It's astonishing to realize that each of these pieces is a musical vignette of friends he lost in WWi1 What an incredible expression of love ... and loss..
This is my favorite work by Ravel. The Prélude is indescribably beautiful. Ravel's instrumentation is masterful, I sorely wish that he had arranged more pieces for orchestra.
Unheard-of beauty springs from these notes. Maurice Ravel is a wizard of orchestration. My favorite work is "La Valse", the swan song to the Viennese waltz, shattered by the events of the First World War.
Yes, his orchestration is justly admired (perhaps unsurprisingly having studied briefly with Rimsky Korsakov I believe). Ravel's orchestration in "L'enfant et les Sortileges" is truly breathtaking. Actually even a consummate genius like Ravel occasionally drops a stitch: there is a bassoon entry in Mvt. 3 of the G major piano concerto, which is virtually unplayable without an ungainly drop in tempo. Mvt. 2 in that piece makes everything forgivable! I'm not keen on Ravel's orchestration of "Pictures at an Exhibition." Rather uncharacteristically for this magician of orchestral colour, he sticks somewhat slavishly to Mussorgsky's piano original. The end-result feels to me little more than a transcription of the original for orchestra. Ravel's magic touch is no more apparent than in the remarkable fireworks exploding throughout his orchestration of "Alborado del Gracioso." There's not a boring moment!
Yes, his orchestration is quite incredible!! This is probably my favorite set of pieces to ever be orchestrated. I am currently working on the Prelude, Rigaudon, and Menuet. This orchestration has helped me to capture the difference in the color/mood he was going for! It is incredible the pure genius that the man had!
...Avec Ravel, Couperin sort de son tombeau pour marcher lentement dans les allées fleuries et joyeuses de la gloire...Pas de spectres malveillants et tristes de la mort dans les alentours, mais des nymphes amoureuses, et de la musique, rien que de la musique pour le faire revivre... Superbe!!!!!!!!!!!!!!!!!
Seconded! From the sound, I'd guess the oboe is a German one; apparently they have a stiffer reed, which gives the instrument a more definite and assertive sound -- ideal for a neo-classical piece like this. If anyone knows for sure, by all means reply!
What a gorgeous and sensitive performance of this consummate masterpiece.The playing in the prelude is exemplary; the famously demanding oboe solo is managed with the unfussy nonchalance of shelling peas! Quite spectacular. The slightly acidic harmonies in the forlane are very difficult to balance in the orchestrated version so as to maintain their exotic elegance. They are handled beautifully in this interpretation. The minuet and rigaudon are tightly and beautifully managed. All-in-all a beautiful and compelling performance.
@@michaeljenkins7968 Thank you. I'm always a little suspicious that Ravel added the fugue and toccata to the piano version as an afterthought. The orchestrated four movements make perfect self-contained sense in themselves. After the finger-busting rigaudon even the likes of a technical Titan like Angela Hewitt begins to flag towards the end of the toccata. The harmonic language of the orchestrated four movements also feels to me a little at odds with the "additional" two. When Marguerite Long premiered the piano version it was already in six movements so I could be completely mistaken. Almost incredibly, she claims to have encored the entire work at its premier; she must have had the stamina of a Hercules! Just a thought (and in the end, with such gorgeous music, who cares?)
@@geneosis I haven't, (though on your recommendation I will). Actually, while I was doing my Masters in Budapest (more years ago than I care to remember) Kocsis was already meteorically significant as a groundbreaking pianist. His interpretation of less popular Debussy piano repertoire from that period (early/mid 1980s) is truly inspired. My low-fo vinyl recordings of that material still thrill me to this day. I am a die-hard Ravel adorer, but I'm afraid the fugue form Le Tombeau has never fully convinced me. It's handy for demonstrating what I believe to be the primary difference in compositional method between Debussy and Ravel: Ravel is, to my mind at least, fundamentally a contrapuntalist.
@@laurence2824 I don't know what to think about the Fugue either, but the Toccata orchestrated is simply perfect, it sounds like Ravel do it himself. regards, ruclips.net/video/Wkt8T38aaMw/видео.html
The picture when I hear this masterpiece...,...clear bright skies, raging seas, light breezes through tall summer growing trees, the suns reflection off of a lake, a sort of peasant waltz in all of it's folklorish cadence and a dasful run through wheat fields.......Ravel is the musical painter. ❤
One of my favorite works ever, beautifuly orchestrated. I find the Forlane to be particularly hypnotizing, being played at such a slow tempo, and I've yet to find a similar interpretation. If anyone knows any, please share, the ones I've heard are rather fast in comparison. Thank you for uploading.
Oh how I love Ravel so. He’s been my favorite composer for years and he still never fails to make me smile. The prelude here is so warm and sweet. It feels like the sun pouring down on you while you're out picnicking on a beautiful summer day. A really touching memorial to (and reclamation of) his friends who died during such a terrible, terrible war.
Not only is it beautiful, it also has a beautiful yet sad, yearning climax! Especially the end of Menuet, it's like Ravel is missing his friend badly and looking up to the sky and sees a bird freely, peacefully flying away
Wow. Just recently discovered this masterpiece from ravel thanks to radio 3. I have now got it playing in the car after buying the cd. Its been playing non stop for the last 2wks going to and from work. I still love it.
Una composición impresionante y una obra emotiva por el homenaje de Ravel a sus amigos soldados caídos en la Gran Guerra. Muy buena interpretación de la orquesta alemana y espléndida dirección del español Jaime Martín. ¡Bravo!
Dass ist unglaublich, obwohl ich habe es schon gewusst. Es dort Raven sehr lang zeit zu Scheiben die Originalkomposition, aber wenn es war fertig es dort ihm nicht so lange zu machen es für orchestra. Entschuldigung für alle grammatische Fehler, aber deutsch ist mein dritte Sprache.
Früher habe ich die leichteren Sätze selbst auf dem Klavier gespielt - die Forlane war eines meiner "Partystücke". Ravel war ein solcher Meister der Orchestrierung, dass beide Versionen charmant sind.
Beautiful version of a 20 minute masterpiece. Thoughtful and uplifting. Like listening to the comforting words of an old friend. It is so engaging I am surprised it is not been used more in theme music on TV and in films. I might be wrong but I think I can hear some Stravinsky influence in this music.
This is one the most beautiful piece of music I’ve ever heard, extremely sensible - exceptionally interpreted ..This interpretation assured me that there is still infinite passion, love and interest for the genius of classical music.. Thank you from all my heart for posting this treasure(!)
my favorite classical work of all time period. I know the "impressionist" composers didn't like being compared to a movement in an altogether different artistic medium but I feel it's so appropriate nonetheless. Brush strokes broad and a departure from rigidity of form but so precise at the same time.
Blair Tindall, who wrote the book "Mozart in the Jungle" (on which the TV series was based) is also a wonderful oboe player: en.wikipedia.org/wiki/Mozart_in_the_Jungle
My fave Ravell work, have watched many vids of this piece, the camera work following the instruments is the best by far, kudos to the production people
Ravel was objectively a master of orchestration. period. You might disagree with the purpose of bending a horseshoe with bare hands, but it is impressive when it's done nontheless.
Lucky me! Played clarinet on this in Colorado Springs in 1987, then oboe in the 90s in Fort Worth. Although Daphnis is still more famous, the Tombeau is a show piece for oboe and e horn. Such magic in each passage!
Sterling. Perfect. Breath-taking. I have enjoyed this piece for deacdes. This performance is definitive. I perceived new instrumental expression in this cut, heard nowhere else before.
BRAVO! Thank you all. Marvelous ensemble, delicacy, excitement and emotions. I know I am biased, but I especially enjoyed the oboe and English horn. I rehearsed both parts but never performed them. Grand memories. Thank you.
There are programs you can get online that allow you to record an MP3 from a RUclips video. Then you can make your own CD from that. This is definitely worth the trouble. 👌
Really a magic of orchestration by Ravel! Only such orchestras with highest technique as hr-Sinfonieorchester could perform this colorful masterpiece perfectly.
I think, nowadays the difference between French orchestras and German ones are ever smaller than that of half a century ago. Even at that time, under the baton of Charles Munch French orchestras performed the symphonies by Brahms as perfectly as any Austro-German orchestras.
It is wonderful......I see beautiful and lost land. Somwhere chiaroscuro falls and points me green path to hidden turquoise lake. I can feel every emotion in that place; Despair, Hapiness, Relief, Hope, Ardency and finaly Silence and peace.
Prelude illustrated the idea of autumn transitioning toward winter. the dry yellow and orange leaves, kapok tree seeds, and Dandelion's pappus dance along the autumn wind as it transitions. Then, winter arrives slowly as the sky snowflakes dance and sway through the air. the last leaf fell late at the end. yet it was so beautiful.
Perfecta Interpretacion de esta difícil obra, con un registro magistral en video en donde las cámaras fueron dirigidas siguiendo la partitura con absoluta precisión La obra original para piano,, incluia una 5o. y 6o. movimientos, como Minué y Tocata, pero estos no fueron orquestados por Ravel, motivo por el que no se presentan. . A través de Couperin, el autor trato de celebrar la música francesa del siglo xviii. Y Vale la pena aclarar que, durante el siglo xvi, un "tombeau" es un genero literario, algo así como un póstumo tributado a la memoria de un gran desaparecido
Auf meinem Kanal lade ich, unter anderen Interessanten Komponisten, auch Musik von Maurice Ravel hoch. Kannst ja mal in meiner Playlist „Ambiente” vorbeischauen. Würde mich freuen! :)
If you are referring to the "baton-less" style of conducting, this conductor is only the 3d conductor I've encountered who conducts in such fashion. Gergiev & John Phillip Sousa (long deceased) are the only other two.
Chef d'oeuvre d'orchestration, c'est ce que l'on dit à raison de ce tombeau si dansant et aérien. La musique de Ravel ressemble à sa maison de Montfort l'amaury.
Somebody arranged the two missing movements. Apparently, the arrangements are pretty good. I have heard them. I have not studied music extensively, but to me they sound just like Ravel.
Let's all hear a LPOT LESS of Ravel's "Bolero" and a lot MORE of this delightful piece, "Le Tom beau de Couperin"! Didn't he Ravel write this as a sort of dedication to his personal friends he lost in World War One?
@@kuschhase7372 Ya thsat was such A TOUCHING TRIBUTE to many friends, or acquaintaNCES, of his ! Most other composers wouldn't feel the shared humanity with his fellow beings as Ravel did.
Maurice Ravel Daphnis & chloe 1/8 posted by ThomasTurner presents an interesting journey of the master and members in groups of friends could be those who became the tragic casualties.
@@normannokes9513 Jiust why the hell do you have to mention "Daphnis & chloe" wh ich HAS NOTHING to do with Ravel' s "Le Tombeau de Couperin" ? But he did a good job of memorializing his WW 1 combat deaths friends.
Steve, My reason for introducing this piece, of course unconnected with Tombeau, reveals chapters in Ravel's life involving groups of friends. Some of whom I believe died in action and became part of Tombeau. @@steveburrus9347
Ravel picked up the oboe as being the star because in baroque times the one-keyed oboe was the most important woodwind instrument in Louis XIV's court. And Couperin worked to him.
It's astonishing to realize that each of these pieces is a musical vignette of friends he lost in WWi1 What an incredible expression of love ... and loss..
Yes, totally
wow i had no idea
Not to mention there's still two more movements; Fugue and Toccata
The original piano concert is in 6 parts for 7 friends lost in WWI, 6 families.
And in response to criticism that it wasn't sufficiently somber, Ravel replied, "The deaths are sad enough."
This is my favorite work by Ravel. The Prélude is indescribably beautiful. Ravel's instrumentation is masterful, I sorely wish that he had arranged more pieces for orchestra.
Unheard-of beauty springs from these notes. Maurice Ravel is a wizard of orchestration. My favorite work is "La Valse", the swan song to the Viennese waltz, shattered by the events of the First World War.
Yes, his orchestration is justly admired (perhaps unsurprisingly having studied briefly with Rimsky Korsakov I believe). Ravel's orchestration in "L'enfant et les Sortileges" is truly breathtaking. Actually even a consummate genius like Ravel occasionally drops a stitch: there is a bassoon entry in Mvt. 3 of the G major piano concerto, which is virtually unplayable without an ungainly drop in tempo. Mvt. 2 in that piece makes everything forgivable! I'm not keen on Ravel's orchestration of "Pictures at an Exhibition." Rather uncharacteristically for this magician of orchestral colour, he sticks somewhat slavishly to Mussorgsky's piano original. The end-result feels to me little more than a transcription of the original for orchestra. Ravel's magic touch is no more apparent than in the remarkable fireworks exploding throughout his orchestration of "Alborado del Gracioso." There's not a boring moment!
Yes, his orchestration is quite incredible!! This is probably my favorite set of pieces to ever be orchestrated. I am currently working on the Prelude, Rigaudon, and Menuet. This orchestration has helped me to capture the difference in the color/mood he was going for! It is incredible the pure genius that the man had!
@@laurence2824 Zimmerman's recording seems to have maintained the tempo quite well.
What a great orchestra! The oboe playing and English horn are incredible.
...Avec Ravel, Couperin sort de son tombeau pour marcher lentement dans les allées fleuries et joyeuses de la gloire...Pas de spectres malveillants et tristes de la mort dans les alentours, mais des nymphes amoureuses, et de la musique, rien que de la musique pour le faire revivre... Superbe!!!!!!!!!!!!!!!!!
Bravo for oboe and english horn players! 👏🏻
What a beautiful sound OMG ❤
Seconded! From the sound, I'd guess the oboe is a German one; apparently they have a stiffer reed, which gives the instrument a more definite and assertive sound -- ideal for a neo-classical piece like this. If anyone knows for sure, by all means reply!
le Hautbois c'est magique
Et difficile 😅
Magic Mike?
Il est José Luis García Vegara, je pense
Et Ravel encore plus 😊
Je suis d’accord!
The transformation of the Baroque into an Impressionist stream , hearing Couperin through Ravel's ears is no less than magical.
The prelude is absolutely my favorite
Claude Debussy playing flute wow amazing looks good at 158 GREAT ORCHESTRA outstanding performance
You got me right there.
@@윱윱뜯뜯 hi!
I didn't know he was still around. Thanks for pointed that out to me. He must have learned how to play the flute after he died.
😂😂😂
Bruh that guy don’t look anything like Debussy 😂
0:35 Prelude. Vif
4:17 Forlane. Allegretto
11:22 Menuet. Allegro moderato
16:30 Rigaudon. Assez vif
김현태 외국 클래식 댓글 중에 처음보는 한국인ㅠㅠ
@@mingreelue4676 whsat the hell are you saying, IN ENGLISH?
Mingreelue 반갑습니다
the prelude's so short.. i loved it
ㅠㅠ
@@mingreelue4676 퍼포믄스는 훨신 아름답지요.
What a gorgeous and sensitive performance of this consummate masterpiece.The playing in the prelude is exemplary; the famously demanding oboe solo is managed with the unfussy nonchalance of shelling peas! Quite spectacular. The slightly acidic harmonies in the forlane are very difficult to balance in the orchestrated version so as to maintain their exotic elegance. They are handled beautifully in this interpretation. The minuet and rigaudon are tightly and beautifully managed. All-in-all a beautiful and compelling performance.
Beautifully described
@@michaeljenkins7968 Thank you. I'm always a little suspicious that Ravel added the fugue and toccata to the piano version as an afterthought. The orchestrated four movements make perfect self-contained sense in themselves. After the finger-busting rigaudon even the likes of a technical Titan like Angela Hewitt begins to flag towards the end of the toccata. The harmonic language of the orchestrated four movements also feels to me a little at odds with the "additional" two. When Marguerite Long premiered the piano version it was already in six movements so I could be completely mistaken. Almost incredibly, she claims to have encored the entire work at its premier; she must have had the stamina of a Hercules! Just a thought (and in the end, with such gorgeous music, who cares?)
@@laurence2824 I hope you have heard the full orchestration, completed brilliantly by zoltan Kocsis!
@@geneosis I haven't, (though on your recommendation I will). Actually, while I was doing my Masters in Budapest (more years ago than I care to remember) Kocsis was already meteorically significant as a groundbreaking pianist. His interpretation of less popular Debussy piano repertoire from that period (early/mid 1980s) is truly inspired. My low-fo vinyl recordings of that material still thrill me to this day. I am a die-hard Ravel adorer, but I'm afraid the fugue form Le Tombeau has never fully convinced me. It's handy for demonstrating what I believe to be the primary difference in compositional method between Debussy and Ravel: Ravel is, to my mind at least, fundamentally a contrapuntalist.
@@laurence2824 I don't know what to think about the Fugue either, but the Toccata orchestrated is simply perfect, it sounds like Ravel do it himself.
regards,
ruclips.net/video/Wkt8T38aaMw/видео.html
The picture when I hear this masterpiece...,...clear bright skies, raging seas, light breezes through tall summer growing trees, the suns reflection off of a lake, a sort of peasant waltz in all of it's folklorish cadence and a dasful run through wheat fields.......Ravel is the musical painter. ❤
One of my favorite works ever, beautifuly orchestrated. I find the Forlane to be particularly hypnotizing, being played at such a slow tempo, and I've yet to find a similar interpretation. If anyone knows any, please share, the ones I've heard are rather fast in comparison. Thank you for uploading.
Le orchestration est magnifique. FRSO continue d'exceller. Chapeau, Ravel et FRSO !
Oh how I love Ravel so. He’s been my favorite composer for years and he still never fails to make me smile. The prelude here is so warm and sweet. It feels like the sun pouring down on you while you're out picnicking on a beautiful summer day. A really touching memorial to (and reclamation of) his friends who died during such a terrible, terrible war.
Not only is it beautiful, it also has a beautiful yet sad, yearning climax! Especially the end of Menuet, it's like Ravel is missing his friend badly and looking up to the sky and sees a bird freely, peacefully flying away
Wow. Just recently discovered this masterpiece from ravel thanks to radio 3. I have now got it playing in the car after buying the cd. Its been playing non stop for the last 2wks going to and from work. I still love it.
The Couperin is some of the most beautiful music in the world.Lets is magical beauty transport you to a better day.
Una composición impresionante y una obra emotiva por el homenaje de Ravel a sus amigos soldados caídos en la Gran Guerra. Muy buena interpretación de la orquesta alemana y espléndida dirección del español Jaime Martín. ¡Bravo!
Wüsste man es nicht, man würde nie merken dass die Originalkomposition für Klavier ist! Vielfachgenie Ravel sei Dank.
Dass ist unglaublich, obwohl ich habe es schon gewusst. Es dort Raven sehr lang zeit zu Scheiben die Originalkomposition, aber wenn es war fertig es dort ihm nicht so lange zu machen es für orchestra. Entschuldigung für alle grammatische Fehler, aber deutsch ist mein dritte Sprache.
Früher habe ich die leichteren Sätze selbst auf dem Klavier gespielt - die Forlane war eines meiner "Partystücke". Ravel war ein solcher Meister der Orchestrierung, dass beide Versionen charmant sind.
Beautiful version of a 20 minute masterpiece. Thoughtful and uplifting. Like listening to the comforting words of an old friend. It is so engaging I am surprised it is not been used more in theme music on TV and in films. I might be wrong but I think I can hear some Stravinsky influence in this music.
This is one the most beautiful piece of music I’ve ever heard, extremely sensible - exceptionally interpreted ..This interpretation assured me that there is still infinite passion, love and interest for the genius of classical music..
Thank you from all my heart for posting this treasure(!)
By far my favorite work by Ravel. To the orchestra... OMFG! perfection!
my favorite classical work of all time period. I know the "impressionist" composers didn't like being compared to a movement in an altogether different artistic medium but I feel it's so appropriate nonetheless. Brush strokes broad and a departure from rigidity of form but so precise at the same time.
Perfection. My favorite orchestra. These people love music!
My favorite European orchestra, conducted by one of the finest musicians of our time.
Doesn’t matter who’s conducting what, this is a terrific group of players.
In that case it very much matters who’s conducting what
audio engineer for this did great! thanks for uploading
Love the oboe. My granddaughter plays the oboe and I can listen all day
Blair Tindall, who wrote the book "Mozart in the Jungle" (on which the TV series was based) is also a wonderful oboe player: en.wikipedia.org/wiki/Mozart_in_the_Jungle
My fave Ravell work, have watched many vids of this piece, the camera work following the instruments is the best by far, kudos to the production people
the forlane is hauntingly beautiful, wow
since the Symphony has been shut down this is my go to Classical channel
I wonder how many symphony orchestras will survive the pandemic...
Ravel was objectively a master of orchestration. period.
You might disagree with the purpose of bending a horseshoe with bare hands, but it is impressive when it's done nontheless.
Yup…you can float on all the nuances…
What
Desde que empece a escuchar la musica de Ravel fue mi favorito las sutiles melodias llenas de belleza las orquestaciones arreglos magnificas un genio
Ravel è semplicemente divino. La sua musica viene direttamente dall'Onnipotente
One of the best performances of this Masterpiece 👏
interprétation parfaite, enregistrement idéal, beaucoup de légéreté, de sensibilité, des musiciens heureux....
Moi aussi j apprécie le ""des musiciens heureux "
Goosebump city! Wow. Just gorgeous and very touching. It took my breath away!
Lucky me! Played clarinet on this in Colorado Springs in 1987, then oboe in the 90s in Fort Worth. Although Daphnis is still more famous, the Tombeau is a show piece for oboe and e horn. Such magic in each passage!
Sterling. Perfect. Breath-taking. I have enjoyed this piece for deacdes. This performance is definitive. I perceived new instrumental expression in this cut, heard nowhere else before.
I really love it, specially the oboe solo and Menuet. Magnificent!! 😭😭😭
BRAVO! Thank you all. Marvelous ensemble, delicacy, excitement and emotions. I know I am biased, but I especially enjoyed the oboe and English horn. I rehearsed both parts but never performed them. Grand memories. Thank you.
I wish they offered this recording on CD. It's masterful.
There are programs you can get online that allow you to record an MP3 from a RUclips video. Then you can make your own CD from that. This is definitely worth the trouble. 👌
@@wendyscott8425 Thanks, Wendy. I'll check that out :-)
José Luis García Vegara (hautbois) Michael Höfele (cor anglais et hautbois)😀😀😀
Quelle merveilleuse performance
A first rate performance of this marvelous work. Ravel was such a master in all the realms of composing.
Really a magic of orchestration by Ravel! Only such orchestras with highest technique as hr-Sinfonieorchester could perform this colorful masterpiece perfectly.
I think, nowadays the difference between French orchestras and German ones are ever smaller than that of half a century ago. Even at that time, under the baton of Charles Munch French orchestras performed the symphonies by Brahms as perfectly as any Austro-German orchestras.
Thank God for this wonderful music!
Thankyou ravel u mean
The wood winds guys are killing me yes!
Trata-, ao meu ver, da mais linda obra composta em sustenidos. Obra-prima e magistral!
Ravel takes you through smiles and tears: Sheer beauty - and spotless performance
It is wonderful......I see beautiful and lost land. Somwhere chiaroscuro falls and points me green path to hidden turquoise lake. I can feel every emotion in that place; Despair, Hapiness, Relief, Hope, Ardency and finaly Silence and peace.
So much done with such a small orchestra. Wowzers.
Just beautiful, a work I've been listening to since I was 8 years old ... thanks to RUclips I've become a huge fan of the Frankfurt Symphony.
Whenever I hear this, I imagine this is the music I'd hear in a dream.
this is the music of dreams my friend…it is ethereal…..
Prelude illustrated the idea of autumn transitioning toward winter. the dry yellow and orange leaves, kapok tree seeds, and Dandelion's pappus dance along the autumn wind as it transitions. Then, winter arrives slowly as the sky snowflakes dance and sway through the air. the last leaf fell late at the end. yet it was so beautiful.
Great camerawork.
Perfecta Interpretacion de esta difícil obra, con un registro magistral en video en donde las cámaras fueron dirigidas siguiendo la partitura con absoluta precisión La obra original para piano,, incluia una 5o. y 6o. movimientos, como Minué y Tocata, pero estos no fueron orquestados por Ravel, motivo por el que no se presentan. . A través de Couperin, el autor trato de celebrar la música francesa del siglo xviii. Y Vale la pena aclarar que, durante el siglo xvi, un "tombeau" es un genero literario, algo así como un póstumo tributado a la memoria de un gran desaparecido
Ich liebe dieses Stück ♥️
5:15 の部分儚くて高貴な音楽って感じで好き
So beautiful! Thank you.
I'm in love with the third movement 💜
Eines meiner Lieblingswerke von Ravel - grandios natürlich vom Hr-Sinfonieorchester aufgeführt! Bravo! 💓
Auf meinem Kanal lade ich, unter anderen Interessanten Komponisten, auch Musik von Maurice Ravel hoch. Kannst ja mal in meiner Playlist „Ambiente” vorbeischauen. Würde mich freuen! :)
Love that oboe!
So beautiful....one of my all time loves x
¡Hermoso! Gracias
Fluye con tal delicadeza y dulce armonía que eleva mi ser .
非常に完成度の高い演奏
André Cluytens の解釈を正統に踏襲しているように思います。
Ravelって各楽器のニュアンス表現をこれでもかってくらい極限まで要求する。ので奏者個々の技量が高くないと駄目なのだけど、
と同時に楽器同士の軽業曲芸並みのrelation、ensemble-rism も要求する。
この両立が高次元で出来ているオケ。 素晴らしい！
I had a really great 20 minutes on Sunday morning!
Anybody else thought from the miniature that it was Gergiev?
If you are referring to the "baton-less" style of conducting, this conductor is only the 3d conductor I've encountered who conducts in such fashion. Gergiev & John Phillip Sousa (long deceased) are the only other two.
Yes sir :))
Chef d'oeuvre d'orchestration, c'est ce que l'on dit à raison de ce tombeau si dansant et aérien. La musique de Ravel ressemble à sa maison de Montfort l'amaury.
What a beautiful piece...
Nicely shaped, gentle tempi - and a wonderful orchestra.
Je suis impressionné. où sont les likes?..
Such wonderful tunes.
Beautiful. Thank you!
I love what Ravel does with woodwind instruments. Shame he isn’t here anymore to bless the world with his music
excelente , que sonido tan bonito de esta orquesta
Marvelous!!!!!!! Thanks a zillion for sharing!😘❤❤❤❤💞💋🌹💐👏👏
The oboe is magical😘
Bravo👏
Somebody arranged the two missing movements. Apparently, the arrangements are pretty good. I have heard them. I have not studied music extensively, but to me they sound just like Ravel.
The English horn comes out better here than in most recordings.
this just superb...simply superb!!
so beautiful
Incredible!🙌🏼❤️
Best channel classical music! Great of these people to share videos. I would love to visit them.
SO GOOD OMGGGGGGG
Another Ravel masterpiece.
What's with the tepid applause ... ? Common guys ... this performance was perfect!
I think a lot of the audience were not familiar with this piece and quite probably young.
Maravilloso!!!!
Ah, the chord at 1:20, so beautiful
Beautiful.
Superb
0:44 the oboe goes brrrrrrrrrr
Ravel=Brilliance!
~Love it!
Let's all hear a LPOT LESS of Ravel's "Bolero" and a lot MORE of this delightful piece, "Le Tom beau de Couperin"! Didn't he Ravel write this as a sort of dedication to his personal friends he lost in World War One?
yes
@@kuschhase7372 Ya thsat was such A TOUCHING TRIBUTE to many friends, or acquaintaNCES, of his ! Most other composers wouldn't feel the shared humanity with his fellow beings as Ravel did.
Maurice Ravel Daphnis & chloe 1/8 posted by ThomasTurner presents an interesting journey of the master and members in groups of friends could be those who became the tragic casualties.
@@normannokes9513 Jiust why the hell do you have to mention "Daphnis & chloe" wh ich HAS NOTHING to do with Ravel' s "Le Tombeau de Couperin" ? But he did a good job of memorializing his WW 1 combat deaths friends.
Steve, My reason for introducing this piece, of course unconnected with Tombeau, reveals chapters in Ravel's life involving groups of friends. Some of whom I believe died in action and became part of Tombeau. @@steveburrus9347
Perfection!
Que tempo es el cuarto movimiento?
Ravel picked up the oboe as being the star because in baroque times the one-keyed oboe was the most important woodwind instrument in Louis XIV's court. And Couperin worked to him.
one day i shall play the first movement oboe excerpt exceptionally...one day
Nur noch geil!!!! Lieblingsstelle 5:46
5:46 , aussi dissonant que génial, et Dieu sait que cela paraît dissonant...
Bellissima