Hypothetically if you have Three people??????? The writer , the beat maker and the publisher, how are we supposed to split up the 100% to keep from fighting ........... just in general 😆😁
@@starhollywood well the publisher would get 100% of his share, but as far as the folks that wrote the tune itself they would need to come up with a way to split the writer share. It could be 50/50 or any other combination. Both writers would need to register for ASCAP and divide the writer share accordingly on the same registered title. Hope that makes sense! Good question.
On ASCAP I registered my friend as the artist and I registered as the publisher so 50 percent would go to him as the writer and the other 50 percent would go to me as his publisher but we both have to be registered on ascap ??? Is that right
Thank you for the videos! To register an album, do I need to register each song individually or what's the proper way to do it? And do I have to register it as a writer and then again as a publisher, or just as a writer? Thanks again!
I'm very new to composing and don't know the first thing about how I would even get my music published. I'm still a year or two away from having some scores ready, but I am very interested in how to do this. I've enjoyed your instructional videos and have subscribed. This is information that is not that often covered and I'm finding it quite helpful and at the same time it raises more questions for a beginner. Loved your video on contests and am encouraged to send something to the Kaleidoscope contest when I revise my string symphony.
Hi John glad to read your message and happy to hear you find the videos helpful! This stuff is often neglected in school and I’ve had to figure a lot of this stuff on my own. It is well worth it though to see the ascap (or bmi) checks coming in.
So what happens when a TV company like netflix finds and wants to use your music? Do they buy and download the track from whatever music library you put it on? Then does ASCAP get immediately notified of the purchase then notifies you with your shares? Thanks for the vid
If the track gets used there will be a cue sheet that gets generated - as long as your track is registered through ASCAP with both you as the writer and your music library (aka your "publisher") registered on the aforementioned title of that specific track, then you should be getting some kind of credit within 1-3 years (that's my experience at least with the genre of classical music, which is what I'm more closely affiliated with). Good question though, especially in regards to Netflix.
I have a new video coming out this week about this very topic but the short answer is you should register with your writer side (you will be able to link it with the publisher side there easily)
I have a question: I first signed up as a writer, and then i ended up signing up as a publisher. Is signing up one by one the same as if i had signed up on "writer & publisher"?
I think it doesn’t make a difference but my feeling is that most people will forget to sign up as a publisher thinking that they’ll have all their royalties just from the writer side!
If you signed up as both you're both it doesn't matter that you did it separately 50% to the Writer 50% to the Publisher. Have you registered anything yet?
If you register a piece and write another version of that piece later, do you have to register them as two separate pieces? I composed a piece for piano but also made an orchestral version
Thanks, Haddad! I did a quick review and noticed that my account was set up as a Writer. So, I'll just go ahead and create a publisher account as well as ab "Individual" THANKS
Hi Raul, nice to meet you here -- you technically don't need to do any of that, just a simple DBA would do (doing business as) in order to collect royalties. Great question.
Sorry to bother you sir but can i still register for ascap right now then register for the DBA under my producer name? Also when i do register for the DBA how would ASCAP know it’s me or where to put the DBA at when registering my track to ascap
Hi Saad, I know this hasn't anything to do what your into, but you might be able to advise me. I like to use "MACHO MAN" by the Village People for my product by obtaining a Master use or Sync license. But I cant get through to SESAC or ASCAP.
good question, and seems like a good idea for me to cover in a video soon. Here's what I found on ASCAP's site if you google search sync license ascap: What Licenses Must I Get To Use A Song In My Film? A: If you are using a pre-recorded song or another pre-recorded piece of music in your film, there are two rights you need to clear; that is to say, you need to get two different licenses to use the music. Synchronization License: This is the right to synchronize a song or a piece of music with your visual image. It must be obtained from the copyright owner of the music, which is usually the publisher. You can find out who the publisher is by using ASCAP's Clearance Express (ACE) at www.ascap.com/ace. Songs that are not represented by ASCAP might be found at HFA (www.harryfox.com). You will be provided with a contact at the publisher's Business Affairs or Licensing Department. Master Use License: This is the right to reproduce a specific recording of a song in your film. You clear this right with the record label who owns the specific recording you would like to use; see the liner notes of the recording to find out which company this is. Alternatively, you can get contact information for record labels by calling ASCAP's Film/TV Department. You will be provided with a contact at the record label's Business Affairs Department.
Hi Saad! Love your videos! I joined ASCAP a few years ago. I can't remember if I joined as both a writer and publisher. Do you know if there is a way I can check the status of that? And if not, is there a way to add publisher to a writer account?
I signed up several years ago before they had this new option of both writer and publisher. But did it separate. When I register now will it pick up both now, or will I have to register my songs separately?. Thank you. Steve
I would register in your writer account, but make sure to "link" your song with your publisher account so it's accounted on both accounts! Hope that helps.
Great video, but I've scoured the web and I can't get this answer. If you write, compose, produce and perform, you put yourself as 50%. If you distributed through CDBABY PRO, who do you put as the publisher? I tried to type it in but I don't know which is legit. You put yourself as pub.....so I googled how to make your own publishing account, got it. Also, CDBABY says they already register your works I think(you attribute your IPI when you sign up for a specific release), yet these works don't show up as registered in my ascap account registers works list.. Where are they lol. This is very confusing. What do I put as the publisher if I use CDbaby pro (who uses SONGTRUST I guess for collecting)? Thanks
It’s a specific problem of course but unfortunately I’ve never used CDBABY PRO, all I did was make a name (Dib press) as my publisher several years ago and linked that account with my registered works from my writer account. I think CD BABY PRO does this themselves but personally I like to do it all myself than let a 3rd party handle my affairs, but that’s just me! I hope someone knows an answer to this.
Thanks dor sharing, it was very informative, i am a singer and song writer, but i can't write music. But trying to confirm, is the $100 a one time payment?
Quick question, great vid by the way! Do I have to literally download songs and add them to ASCAP under registered works or can I just type in my Codes?
No you don’t need to download anything, you just need to register the title names and their durations etc. My video should have explained that I believe (I have an updated video on this topic too on my channel) - thanks for your question!
I just signed up but I could never find my writer . Only publisher pops up . Am I still waiting for them to confirm my account for composer ? What you think
When you signed up, did you sign up as both a "Writer and Publisher" under "Music Creators - Join"? If you just signed up, they might be slow right now because of the current illness situation.
For ascap you need to be a us resident (not sure about green card holders, folks on a visa etc.) - if you’re not from the US the best bet is to go with your country’s version of ASCAP (i.e. SOCAN in Canada for example)
I seen on this video that you were putting in instruments that you may have used to create your composition. My question is, what if you didn't produce any of the instruments or keys, what do you do or put in?
If you didn't use any "real" instruments, they do have an option for "electronics" for example, or even "laptop" or "computer". Let me know if that makes sense, thanks for your question!
Doesn’t work for me. It seems I have to create two separate accounts/username and unable to create any publisher name no matter what I come up with 😩 over it!
What category should I signup under if I lease beats from other producers and they want 50% but I still create all the lyrics, and record my own vocals with the beat.
It sounds like to me that you should still sign up for writer and publisher, but depending on your deals with your producers, you may need to assign a writer share to them. It all depends on your agreements. Hope that helps!
There’s no language with ASCAP I’m aware of in reference to “catalog number.” The work ID is your composition’s ID that associated with that particular piece. There is an IPI number that refers to your number that other PRO organizations around the world can have access to in reference to your catalog. I hope that helps!
quite honestly, I'm not sure but the first step is to make sure you guys are all on the same page in terms of who deserves what kind of credit. percentage of writer/publisher via ASCAP can always be reconfigured.
Great video, someone else made my account, and i know my name and password to enter and i can access without problem, but how to know if i am publisher too? Thanks have a nice day!
thanks for your question! Login to your Writer Account, on the left-hand side click on "Works," then select any of the works you registered. After that, select "Share List." If you only see your writer account listed there, that means you don't have a publisher for that work.
@@saadhaddadmusic Hi, I’m glad you aswer me so thanks for that! i mean, i have worked with publishers because i didnt know that i can to publisher to myself. Already know it for you, the question is if i need to create a new account to be my own publisher? I am very grateful for taking time to answer me! Have a great day!
Yep if no one publishes your work through a PRO like ascap or BMI if you’re in the USA, then you should be able to make your own publisher account so you can collect your 100% shares
You can register the song in the Language it's written in and add an Alternate Title which you can put the title translated to English. Example: Song Title: Ricordi Quando - Alternate Title: Remember When. It's an Italian Title then the Title translated to English.
honestly it depends on whatever agreement you and the artist made. It's usually better to have these agreements made before actually producing the song so everyone is on the same page with who is retaining what percentage of the writer's royalty.
@@lheat3250 right, it all really depends on the agreement you two made; if you're not dealing with a major publishing company or label, etc., a lot of this share distribution falls on the artists themselves. That's why a lot of artists actually have managers/labels, etc. so they can avoid this headache. I can't really say much more than that on a youtube comment like this, I would need to know more specifically before offering credible advice.
In the application there's a section where it asks you to put down officer's name and title for your publishing company. It asks you that when you are applying for publishing
@@jessecumbaah i see I think title refers to a persons title like “executive director,” “President” “ceo” - I don’t think it really matters which of those you put there!
Saad Haddad sorry bro jeje my English is not perfect So right now my music is being distributed by the orchard a Sony music side label , that work as a publisher ?
I joined ASCAP back in March 2020 as a Writer and then gave my IPI# to the publisher who registered my 1 work. Fast forward to now March 2021 I have written an album (Indie Artist) and I want to register my works myself. However, watching your video - I made the big mistake of NOT joining as BOTH writer/publisher. I have now created a new account with ASCAP and joined as just a publisher and I'm waiting now for my IPI# as a publisher. Will this pose any problems as I will simply use my two different IPI #s - one as a writer and one as a publisher? If this is ok - then do you recommend me registering my works/album through my writer account or publisher account? or does it matter? Thank you!
Great question, I would register your works with your writer account, but make sure to “link” your new publisher account. Each share is 50%. I don’t think it matters that the IPI is different. Yes, I always recommend to go with writer and publisher accounts! You can always sign off your publisher rights later if a label/publisher wants those rights later on.
Here’s an in-depth look on how to join and register your works with ASCAP.
Hypothetically if you have Three people??????? The writer , the beat maker and the publisher, how are we supposed to split up the 100% to keep from fighting ........... just in general 😆😁
@@starhollywood well the publisher would get 100% of his share, but as far as the folks that wrote the tune itself they would need to come up with a way to split the writer share. It could be 50/50 or any other combination. Both writers would need to register for ASCAP and divide the writer share accordingly on the same registered title. Hope that makes sense! Good question.
Thank you sooooooo much 🙏🏾 this makes absolutely great sense !! This kind of business is tricky !!!!!
On ASCAP I registered my friend as the artist and I registered as the publisher so 50 percent would go to him as the writer and the other 50 percent would go to me as his publisher but we both have to be registered on ascap ??? Is that right
@@starhollywood Yes, definitely not straightforward, but glad to be helpful!
Thank you for the videos! To register an album, do I need to register each song individually or what's the proper way to do it?
And do I have to register it as a writer and then again as a publisher, or just as a writer?
Thanks again!
Maybe someone here might know? I haven’t done this as an album 💿
@@saadhaddadmusic maybe lol thanks
I'm very new to composing and don't know the first thing about how I would even get my music published. I'm still a year or two away from having some scores ready, but I am very interested in how to do this. I've enjoyed your instructional videos and have subscribed. This is information that is not that often covered and I'm finding it quite helpful and at the same time it raises more questions for a beginner. Loved your video on contests and am encouraged to send something to the Kaleidoscope contest when I revise my string symphony.
Hi John glad to read your message and happy to hear you find the videos helpful! This stuff is often neglected in school and I’ve had to figure a lot of this stuff on my own. It is well worth it though to see the ascap (or bmi) checks coming in.
So what happens when a TV company like netflix finds and wants to use your music? Do they buy and download the track from whatever music library you put it on? Then does ASCAP get immediately notified of the purchase then notifies you with your shares? Thanks for the vid
If the track gets used there will be a cue sheet that gets generated - as long as your track is registered through ASCAP with both you as the writer and your music library (aka your "publisher") registered on the aforementioned title of that specific track, then you should be getting some kind of credit within 1-3 years (that's my experience at least with the genre of classical music, which is what I'm more closely affiliated with). Good question though, especially in regards to Netflix.
I have another question:
If i'm both a writer and a publisher, should I register my work using my publishing side, or my writer side?
I have a new video coming out this week about this very topic but the short answer is you should register with your writer side (you will be able to link it with the publisher side there easily)
@@saadhaddadmusic okay thank you very much for your help!
@@JimmyTheMuggle yep no problem!
I have a question: I first signed up as a writer, and then i ended up signing up as a publisher. Is signing up one by one the same as if i had signed up on "writer & publisher"?
I think it doesn’t make a difference but my feeling is that most people will forget to sign up as a publisher thinking that they’ll have all their royalties just from the writer side!
@@saadhaddadmusic one last question: how long does it take for ASCAP to give you an IPI number?
@@JimmyTheMuggle I actually am not sure, I'm assuming it doesn't take long, it's been 10 years since I did it myself!
@@saadhaddadmusic okay thanks again for the help!
If you signed up as both you're both it doesn't matter that you did it separately 50% to the Writer 50% to the Publisher. Have you registered anything yet?
Hey creator why my Application is still pending since 04/30/2023 until now
No idea, I don’t work for ascap
If you register a piece and write another version of that piece later, do you have to register them as two separate pieces? I composed a piece for piano but also made an orchestral version
Message ascap and tell them there is an “alternative” version for orchestra. I do this all the time with existing pieces that have different versions.
Thanks, Haddad! I did a quick review and noticed that my account was set up as a Writer. So, I'll just go ahead and create a publisher account as well as ab "Individual" THANKS
glad you're getting that resolved!
Great video, I want to clarify a question. Do I need to create a sole proprietorship LLC to collect my royalties as a writer and editor?
Hi Raul, nice to meet you here -- you technically don't need to do any of that, just a simple DBA would do (doing business as) in order to collect royalties. Great question.
Sorry to bother you sir but can i still register for ascap right now then register for the DBA under my producer name? Also when i do register for the DBA how would ASCAP know it’s me or where to put the DBA at when registering my track to ascap
Priceless info.
glad you found it useful!
Great video buddy, very informative.
Glad it was helpful!
Hi Saad, I know this hasn't anything to do what your into, but you might be able to advise me. I like to use "MACHO MAN" by the Village People for my product by obtaining a Master use or Sync license. But I cant get through to SESAC or ASCAP.
good question, and seems like a good idea for me to cover in a video soon. Here's what I found on ASCAP's site if you google search sync license ascap:
What Licenses Must I Get To Use A Song In My Film?
A: If you are using a pre-recorded song or another pre-recorded piece of music in your film, there are two rights you need to clear; that is to say, you need to get two different licenses to use the music.
Synchronization License: This is the right to synchronize a song or a piece of music with your visual image. It must be obtained from the copyright owner of the music, which is usually the publisher. You can find out who the publisher is by using ASCAP's Clearance Express (ACE) at www.ascap.com/ace. Songs that are not represented by ASCAP might be found at HFA (www.harryfox.com). You will be provided with a contact at the publisher's Business Affairs or Licensing Department.
Master Use License: This is the right to reproduce a specific recording of a song in your film. You clear this right with the record label who owns the specific recording you would like to use; see the liner notes of the recording to find out which company this is. Alternatively, you can get contact information for record labels by calling ASCAP's Film/TV Department. You will be provided with a contact at the record label's Business Affairs Department.
Hi Saad! Love your videos! I joined ASCAP a few years ago. I can't remember if I joined as both a writer and publisher. Do you know if there is a way I can check the status of that? And if not, is there a way to add publisher to a writer account?
There should be a way to check! Anyone else here know the answer to this? ASCAP website refreshed relatively recently.
Thank you! @@saadhaddadmusic
Question:
if i already have work published through distrokid can i still add it on to ASCAP to my
collect royalties?
Yes!
Hey sir for the llc what can i do about that doing the solo one
I signed up several years ago before they had this new option of both writer and publisher. But did it separate. When I register now will it pick up both now, or will I have to register my songs separately?. Thank you. Steve
I would register in your writer account, but make sure to "link" your song with your publisher account so it's accounted on both accounts! Hope that helps.
Great video, but I've scoured the web and I can't get this answer. If you write, compose, produce and perform, you put yourself as 50%. If you distributed through CDBABY PRO, who do you put as the publisher? I tried to type it in but I don't know which is legit. You put yourself as pub.....so I googled how to make your own publishing account, got it. Also, CDBABY says they already register your works I think(you attribute your IPI when you sign up for a specific release), yet these works don't show up as registered in my ascap account registers works list.. Where are they lol. This is very confusing. What do I put as the publisher if I use CDbaby pro (who uses SONGTRUST I guess for collecting)? Thanks
It’s a specific problem of course but unfortunately I’ve never used CDBABY PRO, all I did was make a name (Dib press) as my publisher several years ago and linked that account with my registered works from my writer account. I think CD BABY PRO does this themselves but personally I like to do it all myself than let a 3rd party handle my affairs, but that’s just me! I hope someone knows an answer to this.
@@saadhaddadmusic Oh okay, thanks so much for the reply!!
Hey I’m a producer I use my stage name so do I put my actual birthday or the date I registered my production company
Thanks dor sharing, it was very informative, i am a singer and song writer, but i can't write music. But trying to confirm, is the $100 a one time payment?
Yep one time that’s it!
Quick question, great vid by the way!
Do I have to literally download songs and add them to ASCAP under registered works or can I just type in my Codes?
No you don’t need to download anything, you just need to register the title names and their durations etc. My video should have explained that I believe (I have an updated video on this topic too on my channel) - thanks for your question!
@@saadhaddadmusic Thank you so much for your response. I did finally figure it out! Lol.
@@pennykaylyn5698 awesome! Yes I think I was confused by your question at first, but yes it’s simpler than what you were alluding to!
is it possible to add a publisher account to your writers account?
It should be
Does this apply for everyone such as beat makers?
Most of it is very similar but please cross-check with other RUclips videos from those that specialize in audio production.
I just signed up but I could never find my writer . Only publisher pops up . Am I still waiting for them to confirm my account for composer ? What you think
When you signed up, did you sign up as both a "Writer and Publisher" under "Music Creators - Join"? If you just signed up, they might be slow right now because of the current illness situation.
Pertaining to the section on the application that asks about you being a US resident, what’s that about?.
For ascap you need to be a us resident (not sure about green card holders, folks on a visa etc.) - if you’re not from the US the best bet is to go with your country’s version of ASCAP (i.e. SOCAN in Canada for example)
I seen on this video that you were putting in instruments that you may have used to create your composition. My question is, what if you didn't produce any of the instruments or keys, what do you do or put in?
If you didn't use any "real" instruments, they do have an option for "electronics" for example, or even "laptop" or "computer". Let me know if that makes sense, thanks for your question!
@@saadhaddadmusic no.. that didn't help lol.. im kinda lost
@@saadhaddadmusic im about to sign up for ascap in the next few days and id like to get info on these things right before i start
@@corruptedseed7199 you will need to clarify then, unless someone in this community knows?
@@saadhaddadmusic i am saying i don't see where the option for electronics
Doesn’t work for me. It seems I have to create two separate accounts/username and unable to create any publisher name no matter what I come up with 😩 over it!
Thank you!
Glad you liked it!
What category should I signup under if I lease beats from other producers and they want 50% but I still create all the lyrics, and record my own vocals with the beat.
It sounds like to me that you should still sign up for writer and publisher, but depending on your deals with your producers, you may need to assign a writer share to them. It all depends on your agreements. Hope that helps!
You ever figure this out? I’m in the same boat. Producer wants 50-50 split for writer. Having issues with it
Stop leasing beats problem solved everybody...
@@spellboundshawty I’ve been making my own Beats since then. Preciate it
@@KELOC1 I signed up as a writer and put their info as the publisher of the work. I split it 50/50 that way.
Do you download the song with the registration?
Not sure what you mean by this
How do you notify ASCAP of your performances? Via phone, email ? etc..
They have a special page to do this- I have a video on this topic already on my channel if you search for that!
Is "Work ID" the same thing as my catalog number?
How do I find my catalog number with ASCAP?
There’s no language with ASCAP I’m aware of in reference to “catalog number.” The work ID is your composition’s ID that associated with that particular piece. There is an IPI number that refers to your number that other PRO organizations around the world can have access to in reference to your catalog. I hope that helps!
I don’t understand why you can’t upload the audio files of your works. How ASCAP can recognize my work if I don’t upload it ?
It depends entirely on the kind of music you’re writing and where it gets performed.
It depends entirely on the kind of music you’re writing and where it gets performed.
My producer registered our songs to ASCAP but did not enter my name as a writer and only entered his name as a publisher. What do I do?
quite honestly, I'm not sure but the first step is to make sure you guys are all on the same page in terms of who deserves what kind of credit. percentage of writer/publisher via ASCAP can always be reconfigured.
Why not use Socan?
for Canadian creators, yes.
Great video,
someone else made my account, and i know my name and password to enter and i can access without problem, but how to know if i am publisher too?
Thanks have a nice day!
thanks for your question! Login to your Writer Account, on the left-hand side click on "Works," then select any of the works you registered. After that, select "Share List." If you only see your writer account listed there, that means you don't have a publisher for that work.
@@saadhaddadmusic Hi, I’m glad you aswer me so thanks for that!
i mean, i have worked with publishers because i didnt know that i can to publisher to myself. Already know it for you, the question is if i need to create a new account to be my own publisher?
I am very grateful for taking time to answer me!
Have a great day!
Yep if no one publishes your work through a PRO like ascap or BMI if you’re in the USA, then you should be able to make your own publisher account so you can collect your 100% shares
@@saadhaddadmusic thanks u so much ! I will try it!
@@angelmondragon7552 good luck!
Can I ask you direct questions ?
yes of course!
If i made a song with a beat i bought from youtube , do i need to put his name on my ascap? if so how? please.
I'm sorry but I'm not very sure! Never have had to deal with this kind of issue.
Hi, do you know how to register a song title that is not English language??
great question, but I actually have no idea, anyone here know?
You can register the song in the Language it's written in and add an Alternate Title which you can put the title translated to English. Example: Song Title: Ricordi Quando - Alternate Title: Remember When. It's an Italian Title then the Title translated to English.
if i made a beat and a artist didnt buy the beat and they make a song and i want to register it do i still give him writers %??
honestly it depends on whatever agreement you and the artist made. It's usually better to have these agreements made before actually producing the song so everyone is on the same page with who is retaining what percentage of the writer's royalty.
@@saadhaddadmusic okay lets say i give him half and he has no publishing company? this changes the number for my publishing
@@lheat3250 right, it all really depends on the agreement you two made; if you're not dealing with a major publishing company or label, etc., a lot of this share distribution falls on the artists themselves. That's why a lot of artists actually have managers/labels, etc. so they can avoid this headache. I can't really say much more than that on a youtube comment like this, I would need to know more specifically before offering credible advice.
under officer name and title what should I put as the title?
Is it not just the title of the work? I’m a bit confused on what you mean.
In the application there's a section where it asks you to put down officer's name and title for your publishing company. It asks you that when you are applying for publishing
@@jessecumbaah i see I think title refers to a persons title like “executive director,” “President” “ceo” - I don’t think it really matters which of those you put there!
@@saadhaddadmusic I put down CEO 🤣 thank you for taking time to reply.
@@jessecumba haha yes of course! -- I don't think it really matters what you put there.
What if you’re not a US resident?.
There should be a PRO in your country. It’ll be called something else of course. Which country are you in?
@@saadhaddadmusic Bahamas.
@@waynejones8877 it should be PRS! Check that out
The ochard work as a publisher ?
Luis A Martin hi Luis not quite sure what you mean?
Saad Haddad sorry bro jeje my English is not perfect
So right now my music is being distributed by the orchard a Sony music side label , that work as a publisher ?
@@andresitopr_6340 I wouldn't know, you would need to contact your label directly to confirm which publisher they're affiliated with.
Check out @songtrust
I joined ASCAP back in March 2020 as a Writer and then gave my IPI# to the publisher who registered my 1 work. Fast forward to now March 2021 I have written an album (Indie Artist) and I want to register my works myself. However, watching your video - I made the big mistake of NOT joining as BOTH writer/publisher.
I have now created a new account with ASCAP and joined as just a publisher and I'm waiting now for my IPI# as a publisher. Will this pose any problems as I will simply use my two different IPI #s - one as a writer and one as a publisher?
If this is ok - then do you recommend me registering my works/album through my writer account or publisher account? or does it matter?
Thank you!
Great question, I would register your works with your writer account, but make sure to “link” your new publisher account. Each share is 50%. I don’t think it matters that the IPI is different. Yes, I always recommend to go with writer and publisher accounts! You can always sign off your publisher rights later if a label/publisher wants those rights later on.
wish I took the time to research, I damn sure was only signed up as a writer
it's a common issue! I made the same mistake too
It’s been a whole year and they didn’t give me access
I'm not quite sure what your specific situation is, but they generally should get back to you, especially after direct messages.
What exactly do you mean? I've been a Member since 2017 maybe I can help if you still need it.
@@Musician-r5q I had to contact them but I got it settled
@@kccx4x Great! Welcome to the club.