without even watching the video. This, on the other hand, is much more interesting
Yup. Strangely, I made a similar comment and wrote down he should try a Boss Blues Driver or something. Guess what video came up a couple months later...
40 plus years of experience, where the rubber meets the road is clean headroom...and then pedal it... buying an amp for high gain is not as important..sure my old JCM Marshall stack IS AVAILABLE, but will always opt for clean headroom for versatility!
I actually run a blues junior for my main sludge recording amp. You can get great fucking tone without blowing your fucking ears out (the DI doesn't actually fucking need it to be that loud for fucks sakes) it WILL fuck your hearing up if you want ask it to though. But the best part is the juicy fat warmth and delightful brightness that you can't quite get from Marshalls and Mesas. So, set it to the warmest, bassist, shiny, pretty sound, kick on an RAT, Doom Bloom, DOD FX86B, or your choice of aggression and watch it make the meanest wall of sound tones. Plus don't forget that the reverb can be absolutely stupid if that's a thing you need
@@SwedishMeattball 60-70 years ago was 1954-1964. This definitely would have blown some minds. Sabbath didn’t come out until 1970. We had fuzz pedals as far back as 1962 but in the ‘50s this would’ve been the golden ticket.
@BITESIZEJONES A lot of guys leave the fat switch in all the time and may not realize that with a one button foot switch you can use it as a heck of a good solo boost. I played a blues junior in a ten piece band with horns and never had any trouble being heard. It was versatile enough to play nice fendery cleans for the motown material but then by stepping on a pedal and using the solo boost/fat switch I was able to get santana tones as well. Great amps that definitely punch above their weight class.
Ola not getting the chug and then forcing it with distortion pedals reminds me of when The Mythbusters couldn’t make something explode so they forced the explosion by putting gasoline and other explosives on top of it to explode :D
In this case though, a lot of high gain tones you are used to hearing are done the same way. With a distortion or overdrive. In some cases both and a compressor. Studio magic baby. There ARE amps that can be this tight without drive. But for the most part they need a push to not get all farty and hissy. No JCM or 5150 I’ve ever touched sounds studio ready without a push. In this case I can see Jamie say “well, let’s try a 120watt head into a 30watt speaker and see what lights on fire first”. Then let’s do it with a grenade in it.
Just watched this one after your Vox episode. As someone who's had experience modifying and building amp circuits, I can tell you that part of the problem you're having is that you're keeping the master volume too low. Unlike higher gain amps where almost all the dirt is produced in the preamp (while going into a relatively cleaner power amp), vintage/lower gain circuits get most of their distortion through the preamp pushing the power amp hard. So if you turn down the master while turning up the gain, it won't be anywhere near as thick or gainy as you might be expecting. It might not necessarily make it "chug", but if you have the opportunity to run the blues jr. or vox again with the master fully up, you'll definitely get closer to the gainier sounds you're looking for.
Yeah, I hate it when people say the Blues Jr. sounds like shit and then keep the gain up and the master turned down 🤦🏻♂️ I mean, the bjr isn't exactly a bassman but there are some nice sounds in there
@@maxonmendel5757 it certainly has the same gain stage 1 -> gain stage 2 -> eq stack -> gain stage 3 -> phase inverter topology but the caps and resistor values are somewhat off
That moment when you realise that chugging is not everything in life, but playing an amazing CS Fender with a very nice Fender amp is as exciting as playin' BRUTOOOOL
Agreed, that tone is amazing. As my gigs consist of my office, this amp is perfect for what I’m doing. I have a digital modeling set up with a helix running into a power caby to 212…. So on the digital end I have access to damn near antything. I have three amazing electric guitars. A PRS Custom 24 SE, a USA PRS custom 24, and a USA Fender Stratocaster 1960’s reissue. While I love the helix and powercab I also wanted to build a pure analog system to really get the natural tones of these great guitars. So after selling a high dollar recurve bow I bought a blues JR and a shopping bag of various used pedals. I’m going to throw up a RUclips video
At my music school, I actually had to perform with my metal band using a Fender combo they had there. I forget the exact model, but I had to play a few death metal songs using this super clean Fender amp, boosted with a Tube Screamer with all of it's settings maxed out
Thanks you, I was wondering where this riff came from. A little voice whispering Dimebag in my ear but I was unable to remember on which album it was. Brilliant!
I would love to see you do a WIC with a 65 Twin Reverb. Back in my time in recording school, each studio had a plexi and a twin reverb. I always found the Fender to be better at getting crushing tones than the marshal. The only thing is, you better have some understanding neighbors.
The “original” Mesa boogie was a modded fender and they are both pretty mid scooped so that makes sense if you really pushed a twin reverb you could get pretty heavy
A plexi and a twin verb in each studio!? Drool. Our little local music school had a hundred Peavey practice amps each with their own headphone out 😂 Downtown Minneapolis, 1999
I'll tell you what you made me want to buy this amp.... Because how great everything sounded without the pedal and then it's like hey you can't get there on its own but hit this pedal and bang! Fuck that sounded good
With the Rev, that sounds freaking great for the metal imo. Maybe a speaker swap is needed but I actually like the ability to make an amp sag and fart when I want.
I think that the smaller version you mentioned in the beginning of the video is the Fender Pro Junior. Excellent video by the way. Greetings from Brazil! 🤘🤘🤘
01:13 - "amphickuplifier" - I just learned a new swenglish word from you, damned Viking !!!! And then got the hickup too from laughing at this hillarious video. :))))
I had the black tolex version as my first amp and It will not chug. After I figured some things out I put a DoD death metal distortion pedal in front of it and it was good enough to learn... but I probably would have been better off starting on something else. I got all my money back in resale 20 years later and it served me well enough. I was the metal guy with the best cleans in the room.
This amp has another trick up it’s sleeve, since it’s a master volume amp you could have tried it with the volume on full and get more power amp saturation out of your tone.
Ola, typically, when you try a hard-clipping distortion pedal in front of a completely clean amp, the sound is not very pleasant (you can probably tell). Instead it would be more useful to achieve the maximum gain on the amplifier first, and then use the distortion pedal as a boost to get the amp to chug. Try that, see if it works better. Awesome video!
You gotta push the power tubes to get it to chug, and have the gain set on the lower side and the mids up. A TubeScreamer also helps. It sounds counter-intuitive, but it works. So does a gain pedal if you can’t be bothered to play the amp that loud.
You should have put the volume knob on maximum, cause on this amp the term "volume" is what other brands label as "gain". Then you push the "fat" knob and it should sound a bit more metal-ish actually.
Hey Ola - using a boss 9 band Eq through the effects loop, I was able make it genuinely chug. I used the volume as a power attenuator and was able to use the amps tubs and good eq settings to get a great sound. Should try it sometime
I think a large part of the Fender overdrive is pushing the power amp section. Perhaps Ola should try turning the master volume up above 6 or so to experience the full effect. turn the bass down to avoid flub (just like a mesa).
Now that you have a good amp for blues... maybe you should have a series Ola plays the blues? I have that same Amp, I knew it wouldn't chug. Just Sayin'
Now I wonder how it would sound if you turned down the preamp volume to the edge of breakup point and then turned the master volume up from 2/10. I have a suspicion it would sound interesting at the point where master volume doesn't bring out more loudness anymore, but compression and distortion. At least to my understanding that's how Fender circuits usually behave when the originals didn't have the master volume so people just turned the preamp volume loud enough to distort past loudness.
no man that is the pro junior your dad has, volume and tone...different pre amp , the blues junior if modded is a super amp, it doesn't use 1 triode of a 12ax7 , so it can be arranged a cathode follower like in a plexi( i need to check that mod not super sure) ,anyway man great video as always, i don't play metal but i'm a fan of you guys, love the sounds and so on , good job Ola 🤟
@@texanhobo1479 I recommend the Texas Specials for sure. The bridge can come off a bit shrill, but nothing a thicker set of strings or more low end in your eq can't fix. The middle/neck & neck is where they shine though. Classic Stevie Ray sound for days. With distortion, they have a nice gritty sound too.
I feel like this was a service for me. My favorite guitar ola has and my amp. Yes it is a clean machine but it is an awesome pedal platform. My old amptweaker tight metal jr turns it into a 5150 chugger 🎉
3 года назад+6
This amp sounds like an overdrive pedal with volume all the way up, but this ain't a chugging amp. Good demo though!
Hey Thanks for doing this even though it's not in your comfort zone I have this amp so I just purchased a BERINGER Ultra Metal 300 to go with this Fender Blues Junior IV Tweed amp Hey Thanks for this information Best Wishes to you
Monday Will It Chug?! Bringing a classic to the table, the Fender Blues JR...
"Will it chug" more like "bring me anything ill make it chug" love you ola
The "tweed version" (the one you reviewed) has a terrible speaker for what you want. The stock BJ Version 3, black, stock speaker, does MUCH better for gain. MUCH BETTER.
@@kennethc2466 didn’t know there was a difference in speaker between the two versions. Thanks for pointing this out!
Can you try to chug with an old-school fuzz? Germanium Fuzz Face, Big Muff or some of the JHS Legends.
I was wondering if these amps could be pushed with an aggressive treble boost like the 33 instead of sending in an already distorted signal.
Edit: Try with active pickups, too!
I’m not gonna lie. This is more interesting to me than a lot of the other Will It Chug videos. Seeing if Ola can pull metal tones out of traditionally non-metal gear makes for a much more compelling video.
Definetely. I feel like "Will it chug? Jackson guitar into ENGL amp" makes us all think "yes, it will chug" without even watching the video. This, on the other hand, is much more interesting
Yup. Strangely, I made a similar comment and wrote down he should try a Boss Blues Driver or something. Guess what video came up a couple months later...
The ultimate chug challenge: Roland JC-120 amp.
40 plus years of experience, where the rubber meets the road is clean headroom...and then pedal it... buying an amp for high gain is not as important..sure my old JCM Marshall stack IS AVAILABLE, but will always opt for clean headroom for versatility!
I actually run a blues junior for my main sludge recording amp. You can get great fucking tone without blowing your fucking ears out (the DI doesn't actually fucking need it to be that loud for fucks sakes) it WILL fuck your hearing up if you want ask it to though. But the best part is the juicy fat warmth and delightful brightness that you can't quite get from Marshalls and Mesas. So, set it to the warmest, bassist, shiny, pretty sound, kick on an RAT, Doom Bloom, DOD FX86B, or your choice of aggression and watch it make the meanest wall of sound tones. Plus don't forget that the reverb can be absolutely stupid if that's a thing you need
Ola almost dying in every sentence throughout the whole video
It was his joe Biden impression. Lmao
Probably drunk 🤣
its an allergic reaction to clean amps
@@tobiash04 lmao dudeee
@@bczarrockbeast6264 LMFAO!!!!!
This will it chug series just getting better with non metal amps.
TOTALLY !!!!🔥 Funny and push the boudaries of what an amo can or cant do 🔥
Yea i think so too
That is the whole point of this series, amps not made for metal
i agree
@@demolitionman5782 Many of the amps featured in the series are made for metal
2:59 it's amazing that this type of tone would have blown everyone's minds back like 60-70 years ago
wrong we invented metal sabbath was a lot heavier ;ive than record this amps a;ways rocked if boosted
@@SwedishMeattball 60-70 years ago was 1954-1964. This definitely would have blown some minds. Sabbath didn’t come out until 1970. We had fuzz pedals as far back as 1962 but in the ‘50s this would’ve been the golden ticket.
Ola drinking game: one shot for each burp
We'd all be dead from alcohol poisoning.
Only Russians will survive.
Pfff, weak
RIP
Also every time he says chug
Mortal man: “I better get rid of these hiccups before I start filming.”
Ola: Hold my Pepto
The tuning pitch of that thin e-string was hanging on to dear life
Haha. Yea it was flat just enough to notice
That setup is so clean and vintage. Like it so much
@Jeo Barlomento why just why 🤦🏻♂️🤣
@Jeo Barlomento 🤣🤣🤣🤘
@Jeo Barlomento LMAO
@Jeo Barlomento 😧😧😧😧😑👏🏻
The real chug is the friends we made along the way.
The nice thing about these amps, they have great clean tones, and are very neutral for accepting pedals.
It's a great little gigging amp
@BITESIZEJONES A lot of guys leave the fat switch in all the time and may not realize that with a one button foot switch you can use it as a heck of a good solo boost. I played a blues junior in a ten piece band with horns and never had any trouble being heard. It was versatile enough to play nice fendery cleans for the motown material but then by stepping on a pedal and using the solo boost/fat switch I was able to get santana tones as well. Great amps that definitely punch above their weight class.
Ola not getting the chug and then forcing it with distortion pedals reminds me of when The Mythbusters couldn’t make something explode so they forced the explosion by putting gasoline and other explosives on top of it to explode :D
Yessssss
Same energy 💯
In this case though, a lot of high gain tones you are used to hearing are done the same way. With a distortion or overdrive. In some cases both and a compressor. Studio magic baby.
There ARE amps that can be this tight without drive. But for the most part they need a push to not get all farty and hissy.
No JCM or 5150 I’ve ever touched sounds studio ready without a push. In this case I can see Jamie say “well, let’s try a 120watt head into a 30watt speaker and see what lights on fire first”. Then let’s do it with a grenade in it.
I like that you don't stop going through the gear after proving it doesn't chug. We get to hear lots of fun tones and ways to use them.
as a metalhead and a 50s music fan I love this amp
Hey ola, your next idea of series should be will it clean, and you should only use the metal ones
5150
@@TrainsNStuff Haha, that is the ultimate challenge
I don't think my Laney GH100TI Tony Iommi head can play clean. It just throws doom.
You just broke the matrix
Chug or not chug... Few things are as satisfying as hearing a Strat through a Fender amp playing clean licks.
If he's not careful, Ola is gonna get himself signed to Fender if he keeps up these antics!
Or maybe fender will buy solar.
That Fender chugged quite nicely on its own behalf I must say.
Just a side note that the "smaller" amp with 1 tone knob is called the "Pro Jr"
I like the Pro JR better
you know what's crazy? no one cares
@@whatskraken3886 you know what else is crazy? no one cares that you don't care
came here to say this
Just watched this one after your Vox episode. As someone who's had experience modifying and building amp circuits, I can tell you that part of the problem you're having is that you're keeping the master volume too low. Unlike higher gain amps where almost all the dirt is produced in the preamp (while going into a relatively cleaner power amp), vintage/lower gain circuits get most of their distortion through the preamp pushing the power amp hard. So if you turn down the master while turning up the gain, it won't be anywhere near as thick or gainy as you might be expecting. It might not necessarily make it "chug", but if you have the opportunity to run the blues jr. or vox again with the master fully up, you'll definitely get closer to the gainier sounds you're looking for.
Yeah, I hate it when people say the Blues Jr. sounds like shit and then keep the gain up and the master turned down 🤦🏻♂️ I mean, the bjr isn't exactly a bassman but there are some nice sounds in there
That's how I run my 15 watters. The "master volume trick"
@@redStratoblasterit actually is pretty much a bassman except with higher value tone caps 😭
@@maxonmendel5757 it certainly has the same gain stage 1 -> gain stage 2 -> eq stack -> gain stage 3 -> phase inverter topology but the caps and resistor values are somewhat off
That moment when you realise that chugging is not everything in life, but playing an amazing CS Fender with a very nice Fender amp is as exciting as playin' BRUTOOOOL
Agreed, that tone is amazing. As my gigs consist of my office, this amp is perfect for what I’m doing. I have a digital modeling set up with a helix running into a power caby to 212…. So on the digital end I have access to damn near antything. I have three amazing electric guitars. A PRS Custom 24 SE, a USA PRS custom 24, and a USA Fender Stratocaster 1960’s reissue. While I love the helix and powercab I also wanted to build a pure analog system to really get the natural tones of these great guitars. So after selling a high dollar recurve bow I bought a blues JR and a shopping bag of various used pedals. I’m going to throw up a RUclips video
This amp is good for that heavier Southern Rock sound like ZZ Top, Molly Hatchett and Lynyrd Skynyrd
There's a pedal from Greer Amps called the Southland you can pair with a blues Jr that's basically ZZ top and Lynyrd Skynyrd in a box
Can we get Will It Chug with an old-school fuzz? Germanium Fuzz Face, Big Muff or some of the JHS Legends.
Ola said that he doesn't like fuzz pedals though(
@@MeOwOgai Shoot...
fuzzes can’t even palm mute lol
@@gothamrok big muffs can DEFINITELY chug.
that REVV is like a full moon. it turned that fender amp into a werewolf.
That revv is making me rethink my thoughts of adding a dracarys... That thing is bad ass
Where's the riff at 8:30 from again? ;o
I have used the blues jr for years for all genres and love it. It takes to pedals really well.
I bet it would work well for adding some high end sizzle in a multi-track guitar recording. Just a little blended in with your main chugging amp.
When we gonna see the Solar Amps Chugging?
all solar amps probably gonna be certified chuggable
Ola already said he wasnt interested in making amps any time soon if ever
@@zRavenlord But we do
What makes it cool is that you did it with the Tweed model - the Tweed is rougher with pedals because of the speaker, although generally better clean.
At my music school, I actually had to perform with my metal band using a Fender combo they had there. I forget the exact model, but I had to play a few death metal songs using this super clean Fender amp, boosted with a Tube Screamer with all of it's settings maxed out
At 4:40 I swear that is the bonus track "Where you come from" off of Panteras 101 proof live album ❤
Thanks you, I was wondering where this riff came from. A little voice whispering Dimebag in my ear but I was unable to remember on which album it was. Brilliant!
I had the same exact model, I miss it. Just a really fun bluesy amp, it’s rather inspiring
So glad he used the Strat. What a great combo!
A great little amp. I love mine.
Try the Orange Crush Mini 3 watt portable amp. It has a speaker-out.
There is the custom shop strat, havent seen it in a long time!
That amp is what the Boss Metal Zone MT-2W waza craft was made for!!! Cleanest of clean to super CHUG in one stomp!!
I would love to see you do a WIC with a 65 Twin Reverb. Back in my time in recording school, each studio had a plexi and a twin reverb. I always found the Fender to be better at getting crushing tones than the marshal. The only thing is, you better have some understanding neighbors.
The “original” Mesa boogie was a modded fender and they are both pretty mid scooped so that makes sense if you really pushed a twin reverb you could get pretty heavy
The neighbors can suck it
A plexi and a twin verb in each studio!? Drool. Our little local music school had a hundred Peavey practice amps each with their own headphone out 😂 Downtown Minneapolis, 1999
How about the Laney Cub-Supertop head? Will that one chug?
That clean tone was lush! It was crying out for some Solar part 1 love ❤
I just opted for the blues jr @ $629 USD vs $1,100 EVH 15w and 2x12 cab (too loud for my house) it’s cool to know that w a pedal I can play metal.
Great out-of-comfort-zone bluesy/atmospheric playing!
I'll tell you what you made me want to buy this amp.... Because how great everything sounded without the pedal and then it's like hey you can't get there on its own but hit this pedal and bang! Fuck that sounded good
With the Rev, that sounds freaking great for the metal imo. Maybe a speaker swap is needed but I actually like the ability to make an amp sag and fart when I want.
Blues jr was my first tube amp. It was an amazing amp.
Amp had more gain than I thought it would for sure!
That little thing has a surprising amount of gain already built in
I think that the smaller version you mentioned in the beginning of the video is the Fender Pro Junior.
Excellent video by the way. Greetings from Brazil! 🤘🤘🤘
I don't know how it feels when playing, but the recording sounds amazing. I like it more than a lot of modern metal tones !! haha
01:13 - "amphickuplifier" - I just learned a new swenglish word from you, damned Viking !!!! And then got the hickup too from laughing at this hillarious video. :))))
I had the black tolex version as my first amp and It will not chug. After I figured some things out I put a DoD death metal distortion pedal in front of it and it was good enough to learn... but I probably would have been better off starting on something else. I got all my money back in resale 20 years later and it served me well enough. I was the metal guy with the best cleans in the room.
Can someone please tell me what song that riff was from at 7:18 in?
Also wanna know..sounds very good.
This amp has another trick up it’s sleeve, since it’s a master volume amp you could have tried it with the volume on full and get more power amp saturation out of your tone.
Ola, typically, when you try a hard-clipping distortion pedal in front of a completely clean amp, the sound is not very pleasant (you can probably tell). Instead it would be more useful to achieve the maximum gain on the amplifier first, and then use the distortion pedal as a boost to get the amp to chug. Try that, see if it works better. Awesome video!
I just picked up a 90s Fender Bronco Amplifier 13W. I highly recommend a 'Will It Chug' with this impressive amp!
Possibly one of the most hectic Ola videos
You gotta push the power tubes to get it to chug, and have the gain set on the lower side and the mids up. A TubeScreamer also helps. It sounds counter-intuitive, but it works. So does a gain pedal if you can’t be bothered to play the amp that loud.
even close to metal hard rock tone, these little amp can do anything with the right choice kind of pedals
I just bought a revv g3 pedal to plug into my Fender blues deluxe reissue. For my esp and fender strat. Hopefully it will sound good.
You should consider recording a short quad track in these videos. Amps like this that have very low distortion can really beef up when layered
Laney kx10 will it chug? It's a very inexpensive little amp
If you’re going to do small amps on this series, the Supro Delta King has a better drive circuit than the BJ. Takes pedals real well too.
Supro Blues King 12 (same amp internally) has the effects loop. He could realistically make that chug.
I would love to hear that since i like to have supro one day. Cheers
What's that riff he always plays at the start whenever he picks up a guitar? Is that some kind of drop d f shape progression?
You should have put the volume knob on maximum, cause on this amp the term "volume" is what other brands label as "gain". Then you push the "fat" knob and it should sound a bit more metal-ish actually.
Even before using the pedal- don't forget, this is a TUBE amp- and there's a reason the volume knob goes up to 12... 😎
Ola sitting in front of a blues junior with a relic strat just looks so funny.
See guys this is commitment watch him fight every word 10/10 content
Hey Ola - using a boss 9 band Eq through the effects loop, I was able make it genuinely chug. I used the volume as a power attenuator and was able to use the amps tubs and good eq settings to get a great sound. Should try it sometime
I must get a a Blues Jr. Such a great amp.
You should do a Marshall dsl combo like the Dsl40cr
Those definitely chug.
I have the dsl 20 ... It will chug with no help, killer head.
Homie had a stroke at the beginning of the video haha my favorite guitar channel
I think a large part of the Fender overdrive is pushing the power amp section. Perhaps Ola should try turning the master volume up above 6 or so to experience the full effect. turn the bass down to avoid flub (just like a mesa).
With the pedal it doesn't sound so bad, I agree with you. Maybe a little more watts is missing from the amp
That Revv seems perfect! I need somethin for Blues, Country and aome Rockin tunes. This might be it
Now that you have a good amp for blues... maybe you should have a series Ola plays the blues? I have that same Amp, I knew it wouldn't chug. Just Sayin'
Now I wonder how it would sound if you turned down the preamp volume to the edge of breakup point and then turned the master volume up from 2/10. I have a suspicion it would sound interesting at the point where master volume doesn't bring out more loudness anymore, but compression and distortion. At least to my understanding that's how Fender circuits usually behave when the originals didn't have the master volume so people just turned the preamp volume loud enough to distort past loudness.
Ola you're playing my favorite amp. Although I've never heard of anyone trying to make it chug haha. Keep killing it friend!
no man that is the pro junior your dad has, volume and tone...different pre amp , the blues junior if modded is a super amp, it doesn't use 1 triode of a 12ax7 , so it can be arranged a cathode follower like in a plexi( i need to check that mod not super sure) ,anyway man great video as always, i don't play metal but i'm a fan of you guys, love the sounds and so on , good job Ola 🤟
I see Ola went for the full Rick Kavanian method acting for this one.
Nice.
The off screen burp was fucking epic 😂🤘🏻
Love the sound on this "will it chug" episode!
Cheers to you hik ups and all that was fantastic cheers let it Chug 👍🏻🏴🎸
I love the mean clean sound of this one..
As someone who runs their Mexistrat with Texas Special pickups through a Fender Deluxe Hot Rod IV with the Revv G3, this makes me so happy.
How you liking the Texas specials? Thinking about either those or the 59s for my mexistrat as well
@@texanhobo1479 I recommend the Texas Specials for sure. The bridge can come off a bit shrill, but nothing a thicker set of strings or more low end in your eq can't fix. The middle/neck & neck is where they shine though. Classic Stevie Ray sound for days. With distortion, they have a nice gritty sound too.
Always wondered what a G3 would sound like in front of a HRD. Guess now I have an idea!
watching ola play cleans Is so satisfying
When the hiccups are so powerful that you forget your second language
My fav overdrive btw. Thanks man!
Wow with the pedal is sounds really really tight and nice. Clean sounds are stellar. Might go down this route. Pls do more amps like this!!
Hi, Ola. If you have a chance, do a "will it chug" with the Orange OR15. Thanks.
this is my favorite YTP
I feel like this was a service for me. My favorite guitar ola has and my amp. Yes it is a clean machine but it is an awesome pedal platform. My old amptweaker tight metal jr turns it into a 5150 chugger 🎉
This amp sounds like an overdrive pedal with volume all the way up, but this ain't a chugging amp. Good demo though!
I am no chug expert. But that sounded better then expected.
Dude is hammered. I love it.
Hey Thanks for doing this even though it's not in your comfort zone I have this amp so I just purchased a BERINGER Ultra Metal 300 to go with this Fender Blues Junior IV Tweed amp Hey Thanks for this information Best Wishes to you
Would have been a good opportunity to try the fender fullmoon OD pedal
I wanna see the Fender Excelsior Pawn Shop Amp chug.... I've yet to see any demos of it with the inputs being jumped
You should totally try the Fender Hot Rod Deluxe next, that actually does have a fair bit of gain.
It'll probably still need an overdrive, but that would be an interesting video.
It has some gain, but it straight up does NOT like overdrive. Sounds like you're pushing a solid state mic preamp.
That's a beautiful rig dude
Great sounds