Why I Export EVERY VIDEO in ProRes
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- Опубликовано: 7 янв 2019
- I started exporting all my videos in ProRes for my editing workflow in Adobe Premiere CC 2019. Here's how to export in ProRes and why I do it. Now that Windows supports ProRes, why not try?
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Would love to hear your results with this new workflow! What results did you get from this trick?
Thanks for sharing this tip! Will use it on my next movie
What is the exporting method for theater exhibition
I am using this method also for a few months. Great to see someone else doing it. Quick question: when you are done what format you export for RUclips? Thanks!
Do you ever use Adobe Encore I know its no longer made but I am trying figure out how to export 4k Video with DVD Menu with this will let be do everything else I see but 4k but I'm sure there's away
smart render would be the official way to accomplish the same result.
This video has saved my laptop's life cuz I was definitely going to throw it against the wall one day working with premiere pro
that's a solid workflow. have you tried using Smart rendering? in the sequence settings, if you set your preview files to be prores422, render in to out as you work or when you are done, make sure all is green bar, then when you export simply check "use previews" and your export will be super fast because it's using the cached preview. no extra layers, no need to update your prores file again and again and what not. it will also make your editing more efficient and easier as you work. one last bonus - if you render a prores out of the preview prores (the settings match 100%) and the settings are the same - it will take 2 seconds to render.
I missed this six months ago brother! Thanks so much it actually saved me a lot of time rendering. I wanted to try this on a final project and it was great
This is really interesting. I'm at that stage where new info is coming at me so much at high volume and velocity, so thanks for taking the time to make it all clear. It's a major help.
Man! That's a great tip. I am a editor for years. I did this one time, but never took this as a workflow method. This is really a better and quicker way.
Something I noticed when I was prerendering my timeline in a similar way was that the underlying tracks were still considered during the final render. I have a shortcut set to disable selected clips because even turning off the track visibility didn’t remove them from the render process - but this was several PrPro versions ago.
Wow buddy I loved that. Your specialty i have seen is minimalistic and easy to understand. Great work. Keep on making these 👍
Big thank you! After 15 export attempts getting errors going straight to h264, this is speeding my life up! Thanks
That's really helpful! I've been struggling a lot with deadlines and stress due to long time renders. Thank you!
Finally someone that explains the progress properly. Thank you!
Same here bro and I’m glad that you made a video about it. Speaking of video..THE QUALITY YOUR VIDEO HERE IS WORLD CLASS!!!
Yooooo this is such a great idea! Definitely gonna try this out. Also, the motion graphics in this video look so good
Best video on the ProRes Export - Thank you so much!
Valentyn Korotkevych thank you! 🙏🏻🤙🏻
I used this trick for a HUGE animation I did in after effects, then brought it back into Premiere after exporting in AE with ProRes to do motion on it. Using ProRes to get it from one stage to another is super valid.
Really awesome... thanks, feels like I got one step closer to my ideal workflow
This is such an awesome tip, I straight up liked & subscribed from it! I don’t know how I didn’t think of this earlier, but I’m really glad I found your video. Thanks! Keep up the great work. 👌🏼
I will defiantly be trying this out
Awesome video, thank you so much
Brodie whatchu doin here lmao
🙏🏻
Excellent insight
Thanks Austin. Will give it ago. All the best from Ireland.
Thoughtful and nicely written work thanks
I loved those tips!! i will try it right now!
Great advice! I'll definitely be adding the ProRes track on top of my WIPs. I also like SHIFT+E to enable/disable tracks which won't be seen or heard. I learned somewhere that during the render, Premiere treats a disabled track differently from a 'turned off' track- has anyone else heard about this?
Mind blowing. I will do like you said from now on.
Thanks Austin! Great content!
This was really helpful and informative. Thanks!
Thank you for this helpful tip! I have subbed!
Defo trying this for my new video! thanksssss
This is amazing, thank you so much!
Awesome video. Great tip - concise, overdelivered
this video is great man you really know what you are talking about and it was a great help for me to understand ProRes only bad thing is that i still am on windows :P
Thanx for the tip, highly appreciated
Oh my gosh! What an idea! This will save a ton of time!
Thank you for this awesome information
Great tip! Thank you for this!
I do this all the time, great trick!
You're a life saver !!! This solve all my problems
Very useful and concised. Thankyou
S/O to you for doing the most. What I would like to know is that can one find the same feature in Filmora or is it only available for Premiere Pro and other editing software?
The layering the exported PRORES HQ file on the top of the timeline for the fine cut is a neat trick. I like it, very clever.
I'm a dirty youtube gaming editor that works primarily with h264/h265 files (sometimes with proxies if the timeline feels laggy) but I think that this method might actually help me to get a higher quality end result without increasing overall encoding time much and keeping the project neat. Thanks.
I wish I would have known this before, thanks for sharing
Very helpful thank you
Love this!
Excellent Tutorial.
Thank you.
Curious what are the exact settings you set your Prores HQ settings to?
Great tip! Thanks!
Thanks for watching!
Thank you for this tip. I always go back and this would really help out. Quick question,, what's the difference between ProRes HQ and 4444
Awesome bro
🤘🏻🔥
As some people have mention you can use smart rendering with Pro Res. That being said were you using Nvenc or Quick Sync when exporting to H.264? Intel's Quick Sync and Nvidia's Nvenc get better and better and they can both support the AV1 codec.
I learnt something new, thanks
This is great. Two question: why cut into the ProRes if you're making changes in the H.264? Are you exporting the final as a ProRes or just H.264?
you can keep working this way and replace as you export in ProRes with the new one and make the last one compressed
this is very good workflow !
Is there no better way? I also have the issue of exporting in h264 as its the best quality format with the smallest file size best for USBs to give to clients, but everytime I export there is always one scene or a transition that messes up. This method in the video is good but surely there is a way to export without double exporting
Subscribed! Awesome and educational 👏🏽 😎
I usually export to H264 for RUclips, because the ProRes file was about 10x larger. ProRes 422 definitely has its advantages though.
iDealshare VideoGo also helps to convert video to Apple ProRes or convert Apple ProRes to mp4, mpg, avi, mov etc
Thanks!
Love the video - Question is this much better quality than Facebook or RUclips 1080 settings out of premiere?
Should I be ingesting all my h.264 A Roll and B Roll footage into the project as Quicktime Pro-res 422 to begin with so that rendering and exporting will be faster for the initial draft export?
Thank You!!!!!!!!!!! Sooooo Much!!!!
Hi
I want to transcode media (xavcs/ h264) for Davinci Resolve 16
How can I transcode the media (xavcs / h264) ?
In what format should be transcode?
I edit a lot of projects, but send them via Dropbox to another editor for finishing. These are simple 1080/29.97 projects. We're both editing premiere on MACs. Thoughts on a good lossless codec?
Thanks for the video brotha! I have a question though. How would you render 120fps clips into ProRes? I been using prores for years straight out of my recorders but now starting to use 120fps from my A7III and looking to convert into ProRes. Adobe does not currently provide support for 120 prores rendering unless you wish to render out to HEVC (H.265) which is definitely not ProRes. Any work arounds?
Thank you!!!!
I have always thought or know that getting your footage into the Prores codec right away was the optimal choice and not later after any editing is done. Footage quality can diminish very quickly depending on the alterations being done. Why would you do any editing before hand?
helpful, thanks
Thank you!
🤙🏻
I have a question please I have a Sony A7iii will this work with prores or I have to get a diferent camera, what is recommended please . Thank you
You the man, Austin!!! Love how you briefly mentioned Walter Murch, respect.
Walter Murch the legend!
Prores is now available by default with CC 2020 "ON WINDOWS"
CC 2019 ver. 13.0.2 to be exact
Great video. But I actually have some problem doing the transcode. When I transcode the H.265 video (form iPhone) to ProRes (no matter in ME or PR) on PC, the video I got will stop somewhere randomly and start to loop from the beginning (audio works normally)
LIFE HACK! thanks for the tip man!
Hey Austin! Thank you for yet another awesome video. I have a stupid question regarding the prores version. If I were to capture prores, edit on the timeline and export my edit from final cut as H265, would I lose the whole benefit of having prores in the first place? Does the extra quality in prores remain even though the final project is in H265? Meaning the whole benefit of prores is the extra editing power but not the quality in the end? Thanks again bro.
No, it won't, you'll lose some info by exporting into H264.
Thx man
Would you say the quality is better when uploading a Prores and let RUclips compress it? Or if you just customize one H.264 file for RUclips?
I just bought the new neat video plugin and it keeps crashing my project. I am trying this out now. By just exporting the pro res with the neat video and color correction. Then I'll pull it back in and add my color grade and some transitions. Thanks for this
Great video...:) do you also transcode your footage to prores?
Thank you 🙏🏻
No, most of my recent work I just pull in straight from my cameras codec (a7sii) and edited right away
Thanks for saying that uncompressed is the best quality, a lot of people don’t say that in these kinds of videos.
Great mate !!!..Excellent stuff...!! if you could expand right from the begining of the premiere sequence settings comming from say...a Sony camera we´ll love you for it ..!!! ..youll have to clarify were H264 comes in ??
liked...subed....chhheeerrrsss...
RFP.
Thankyou for the export information
Love from magixus studio mumbai india
Keep inspiring editor's
prores export here on my pc for 4K50fps stuff = 5-7.5 fps renderingspeed
h265 all-i nvenc export for 4K50fps stuff = 45-60 fps renderingspeed
so if i want to export in real good quality (even for big screen cinema) you can use prores hq (or even qx 444) without a second thought at all. if you have hardware encoding at your hand and you do youtube stuff, go for h264/h265.
Nice!!!
Does this method help with banding issues on the video lighting, overlays, etc? I'll be testing this question soon
Cool vid! Question: Why not just lay the exported .h264 video file over the timeline instead of Prores and save the space? Does this double the compression?
is this technique applies to h264 as well?
Because the H.264 is highly compressed so when you re-export it will be double compressed. The Prores retains the info with little compression.
Thankyouuu!
🙏🏻🙏🏻🤙🏻
Hey !! How to work with xavc s, sony footages round trip from premier and resolve, there is a issue related to time code, how to get it set for smooth work flow between premier and resolve??
I love your channel. Subbed. Could you do a BTS on how you edit a small project from start to finish? This helps me understand other editors thinking process.
JoshDidItt I’ve been meaning to make that video for some time, I’ll add that to the list 🤙🏻
What type of ProRes did you use on the top track? ProRes 4444? ProRes RAW?
hey man!!! thanks for the video great info. I have a question if I'm mixing clips with ProRes and XAVC when I play in my tv the colors doesnt match? any idea?
Beneficial tricks thanks
Was that reel 8, 10-bit or higher? 4K or 1080? Looks nice!!
So if im recording in my blackmagic camera 4k and doin DNG RAW 4:1 in Premiere Pro under format use QUICKTIME and UNDER PRESET use PRORES 422? Wat about video codec same PRORES 422
I tried to render in prores a 2k video and 15 min have around 80 gb....
lmao currently transcoding a 4k60 video so far taking about 30gb and about 5% done.
SMFH....then only to have RUclips destroy the hell out of the quality.😱
i want to upload a music video to itunes and it requires prores setting but my final premier pro projet is quite heavy with about 4 gb heavy, how can i make it smaller. please help
Austin is there a codec for adobe premiere elements so I can import ProRes file?
You are given a ProRes 422 HQ QuickTime file that needs to be converted to a small enough file to share electronically, while maintaining quality. It will also require a watermark. How would you do this?
Interesting. This could work for short videos (hard drive space)
hello, thanks for the video. I have a timeline I edited with proxies 1280x720. Native files are 4K slog.. In premiere I used effects like crop effects and changed the position. I was thinking about using your method of pre-conform EDL to pass in davinci. So relink in Premiere with native files then export a prores 4444 and import it in Davinci with a preconform EDL. Do I lose a lot of quality doing this?
Neat!
🤙🏻
Great, thanks! btw what's the difference between Prores and DNxHR?
how do I convert to ProRes if I'm using CS6 and don't have Adobe Media encoder? I found a program called MPEG Stream that can do it, but it only supports frame rates up to 50 FPS. I have GoPro footage that is 240 FPS.
One question, I have a file with a different sequence, can I simply export it in Pro res? Or should I create a sequence with those parameters?