@@lovecraftmusic8717 finally someone else said it too! He can hard rock kinda, who can't? But can he Show offf some Entombed or Dismember style riffs for an HM2 or Obituary for a Rat? No,....... I wish i could sit in just for the Metal bits, But I have my own channel to start just for Heavy shit and Pedals, there are no Pedal focused RUclipsrs for Metal
Makes a hell of a lot more sense than a bunch of reverb pedals. Imagine "requiring" a studio-quality 'verb with "high end air-band" to put through your amp's speaker...a speaker that rolls off rapidly above 5-6kHz and can't make a peep in the 10kHz - 20kHz region.
for the EVH phase sound you gotta run the phaser into the distortion, since Eddie didnt have an effects loop and used amp distortion. it's also how you keep the phase sound subtle so you can leave it on all the time.
Even when using an amp that has an effects loop, I always like phase and vibe before overdrive or distortion. Fuzz always goes first just because most fuzz pedals are temperamental. All other modulation and time-based effects can go after my drives or in the effects loop.
Yep, was just going to post this - EVH had his MXR 90 very early in his signal chain, but certainly before his Marshall which is where his distortion came from. So try running the Phaser before the Angry Charlie and I bet it sounds closer to "the sound."
Some hot tips for phaser use. 1) All FET-based phasers - which is everything pretending to be just like a Phase 90 and a bunch of others - will have a small trimpot inside to adjust where in the spectrum the unit sweeps. This is also used to get the FETs into a range where they all "row together" rather than some rowing and some freezing up at the highest or lowest point of the sweep. That trimmer does not have an exceedingly wide range of adjustment, but there is usually a bit of leeway, that allows you to move the phasing up a bit to be more "swirly", or down a bit to be more "gurgly". If it's a one-knob phaser, then that trimmer will be adjusted for every single pedal out of the factory to sound the same and sweep in the same range of the spectrum. But you CAN play with it to get a different sort of sound, without destroying anything. Make a point of noting where it started out, though, so you can return it to the default. Better phasers, with more than 3 knobs might have a Manual or Offset panel control that allows the user to nudge the sweep range this way and that. MXR went with a compromise setting that worked for all speeds, and hid the possibilities from end-users. 2) TWO phasers in series can yield some really interested sound, especially if one is sweeping much slower than the other. It produces a phasing sound that can appear to gradually move up and down in its range. Look for the RUclips demo of my Double Vision phaser for an example of this in action. 3) As has undoubtedly been described and demonstrated by countless RUclipss from people like Brian Wampler, phaser *before* distortion yields different sounds than phaser *after* distortion. Why? Pedals that distort do so by exceeding the headroom limits of the circuit and clipping the signal. When a phaser is located *after* a distortion of some kind, the swept notches filter out, or downplay, the harmonics added by the distortion. When the very same phaser is situated *before* the distortion, those swept notches move parts of the signal further away from or closer to the clipping threshold as the unit sweeps, producing different degrees of extra harmonic content in this or that part of the spectrum. The result sounds more "animated" than "filtered".
Having grown up in the ‘80s, I always thought chorus would be the only modulation I’d ever need. 🙂 But as I’m also a child of the ‘70s, you’ve now shown me that I need a phaser.
My first pedal was a DOD Chorus in 1990 maybe? My second pedal (NS-2 lol) wasn't bought until the mid 2000s, so I'm with ya! I never knew how much I needed a compression pedal until just a few years back, now I have like 10 of them to switch between (old school DOD Milk Box being my fav, Philosopher's Tone (Ge) next). I've bought a Waza Chorus recently too, great pedal. Maybe I'll get the MXR M134 one next 🙂
@@robcobi : Heh. My first pedal was a chorus bought around 1990 too! Mine is a Washburn. My second pedal was either a Boss DA-2 or JB-2, so sometime between 2013 & 2018. I’ve got the Waza Chorus now too. (And a JC-40.) And I’m eyeing the DC-2w.
I got pretty sick of chorus because in the 80s EVERYONE was using one and a lot of players just left it turned on all the time. I have one in my pedal board, but I almost never use it. I regard it as a seasoning to be used sparingly, as I regard most modulation effects. Most virtual rigs I set up on modelers don't even have a chorus in the chain, and if I put a chorus in, it's generally only on the clean rigs I set up. The script MXR Phase 90, OTOH, is my #1 desert island effect. I use effects sparingly, but phaser is the one I go to most frequently. It is THE effect, AFAIC.
Two '70s modulation effects units that everyone should hear before they die, but most won't: - Marshall Time Modulator - the effects section of the Farfisa Polychrome...possibly the most glorious implementation of analog fx in any stock instrument ever made And a few more: - Bode Frequency Shifter (not a pitch-shifter, and all-analog), particularly on drums. Some vocoders can sound good on drums too, but not quite so cool as a BFS. btw the early Sennheiser and EMS vocoders can slam and sizzle even more than the classic Rolands, worth many a listen. - The Moog Phaser heard drenching the ever-living f*ck out of the Moog modular in the _Clockwork Orange_ theme is another. Ground-zero for Flanging is _Axis:Bold As Love._ People were flanging a bit before and a lot since, but never had it been utilized to more appropriate and dramatic effect. I don't rate pedal flangers, or anything not utilizing twin copies of a mix being varispeeded _ahead in time_ as well as real-time (two copies of the same vinyl can do it with a pitch-adjustable turntable, also). (that said, the Lovetone 'Flange With No Name' wasn't too egregious as pedals go...it actually sounds quite good! But it still doesn't sound like tape-flanging. :)
I use the best type of phaser ever made. I use a univibe. Regular phasers are just not enough for me anymore. I've moved on to harder phasers. I mainstream my univibe directly into my heart intravenously.
My favorite phaser is by far the Small Stone. InnerSpeaker is what drew me to that fuzz into phaser sound, and Kevin has almost always used a Small Stone. For like $50 used, you seriously cannot go wrong with that pedal.
Yep! I do prefer the big box versions though, personally. The nano seems to sweep too low or too long in the low so it kinda drops out at the bottom imo. Actually I've got a cheap mini phaser by Kokko that can get like 95% of the way to that sound too! Weird find on that one (it's even digital I think!) after trying many phasers. Another cool one is the CKK Robot. About $100 like the big box small stones, maybe not quite as lush but more versatile for sure.
@@Merlincat007 i have the nano, the big box and the Black Russian and the big box is definitely the best but the Black Russian(if you can tweak the insane volume drop) has a very unique and dark sound
Completely agree! I got one after hearing that it was used on the intro to Radiohead’s Subterranean Homesick Alien. The Phase 90 seems to get more love these days and it certainly has it’s own sound, but the Small Stone does for me hands down!
You can get the Behringer VP-1 for $45 NEW and it's a copy of the vintage small stone in a similar enclosure, really nails Kevin's sound and Toro Y Moi's sound on MAHAL.
I have this weird Maestro phaser ph-70 I got for like $50. It does absolutely nothing for the majority of the range of the rate pot and then blooms into this incredible, wide, weird sound and I love it so much. It's the only phaser I've ever used and is one of the few modulation effects I really enjoy. This was an awesome episode, put me in a better mood watching you guys. Thank you for everything you do.
One of my favorite uses of phaser comes from a surprising source, actually: Gordon Lightfoot. Or more precisely, his former lead guitarist, the late, great Terry Clements. Clements used an MXR Phase 90 in the ‘70s with his Gretsch Country Gentleman to add a bit of swirl to Lightfoot’s peak-era folk-rock. The electric guitar arpeggio combined with Lightfoot’s acoustic strumming or finger picking creates some very pleasing textures.
Favorite jam was "Almost Solitude Is Bliss". (Nick nailed the intro fill) Favorite phaser is the Moog MF-103, because it's big, wood paneled, and has twelve stages, so that's immediately three times better than most phasers. Favorite phaser track is "Miranda That Ghost Just Isn't Holy Anymore" by The Mars Volta.
If you're into Shoegaze, I highly recommend the song "Ocean" by Lush, on their album titled "Spooky" from 1992. It's a pure embodiment of 90's Phaser with a wonderful stereo effect thrown in there at the end.
I always thought that was flanger. I also always liked to imagine Robin Guthrie just slamming the pan pot back and forth by hand at the end, though I'm sure it was probably a rack unit
Lush is special. Though Robin Guthrie of Cocteau Twins produced their first album and Spooky…..and I always have felt he played some of the guitars. This track is a prime example. It’s funny….Lush is such an embodiment of CT but really every shoegaze band was. Reality I cannot think of a band that singularity inspired an entire genre of music….maybe the Beatles in Pop and Rock and Black Sabbath in metal ….there you have it ….The most important bands of all time….The Beatles, Black Sabbath and the fuckin’ Cocteau Twins.
@@flyjohnson711 - *Velvet Underground,* yo. no velvets = no shoegaze as we know it - Joy Division were the first thoroughly post-punk band - many would say *Kraftwerk* (for Krautrock, New Wave AND Techno) but the Krautrock goes primarily through Tangerine Dream in 1969, and nobody called anything "Techno" in the '70s (except for Bruce Haack). Kraftwerk definitely DO get credit for the entire Electro genre, though, and were arguaby the first all-synth pop music ensemble (i.e. "New Wave") outside of perhaps YMO in Japan. Or... One other band was influencing tons of New Wave and Post-punk that followed, arguably as much as Bowie did: - Sparks...yes, *SPARKS* The Mael bros pre-empts both Roxy Music and Queen - who's approach to recording and building harmonies would probably have sounded different if they hadn't heard _This Town Aint Big Enough For the Both of Us_
I have learned more about pedals, how they sound, how to tweak them, and which ones I should buy from your videos than any other place. Keep up the great work!
@@brianrollins7275 Yup. Had it for 6 months so far and I love it. Yeah, I can get a nice subtle phase to pretty spaced out effect and everything in between. It's pretty versatile and the price is great.
Dude I have one of those and like most Behringer pedals while it's not the most road worthy, it sounds fantasti! I love it on both guitar and bass as well
Phaser just takes me back to the sounds I heard as a kid coming from the radio in the 70's, a real nostalgia hit. The phased Rhodes on 10cc's I'm not in Love is a personal favourite. I think Massive Attack use Phaser subtly and beautifully on their song Protection as well
Oh, Man! You guys gotta do a little more on this one; phase before and after gain, different stage phasing, what makes phase different from things like chorus and flange. Anyway, loved it! Favorite phaser songs: “We Will Rock You” “Passenger Side” “I Don’t Think Hank Done It This A Away”
I don't usually comment on the jams, but I think this was some of the best jams you've done. And now I really really really want a phaser. Looks like I am trucking myself to the music store to grab a 3 series..... Great phaser uses was Phil Lynott from Thin Lizzy, used on his bass. Check out Dancing in the Moonlight from the absolutely stellar album Bad Reputation.
@@ElvisPriceless agreed! It’s one of my wife’s and my “songs”. Thin Lizzy is regarded as one of the greats, and I yet I’d still label them underrated. Criminally so. This song was a great use of phase and just a great song in general.
I used to think the guitarist, Robertson used a phaser too, but found out it’s a wah he leaves on heel position (not sure of technical term). Solos, like Emerald and Don’t believe a word, spring to mind are wah but sound great with phaser.
@@thetribalist6923 Wow I just worked out Boys are Back in town as a Piano ballad...In Ab! Love Thin Lizzy Phil is the most under rated writer ever in my opinion. The album tracks are amazing...so many Gems Borderline one of many.
The “Dark Side” jam sounded like “Breathe” mixed with “Dogs” from “Animals”. Which is a good thing. I’d love to see the Smashing Pumpkins phaser thing, where they run everything through it, and use it with the rate all the way down during solos.
Jinx! I commented about the Smashing Pumpkins also. As a result of loving that sound, I bought a phase 100 (what they used on guitars during Siamese Dream and Mellon Collie). Also, Behringer just did a clone of the mutron bi phase, a rare unit they heavily used during Siamese dream especially! If I wasn't so digital dependent now and had the space, I'd maybe think about buying one.
@@Aaron-zh4kj I’ve seen that Behringer. I love their pedals (great in all but housing; the SF300, HM300, and TM300 are all spot on clones of the Boss FZ2, HM2, and Tech 21 SansAmp, respectively. I’ll have to look into that BiPhase, because if it’s close and affordable, it’s a get. Currently, I use a Phase 90 clone for Pumpkins. I think Reverb did an article about using an MXR UniVibe at certain setting to get similar results, but I’ve never tried it.
@@chrisradzion2148 The behringer biphase clone isn't just a pedal, as I remember. They put it in essentially the same housing and everything as the original. I also got an MXR Phase 99, which is basically two phase 90's in one box, also with a script button. I wanted it after learning that Billy Corgan mentioned using two Phase 90's in tandem later on, so I could do the same thing with less space consumption on my old pedal board.
@@Aaron-zh4kj I was looking at it today. Looks exactly the same. Still too pricey for me (I think it’s about $300). I think getting a Phase 99, 100, or just another decent Phase 90 clone will do the trick. I also have a small multi effects pedal with an “auto wah”/ envelope filter on it. At certain settings (I have them pictured somewhere), you can get what Corgan calls a “cocked wah” type sound. If you love the tones of those first few SP albums, especially the leads, it’s so cool to figure out how to used some of these modulation pedals, sometimes unconventionally, to get those tones. Most people stop with an Op Amp Big Muff and maybe a Marshall sounding Plexi pedal, but these other effects add these little things that make it so much better. I’m very close to buying a TC Mimiq for some of those solo tones (I’d get a Strymon Deco, but that’s right there with the Biphase- out of financial reach at the moment).
These jams are some of the best you guys have done. It's not just that the concepts and playing are tight (although they are). It's mostly that they're some of the most inspiring you've done: they seriously make me wanna go pull out some pedals, plug in, and Try Stuff. Which is, I assume, the intent. Well....great success.
I didn't know a phaser was so versatile. I have a Peavey vtx classic 65 combo and besides the spring chorus it's got a built-in phaser. I always felt that it was so random to integrate a phaser, of all the effects. But that was because my only association with phaser was Van Halen :D I will definitely experiment with it now, especially for cleaner sounds. Thanks for the inspiration.
Definitely my favorite effect! I used to say tremolo was my number one, until I got to now phaser, it sounds amazing for rhythm and even cooler for solos if you kick a fuzz in front of it
Me too. Other modulations come and go from my board, but phaser, tremolo and spring reverb are always on tap. I could play any gig with those three and an amp that breaks up at stage volume.
Phaser was the first modulation pedal I ever heard anyone play in person, and it has been ever since my favorite modulation effect. I currently have the Walrus Audio Lillian on my board. Awesome phaser. So many great phaser songs, first one that popped into my head is Dire Straits "Industrial Disease" from the Love Over Gold album. It's not on the main guitar part but on the second part, all these little staccato rhythmic accents, but it sounds fantastic, suits the song perfectly.
I love the Series 3 Phaser for bass! The blend know allows me to cut back so the effect isn't too extreme, as it is with, e.g., the Small Stone. Using a phaser gives a bass movement and a psychedelic sound, but too much in and out just removes the steadiness of the bottom. The blend knob solves that. It's also more tweakable than most phaser pedals. It can be extremely subtle or ... extreme.
Best songs with Phaser: Big Star Ballad Of El Goodo, Clash Lost In The Supermarket, Tame Impala anything off the record you just showed us, Paul Mccartney Back Seat Of My Car
London Calling album by the Clash, Mick Jones was addicted to phaser at that time, it's all over that record. Don't know what brand or model he was using but it's everywhere. Kinda overdid it with the phase on that one maybe. I tried phaser and moved on to univibe real quick, but I guess that's just a fancy phaser.
I own a 3 series phaser I like it because most the phasers I’ve had, never had a volume or blend knob. I like it low and slow and wide. I’ve bought most of the 3 series pedals all really good and versatile. I also like they are from Kc too !!
Incredible videos. I'm 200% hooked. I'm a 56 yo drummer who grew up playing drums from my early teens, got fairly good in the 80's playing in the splendiferous hair metal era, just trying to keep up with shredders of the time, then hung up my sticks and drumming wrestling shoes for most part in the 90s to finally getting frustrated with 90% of 90's bands ripping off 60's-80's bands that I finally got back into drumming again and trying to bring back those classic drum sounds & rhythms and trying to find like minded musicians. Luckily there were plenty of us. But I seriously realized the younger musicians say under 30 were so obsessed with pro-tools, plug-ins and drum machines and learning and recording music in their rooms in moms house that actually finding under 40 yo guitarists with practical gigging experience was like finding a whale in New Mexico. Anyways, so at 56 I just purchased an electric guitar & bass to teach myself to play. I built my own rehearsal/recording room and have pretty much everything a band needs to practice or record minus guitars & pedals. I have a basic understanding of what certain pedals do and sound like but the mystery has always been how guitarists blend various pedals to achieve their sounds so since I've been a sucker for wahs & phasers I never actually knew how guitarists actually used and combined them. I've borrowed a few but of course they don't sound the way my guitarists plays so I knew I was missing something. But as a drummer we're to stupid and embarrassed to ask how to use them and waste their time to explain it, especially since I'm a novice. But your videos are well paced and informative not only in what your using but your musical examples and pedal explanations are perfect. Thanks a bunch....
Need to give props to the "step-phaser" effect, where they use sample and hold for the phase distance instead of just an LFO. Great with a random pattern!
I built envelope-controlled speed into a Phase 90 clone I made for myself. Having a bit of speed-up when you dig in imparts a bit more emotion to the sound. Recommended. But yeah, S&H effects with any sort of filtering effect are loads of fun. The Line 6 Liqui-Flange also has a S&H "step" function for flanging.
@@markhammer643 Awesome! Envelope rate Bias Tremolo with or without panning is likely my most used effect! At shallow depths it's subtle and natural, just sounding like string interactions or room acoustics. But I usually dial in a bit more than that.
Flanger is by far my most favorite modulation pedal. But if I had to pick a pedal board as small as possible I'd pick a phaser. It's just so versatile. Phase and Tremelo would be my minimalist pick. And the less knobs the better. All a phaser really needs is a rate knob. And the Small Stone intensity switch. Which is why the Small Stone would be my phaser of choice.
Some very interesting sounds that could make me like phasing again! I don’t like phasing a whole lot nowadays except when I put my phaser into my old TCE Chorus, Flanger, P.M. to make an unbelievably great Univibe sound that breathes and pulses and does other amazing things because of two sets of controls. In about 1976-‘77 I got a Mutron Phasor ll but didn’t bond with it because there was no blend control to get lower amounts of the effect. After talking with Mutron, they pointed me to semi-custom builder Castle Instruments Phaser lll which I still have and is the best phaser I’ve ever heard with many more innovative controls that did things unheard of on mass produced units, plus also went lower and higher in range than anything in the stores. They also made rack mount units; after that, the owner branched out into chorus and echo/delay and flangers. The keyboard player with the Dixie Dregs was a user and endorser.
Tame Impala, Western Australian band! Nice work. Enjoyed that immensely. Keep em coming. Great playing Josh and you convinced me to pull out the old green Boss phaser and give it another chance.
For me, phaser before distortion - it sounds less "effecty". For cleans, just barely on - same reason. You don't want listeners to focus on the effect.
Phaser is my absolute favorite effect of all time. I've searched high and low for that classic phaser sound. I currently play the Behringer Vintage phaser. As soon as I plugged into it, it took me straight back to my first phaser experience back in the 70s. Very good MXR emulation. Unbelievably good for and unbelievably inexpensive (
Yeah, I have one of those too! Got it thrown in to a trade, and was immediately impressed. I felt like Carlos Alomar as soon as I stepped on it...sounds great for Lee Perry-style late '70s reggae sounds, too.
Is this where one states, "I've come away un-phased by your approach to replicate EVH but I'm rather impressed by the Plink Floyd phase of the jam."? It is. Always appreciated.
Back in the seventies the phase shifter was the second pedal I got after the fuzz box ! The chorus pedal kind of replaced the phase shifter ! I loved my phase shifter , pedals where rare and slowly picked up momentum , the wah pedal was another early pedal from the 60's !
I'm waiting for JHS to make a high quality Phase 90 + Small Stone in one. 4 Stage Phaser powerhouse! I know most of the songs you played in this videos would sound even better with it, rather than playing them with a 6 stage phaser as you did. Please make it Josh!
I'm just waiting for anyone to make a Small Stone inspired box that uses a knob instead of a color switch. I feel like it should exist (pretty sure it exists as a mod) but I've yet to find one online.
I love the approach of Santana looking or playing like Gilmour's way, that is genius.. Thanks Josh and JHS team for the inspiring ideas!! (And cool performance..)
I think I first realized phaser from the song Throw Away Your Television by the Red Hot Chili Peppers. You can hear the super thick Moog 12 stage phaser heavy on the guitar during the choruses and it just adds just a mysterious ambience to the whole song as the entire song is a mega trip!
I just got your 3 series compressor last week and I LOVE the pedal! It’s my first JHS product and I’ll definitely be buying more. Keep doing what your doing ❤
‘Meeting of the Spirits’ by Mahavishnu Orchestra has a pretty prominent phasey riff. It was released in 1971, so well before MXR. I don’t think it’s a Univibe, could it be Maestro? Maybe some weird wah pedal?
I think that the phasing effect on that was John McLaughlin using a wah, very slowly sweeping through the frequency spectrum. Try that if you have a wah pedal. I gives a really cool filter effect.
I’m glad Rob showed me your page. You really explain how to get the best out of effects. Your compression video is amazing and really explained how to actually use it. Love your channel keep it up
Yup. The classic combination is a Rhodes electric piano through a phaser. The 1970s string synths were just transistor organs with some filtering and phase shifting...
I love Tame Impala's "Innerspeaker" album, but I have the limited edition CD with the second disc "Extraspeaker" that has b-sides and remixes including the song "Half Full Glass of Wine" (probably my favourite Tame Impala song) and their excellent cover of "Remember Me" by Blue Boy.
I own a phaser. And probably use it way too much 🙃. I love it of course to get that Van Halen tone for solos. I also love to turn the knob up (I use the 1 knob MXR) to get a faux uni-vibe sound. Edit: Josh I’m a Van Halen die hard since 1984 (pardon the pun). That was an awesome Van Halen jam. Your tapping is awesome! You did the legend proud 🤘🏼❤️🎸
Phaser is the greatest effect. Subtle use us highly effective in guitar solos etc... but then it works great in intense settings. Great for pretty much every genre
EHX Neo Clone into a script Phase 90 gets me where I need to go, every time I change that for other pedals I go back to that combination. Those two classics dance together really well. Keep meaning to rehouse both into one box, but I’m lazy and like the cases
I'm quite the opposite. Phaser is my favorite effect, I just picked up a Stymon Zelzah, it is the first pedal to dethrone the mighty phase 90 on my board.
@@taurushamilton2739 I literally got it yesterday. It's everything I ever wanted in a modulation pedal. I can get EVH phase, Heart Barracuda Flange, And Andy Summers Chorus out of it with ease. I love this pedal.
Bowie's Low was the album that made me love phasers. It's just so whooshy! I must have around thirty phaser pedals now, but the one I keep coming back to is the Ibanez PT-9.
Somehow, JHS videos are always a joy, despite the intrusive and tired little breaks and cliched off-camera patter. Basically everything but those things is terrific. Jesus how many “shameless plug” breaks are in this.
Great work! I would have loved to see some thoughts on the mu-tron bi-phase. I had one (with the pedal!) for years... so much FUN!! GREAT for some amazing bass mu-tations as well!!!
I was so anti-phaser when I was younger, but I recently nostalgia'd out on Flyleaf's first record, and "So I Thought" is just dripping in tasteful phaser... I immediately added it to my main HX Effects preset.
Hearing recordings of Johnny Winter using a phaser nonstop for an entire concert in the '70s will cure your desire to get one quite effectively. Later on he did the same for chorus pedals in blues music. He was a great player when he was healthy (or less ill, rather), one of the most fluid pentatonic improvisers ever, ate Clapton for breakfast without breaking a sweat - but good grief, his sound was earmurderingly bad for the longest time. 4x10 combo (often with one broken speaker), no bass, no middle, treble and volume cranked to 10, and that bloody Boss chorus yowling away all night long in every goddamn song! Ballad, shuffle, boogie, or rock, didn't matter, every note was _"yeee-ooowww-ohhh-aww-yeee-ooowww-ohhh-aww"._ Absolute torture to have to listen to good music still played very well with an ABYSMAL guitar sound. Mike Stern did the same to me for jazz. Great player - with the shittiest, most tasteless sound imagineable for the type of music he was playing. Chorus/delay all night, combined with a stereo amp setup. So depending on where you sat in the room, he was either louder than everything else - or you couldn't hear him at all, because of all the fascinating phase cancellation issues you can produce that way with two loaner amps. Jazz/fusion players should be legally prohibited from owning chorus and delay pedals. Nothing good can come from it. They play like gods and sound like horse manure. And chorus plus delay always sounds like you're just constantly out of tune after a while. In general, I absolutely hate it when otherwise good players make one particular effect in one particular setting their "signature sound" gimmick and (over)use it all the time. I wanted to strangle Miles Davis for never taking the damn mute out of his trumpet anymore towards the end, too.
Josh’s ability to play convincingly in whatever genre he’s attempting isn’t talked about enough. Kudos!
i concur
Not true, he stops at indie rock...hard rock and metal aren't his thing at all.
He could use some serious Metal lessons though, I am hoping to fill the Metalhead Pedal void soon
@@lovecraftmusic8717 finally someone else said it too! He can hard rock kinda, who can't? But can he Show offf some Entombed or Dismember style riffs for an HM2 or Obituary for a Rat? No,....... I wish i could sit in just for the Metal bits, But I have my own channel to start just for Heavy shit and Pedals, there are no Pedal focused RUclipsrs for Metal
totally
love how he can demo almost every pedal he shows here, very convincingly.
I never see anybody mention the quality of the drum sounds on these recordings. amazing guys
Not to mention Nick and Addison are a great rhythm section.
I’ve mentioned it a few times and I’m a guitar player.
Do we know how they get the sound?
Are you kidding, that snare sound achieved legendary status amongst regular viewers
Its a Kemper
I own MANY phasers. Can't imagine never having phasers.. Sometimes they're set to kill, sometimes they're set to stun.
Set Phasers to Stun - Taking Back Sunday
Some are disruptors
you should try double phasers. Seems like fun
Makes a hell of a lot more sense than a bunch of reverb pedals.
Imagine "requiring" a studio-quality 'verb with "high end air-band" to put through your amp's speaker...a speaker that rolls off rapidly above 5-6kHz and can't make a peep in the 10kHz - 20kHz region.
It was nice to actually hear some JHS pedals on the JHS show! Oh and Nick, you nailed the scream for the Floyd song. That was awesome!
This phaser set was stunning!
I'll see myself out.
Thank you for not disappointing me. Live long and prosper.
Turns out we can't eliminate puns all at once.
We're gonna try phasing them out.
Relax. Theres nothing wrong with you. Ithink you might just be in a bad phase in your life
You got a mirror or something? Otherwise I’ll make sure you leave ya gabagool
Oh I forgot the phaser pun. Mine is so subtle you won’t even be able to figure it out (or hear it I guess).
for the EVH phase sound you gotta run the phaser into the distortion, since Eddie didnt have an effects loop and used amp distortion. it's also how you keep the phase sound subtle so you can leave it on all the time.
I have mine before the amp and after my fuzz...settled on that.
I was literally about to post this. Love that subtle pre gain sound.
Even when using an amp that has an effects loop, I always like phase and vibe before overdrive or distortion. Fuzz always goes first just because most fuzz pedals are temperamental. All other modulation and time-based effects can go after my drives or in the effects loop.
true, but Eddie didn't really leave it on very long. At least in the early albums he used it for solos and the odd accent here and there
Yep, was just going to post this - EVH had his MXR 90 very early in his signal chain, but certainly before his Marshall which is where his distortion came from. So try running the Phaser before the Angry Charlie and I bet it sounds closer to "the sound."
Some hot tips for phaser use.
1) All FET-based phasers - which is everything pretending to be just like a Phase 90 and a bunch of others - will have a small trimpot inside to adjust where in the spectrum the unit sweeps. This is also used to get the FETs into a range where they all "row together" rather than some rowing and some freezing up at the highest or lowest point of the sweep. That trimmer does not have an exceedingly wide range of adjustment, but there is usually a bit of leeway, that allows you to move the phasing up a bit to be more "swirly", or down a bit to be more "gurgly". If it's a one-knob phaser, then that trimmer will be adjusted for every single pedal out of the factory to sound the same and sweep in the same range of the spectrum. But you CAN play with it to get a different sort of sound, without destroying anything. Make a point of noting where it started out, though, so you can return it to the default. Better phasers, with more than 3 knobs might have a Manual or Offset panel control that allows the user to nudge the sweep range this way and that. MXR went with a compromise setting that worked for all speeds, and hid the possibilities from end-users.
2) TWO phasers in series can yield some really interested sound, especially if one is sweeping much slower than the other. It produces a phasing sound that can appear to gradually move up and down in its range. Look for the RUclips demo of my Double Vision phaser for an example of this in action.
3) As has undoubtedly been described and demonstrated by countless RUclipss from people like Brian Wampler, phaser *before* distortion yields different sounds than phaser *after* distortion. Why? Pedals that distort do so by exceeding the headroom limits of the circuit and clipping the signal. When a phaser is located *after* a distortion of some kind, the swept notches filter out, or downplay, the harmonics added by the distortion. When the very same phaser is situated *before* the distortion, those swept notches move parts of the signal further away from or closer to the clipping threshold as the unit sweeps, producing different degrees of extra harmonic content in this or that part of the spectrum. The result sounds more "animated" than "filtered".
As a deadhead, Jam 1 was simultaneously hilarious and impressive. Good job!
Pulled off EVH better than Jer though. 😂
my gf accidentally ordered me a 3 series phaser when i’d asked for the chorus.
honestly, a perfect accident. love this thing!
You were meant to be together.
(You and the pedal. The girlfriend? We'll see!)
Phase is much better than chorus. She knew what she was doing.
@@jfo3000 well, chorus always has had an "additive" modulation to me, phaser a "subtractive". Can't describe it better.
Having grown up in the ‘80s, I always thought chorus would be the only modulation I’d ever need. 🙂 But as I’m also a child of the ‘70s, you’ve now shown me that I need a phaser.
My first pedal was a DOD Chorus in 1990 maybe? My second pedal (NS-2 lol) wasn't bought until the mid 2000s, so I'm with ya!
I never knew how much I needed a compression pedal until just a few years back, now I have like 10 of them to switch between (old school DOD Milk Box being my fav, Philosopher's Tone (Ge) next). I've bought a Waza Chorus recently too, great pedal. Maybe I'll get the MXR M134 one next 🙂
@@robcobi : Heh. My first pedal was a chorus bought around 1990 too! Mine is a Washburn. My second pedal was either a Boss DA-2 or JB-2, so sometime between 2013 & 2018. I’ve got the Waza Chorus now too. (And a JC-40.) And I’m eyeing the DC-2w.
try a phaser into a chorus ..... speed setting is important but it gets you a nice rotary nuance
I got pretty sick of chorus because in the 80s EVERYONE was using one and a lot of players just left it turned on all the time. I have one in my pedal board, but I almost never use it. I regard it as a seasoning to be used sparingly, as I regard most modulation effects. Most virtual rigs I set up on modelers don't even have a chorus in the chain, and if I put a chorus in, it's generally only on the clean rigs I set up.
The script MXR Phase 90, OTOH, is my #1 desert island effect. I use effects sparingly, but phaser is the one I go to most frequently. It is THE effect, AFAIC.
Two '70s modulation effects units that everyone should hear before they die, but most won't:
- Marshall Time Modulator
- the effects section of the Farfisa Polychrome...possibly the most glorious implementation of analog fx in any stock instrument ever made
And a few more:
- Bode Frequency Shifter (not a pitch-shifter, and all-analog), particularly on drums. Some vocoders can sound good on drums too, but not quite so cool as a BFS.
btw the early Sennheiser and EMS vocoders can slam and sizzle even more than the classic Rolands, worth many a listen.
- The Moog Phaser heard drenching the ever-living f*ck out of the Moog modular in the _Clockwork Orange_ theme is another.
Ground-zero for Flanging is _Axis:Bold As Love._ People were flanging a bit before and a lot since, but never had it been utilized to more appropriate and dramatic effect.
I don't rate pedal flangers, or anything not utilizing twin copies of a mix being varispeeded _ahead in time_ as well as real-time (two copies of the same vinyl can do it with a pitch-adjustable turntable, also).
(that said, the Lovetone 'Flange With No Name' wasn't too egregious as pedals go...it actually sounds quite good! But it still doesn't sound like tape-flanging. :)
I use the best type of phaser ever made. I use a univibe. Regular phasers are just not enough for me anymore. I've moved on to harder phasers. I mainstream my univibe directly into my heart intravenously.
They say that’s the best way
That will be my next pedal. Probably the last one I’ll ever need.
@@resistor27that’s what I say after every single pedal… it never stops.
Josh has gotten a lot better at guitar over the years. That first jam really shows that he got chops.
My favorite phaser is by far the Small Stone. InnerSpeaker is what drew me to that fuzz into phaser sound, and Kevin has almost always used a Small Stone. For like $50 used, you seriously cannot go wrong with that pedal.
Yep! I do prefer the big box versions though, personally. The nano seems to sweep too low or too long in the low so it kinda drops out at the bottom imo. Actually I've got a cheap mini phaser by Kokko that can get like 95% of the way to that sound too! Weird find on that one (it's even digital I think!) after trying many phasers. Another cool one is the CKK Robot. About $100 like the big box small stones, maybe not quite as lush but more versatile for sure.
@@Merlincat007 i have the nano, the big box and the Black Russian and the big box is definitely the best but the Black Russian(if you can tweak the insane volume drop) has a very unique and dark sound
Completely agree! I got one after hearing that it was used on the intro to Radiohead’s Subterranean Homesick Alien. The Phase 90 seems to get more love these days and it certainly has it’s own sound, but the Small Stone does for me hands down!
You can get the Behringer VP-1 for $45 NEW and it's a copy of the vintage small stone in a similar enclosure, really nails Kevin's sound and Toro Y Moi's sound on MAHAL.
especially having the big box version as it has that "gooey" phase sound that the nano just doesn't have!
I have this weird Maestro phaser ph-70 I got for like $50. It does absolutely nothing for the majority of the range of the rate pot and then blooms into this incredible, wide, weird sound and I love it so much. It's the only phaser I've ever used and is one of the few modulation effects I really enjoy. This was an awesome episode, put me in a better mood watching you guys. Thank you for everything you do.
One of my favorite uses of phaser comes from a surprising source, actually: Gordon Lightfoot. Or more precisely, his former lead guitarist, the late, great Terry Clements. Clements used an MXR Phase 90 in the ‘70s with his Gretsch Country Gentleman to add a bit of swirl to Lightfoot’s peak-era folk-rock. The electric guitar arpeggio combined with Lightfoot’s acoustic strumming or finger picking creates some very pleasing textures.
Favorite jam was "Almost Solitude Is Bliss". (Nick nailed the intro fill)
Favorite phaser is the Moog MF-103, because it's big, wood paneled, and has twelve stages, so that's immediately three times better than most phasers.
Favorite phaser track is "Miranda That Ghost Just Isn't Holy Anymore" by The Mars Volta.
If you're into Shoegaze, I highly recommend the song "Ocean" by Lush, on their album titled "Spooky" from 1992. It's a pure embodiment of 90's Phaser with a wonderful stereo effect thrown in there at the end.
I always thought that was flanger. I also always liked to imagine Robin Guthrie just slamming the pan pot back and forth by hand at the end, though I'm sure it was probably a rack unit
Lush is so gooood!
@@jhspedals one of my all time favorites!
Lush is special. Though Robin Guthrie of Cocteau Twins produced their first album and Spooky…..and I always have felt he played some of the guitars. This track is a prime example. It’s funny….Lush is such an embodiment of CT but really every shoegaze band was. Reality I cannot think of a band that singularity inspired an entire genre of music….maybe the Beatles in Pop and Rock and Black Sabbath in metal ….there you have it ….The most important bands of all time….The Beatles, Black Sabbath and the fuckin’ Cocteau Twins.
@@flyjohnson711
- *Velvet Underground,* yo. no velvets = no shoegaze as we know it
- Joy Division were the first thoroughly post-punk band
- many would say *Kraftwerk* (for Krautrock, New Wave AND Techno) but the Krautrock goes primarily through Tangerine Dream in 1969, and nobody called anything "Techno" in the '70s (except for Bruce Haack). Kraftwerk definitely DO get credit for the entire Electro genre, though, and were arguaby the first all-synth pop music ensemble (i.e. "New Wave") outside of perhaps YMO in Japan. Or...
One other band was influencing tons of New Wave and Post-punk that followed, arguably as much as Bowie did:
- Sparks...yes, *SPARKS*
The Mael bros pre-empts both Roxy Music and Queen - who's approach to recording and building harmonies would probably have sounded different if they hadn't heard _This Town Aint Big Enough For the Both of Us_
I have learned more about pedals, how they sound, how to tweak them, and which ones I should buy from your videos than any other place. Keep up the great work!
I love how stereo phasers sound on synths, it tickles my brain in just the right way
Just bought my 3 Series Phaser about a month ago and I've been having a good time with it.
I’m looking into getting one. Do you like yours? And can it do the subtle phase thing?
Thanks
@@brianrollins7275 Yup. Had it for 6 months so far and I love it. Yeah, I can get a nice subtle phase to pretty spaced out effect and everything in between. It's pretty versatile and the price is great.
Recently bought a Behringer VP-1, copy of a vintage small stone and I love it on my bass!
Dude I have one of those and like most Behringer pedals while it's not the most road worthy, it sounds fantasti! I love it on both guitar and bass as well
Phaser just takes me back to the sounds I heard as a kid coming from the radio in the 70's, a real nostalgia hit. The phased Rhodes on 10cc's I'm not in Love is a personal favourite.
I think Massive Attack use Phaser subtly and beautifully on their song Protection as well
Oh, Man! You guys gotta do a little more on this one; phase before and after gain, different stage phasing, what makes phase different from things like chorus and flange.
Anyway, loved it!
Favorite phaser songs:
“We Will Rock You”
“Passenger Side”
“I Don’t Think Hank Done It This A Away”
Damn it. *Opens browser to search for a Phaser.*
I don't usually comment on the jams, but I think this was some of the best jams you've done. And now I really really really want a phaser. Looks like I am trucking myself to the music store to grab a 3 series.....
Great phaser uses was Phil Lynott from Thin Lizzy, used on his bass. Check out Dancing in the Moonlight from the absolutely stellar album Bad Reputation.
That's one of my favorite song !
Knew it from the movie Infiltrator in the opening scene.
I have two and it’s not enough
@@ElvisPriceless agreed! It’s one of my wife’s and my “songs”. Thin Lizzy is regarded as one of the greats, and I yet I’d still label them underrated. Criminally so. This song was a great use of phase and just a great song in general.
I used to think the guitarist, Robertson used a phaser too, but found out it’s a wah he leaves on heel position (not sure of technical term). Solos, like Emerald and Don’t believe a word, spring to mind are wah but sound great with phaser.
@@thetribalist6923 Wow I just worked out Boys are Back in town as a Piano ballad...In Ab!
Love Thin Lizzy Phil is the most under rated writer ever in my opinion.
The album tracks are amazing...so many Gems Borderline one of many.
The “Dark Side” jam sounded like “Breathe” mixed with “Dogs” from “Animals”. Which is a good thing. I’d love to see the Smashing Pumpkins phaser thing, where they run everything through it, and use it with the rate all the way down during solos.
I might try that. I use mine mainly on cleans.
Jinx! I commented about the Smashing Pumpkins also. As a result of loving that sound, I bought a phase 100 (what they used on guitars during Siamese Dream and Mellon Collie). Also, Behringer just did a clone of the mutron bi phase, a rare unit they heavily used during Siamese dream especially! If I wasn't so digital dependent now and had the space, I'd maybe think about buying one.
@@Aaron-zh4kj I’ve seen that Behringer. I love their pedals (great in all but housing; the SF300, HM300, and TM300 are all spot on clones of the Boss FZ2, HM2, and Tech 21 SansAmp, respectively. I’ll have to look into that BiPhase, because if it’s close and affordable, it’s a get. Currently, I use a Phase 90 clone for Pumpkins. I think Reverb did an article about using an MXR UniVibe at certain setting to get similar results, but I’ve never tried it.
@@chrisradzion2148 The behringer biphase clone isn't just a pedal, as I remember. They put it in essentially the same housing and everything as the original. I also got an MXR Phase 99, which is basically two phase 90's in one box, also with a script button. I wanted it after learning that Billy Corgan mentioned using two Phase 90's in tandem later on, so I could do the same thing with less space consumption on my old pedal board.
@@Aaron-zh4kj I was looking at it today. Looks exactly the same. Still too pricey for me (I think it’s about $300). I think getting a Phase 99, 100, or just another decent Phase 90 clone will do the trick. I also have a small multi effects pedal with an “auto wah”/ envelope filter on it. At certain settings (I have them pictured somewhere), you can get what Corgan calls a “cocked wah” type sound. If you love the tones of those first few SP albums, especially the leads, it’s so cool to figure out how to used some of these modulation pedals, sometimes unconventionally, to get those tones. Most people stop with an Op Amp Big Muff and maybe a Marshall sounding Plexi pedal, but these other effects add these little things that make it so much better. I’m very close to buying a TC Mimiq for some of those solo tones (I’d get a Strymon Deco, but that’s right there with the Biphase- out of financial reach at the moment).
Great video! Really enjoy the way they are produced/edited and the humor as well as the information 👍👍
These jams are some of the best you guys have done.
It's not just that the concepts and playing are tight (although they are). It's mostly that they're some of the most inspiring you've done: they seriously make me wanna go pull out some pedals, plug in, and Try Stuff.
Which is, I assume, the intent. Well....great success.
I didn't know a phaser was so versatile. I have a Peavey vtx classic 65 combo and besides the spring chorus it's got a built-in phaser. I always felt that it was so random to integrate a phaser, of all the effects. But that was because my only association with phaser was Van Halen :D I will definitely experiment with it now, especially for cleaner sounds. Thanks for the inspiration.
Definitely my favorite effect! I used to say tremolo was my number one, until I got to now phaser, it sounds amazing for rhythm and even cooler for solos if you kick a fuzz in front of it
Me too. Other modulations come and go from my board, but phaser, tremolo and spring reverb are always on tap. I could play any gig with those three and an amp that breaks up at stage volume.
Phaser was the first modulation pedal I ever heard anyone play in person, and it has been ever since my favorite modulation effect. I currently have the Walrus Audio Lillian on my board. Awesome phaser. So many great phaser songs, first one that popped into my head is Dire Straits "Industrial Disease" from the Love Over Gold album. It's not on the main guitar part but on the second part, all these little staccato rhythmic accents, but it sounds fantastic, suits the song perfectly.
I love the Series 3 Phaser for bass! The blend know allows me to cut back so the effect isn't too extreme, as it is with, e.g., the Small Stone. Using a phaser gives a bass movement and a psychedelic sound, but too much in and out just removes the steadiness of the bottom. The blend knob solves that. It's also more tweakable than most phaser pedals. It can be extremely subtle or ... extreme.
Filthy good VanH! Excellent demo of Phaser goodness.
Best songs with Phaser: Big Star Ballad Of El Goodo, Clash Lost In The Supermarket, Tame Impala anything off the record you just showed us, Paul Mccartney Back Seat Of My Car
this is my first JHS Pedals video and its amazing lol love the humor and I may just have to get me a JHS just to show some love/support
London Calling album by the Clash, Mick Jones was addicted to phaser at that time, it's all over that record. Don't know what brand or model he was using but it's everywhere. Kinda overdid it with the phase on that one maybe. I tried phaser and moved on to univibe real quick, but I guess that's just a fancy phaser.
It was an MXR Phase 100 if memory serves.
Great playing on this vid by the whole band. Awesome!
I own a 3 series phaser I like it because most the phasers I’ve had, never had a volume or blend knob. I like it low and slow and wide. I’ve bought most of the 3 series pedals all really good and versatile. I also like they are from Kc too !!
Incredible videos. I'm 200% hooked. I'm a 56 yo drummer who grew up playing drums from my early teens, got fairly good in the 80's playing in the splendiferous hair metal era, just trying to keep up with shredders of the time, then hung up my sticks and drumming wrestling shoes for most part in the 90s to finally getting frustrated with 90% of 90's bands ripping off 60's-80's bands that I finally got back into drumming again and trying to bring back those classic drum sounds & rhythms and trying to find like minded musicians. Luckily there were plenty of us. But I seriously realized the younger musicians say under 30 were so obsessed with pro-tools, plug-ins and drum machines and learning and recording music in their rooms in moms house that actually finding under 40 yo guitarists with practical gigging experience was like finding a whale in New Mexico.
Anyways, so at 56 I just purchased an electric guitar & bass to teach myself to play. I built my own rehearsal/recording room and have pretty much everything a band needs to practice or record minus guitars & pedals. I have a basic understanding of what certain pedals do and sound like but the mystery has always been how guitarists blend various pedals to achieve their sounds so since I've been a sucker for wahs & phasers I never actually knew how guitarists actually used and combined them. I've borrowed a few but of course they don't sound the way my guitarists plays so I knew I was missing something. But as a drummer we're to stupid and embarrassed to ask how to use them and waste their time to explain it, especially since I'm a novice.
But your videos are well paced and informative not only in what your using but your musical examples and pedal explanations are perfect.
Thanks a bunch....
Need to give props to the "step-phaser" effect, where they use sample and hold for the phase distance instead of just an LFO. Great with a random pattern!
Yeah! Boss PH-3? I love Barberpole phasing too.
I built envelope-controlled speed into a Phase 90 clone I made for myself. Having a bit of speed-up when you dig in imparts a bit more emotion to the sound. Recommended. But yeah, S&H effects with any sort of filtering effect are loads of fun. The Line 6 Liqui-Flange also has a S&H "step" function for flanging.
@@markhammer643 Awesome! Envelope rate Bias Tremolo with or without panning is likely my most used effect! At shallow depths it's subtle and natural, just sounding like string interactions or room acoustics. But I usually dial in a bit more than that.
@@markhammer643 Ever try the Copilot FX Autodialer? It's a pedal that converts your guitar envelope to expression output!
@@Merlincat007 No, but I did make this: ruclips.net/video/ouqkQWhK5ZU/видео.html
jhs vids always have the tightest jams sessions. love it
Flanger is by far my most favorite modulation pedal. But if I had to pick a pedal board as small as possible I'd pick a phaser. It's just so versatile. Phase and Tremelo would be my minimalist pick. And the less knobs the better. All a phaser really needs is a rate knob. And the Small Stone intensity switch. Which is why the Small Stone would be my phaser of choice.
Got me a J3 phaser. Best purchase of the year. It just sounds right ™️
yesssssss!!!!
I've been using Phasers ever since I heard "Comin' Round The Mountain" by Funkadelic by in 1976.
It's still my # 1 effect after all these years.
Some very interesting sounds that could make me like phasing again! I don’t like phasing a whole lot nowadays except when I put my phaser into my old TCE Chorus, Flanger, P.M. to make an unbelievably great Univibe sound that breathes and pulses and does other amazing things because of two sets of controls. In about 1976-‘77 I got a Mutron Phasor ll but didn’t bond with it because there was no blend control to get lower amounts of the effect. After talking with Mutron, they pointed me to semi-custom builder Castle Instruments Phaser lll which I still have and is the best phaser I’ve ever heard with many more innovative controls that did things unheard of on mass produced units, plus also went lower and higher in range than anything in the stores. They also made rack mount units; after that, the owner branched out into chorus and echo/delay and flangers. The keyboard player with the Dixie Dregs was a user and endorser.
The Slow Rush is my favorite but they are all amazing!
The slow rush definitely has some bops on it
Tame Impala, Western Australian band! Nice work. Enjoyed that immensely. Keep em coming. Great playing Josh and you convinced me to pull out the old green Boss phaser and give it another chance.
For me, phaser before distortion - it sounds less "effecty". For cleans, just barely on - same reason. You don't want listeners to focus on the effect.
This is some great advice. I wish someone had given it to me earlier.
Totally agree. Compressor - phaser - OD / boost etc. the Keeley cosmic country phaser is a rad one too. A blend knob is a must have.
Unless you do. It's all good.
Excellent advice…..
@@vladv5126 I'd agree mostly with the OP, but I think you're right to point out there could always be an exception.
The best music gadgets channel! Cheers!
I love the pigtronix moonpool. Really cool tremolo and phaser in a small form factor.
Phaser is my absolute favorite effect of all time. I've searched high and low for that classic phaser sound. I currently play the Behringer Vintage phaser. As soon as I plugged into it, it took me straight back to my first phaser experience back in the 70s. Very good MXR emulation. Unbelievably good for and unbelievably inexpensive (
Yeah, I have one of those too! Got it thrown in to a trade, and was immediately impressed. I felt like Carlos Alomar as soon as I stepped on it...sounds great for Lee Perry-style late '70s reggae sounds, too.
Trick question. I do own a phaser.
Do you own more than one phaser?
Do you own something dusty square and orange colored?
I don’t
@@bronsonjohnson9019 I do now
@@RasCuban33 there's only one phaser so yes
Love that this ep dropped the day after my 3-Series Phaser arrived. The extremes of the knobs are super useful sounds too. Really versatile pedal.
Carlos Alomar used a Phaser on a lot of Bowie songs, Santana ‘s Europa on the clean part uses the Phaser in a really swirly setting
Is this where one states, "I've come away un-phased by your approach to replicate EVH but I'm rather impressed by the Plink Floyd phase of the jam."? It is. Always appreciated.
Back in the seventies the phase shifter was the second pedal I got after the fuzz box ! The chorus pedal kind of replaced the phase shifter ! I loved my phase shifter , pedals where rare and slowly picked up momentum , the wah pedal was another early pedal from the 60's !
I'm waiting for JHS to make a high quality Phase 90 + Small Stone in one. 4 Stage Phaser powerhouse! I know most of the songs you played in this videos would sound even better with it, rather than playing them with a 6 stage phaser as you did. Please make it Josh!
I'm just waiting for anyone to make a Small Stone inspired box that uses a knob instead of a color switch. I feel like it should exist (pretty sure it exists as a mod) but I've yet to find one online.
The Almost Breathe jam was spot on Santana stare influence. love it!
I love the approach of Santana looking or playing like Gilmour's way, that is genius..
Thanks Josh and JHS team for the inspiring ideas!! (And cool performance..)
"Why Won't You Make Up Your Mind" is the ultimate phaser track on Innerspeaker in my opinion.
I think I first realized phaser from the song Throw Away Your Television by the Red Hot Chili Peppers. You can hear the super thick Moog 12 stage phaser heavy on the guitar during the choruses and it just adds just a mysterious ambience to the whole song as the entire song is a mega trip!
Yeah But the song is a repeat... and it's getting old 😉
@@ElvisPriceless hahaha!!! I see what you did there😈🔥🤘🖤✳️
@@TheSailsCall 🤘🤘
I just got your 3 series compressor last week and I LOVE the pedal! It’s my first JHS product and I’ll definitely be buying more. Keep doing what your doing ❤
I love my 3 Series Phaser!
Everyone should listen to more Waylon Jennings.
And can you please convince Maestro to reissue that big PS-1 Phase Shifter?
Josh, you need to take this band on tour. Seriously
‘Meeting of the Spirits’ by Mahavishnu Orchestra has a pretty prominent phasey riff. It was released in 1971, so well before MXR. I don’t think it’s a Univibe, could it be Maestro? Maybe some weird wah pedal?
I think that the phasing effect on that was John McLaughlin using a wah, very slowly sweeping through the frequency spectrum. Try that if you have a wah pedal. I gives a really cool filter effect.
I’m glad Rob showed me your page. You really explain how to get the best out of effects. Your compression video is amazing and really explained how to actually use it. Love your channel keep it up
also great on synths, organs and e-pianos!!
Yup. The classic combination is a Rhodes electric piano through a phaser. The 1970s string synths were just transistor organs with some filtering and phase shifting...
Ibanez PT9 from the early 80s has always been my favourite. It never makes anyone's list, but for me it's the greatest phaser I've ever owned.
I love Tame Impala's "Innerspeaker" album, but I have the limited edition CD with the second disc "Extraspeaker" that has b-sides and remixes including the song "Half Full Glass of Wine" (probably my favourite Tame Impala song) and their excellent cover of "Remember Me" by Blue Boy.
Theyre both on spotify too if you go back far enough. I wish some others of his old ones like "The Sun" were on there but the EP with HFGW is amazing.
Feeling like I wanna go backwards babay
Still In Love With You by Thin Lizzy. Phenomenal Phaser song. Thank you for the awesome video.
I own a phaser. And probably use it way too much 🙃. I love it of course to get that Van Halen tone for solos. I also love to turn the knob up (I use the 1 knob MXR) to get a faux uni-vibe sound.
Edit: Josh I’m a Van Halen die hard since 1984 (pardon the pun). That was an awesome Van Halen jam. Your tapping is awesome! You did the legend proud 🤘🏼❤️🎸
Phaser is the greatest effect. Subtle use us highly effective in guitar solos etc... but then it works great in intense settings. Great for pretty much every genre
EHX Neo Clone into a script Phase 90 gets me where I need to go, every time I change that for other pedals I go back to that combination. Those two classics dance together really well. Keep meaning to rehouse both into one box, but I’m lazy and like the cases
I need to try that. I did clone into phaser and didn't like it
I had the original Maistro Phaser way back in the day! It was a mind melter!
You guys should do an episode where you do more of those random band mashups cuz that shiz was 🔥
Definitely part of my sound...nice and slow= warm and beautiful overdriven tone, and of course clean is a beauty :)
I'm quite the opposite. Phaser is my favorite effect, I just picked up a Stymon Zelzah, it is the first pedal to dethrone the mighty phase 90 on my board.
The Zelzah is the 💣 love that pedal. It’s on my main big board🤘🏾
@@taurushamilton2739 I literally got it yesterday. It's everything I ever wanted in a modulation pedal. I can get EVH phase, Heart Barracuda Flange, And Andy Summers Chorus out of it with ease. I love this pedal.
The parts we were playing at the beginning of the video send it Allman brother like well done
dID u kNoW tHaT tAmE iMpAlA iS jUsT oNe gUy?!?!?!?
These edits and that shirt are why I subscribed!!
I do...but I don't play guitar, I use them with my synthesizers.
Hear hear
I use a phaser as a chorus,auto wah, phaser, vibrato - Love IT
Bowie's Low was the album that made me love phasers. It's just so whooshy! I must have around thirty phaser pedals now, but the one I keep coming back to is the Ibanez PT-9.
Somehow, JHS videos are always a joy, despite the intrusive and tired little breaks and cliched off-camera patter. Basically everything but those things is terrific.
Jesus how many “shameless plug” breaks are in this.
One of your best episodes ever! Pre-order purchased! (Joe Walsh, Turn to Stone). 👍🏻🤘🏻
My favorite effect! Great video, and great playing!
Incredibly dope shirt. Love it lol
The opening of this video was one of the best things i've heard all month.
Man, that first jam went from in the pocket to grimy. I could listen to that in an entire Pink Floyd-length song.
I’ve bought your reverb and delay pedals so far I’m impressed
I am pumped for some phase! Nice stuff!!!
Great episode... always fun thanks again Josh
I could really feel Santana's stare energy in the Almost Breathe jam. Well done!
The JHS 3 series phaser is exceptional. The mix knob is something that should be on every phaser, and in my opinion on most pedals.
Great work! I would have loved to see some thoughts on the mu-tron bi-phase. I had one (with the pedal!) for years... so much FUN!!
GREAT for some amazing bass mu-tations as well!!!
I'm glad I kicked my fuzz and phase addiction. Now I'm addicted to these videos. Thanks a lot JHS. Never say never.
Good stuff dudes! I like phasers, my favorite (so far) is the behringer vp-1. Cheap yet sooo good!
I was so anti-phaser when I was younger, but I recently nostalgia'd out on Flyleaf's first record, and "So I Thought" is just dripping in tasteful phaser... I immediately added it to my main HX Effects preset.
Hearing recordings of Johnny Winter using a phaser nonstop for an entire concert in the '70s will cure your desire to get one quite effectively. Later on he did the same for chorus pedals in blues music.
He was a great player when he was healthy (or less ill, rather), one of the most fluid pentatonic improvisers ever, ate Clapton for breakfast without breaking a sweat - but good grief, his sound was earmurderingly bad for the longest time. 4x10 combo (often with one broken speaker), no bass, no middle, treble and volume cranked to 10, and that bloody Boss chorus yowling away all night long in every goddamn song! Ballad, shuffle, boogie, or rock, didn't matter, every note was _"yeee-ooowww-ohhh-aww-yeee-ooowww-ohhh-aww"._ Absolute torture to have to listen to good music still played very well with an ABYSMAL guitar sound.
Mike Stern did the same to me for jazz. Great player - with the shittiest, most tasteless sound imagineable for the type of music he was playing. Chorus/delay all night, combined with a stereo amp setup. So depending on where you sat in the room, he was either louder than everything else - or you couldn't hear him at all, because of all the fascinating phase cancellation issues you can produce that way with two loaner amps. Jazz/fusion players should be legally prohibited from owning chorus and delay pedals. Nothing good can come from it. They play like gods and sound like horse manure. And chorus plus delay always sounds like you're just constantly out of tune after a while.
In general, I absolutely hate it when otherwise good players make one particular effect in one particular setting their "signature sound" gimmick and (over)use it all the time. I wanted to strangle Miles Davis for never taking the damn mute out of his trumpet anymore towards the end, too.
I NEED that T-shirt! ❤