Analysis of Bach Prelude in D minor BWV875
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- Опубликовано: 6 окт 2024
- Analysis of Prelude in D minor BWV875 by Johann Sebastian Bach
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A Prelude Imitating a Duo for Violin and Cello. /For this reason I believe that the speed here is a little excessive. The sounds are pleasant. In your performance there are never apexes (micro-stops, or micro-broadening of time) where the melodic lines reverse direction. There are moments when you speed up that I don't agree with much.
The piece in general, given the type of harmony, the chromatisms, the rather low register of the right hand, should be more dramatic and serious rather than witty.
It is a geometrically beautiful piece!
The tempo is just right.
Creo que está demasiado rápido.
no
Agree… he speeds up at difficult parts where he loses control. Otherwise it’s ok
I love it. Very interesting imitation, yet free.
Bach transcribed a Vivaldi Concerto for solo keyboard and this prelude is very close to being pretty similar.
except it will be better, cos it's Bach.
@@sibionic Vivaldi 40 óperas. Bach 0. ¿Te das cuenta que le estás rindiendo un culto desmedido a un músico en perjuicio de otro que fue nada menos que el músico más famoso del barroco? Te recomiendo veas la película "Broken silence".
The initial theme reminds me of the third movement of his d minor harpsichord concerto.
wow bless my youtube today i came across you today, I have been looking for people analyzing P&Fs for a while now and your analysis of this BWV 875 is really nice! and your channel has a lot of good stuff too! could you do more analysis on the bach's 48?
Thanks for your great message. Yes I will do more of "The 48". I have other analyses planned for the weeks ahead, and several other requests to fulfill, but I will return to the 48.
My top favourite of all his 48.
Inversion? Is it not voice exchange? To ly knowledge the word inversion is already taken
Voy a realizar mi anáisis de esta obra: tararán, tararán, tararán, tararán, tararán, tararán, ad infinitum. JUANCITO TETRACORDIO FALTÓ AL CONSERVATORIO EL DÍA QUE ENSEÑARON LOS SILENCIOS.
❤️❤️
Chiunque l'abbia suonato l'ha eseguito malissimo.
Para que ?
Your link is invalid
Not accurate. Bars 40-41 for example? Nothing?
This ridiculously fast tempo makes it sound superficial and like a finger exercise.
i'd like to argue and say that there's a reason why it's this tempo this piece lays in the hands very nicely and comfortably and naturally at a certain point it feels musically right to go a tempo that's quick to give phrasing, phrasing that doesn't go beat by beat but measure by measure furthermore it's mostly all scales which already adds to the easiness of the piece of course if your piano skills are decent it's electrifying to hear the smoothness in the fingers dynamic phrasing and a rhythm you can dance to or hum to or enjoy honestly you're right about the finger exercise i mean what piece doesn't have hand movements that don't mimic or incorporate a finger exercise anything faster than this id call ridiculous