@@gearaddictclimber2524 I agree about the trombone (especially in Bernstein version) it adds a very epic look. However, it is so loud that they completely cover up the violin and half of the melody is shut down. I mean this version is a little more balanced and timpani more emphatic and that's what appealed to me.
this might be best finale from shostakovich 7 that ı have ever seen
I don’t know, the Bernstein and CSO recording is on a whole other level, at least when it comes to the trombone dynamics!
@@gearaddictclimber2524 I agree about the trombone (especially in Bernstein version) it adds a very epic look. However, it is so loud that they completely cover up the violin and half of the melody is shut down. I mean this version is a little more balanced and timpani more emphatic and that's what appealed to me.
@@gearaddictclimber2524The Bernstein/Chicago is one of my all time "I wish I'd been there in person" concerts.
@@mikery12 Yes!
Totally agree!
Yannick is so histrionic.
If there's any piece that calls out for histrionics, this is it.